2017 - Spinworkz Pte Ltd · 2017 INTERVIEW:Adam Hall ... wireless intercom system whereas RTS also...
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J U N E w w w . e - t e c h a s i a . c o m 2017 INTERVIEW: Adam Hall’s Markus Jahnel PROJECT: Amaazia Offers A Truly Amazing Experience PROJECT: IMAGINE - World’s Largest Permanent Projection Mapping SGM G-Spots At The Jaguar F-PACE Shanghai Launch Gear Source Coming Soon To Asia.
Transcript of 2017 - Spinworkz Pte Ltd · 2017 INTERVIEW:Adam Hall ... wireless intercom system whereas RTS also...
J U N E
w w w . e - t e c h a s i a . c o m
2017
INTERVIEW: Adam Hall’s Markus Jahnel PROJECT: Amaazia Offers A Truly Amazing Experience PROJECT: IMAGINE - World’s Largest Permanent Projection Mapping
SGM G-Spots At The Jaguar F-PACE Shanghai Launch
Gear Source Coming Soon
To Asia.
w w w . s p i i d e r . c z
THE NEXT BIG THING!
SPIDERS ALL OVER THE WEB
ROBE_210x287_5mm_ADVERT_ka01.indd 1 27.10.2016 10:27:48
INTHISISSUE:50
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V O L 1 8 I S S U E 6 J U N E 2 0 1 7
04 FIRST WORDS
06 NEWS
INTERVIEW34 ETA Catches Up With Markus
Jahnel,COO, Adam Hall
35 VIDEO FILES
36 ENNOVATIONS
PROJECTS49 INDIA: 1522 The Pub – A new
Watering Hole And A New Sound
50 INDIA: New Theme Park Amaazia Offers A Truly Amazing Experience
54 INDIA: Virasat-e-Khalsa Comes Alive With DTS And Sholite
56 DUBAI: LASERVISION’S Latest Dubai Attraction Awarded Guinness World Record For A Second Time
LIVE58 CHINA: Jaguar F-PACE Defies
Gravity In Shanghai Launch
61 ABU DHABI: Protec At The Mother Of The Nation Festival
64 CHINA: L-Acoustics Delivers Perfect Coverage For Sing China Final
66 EVENTS LISTING
FIRST WORDS 04
The Intercom segment seems to be heating up. The recent BroadcastAsia exhibition saw Riedel launch in Asia their BOLERO wireless intercom system whereas RTS also launched their wireless intercom system ROAMEO at the same exhibition. A lot more thought process has been implemented in the new solutions taking into account even better reliability
as well as ease of use with the user in mind. Intercom systems play a critical role in the Live environment be it in theaters, concerts or even in the broadcast space and not surprisingly demands have helped push manufacturers to “reinvent” their intercom solutions.
We are also very pleased that we managed to pull off another successful event, bringing SynAudCon’s training to the Philippines. We had a total of 39 paying delegates attending the training by Pat Brown on “The Principles of Sound System Design.” It is especially gratifying when delegates come up to you and share their appreciation as to what we are trying to do for the industry. Without sponsors we will not be able to bring trainings at a more affordable cost. In this respect we thank Biamp for its support. This is the second time that Biamp has supported our initiative and their objective is to enable as many personnel involved in the industry to upgrade or refresh their knowledge and skills. This is an admirable philosophy of the company.
If you have been too busy and have not noticed, we are already in the half year mark. Time really flies. Remember to take a break so that you will feel refreshed and ready for the next half of the year.
Thomas Richard PrakasamPublisher/Editorial [email protected]
DisclaimerEntertainment Technology Asia is published 12 times a year. All rights reserved. No part of this magazine is to be reproduced, whether mechanical or electronic without the prior written consent of the publisher. Views expressed in this magazine do not necessarily reflect those of the editor or the publisher. Unsolicited contributions are welcome but the editor reserves the discretion to use them. Whilst every care is taken to ensure the accuracy and honesty in both editorial and advertising content at press time, the publisher will not be liable for any inaccuracies.
Please be informed that products and company names mentioned in this publication may be protected with tradenames, trademarks or registered trademarks of their respective owners. Our non inclusion of such symbols is not an indication of us not recognising the copyright but rather to have a common look across our articles. Misuse of tradenames, trademarks or registered trademarks is strictly prohibited. It is the obligation of our readers to check if company names and products are protected with tradenames, trademarks or registered trademarks.
Ram BhavanashiEditor, India And Middle [email protected]
Jimmy ChinDesign And [email protected]
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COLOURS FAVOUR THE BOLD. TRUE-TO-LIFE VISUALS LIKE NEVER BEFORE.
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NEWS 06E T A J u n e 2 0 1 7
Adamson And Rewire Welcome Sunphonix As First E-Series Partner In Japan
JAPAN: Kawasaki-based production company Sunphonix recently acquired an E-Series system from Adamson Systems Engineering, making them the first E-Series partner in the Japanese market. The package is comprised of E15 three-way, true line source enclosures and complementing E219 subwoofers, offering Sunphonix a significant competitive advantage to attract high-level domestic and international tours and large-scale music festivals in their home market. “We were extremely impressed by the performance of the E-Series – such a nice, clear sound with a lot of punch,” offers Sunphonix System Designer Akihiko Higashi, noting that Adamson’s Applied Certification training was a welcome value-add that will ensure Sunphonix can offer the highest level of performance for future clients. “The program was very user-friendly and the presenters were very cooperative. We appreciate that impressive level of care and attention to detail.” Founded in 1968, Sunphonix specializes in solutions for tours and major music festivals with both domestic and international acts. Higashi says the investment in the E-Series system was informed by the increased demand for Adamson products in the North American and European
markets, with Sunphonix now poised to better service an elite international user base. After participating in the Applied Certification training – a two-day course presented by Paul Ras of Adamson’s Japanese distributor, Rewire Inc., and Adamson’s David Dohrmann – the Sunphonix team wasted little time putting the system to work on some high-profile events. Among those was a deployment for the taping of a popular Japanese TV program, Majiuta-Live 2017, at the famous Nippon Budokan in front of 13,000 live spectators. Sunphonix flew left and right arrays comprised of 10 E15s and a single S10 each, plus six ground-stacked E219s per side. Rewire CEO Mack Miyamura is thrilled to have a company as reputable as Sunphonix helping them champion the Adamson brand in Japan. “We’re already getting a lot of traction with Adamson in our market, but getting the flagship E-Series out with Sunphonix on so many high-profile events and knowing the quality of performance their team will deliver, we know we’ll be getting a lot of well-deserved attention and are looking forward to capitalizing on that.” “Rewire has earned the respect of many Japan’s top production companies,” comments Dohrmann, Adamson’s Technical Director for the Asia-Pacific region. “Partnering with a company like Sunphonix assures us that the Adamson brand is in the right hands in the Japanese market, and I’m looking forward to supporting both companies as they grow their businesses with Adamson.” www.adamsonsystems.com
Participants in Adamson’s Applied Certification course at the Sunphonix headquarters, including Rewire Sales Manager Ryoichi Ishii (3rd from left); Adamson’s David Dohrmann (6th from left); Rewire Technical Support Engineer Paul Ras (7th from left); Sunphonix Head of Sound Gakuji Okumura (6th from right); Sunphonix System Designer Akihiko Higashi (4th from right); & Rewire CEO Mack Miyamura (far right)
Adamson E-Series system at Nippon Budokan for live TV taping
NEWS 08E T A J u n e 2 0 1 7
Pulse Middle East Sees Further Project Success With Base DubaiDUBAI: One of the largest AV and system integration companies in the region Pulse Middle East have seen project success with Base Dubai. Locally-run audio-visual & lighting architects Pulse Middle East delivered this thoroughly immersive audio-visual experience within just 23 days.
Joe Chidiac, Managing Partner for Pulse Middle East said, “The speed and quality of this project is a testament to the boundary-pushing capabilities, technical knowledge and passion provided by our expert team of engineers, designers, integration specialists and project managers. Base Dubai is a shining example of a world-class project, completed on schedule and executed within budget.”
Joe continues: “Our combined technical proficiency is weaved together to produce a seamless and unique world, providing clients with innovative audio-visual solutions. Base Dubai is just one expression of the many successful projects in Pulse Middle East’s extensive portfolio, which extends to many of the audio-visual experiences you are likely to have already experienced in Dubai.”
A number of world-class acts and superstar DJs have already experienced the full power of the 115 DB PA system at Base Dubai including 50 Cent, Axwell, Afrojack, Rick Ross, Alesso and Petty Wap. Superimposed on 180 square metres of LED screens around the venue, performers thrill the 2,000-strong crowd. Base Dubai has created a whole new category of ‘super venue’ for Dubai that exceeds traditional nightlife space.
Base Dubai’s sound system is powered by a TW audio point source controlled by Powersoft X series DSP systems, which ensures an elite level of power amplification. These audio effects combine with 1380 lighting fixtures from Vision Pro-lighting, and are all controlled by a ChamSys MQ500 stadium lighting console.
Evgeny Kuzin Managing Partner of Base Dubai & Bulldozer Group said, “We are impressed by the immersive, festival-scale experience that Pulse Middle East have created through the venue’s light, sound and pyrotechnics. We have worked with their company on many previous projects and have found them to be thoroughly professional and reliable with an extensive product portfolio. We look forward to continuing our relationship with Pulse Middle East, who exude creativity and proactivity from concept right through to final production.”
Base Dubai is unique in its scale of production and artist calibre, booked on a weekly basis. It’s closest ‘like-for-like’ venue can only be found in Las Vegas or Ibiza. The venue is owned by Bulldozer Group, who have F&B projects in the pipeline including Scalini, Gaia and China Tang, with many more to follow.
Pulse Middle East specialises in sound, light and integrated solutions. With light, the experts can capture a specific mood or feeling. For sound, sound systems can be tailored with state-of-the-art technology for audiences from presentations to orchestras. For fully integrated audio visual systems a holistic approach is taken that befits the unique technology needs of the project.
http://pulse-me.co/
Joe Chidiac
Evgeny Kuzin
NEWS 10E T A J u n e 2 0 1 7
Meyer Sound Appoints New Distributor For Korea
KOREA: Meyer Sound has appointed Ingang Audio Co., Ltd. of Seoul as its new principal distributor for most verticals in the fast-growing South Korean market. Ingang Audio will assume primary responsibility for building a stronger network of Meyer Sound dealers and system integrators in Korea, and for connecting customers to Meyer Sound through a more direct and transparent relationship.
"Meyer Sound products are well known in the Korean market for their quality and durability," comments Ingang Audio owner Steve Kim. "At Ingang Audio, we will build on this reputation with more promotional activities, expanding
our dealer network, and strengthening relationships with existing dealers, consultants and end users."
In a separate agreement, Kinoton Korea, Inc. will continue distribution of Meyer Sound products for the two market verticals of cinema and baseball stadiums. All other markets will be handled through Ingang Audio.
"Several key people at Ingang Audio have long experience working with Meyer Sound through prior association with a former distributor," notes Meyer Sound's Chow. "They know our technologies and how Meyer Sound can serve their customer base. This experience, combined with the more dynamic structure of Ingang Audio, will make for a smooth transition and for rapid growth in the coming months."
In addition to owner Steve Kim, key principals at Ingang Audio include President Joo Hong Chang and Technical Director Eric Han.
www.ingangaudio.comwww.meyersound.com
(L-R) Brian Chow, Eric Han, Joo Hong Chang, Helen Meyer, John Meyer and Steve Kim
Australia’s Elite Event Technology Bulks Up On ProCableAUSTRALIA: Canberra’s Elite Events recently added another 700 metres of ProCable 18X1.5 assemblies to their already significant inventory of the popular six-circuit cables. TMB’s distribution partner, Lexair Entertainment of New South Wales is the provider for this and other top quality TMB products in Australia and New Zealand.
“We own around 10 kilometres of TMB Cables,” says Darren Russell, Elite Event’s Managing Director. “In addition to ProCable “Soca” cables built in the UK, we’ve invested in ProPlex DMX and Ethernet assemblies, as well as various headers, patch panels, and tails.”
Darren adds, “In the past we made our own DMX and Ethernet cabling. The ProPlex purchases were the first time we bought complete data cables off the shelf. We looked at some samples and were impressed with the quality; they were really well made, as well as nice to roll. After doing the math, it turned out to cost about the same as our outlay for just the components, and then we'd still have to build them, which makes the rugged ProPlex an extremely good value.”
Elite has run ProCable multicables in their rigs for years. “We've found it to be really reliable and we wanted more of the same,” confirmed Darren. “If it’s working, no need to fix it! But we’ve grown to such a point where we just need more of everything. We were running out of Soca cable all the time, and it’s been great to take the opportunity to just buy a whole load in the same order. As we speak, I literally just walked past a pallet of Soca getting our branding heat-shrunk on it, going into our system kits, and being sent out to work.”
“We’ve had long relationships with all of the staff from Lexair, and they're great guys,” reports Darren. “In all our dealings with them, whether for TMB or other products, their service has been excellent. We're always happy to pick up the phone and talk to Lexair.”
www.lexair.com.au www.elitesoundandlighting.com/elite-eventswww.tmb.com/cables
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A live walk-through showcase of the integrated solutions that create a seamless and interesting guest experience, from check-in to check-out.
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NEWS 12E T A J u n e 2 0 1 7
Goshen Swara Indonesia Appointed Community Distributor in Indonesia
INDONESIA: Community Professional Loudspeakers has appointed PT. Goshen Swara Indonesia as its distributor for Indonesia. Goshen is a leading distributor of AV products with an established portfolio of brands, including Apart, Shure, Biamp, Rane, DIS, SGM, AVIOM and K2VAudio. Effective 1st May 2017, the full range of Community loudspeaker products were included with this premium lineup, enhancing Goshen’s offerings to the Indonesian market. Cunario Suriya, Goshen’s Managing Director, stated, “Community is a well-known brand with a comprehensive product range and outstanding technical support. Together with our value added distribution and committed network of installers and integrators, we are confident this provides our market with the right combination for a successful business.”
Mr. Suriya continued, “Community loudspeakers offer tangible benefits compared to other brands, particularly in challenging environments, and we are very excited to have the opportunity to develop and expand sales of their products in Indonesia.” Community’s APAC Sales Manager, Kim Muurholm Juergensen, commented, “Goshen is a well-established and respected AV distributor in Indonesia. With their focus on providing distribution across the world’s largest island country, we are confident they will be a valuable long-term partner. With Community, Goshen is gaining a strong loudspeaker range in the quality installed sound sector for both indoor and demanding outdoor applications. Indonesia is an important market for us within the ASEAN region and with Goshen’s approach to adding value I am confident we will be off to a good start. We are looking forward to working with Cunario and his team, both serving their existing customers well and introducing Community’s quality loudspeakers to many new ones.” www.communitypro.comwww.goshen.co.id
Dataton Appoints Ashok Sharma As SAARC Regional Sales RepresentativeSAARC: Dataton is pleased to announce the appointment of Ashok Sharma as its sales representative in India and other SAARC countries. In this new role, Mr Sharma will develop and support the market, working closely with local partners, Dataton users, and the Dataton team in Sweden.
Ashok Sharma has a proven track record in the pro-AV industry in India and the SAARC countries including key positions with projector manufacturers Digital Projection and projectiondesign, as well as signal processing manufacturer Gefen. As the Dataton Sales Representative, Mr Sharma and his team will be responsible for promoting the full Dataton range in the region including pre and post-sales, training, and customer service.
“We are looking forward to working with Ashok to provide
local coverage as we continue to strengthen our position in India and the SAARC region,” said Trond Solvold, Sales Director at Dataton. “India is a creative dynamo in the region and Ashok with his broad experience and knowledge will be an invaluable resource for our customers.”
“Dataton’s visual experience solutions are highly regarded for their versatility and user-friendly approach,” said Ashok Sharma. “I look forward to working with the team in Sweden to further expand reach while developing closer relationships with existing and new partners.”
Ashok can be contacted at [email protected]
www.dataton.com
NEWS 14E T A J u n e 2 0 1 7
Staging Connections Supports Industry With New Recruitment Event
AUSTRALIA: Staging Connections’ new event, ACCESS AV, is dedicated to educating and encouraging aspiring events professionals to kick start their career with Staging Connections. The inaugural ACCESS AV was held on 27 April 2017 at ANZ stadium and attracted 110 attendees from a variety of colleges, TAFE’s and direct public. The program provides attendees with a taste of how a career in AV and event technology could look, complete with demonstrations, hands-on experience and the chance to have one-on-ones with experienced technicians and event professionals from Staging Connections.
Attendees were excited and amazed by an array of technical stations, that provided opportunities to practice and develop new skills such as mixing a virtual band using a high-end Yamaha console, program moving lights using a smart phone, learn how to mix multiple cameras, and operate moving LX on GrandMA Wing and GrandMA2.
Stewart Carberry, an ACCESS AV Attendee comments, “Let me start by saying that I really appreciated the opportunity to attend the recruitment event. Staging Connections went all out to provide a great environment for visitors to test
out their high-end gear and have a real opportunity to understand what it is they do and what is involved in the events industry. I am very impressed with the scale, ability and industry commitment Staging Connections presents in Australia.”
“We created ACCESS AV to demonstrate to our industry what Staging Connections is all about and to provide those attending, unprecedented opportunity to test out the latest technologies. It was a pleasure to watch our team demonstrate our product and talk about our company with immense pride. Feedback from those attending was incredibly positive and team at Staging Connections is already looking forward to holding this event again,” said Tony Chamberlain, Managing Director,Staging Connections.
Gavin O’Hare, Technical Event Director, Staging Connections commented on success of the event. “We were thrilled with the outcome of our first ACCESS AV. We had students and attendees who were inspired to try new things resulting in a high-energy, memorable event. The range of technologies and experiences we had on offer for the day, meant it appealed to anyone considering a career in events.
The engagement of the attendees was clear, from the interaction and questions, to the positive feedback received. We look forward to hosting future events to drive interest in the industry and attract high quality candidates.”
The event showcased the latest technologies and techniques used in events, providing the attendees with real hands-on experiences and exposing them to the opportunities available throughout the events industry.
www.stagingconnections.com
JOB OPPORTUNITYAbout the company:Chauvet & Sons LLC (Chauvet) is a leading global provider of professional luminaires, trusses, controllers, and related equipment. Headquartered in Florida, USA, and with branch offices in California, U.K, Mexico and Belgium, the company has a diverse portfolio of brands – CHAUVET Professional, ChamSys, Iluminarc, CHAUVET DJ and Trusst – and award winning products that meet the needs of customers across all sectors of the lighting market ranging from concerts to festivals, theater, broadcast, event productions, corporate and architectural applications. All brands under the Chauvet umbrella share a commitment to value, innovation and performance and are sold through a network of approximately 2,000 dealers and distributors throughout North America, and select markets in Latin America, Europe, Africa, Asia, and Oceania.
The primary objective of this position is to directly develop and support the growth of Chauvet Professional product sales to Chauvet’s export customers in Asia/Pacific, along with the support of Chauvet’s sales and administrative personnel.
Job Requirements: include the following essential duties and responsibilities. Other duties may be assigned.
• Assist customers in marketing the products into their territory and identify and negotiate new distribution agreements in targeted regions with approval of International Sales Director.
• Provide administrative support as needed, including report generation, order entry/tracking and logistics.
Education and/or Experience: Bachelor's Degree in Business, Marketing or equivalent professional experience. Minimum of 5-8 years’ experience in international sales and the entertainment lighting industry. Familiarity with entertainment lighting and DMX-512 protocol. Must have outstanding client relationship, communication, administrative and organizational skills, and outstanding presentation/sales closing abilities, and strong team building and leadership skills. Necessary languages are English plus one of the following: Japanese, Tamil, Malay or Mandarin.
To submit your resume please visit: https://www.chauvetlighting.com/about/#Career. Click on the Career Centre tab. Then click on the Asia Pacific Job position and Apply.
• Responsible for managing distributor network which includes appointing and terminating distributors in each market under Chauvet’s international distributor strategy.
• Recommend strategies for penetration into existing or undersold markets to meet ongoing objectives.
• Develop and support the implementation of sales strategies to increase revenues, and achieve forecasted international sales goals. Create and monitor sales target objectives with each distributor for each product category.
• Accountable for sales forecast of each product category for each assigned territory.
• Prepare and implement sales presentations and recommend marketing programs to meet aggressive goals for new and existing business.
• Travel as needed to visit key and prospective customers, attend trade shows, organize necessary training seminars for customers and to Chauvet’s US headquarters as requested.
• Closely work with sales support personnel to achieve sales objectives and market penetration targets. Responsible for setting targets and measure progress of reporting personnel through quarterly and yearly evaluations.
• Provide sales analysis and trip reports.
Chauvet is growing! We have a fantastic opportunity for a Sales Manager for our Chauvet Professional product lines in the Asia/Pacific region.
NEWS 16E T A J u n e 2 0 1 7
K-array Adds Vision One From Thailand To Distribution ChannelTHAILAND: K-array is excited to announce the its partnership with Vision One. The Bangkok-based distributor is well-known in the region for professional system design and top quality equipment with its qualified designers, installers and maintenance personnel whose mission is to put client before sales.
“With obtaining the K-array distribution for Thailand, we will be able to better position ourselves to cover more applications and be more competitive than ever before,” said Vision One manager, Tanapat Mongkolkosol.
Established in 2001, Vision One’s expertise is in AV design for rental and installed systems in securities, traffic safety and enforcement, and conference applications. “Thailand’s economy is re-emerging from the global economic recession and therefore, we expect a rising demand for
high quality professional sound equipment in the near future,” explains Mongkolkosol.
“With a broad portfolio for both the rental and install markets alike and an excellent reputation, K-array will dominate the Thai market for years to come! We are looking forward to working with such a great manufacturer.”
www.visionone.co.thwww.k-array.com
DTS And VV & Sons Announce New Alliance
MIDDLE EAST: VV & Sons, starting from last March has become the exclusive distributor for DTS lighting for the UAE, Oman, Qatar and Bahrain. The new agreement marks the return of the Italian manufacturer to the Dubai-based distributor’s roster.
“We have worked in the past with VV & Sons already and we know their professionality”, explained Paolo Albani,
Sales and Marketing Director at DTS. “We are facing a very positive period at DTS: we are growing sales due to last year’s product success. Core, Katana and Nick NRG 1401 are becoming very popular in many places around the world and now we’ve added the new 2017 Brick. Also our Scena LED series is very popular, especially in Europe. I am sure we will have the same success in the Middle East.”
“By adding DTS Lighting to our products line, we will get an additional strength allowing us to us provide a complete solution to our client,” added Davis PV, Pro Divisional Manager at VV & Sons. “We have known each other for quite a long time and we are very confident of their new products line and its reliability.”
The new distributor will aim to raise the profile of DTS by targeting architectural lighting solutions and rental companies as well as installation in school auditoriums and clubs.
www.dts-lighting.itwww.vvsons.com
(L-R) DTS President Silvano Latteo with David PV and Paolo Albani
Thinking. Inside the box.www.nexo-sa.com
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Resolution X Convinced of ProLyft Aetos Hoists Range Reliability
NEWS 18E T A J u n e 2 0 1 7
AUSTRALIA: Resolution X, is one of the first companies in Australia that started working with ProLyft Aetos hoists range. They are fully convinced of the technical qualities of the product, however, the outstanding service programme made their choice an easy one.
Resolution X, covering Australia with hire bases in Melbourne and Sydney, strives to provide the best quality rental equipment backed by the best people and service. Based on that goal, they have become one of the largest providers of rental lighting and rigging equipment in Australia. They are leaders in bringing new and innovative equipment to market and can boast on a dedicated team that is enthusiastic about all challenges.
Tim Hall, Managing Director of Resolution X explains: “Resolution X have always prided themselves on implementing industry best practises, especially when it comes to safety. Therefore, adding chain hoists with a good double brake system to our hiring stock was a must. We chose the ProLyft Aetos series hoists because of their build quality, double brake system and local support network. The Aetos hoists stand up to the rigours of life in a busy production company but it was having a local dealer and support team that made the choice easy for us”.
Jason Swavley, Account Manager of Design Quintessence Melbourne and Tony Peaker, Product Manager are glad to Support Resolution X as ProLyft Service Point for Australia. “That’s the general idea behind the network of ProLyft Service points. We not only supply our customers with stock and spare parts, we’re also there to provide technical and maintenance support when needed, we have all the knowledge in-house to do so”.
“We hire to a lot of Corporate AV companies working in ballrooms” adds Sam Holloway, Rigging Manager of Resolution X, “most of the time they’re dealing with a restricted load limit in the roof and don’t need to lift
heaps of gear. Therefore we also have 250kg hoists on stock, these are ideal for this type of client. The fool-proof operation, jam-free chain guide and limit switches are a bonus.”
Resolution X stocks a large quantity of the 1000kg Aetos hoists, meeting the German BVG-D8+ hoist classification, these hoists are fully equipped to meet the future demands of the entertainment industry. They also stock the 250kg hoists for rental purposes.
www.prolyte.com
NEWS 20E T A J u n e 2 0 1 7
Unusual Rigging & Engineering LLC Enable Disney And Cameron Mackintosh's Mary Poppins At The Dubai Opera HouseDUBAI: Disney and Cameron Mackintosh's Mary Poppins tour has taken the world by storm. With sell out dates across the UK and in Zurich, the perfect nanny landed in the United Arab Emirates where the musical played to a full house till May 25th.
Eighteen sea containers were loaded with set and stage equipment in order to bring the show to Dubai - except for the rigging and a truss frame for new front of house scenery, which has been supplied locally by Unusual Rigging and Engineering LLC. Chris Boone, production manager on the show, explained: “The Dubai Opera House is a truly massive venue – bigger than anywhere else we’ve ever staged Mary Poppins. Because of this, we decided to have extra proscenium scenery – essentially creating a false proscenium – so I contacted Denis Bramhall at Unusual Rigging and Engineering LLC, who subsequently supplied all the rigging for the entire UAE run of the show.”
Chris had worked with Unusual Rigging in the UK for the previous two legs of the tour and was thrilled to have the opportunity to pull on the resources of the Dubai team for the final run. “The cost savings for us are phenomenal. If you consider that to transport equipment from the UK to Dubai would mean around ten weeks at sea, being able to hire the exact same kit on home turf meant we were saving ourselves ten weeks of rental costs. And while we have used a combination of production riggers from the UK and Dubai for load in, headed by Alex Taylor, when it comes to load out, the Dubai team will take complete control.”
“To be able to work with Denis and his team gives us complete piece of mind, both in terms of the quality of the kit and the health and safety regulations that the team comply to so strictly. This is absolutely essential to us,” commented Chris.
As with all touring productions, this final stage of the tour threw some new challenges at Chris. “Flying Mary in this venue is very challenging due to the sheer scale of the opera house. The Unusual Rigging team devised an ingenious scheme to fly her over the auditorium taking on board the quirkiness of this multifunctional venue. It is extremely difficult to fly Mary up to the ceiling so they designed and fabricated a landing platform for her, which is suspended between two of the lighting bridges in order to receive her. The rule on this show is that if Mary can’t fly, we don’t take the show there, so we had lots of meetings with Unusual Rigging to figure out how to make the magic happen.”
www.unusualrigging.com
Mary Poppins. Photo Credit: Johan Persson
xy
35 Years
Welcome to System reality.
Recky Aflai is Managing Director of Dbox Technique, d&b Distributor for Malaysia. They’ve been on board since 2014. “d&b is a fun and trusted partner. Dependable sound, innovative and professional.” In 35 years d&b has evolved from a small garage venture to a worldwide standard in professional sound systems. It’s people like Recky who make this story possible, and just that bit different from the rest.
d&b is 35. Recky is d&b.
NEWS 22E T A J u n e 2 0 1 7
Avolites Appoints New Distributor For South-East AsiaSEA: British manufacturer Avolites has announced the appointment of Malaysia's Acoustic & Lighting System (A&L) as its new distribution partner for South-East Asia. The new partnership will see Avolites' products available across Malaysia, Singapore, Thailand and Indonesia. The impressive move comes at a time when the Avolites' brand enjoys its largest order book in company history and a rapidly growing international client base. "Both A&L and Avolites are well established companies with strong brand names in the entertainment technology market," said Eugene Yeo, General Manager of A&L. "Avolites' branding and product versatility coupled with the A&L know-how and an established regional distribution network will create a good synergy between our two companies. With this partnership we will be able to push at the boundaries of the South-East Asian market." As part of the expansion, A&L will be running a series of Avolites product training seminars and workshops across the region. The multilingual workshops will cater to all
proficiency levels for both existing and potential Avolites users, similar to the brand's successful South American strategy. "Avolites has been a leading lighting control brand and has developed a strong client base in South-East Asia," said Eugene. "A&L is in the process of expanding our tech support in order to provide more local back up and training across the region for Titan and Ai." "Avolites is on a clear path to attaining the best distributors around the world who align themselves with our vision," said Koy Neminathan, Sales Director at Avolites. ,Neminathan. "A&L's contact with key designers in the lighting and video field is just one of their strengths. We are delighted to be working with such a highly driven team. Avolites is in a new phase of growth and we are looking forward to working more closely with our users and spending more time with non-users in South-East Asia." www.acousticlighting.comwww.avolites.com
Gear Source To Make Its Presence In Asia
SINGAPORE: Gear Source can be best described as the "eBay of the Production world". Gear Source started off in 2002 in USA and has a European office and site as well as of 2006. In Asia, there is no proper platform where companies or individuals can sell or buy used equipment, specifically used products in professional Stage Lighting, Pro Audio Video and Staging. Many in Asia are aware of Gear Source and use the services from the USA or Europe Site or most sales are done through word of mouth and it is frankly a cumbersome process. Now companies can look forward to a much better and more productive method of sourcing and selling their equipment when Gear Source Asia goes online. Users in Asia will receive the same top end service as that in USA and Europe - Full e-commerce, managing of their own listing, escrow style purchasing, complete product category selection. Furthermore,
equipment from USA and Europe will also be available in the Asia site but with the difference being that those transactions will now be handled within Asia.
Gear Source Asia is headed by Don Chan who is a known figure in the rental&staging business in Singapore and he is ably supported by a full fledged team whose responsibility is to provide the same effective service as that found in USA and Europe. If you are keen to get your products listed and are interested in how the system will work, you can send your query to [email protected] or [email protected]
Gear Source Asia site is targeted to be up and running in July 2017. Once it is up, ETA will announce it in our platforms.
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NEXT: An Initiative To Recognise Local Emerging Talent
The organisers with the Guest-of-Honour at the event, Mr Baey Yam Keng, Parliamentary Secretary, Ministry of Culture, Community and Youth (3rd from right)
SINGAPORE: An initiative of the Sing50 Fund and co-organised by The Rice Company Limited, Music and Movement Pte Ltd and UnUsUaL Limited, the inaugural event, NEXT, saw the coming together of established and new talents showcasing their musical prowess in a one day event held on 29th April at the MAX Atria, Singapore Expo.
dedicated to each of the sponsors involved in the event. These were AKG, Audio-Technica, Sennheiser and Shure. The sponsors also had booths at the open space within the venue to showcase their solutions from microphones to in-ear monitors.
The event was a precursor to the launching of the NEXT Music Awards that is to take place in August this year in Singapore. “The NEXT Platform is a rallying call for emerging local talents. We have many talents in Singapore and we wanted a single event to showcase these talents,” said Johnny Ong of UnUsUaL Limited. The event saw hordes of fans showing up not only to support their favourite artiste but also the other talents. The talents displayed a range of music genre from pop, jazz, country, fusion to mando-pop.
UnUsUaL had also invited some special guests to the event in the hope of expanding the NEXT brand and exposing emerging local talents to beyond Singapore.
The ever popular Jack and Rai kick off the event proper
Emerging talent Second Sunrise on stage
In all, 20 acts performed non-stop over 10 hours. UnUsUaL ensured that the set up for the performers was up to concert standards providing the full lighting, audio and visual solutions for the four main rooms that were
Branding Shanghai is a Non Profit Organization registered in Shanghai that aims to connect the dots between brands, culture and customers. It was originally established to help promote the Chinese metropolis all over the world through the integration of resources from government entities as well as business, media, educational and social organizations. This was expanded to help international cities, organizations, corporations and celebrities to landand promote in China as well as the rest of Asia. Dave Fu, Vice President of Branding Shanghai was at the event with Jasmine Pang, who is President of the same organisation.
“We are here to have a look, learn and understand how this event was conceptualised and carried out. We also wanted to see some of the talent on display. We are looking into different possibilities and working with UnUsUaL. One of this might be a Singapore Week in Shanghai showcasing Singapore’s local talents,” said Dave Fu.
Kelvin Goh of Red Spade Entertainment, the organisers of the iconic Sundown Festival that celebrates Asian music and culture with the objective to showcase the vibrant
Asian entertainment scene on a singular platform, uniting and bridging the diversity of Asian countries, was also present at the NEXT Showcase. “We are always happy to see local artiste. This is a good initiative as the planned awards in August will inspire the talents to work harder. Having the different rooms is a great idea as some of the emerging talents might not be used to performing in front of large crowds and this way, they are still performing to a crowd but it does not overwhelm them due to the space limitations,” said Kelvin. “We are always on the lookout as to expand our Sundown brand and attending events like this helps us keep track of local talents and maybe how we can leverage on them.”
Also on the show floor was a Ministry organisation from China, the Nanjing Youth International Cultural Bloc represented by Nicole Hu. The organisation is responsible for music and e-sports promotion, building up of infrastructure, as well as planning and organising of events in Nanjing. “We are working with UnUsUaL on an Asia Food Festival and considering adding Music to the event,” said Nicole. “For us music and culture exchange is our objective and it was interesting to see the varied cultures and talents at this event. It gives us an opportunity to exchange ideas with UnUsUaL and see what we can do together in the future.”
Another interesting company that was present at the event was Ideaholic. The company organises events and helps local companies promote their brands. “We offer a unique proposition. We involve music to promote the brands by matching the brand and the artiste that best fits their image,” said Sally Tsai of Ideaholic. “In this aspect we feel the NEXT event is a good event as it exposes new talent. We hope that there is a next edition and that this event will grow bigger. It gave us an opportunity to see some
Johnny Ong flanked by Dave Fu and Jasmine Pang of Branding Shanghai
Kelvin Goh of Red Spade Entertainment
Nicole Hu with Johnny Ong
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of the talents which helps us identify them for any future collaboration projects with the brands that we represent.”
Sponsors Give Their TakeIt was indeed heartening to see manufacturers giving their support to the event. These included AKG, Audio-Technica, Sennheiser and Shure, who were represented by their local distributor, Electronics & Engineering Pte Ltd.
“Sennheiser believes in supporting local musicians and cultivating the local vibrant music scene. We found synergies in the values of several organization involved in putting the NEXT Music showcase together, including the RICE Company, a non-profit organization that harvests the potential of the arts and culture as well as connecting communities. With that, it was natural that Sennheiser supported the event,” said Martin Low, Managing Director of Sennheiser Electronic Asia Pte Ltd.
Martin adds, “The branded room provided us with an opportunity to showcase a comprehensive suite of Sennheiser microphones, from the top-of-the range Digital 9000 system to Sennheiser evolution instrument microphones. We are happy to have our endorsed artistes, Jack and Rai to kick-start the event at the Sennheiser hall. Through this opportunity, we provided the artistes and sound engineers the experience of what Sennheiser has to offer.”
Teng Shaokai (S.K.), Regional Sales Manager of Audio-Technica (S.E.A.) Pte Ltd also reiterates Audio-Technica’s support of local talents, “Audio-Technica has always been supporting the local music scene and local talents. We have worked alongside with many great talents such as Ling Kai, Nat Ho, Si Tong and others all these years and many of them have become our ambassadors. So when Tee Tong from The RICE Company and Johnny from UnUsUal approached us to support this event, we knew this could be a good platform for our local artists to express themselves and at the same time given the kind of recognition and exposure which is currently lacking in our music scene. And since it is in line with our philosophy, we decided to sponsor this event.”
Sally Tsai with Karin Chan of Ideaholic
Harman Booth
Audio-Technica Booth
Shure/Electronics and Engineering Booth
Sennheiser Booth
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Becka
NEWS 28E T A J u n e 2 0 1 7
Barco Night Singapore Introduces New UDX Projector And ClickShare Model
SINGAPORE: The recent Barco Night Singapore was a night of relaxation and networking – traditionally hosted on the second day of the BroadcastAsia exhibition, the annual event allows industry partners and end-users to mingle and have a look at the company's latest ProAV and collaborative solutions.
The freestyle event kicked off with a speech by Eddie Tan, SEA General Manager (Entertainment) as he welcomed all who were present and invited his colleagues and partners to a toast.
Solutions on display included the F70 series of 4K UHD laser phosphor projectors, which are suitable for applications ranging from museums and auditoriums to motion platforms and science and technology experiences.
Boasting an advanced optical design and Constant Light Output (CLO) technology as well as Barco Pulse's Single Step Processing (SSP) technology, the projectors deliver razor-sharp images at 4K UHD resolution with saturated colours, and guarantees constant brightness and colour over a long period of time.
Another highlight was the F90 series of laser phosphor projectors, with a new and more straightforward user interface and operating system that allows for software updates in the field. The projectors also offer up to 40,000 hours of operating time without requiring lamp changes.
The F90 projectors are suitable for use in applications ranging from events to boardrooms and large dome systems.
However, what stole the show at Barco Night was the new UDX-4K32 31,000 lumen laser phosphor projector, as well as the CSE-800, the newest addition to the ClickShare series of wireless collaboration tools.
SEA General Manager (Entertainment) Eddie Tan starting the night off proper with a speech and toast.
The UDX-4K32 boasting brightness and colour accuracy, even in bright environments.
The new ClickShare CSE-800.
Equipped with three-chip DLP technology and a high-contrast optical engine, the UDX-4K32 projector offers brightness, colour accuracy and stability, as well as the widest colour spectrum in the industry. The projector also offers 3840x2400 resolution, a 2000:1 contrast ratio and 16:10 aspect ratio.
The ClickShare CSE-800 allows users to connect two 4K screens, with the option of showing up to four user displays on each screen. The CSE-800 is also the only ClickShare model that allows moderation – users can select and moderate what they share on the meeting room screen, with no prior training or installation needed.
www.barco.com
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Sennheiser Launches Digital 6000 During Appreciation Night
Sennheiser recently hosted a customer appreciation night – held on the night after the first day of the BroadcastAsia trade show, the event was aimed at allowing customers and industry partners to mingle, and emcee Mark van Cuylenburg (also known as The Flying Dutchman) hosted the event with enthusiasm, cracking jokes and interacting with audience members through a series of quiz questions.
However, the real star of the show was the new Digital 6000 that was launched during the event. Comprising of a two-channel receiver, a bodypack and a handheld transmitter as well as a rack-mount 19” charging unit, the Digital 6000 combines the audio quality and long range (LR) transmission mode of the Digital 9000 with 244 MHz of switching bandwidth, and an innovative user interface that makes it easier for users.
The handheld transmitter is compatible with microphone heads from evolution wireless G3, 2000, Digital 9000, and
the Neumann KK 204 / 205 series. Maximum transmission reliability is delivered by the renowned Long Range mode superior audio quality by the proprietary Sennheiser Audio Codec (SeDAC) from the Digital 9000.
The BA 60 lithium-ion battery pack ensures up to 5.5 hours of operation. Alternatively, operation is also possible with batteries from the B 60 battery set. The transmitter is fully compatible with the EK 6042 and EM 9046 in Long Range mode.
“As a professional entertainer and emcee, the sound is important. So is the feeling in your hand, the balance of the microphone... And it's one thing that the D6000 has,” commented The Flying Dutchman,
Like the audience, he was especially tickled to find out that the Digital 6000 allows users to change batteries by simply removing them, with no need to turn the microphone or feed off, and with no feedback or audio distortion. “It's absolutely fantastic,” he gushed. “This is my kind of microphone!”
sennheiser.com
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Adam Hall Asia Holds First Distributor Summit
SINGAPORE: It was two years ago that Adam Hall set up its Asia office in Singapore, helmed by Chandan Mahtani, as Managing Director, Adam Hall Asia Pte Ltd. The office is meant as a support office for distributors within the region and it also features a full-fledged Showroom. Only in Singapore, due to the size of the market, it deals directly with the industry be it SIs, Distributors or Dealers. The Showroom was designed to allow SIs to bring clients from around the region to hear, see and experience the Adam Hall plethora of solutions.
Chandan’s main task over the two years was to overhaul its distribution arrangement in Asia and the task is nearly completed with just a few more countries to be sorted out. Thus the timing for the first Distributor Summit was well, timely.
33 guests from China, Dubai, India, Indonesia, Malaysia, Philippines, Singapore, Thailand and Vietnam attended the inaugural Distributor Summit that was held on 28 April at the Adam Hall Asia office.
The Summit kicked off with the COO of Adam Hall, Markus Jahnel, welcoming the guests and this was followed with the introduction and demonstration of some of the new products by Chandan and technical support executive, Vinod Kumar. Also at the summit was a familiar figure for those in Asia, Bodo Falkenried, Head of Global Business Development, Adam Hall. Bodo was instrumental in the setting up of the Asia office.
The Stinger G3 series 8”, 10” and 12” were demonstrated with Chandan highlighting that the biggest improvement of the Stinger G3 over its predecessor G2 was the built-in DSP. There were also other features highlighted such as improved finishing of the product and Powercon connectors. The Stinger G3 has both passive and active models available.
This was followed by the demo of the CURV Installation solutions. These is made up of the CURV 500 satellite speakers that are supported with the CURV 500 iSUB and the CURV 500 iAMP. The 500 iSUB is a compact, shallow-
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depth bass reflex subwoofer loaded with a custom 10" transducer. It features a 47 – 150 Hz frequency response for tight, dynamic low frequency reproduction with punch and definition and 200 watts RMS power handling. The CURV 500 iAMP is a low-profile 4-channel Class D rackmount amplifier with high-efficiency switch mode power supply and 10 Hz – 22 kHz frequency response. Sporting DSP control with presets for various satellite and subwoofer configurations, delay and parametric EQ each channel delivers 240 watts RMS at 4 ohms with less than 0.01% THD. Vinod showed the guests the ease of using the iAMP to set up different configurations.
Guests were also given a demonstration of the improved MAUI 28 G2 and the MAUI 11 G2 and were informed that the portable speakers now have the potential to be used in an installation with the introduction of new adaptors and custom brackets.
The highlight of the session was the demo of the recently unveiled MAUI P900 column PA system that was developed
in collaboration with the Porsche Design Studio, and officially released at Prolight + Sound Frankfurt. The MAUI P900 combines state-of-the-art technology with an iconic design and exclusive materials in a unique audio product. Guests were treated to different music genres played through the P900 to appreciate the sound quality.
Markus informed the audience that the company is in the process of further improving the speakers. He highlighted the possibilities of the speaker being installed at Hotel lobbies or at high-end fashion stores. “It not only offers superb sound quality but the design is impressive. It looks good. We are also able to change the colour of the texture as long as it conforms to RAL colours, which Interior designers would be pleased with. The P900 allows us to reach out to the consumer market as well, as there will be audiophiles who will be happy to have this as a show-piece in their homes. We see a lot of potential for this speaker to spread our brand name further and away from our traditional markets,” said Markus.
After the excitement of listening to the P900, the guests were also briefed on the Gravity microphone stands, the Cameo V60 battery operated lights as well as the MAUI 5 GO. The MAUI 5 GO is an ultra-portable battery-powered column PA system that runs on a high-capacity lithium-ion pack that provides up to 6 hours of continuous performance. The subwoofer integrates a smart charger, an external charging dock is available as accessory. With Bluetooth stereo audio streaming and microphone, hi-Z instrument and line inputs, it is ideal for speech and music reproduction at private or corporate events, busking and all off-grid applications.
A sumptuous spread of lunch was provided before the afternoon session. The later session took on a different
Vinod showing the guests the ease of using the iAMP to set up different configurations
Guests being introduced to the MAUI P900 Motivational Speaker Dr Michael Loh with Bodo
NEWS 33E T A J u n e 2 0 1 7
perspective with Markus talking a little bit about the origin of the company and where it is heading. The guests too became proactive at this session, as they shared their own experiences in their countries in relation to ADAM HALL as to their sales approach, challenges, opportunities. The Summit concluded with a rousing motivational talk by renowned motivational speaker Dr Michael Loh (http://drmichaelloh.com/).
Luther of Luther Music, Singapore“There is great potential with the Adam Hall solutions. In our experience, the MAUI 5 and 11 can go further but what we need to do is to reach out and educate musicians about pro products. Many of us assume musicians know the products but actually they know their musical instruments well but the pro products not really. I feel we will be able to capture the market if we educate them on pro products.”
Eric Haslim of PT Citra Intirama, Indonesia“Ever since we became involved with Adam Hall, it has been profitable for us. The experience has been great and we get really good support from the team here in Singapore as well as HQ.”
Roberto Balderas of AVSC, Philippines“We had taken the brand in 2012 but officially it was in October 2014. Before then we were more like a dealer but now we are their distributor. We started with the LD speakers and PALMER solutions for church installations and rental market. We now handle the whole range of brands from Adam Hall. In the Philippines we did something unique. We bundled the Dave 8 Roadie for the Karaoke segment and it has done very well for us.
The CURV 500 is also doing well for us and we are even pushing it to the consumer segment. We are confident the MAUI 5 Go will do well in the Philippines as well.”
Nguyen Anh Hoang, DHT Vietnam“We were appointed around October of 2016 by Adam Hall and the business has been good for us. LD is very popular and we feel that there is great opportunity for the MAUI 5 as well. Though it might come as a surprise we feel that we also will be able to push some of the Porsche designed MAUI P900 in Vietnam.”
Andy Williams, SonicWave, Dubai “We took distributorship in June 2016 and is has been awesome for us. The huge range of products, the good quality and a good price! We sell across all segments. We feel
that there is a good potential for the MAUI P900 in the Middle East, as there are a large number of 5-star hotels. They are particular about design and this is a statement piece. I am also excited about the Cameor lighting range as it takes away focus from the basic light and offers better features including the fact that it is IP65 rated.
Frankly the large range, quality and price is unbeatable. Now some of the solutions includes battery-powered options, blue-tooth, Wi-Fi and it just makes it so much more compelling.”
The Adam Hall brands consists of: LD Systems, Cameo, Gravity, Defender, Palmer and Adam Hall. To know more about the solutions visit:
www.adamhall.com
Roberto with Gigi Garcia of AVSC
Nguyen in the centre
Andy with Markus
Interview With Markus Jahnel,COO, Adam Hall
ETA: Has the setting up of Adam Hall Asia been justifiable?Markus: We had actually started market research about the region four years ago that led to us setting up Adam Hall Asia two years ago. It was certainly the right decision by us. Not just the setting up but the location as well, that being Singapore. Our investment in the infrastructure including the showroom is correct. This is actually our contribution to our partners. The showroom is here to support them plus we have a good team here that provides additional services to them such as training.
ETA: Tell us more about the Warehouse facility in Ningbo, China.Markus: We set up the warehouse one and a half years ago within a trade free zone. This has had significant effect for us. 90% of our solutions across all our brands are available in the warehouse. This helps our customers in keeping their cost down in terms of freight and of course there is a quicker lead time as it is being shipped out of China.
ETA: How about the manufacturing aspect?Markus: We are a real manufacturer with R&D in Germany. Yes we do manufacture most of our products in China. Our OEM facility is a reputable company plus we station a German Engineer for QC check in the facility. All R&D
however is confined within Germany. Components for our products are also sourced from renowned manufacturers.
ETA: How has the business in Asia-Pacific been since the set-up in Singapore?Markus: Asia-Pacific is very important and strategic to our growth. We are a global company and Asia is a key focus for us as the market is developing quickly. Sales wise it is growing steadily, Currently Asia-Pacific accounts for 5% of our revenue. Do note that that is 5% of an 80 million Euro company, so it is not a small sum.
We believe that within the next 3 years, China will be our number one market in Asia-Pacific.
ETA: Is there any particular brand that is doing well for Adam Hall in Asia?Markus: LD is doing very well for us in Asia. Gravity is fairly new as we started in 2015 but it is picking up very quickly for us. One reason is that the design and style has made Gravity a “sexy product” that speaks to the new generation of musicians out there.
Asia-Pacific however is very diverse. In some countries our sales is mainly project based whereas in some countries like Australia, New Zealand and the Philippines we do very well in the retail stores.
ETA: What do you feel is driving Adam Hall’s sales?Markus: Simple. We offer quality solutions at reasonable price. Our products are well designed and engineered in Germany with very good technical specifications for attractive prices. All we do we do with passion and enthusiasm – this is one important key why we are so successful. Actually we manufacture less entry level solutions and more pro-level solutions with unique designs and features.
www.adamhall.com
(L-R)Bodo Falkenried,Head of Global Business Development, Adam Hall, Chandan Mahtani, Managing Director, Adam Hall Asia Pte Ltd and Markus Jahnel,COO, Adam Hall
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VIDEO FILES 35
The MIR (Music Inside Rimini) exhibition was the scene of great success for DTS. With over 200 projectors installed, DTS was present in its large stand, visited by hundreds of professionals, and on a live stage, expressly set up for the special DTS light show and for the performances of emerging rock bands. Check out the impressive Light Show designed by LD Andrea Mantovani with support from Lighting Operator Gianluca Brunelli.
The stunt was designed to showcase the all-round performance of the F-Pace, which saw it having to withstand forces of 6.5G. But the car was not the only one having to withstand the stress of the stunt, Driver Terry Grant trained for two months in preparation to make sure he could withstand G-Forces greater than those experienced by space shuttle pilots. The lighting features the SGM-G Spot. Production was handled by Imagination and the Lighting Designer for the project was Steve Nield. Check out this dare-devil video.
The latest production by Laservision takes viewers on a journey through the vibrant imagination of a young child. Dynamic fountains conjure up liquid sculptures evoking aeroplanes, magical whales, optical illusions and giant dancing robots. The visual spectacle is choreographed to a musical score encompassing modern pop, rock, and electronic music.
Carrying on with some of our booth lighting show coverage from last month, we take a peek at the Robe Lighting booth, which to be frank was one of the most impressive booths at the exhibition. The theatre style feel and look of the space with a live show enabled the company to show their latest fixtures in a more dramatic way. This video captures the booth and the vibe perfectly.
DTS Wows The Crowd At MIR 2017
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ROBE lighting at Prolight+Sound 2017
Jaguar F-PACE Defies Gravity With Loop-the-Loop Stunt In Shanghai
IMAGINE - ‘A Child’s Dream’ Officially Named “World’s Largest Permanent Projection Mapping”
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Coherent Systems Releases New ImageBoxesCoherent Systems has released three new solutions, all part of the ImageBox series.
The ImageBox-UD Advance is touted as the world's first pure hardware solution that can create any kind of display layout through simple OSD operation and DIP Switch. Users can customise any display modes including portrait, regular, and irregular for narrow bezel LCD video walls with different sizes and resolutions.
To configure, users can input the angle of rotation required and locate two coordinates, either the Top Left or the Top Right corner of an image on each LCD panel. Pre-defined playback modes are also available, recall a pre-defined layout by simply selecting by Dip switch. Cascadable ImageBox-UD Advance provides a simple and reliable solution for building professional and creative video walls.
The ImageBox-WARP curved screen warping processor allows warp, de-warp, video wall control, format conversion, scaler switcher, PIP/POP, 3D format conversion, image cropping, flip/rotation, and embedded edge blending function.
Key Features:• Edge Masking with Black background• Image stacking for flat and curved screen• PIP/POP Multiple windows display• Supports Corner Wall Display• Supports up to 4k/2k @30Hz input with 4:4:4 full colour
sampling without compression• Passive 3D display
• 10-bit high bandwidth processor with 3D motion adaptive de-interlace, low angle algorithm and 3:2/2:2 film mode detecting and recovery
• Supports up to 4k/2k @30Hz input with 4:4:4 full color sampling without compression
• Colour adjustment, including preset display modes, hue, saturation, brightness, contrast sharpness adjustments and RGB separate adjustment
The ImageBox-EDX can provide single processing module for one projector, ED2 for 2 projectors, ED3 for 3 projectors and ED4 for 4 projectors. Designed for sophisticated edge blending, the ImageBox-EDX is integrated with a 10-bit high end processor, motion adaptive de-interface and 3:2/2:2 pull-down.
In order to optimize video performance, the ImageBox-EDX is designed to support non-VESA standard input timing and allows users to create any EDID timing in the range between 1024x768 and 3840x2160.
With ImageBox-EDX, users can replace high-end projectors with lower cost projectors without lens shift, warp, and edge blending features. It provides easy configuration, easy maintenance, and cost effective, reliable and flexible solutions.
All three ImageBoxes are now available.
www.coherentsystems.net
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Allen & Heath Enhances dLive Scene SystemAllen & Heath has released V1.50 firmware for its flagship dLive S Class and dLive C Class ranges. This latest update includes multiple improvements and additions to the scene system to meet the needs of theatre, festival and other complex show applications.
The Scene Update system has many enhancements including an improved Manual mode and new Auto-Tracking mode, both of which can apply changes in Absolute or Relative modes. Additionally, an enhanced GUI offering increased scope and granularity of parameter control has been implemented for Recall Filters and Global Safes. Festival-friendly tools to allow scenes to be imported from USB have also been added.
Allen & Heath’s Pro Live Product Manager, Ben Morgan commented, “This release is well timed, with dLive appearing at many summer festivals these improvements to the scene system will provide an even smoother experience for both visiting and resident engineers. We have also seen a lot of dLive systems going into theatre environments, where these updates will help to streamline workflows.”
Also included in V1.50 is a comprehensive MIDI over TCP/IP Protocol for integration with 3rd party equipment in installations and support for forthcoming new hardware.
V1.5 is available to download immediately from the website.
www.allen-heath.com
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Proel Launches New Axiom Products At ProLight+Sound
Proel has launched a record number of new loudspeaker systems during this year's ProLight+Sound in Frankfurt, across multiple sectors of the markets for installed sound and portable sound products.
Representing a new direction for its Axiom professional loudspeaker brand, the AX12C vertical column array is aimed primarily at corporate audio-visual applications requiring response and output beyond traditional speech-only column speaker systems, as well as a wide range of fixed installations from clubs to commercial facilities. Consisting of twelve 3.5-inch drive units housed in a structurally rigid aluminium enclosure, the ACX12C delivers wide 100° horizontal dispersion, and natural cardioid behaviour thanks to its transmission line back-loading.
It will frequently be used with the matching SW2100A powered 21-inch subwoofer which provides mechanical coupling as well as 2000 watts of power from its internal Class D amplifier module. AX12C modules can be floor or wall mounted with specialised brackets, or flown up to four units deep from a dedicated flybar, and a range of transportation solutions are available for portable use.
The AX12C can be remotely controlled and monitored using Proel's newly updated PRONET AX software, which features a redesigned user interface with improved object identification and management, as well as three basic operating modes: SETUP, EDIT and LIVE to allow complex loudspeaker systems to be designed and configured offline, saving time and guesswork onsite.
"These new line array and point source products from Axiom demonstrate our commitment to the development of intelligent, customer-focused solutions for the problems that integrators and rental users encounter in everyday sound reinforcement situations," says Axiom's Italian sales manager Damiano Formiconi. "The AX12C, for example, offers corporate rental customers the ability to service large awards events or product launches from speeches to substantial music playback with only one system, and being less than 11cm wide it can fit discreetly into a combined audio/video/lighting design."
www.axiomproaudio.com
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RCF: More Emphasis On Sound With D-Line MK4 SpeakersRCF's new D-Line MK4 speakers are slated to boost performances with brand-new transducers, improving sound quality with the revolutionary FiRPHASE processing, and with a renewed grille design for a more professional look. The vocals are natural, the sound is clear at long distances, and the SPL power is stable at very high levels.
The concept of the HD-Line is derived from the touring industry, bringing in a cabinet that is both compact and elegant, and combines RCF sound with maximum reliability and strength for intensive use on the road. It is suitable as a main front of house in small PA systems, high powered floor monitoring and unobtrusive fixed installations.
Key Features Include:• High-powered woofers and custom-made compression
drivers for extreme fidelity• Powercon I/O connector• Two M10 and three M6 threaded inserts for optional
mounting hardware• Ergonomic handles with rubber handgrip
www.rcf.it
Danley Gets Amped Up!
It’s been 12 years since Danley Sound Labs first introduced Tom Danley’s innovative Synergy Horn loudspeakers and Tapped Horn subwoofers to the world. In that time, the company has rolled out several other equally-innovative loudspeaker technologies, such as the SBH Series of column form factor loudspeakers and the Jericho Horn Series of massive stadium-grade loudspeakers. Now Danley offers the DNA Series of amplifiers with a library of onboard DSP presets for every Danley loudspeaker and subwoofer, rugged reliability, 96kHz transparency, multiple modes of flexible loudspeaker protection, advanced power handling and protection, and easy networkable monitoring and remote control.
And if all that weren’t enough, they pack a ton of power into four channels and two rack spaces: the DNA 5k4c, DNA 10k4 Pro, and DNA 20k4 Pro models rate 5000, 10,000, and 20,000 watts total output!
“One of the huge benefits of the Danley DNA Series amplifiers is that they come with built-in DSP presets for all of the Danley loudspeaker and subwoofer products,” said Josh Millward, Systems Application Engineer.
“They form an integrated system right out of the box. There’s no need to mix and match, and testing and tuning becomes a much simpler process. Integrators can start tuning a system in the optimal sweet spot and make room- and application-specific adjustments from there.”
The DNA amps’ DSP resources have all of the frequency- and dynamic-domain tools that one would expect, along with Danley’s proprietary linear phase crossover, which works its magic without resorting to latency-inducing FIR filters. The Danley DNA amplifiers also have the reliability, sound quality and power needed in modern, mission-critical applications.
The DNA sound quality is commensurate with Danley’s famous loudspeaker and subwoofer fidelity, and all DSP functions operate at 24-bit/96kHz, delivering greater resolution and lower latency than industry-standard 48kHz units. Advanced DSP limiting allows users to specify, in voltage, a maximum RMS output and a maximum peak output.
All the Danley DNA amplifiers have international power supplies that can plug right into 120V or 240V sources without missing a beat, along with advanced circuit protection. Onboard, easy-to-implement network capabilities round out the Danley DNA amplifier feature set. The amps can be connected to standard Ethernet networks for monitoring and control. The connections are easy, secure, and robust.
www.danleysoundlabs.com
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Prolyte Group Introduces New Box CornerProlyte has introduced its new, innovative Box Corner for its 30-series truss – officially presented during the ProLight + Sound exhibition in Frankfurt, the Box Corner can be used in combination with regular trusses as well as the Verto truss.
The new Box Corner, the BOX-30-HD, has replaced welds with bolts, and an open structure with plated sides to increase overall strength and improve the integral structure of the Box Corner. As a fully plated and bolted element, it is much stronger than a regular Box Corner, and allows users to build any 2D or 3D structures without losing involuntary strength due to the corner types used.
Extensive testing eventually produced a design that is not only cost efficient, since over-dimensioning was ruled out, but also tried and tested, to offer the safest solution possible. Due to its clever design, where the plated sides
interlock with each other, the exact 90-degree shape is guaranteed.
In combination with the narrow tolerances, this Box Corner is suitable to use in combination with the Verto truss as well. Furthermore, the plates can easily be changed in case of damages, offering an efficient and cost effective solution.
All standard available accessories for the regular Box Corner can be used
for the HD Box Corner as well, like the male and female half couplers and bolts. Prolyte Group will continue both products in its product range, the regular Box Corner as well as the new HD Box Corner.
The product video may be watched here.
www.prolyte.com
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grandMA2 Software Release Version 3.3 Includes More Powerful Features
MA Lighting has announced another significant software release for its flagship grandMA2 lighting control platform – version 3.3 introduces new features as well as a re-imagined help and fixture library system. Hundreds of smaller improvements have also been incorporated to assist smoother workflow for the operator and programmer, making more time for creativity.
With the new software, the MA Lighting fixture library is now available online via the Fixture Share service. After logging in, users can add their own fixture files or download the latest versions of fixture files which were not available at the software release moment, ensuring a fully up to date fixture library for all MA Lighting users. Additional search and rating functionality allows users to generate their own favourite fixture library.
Another huge development with the grandMA2 version 3.3 software is the fully re-worked partial show-read functionality which simplifies and streamlines the process of getting a touring showfile to output correctly across any lighting system, making it ideal for touring and festival situations. Offset for all Pan/Tilt functionality is now incorporated and several MIB workflow improvements have been added.
There are now several new modes of DMX output function for the MA Network Nodes, allowing for a wider behaviour range for fault situations. RDM via Art-Net is implemented.
The MA VPU (Video Processing Unit) now has a completely reworked Warper functionality, including pixel-exact U/V mapping, and much higher resolution for more precise adjustments.
A snapshot / masking tools has been added allowing a screenshot of your preferred output to become a mask for your daily content. More creative layer mixing modes have been added that allow different ways of “blending” between layers.
Additionally, the grandMA2 help system has been re-worked completely. A new look and feel with improved search functionality gives even more online and offline support. All topics have been revisited and updated to the current status for best workflow support.
The new software release version 3.3 adds the powerful feature called link aggregation (LAG) functionality for better redundant networks. This functionality is fully compatible with any standard Ethernet network switch and can be used in meshed installations. Furthermore, the RSTP status will be displayed for firsthand information about the link status of any port.
All software packages are available here.
www.malighting.com
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Green Hippo Showcases Hippotizer SHAPEThe recent ProLight + Sound exhibition saw Green Hippo deliver a stunning display using Hippotizer V4 Media Servers. Using the latest software version of Hippotizer SHAPE, Green Hippo mapped and blended three projectors on to a highly complex tea pot model.
The Green Hippo outfit also put the company’s Auto Alignment tool through its paces, demonstrating SHAPE’s time saving capabilities. Using inexpensive fibre optic sensors embedded in the model, the tool reduces the job of realigning projectors in an installation to a single button press.
A further example of SHAPE’s aptitude was given via Green Hippo’s collaboration with Cast software, showing BlackTrax on the Green Hippo stand with moving picture frames. Using cameras, BlackTrax, tracks objects in real-time; Hippotizer SHAPE uses this data to map on to objects in 3D, even as they are moving.
James Roth, Head of Sales & Marketing at Green Hippo, said: “Prolight + Sound 2017 was a great show for Green Hippo. Reactions to our SHAPE 3D Mapping demos were very positive, and we thoroughly enjoyed demonstrating the capabilities of our product range. It was also great to work with the team from Notch and Cast. Furthermore, we were excited to see Hippotizers being used on several exhibitor stands, including Kinesys, Martin and Starway/LSE.”
www.green-hippo.com
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Barco Expands LED Digital Media Canvas With 7mm Pixel Pitch VersionBarco has added a 7mm pixel pitch model to its range of “digital media canvases” - LED screens that are unique from traditional LED displays.
The R-series provides more creative freedom, and greatly reduces setup time and cost thanks to their thin, lightweight and bendable design. Designed for retail, advertising, venues, and visitor attractions applications, the R-series frees customers from the limitations of traditional LED displays when digitizing their visual communication.
"Venue owners, advertisers, and retailers are faced with the ever-challenging task of catching the attention of consumers and visitors. At the same time, they want to reduce installation time and cost. The R-series' unique design not only allows for cost-savings, it also frees designers from the limitations of traditional LED displays – so their message stands out in installations that were unimaginable before," comments Wim Buyens, Senior VP Entertainment at Barco. "With the introduction of our R7 display, we now offer a wider choice in pixel pitches: customers can now choose from a 7 or 10 mm pixel pitch R-series display for their project."
Installation and maintenance are key cost drivers for store façades, museums, theatres, houses of worship, stadiums, and corporate or event venues. Up to 75% lighter, the R-series is much easier and faster to install than traditional LED displays, which minimizes installation cost. Offered in sheets up to 4.68 meters long and only 5 mm thick (including louvers), the digital media canvases can cover all kinds of surfaces. And to remove today's cable clutter, cabling, control, and power electronics are fully integrated on every sheet. Moreover, the power supply unit can be located remotely for easy servicing.
With the R-series, eye-catching LED visualization can be installed in applications and on surfaces that were previously impossible, like curved façades, subway station tunnels or creative stage sets. Thanks to their unique
bendable, ultra-thin design, architectural constraints are reduced and less space needs to be freed up. And with minimal need for a supporting structure, the R-series can be glued onto a surface or wrapped around curved shapes. Plus, there are no visual segmentations or gaps, as is the case with standard tiled LED displays.
Because the total system weight of an R-series display is significantly lighter than a traditional LED display and because it's so thin, Barco's digital media canvases transform virtually any surface into a digital screen, at any time. Eliminating the need for heavy weight load support, this opens up a whole new dimension in creative design. Historic buildings, transportation vehicles, and many more objects can now be outfitted with LED visualisation.
Driven by Barco’s Infinipix image processing platform, the R-series continues the acclaimed Barco image quality with excellent low-brightness performance and without image tearing. This future-proof platform provides a straightforward web-based interface that enables display configuration, control, monitoring, and maintenance – anywhere, anytime, and from any device. Based on HTML5, different operating systems and mobile devices can be used to control the R-series, both on-site and off-site. The system supports SNMP to export monitoring data, but sends automatic failure alerts and status notifications as well to minimize operational risk.
www.barco.com
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Elation Paladin Market’s Most Versatile Blinder/Strobe/Wash LightElation Professional is offering the new IP65-rated Paladin, a highly versatile hybrid LED luminaire that functions as a blinder, full-colour strobe and high-output wash light.
The multi-functional light also houses a motorized zoom for full beam control, and its IP65 rating means it can be used on all types of events without the need for weather protection.
Paladin also functions as a high-power wash light, blinder or eye candy effect in one luminaire. 24 40W RGBW LEDs produce a blistering 990 watts of power for intense and colourful effects, and RGBW colour mixing gives a full spectrum of colour options, including high-impact white light. A motorized zoom expands the beam from 9° to 25° with output at its narrowest angle measured at 43,240 lux @ 9.8' (3m). Paladin includes extremely smooth 16-bit dimming with variable dimming curve modes available for faster programming. For added programming convenience, 64 colour presets and 15 unique colour macros are included.
Paladin’s rugged die-cast aluminum housing and IP65 design mean that the fixture can be used in even the harshest environments, and optional barn doors, egg crate and dual quick-lock omega bracket rigging accessories add to its possibilities.
The fixture’s hybrid design and feature flexibility make it extremely useful for a wide variety of applications from concerts and events to clubs, theatres and more. LED refresh rate frequency and Gamma brightness are adjustable, making it ideal for broadcast applications as
well. In fact, over 350 Paladin fixtures recently featured on the 2017 Eurovision Song Contest, seen by a television audience of over 200 million.
Control of Paladin is possible via multiple DMX channel modes and the fixture is RDM equipped (Remote Device Management) for easier configuration and monitoring of DMX based systems. Paladin comes with IP-rated 5pin DMX In/Out and powerCON TRUE1 In/Out connections and includes a 4-button touch control panel and LCD menu display for easy hands-on addressing with easy-to-read fixture menus and messages. The fixture operates flicker-free for use in TV and other broadcast applications and an auto-sensing power supply covers worldwide voltages and frequencies.
www.elationlighting.com
Tarm Presents New Tarm DOT Laser Light SystemTarm DOT is a DMX multi effect projector with a great white balance and unique glass effects. It’s a pure diode solution with analog colour modulation and a guaranteed output power of 3’900 mW. Amongst others, the Tarm DOT can create the ‘Microstar’ effect, which simulates a starry sky, just like it was a real one: In white light or in many different colour shades.
Besides the Microstar effect, there are other optical effects built in that can be triggered similarly to an optical bench. The control of the Tarm DOT is through DMX, so no laser software is required. This allows for easy integration to existing setups, especially also on large stages and at large scale productions.
The Tarm DOT is equipped with optical/glass effects, which means that the projections are flicker free, as no moving parts, like scanners, are used for creating the display. The effects are optically generated, which makes them suitable for TV productions.
Due to the analog colour modulation it is possible to get up to 160,000 colour shades, including white. The Tarm DOT is equipped with a red (1’200 mW / 638 nm), a green (1’000 mW / 520 nm), and a blue (2’200 mW / 450 nm) diode laser source.
A four level zoom lens allows for zooming the laser projection and thus adapt it to the
requirements of the venue.
The laser systems have a compact housing, thus they’re easily integrated into existing lighting setups and existing room concepts. Due to the durable mounting bracket, the Tarm DOT systems can be mounted in standing and hanging position, thus it is possible to hang the units from a truss or mount them on top of a stand.
The Tarm DOT is also available as a moving head: In combination with the RTI Velox, the Tarm DOT can be exactly positioned with infinite PAN and TILT angle.
www.laserworld.com
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Sennheiser Digital 6000 Offers No CompromiseSennheiser recently launched its Digital 6000, a two-channel receiver that combines the audio quality and long range (LR) transmission mode of the Digital 9000 with 244 MHz of switching bandwidth, and an innovative user interface that makes it easier for users. The Digital 6000 also uses Sennheiser's True Bit Diversity and predictive algorithms to create a stable wireless link.
The Digital 6000 comprises a two-channel receiver in two different versions, a bodypack and a handheld transmitter as well as a rack-mount 19” charging unit.
With its LR mode, the two-channel receiver can find reliable transmission paths in any environment, and ensures superior quality audio signals even in high-frequency scenarios. It is also compatible with all Sennheiser UHF antennas.
The bodypack can be combined with lavalier microphones and headsets, and is suitable as a high-end solution for
instruments like guitar and bass. The BA 61 lithium-ion battery pack ensures up to 6.5 hours of operation. Alternatively, operation is also possible with batteries from the B 60 battery set. Additionally, the transmitter is compatible with the EK 6042 and EM 9046 in Long Range mode.
The handheld transmitter is compatible with microphone heads from evolution wireless G3, 2000, Digital 9000, and the Neumann KK 204 / 205 series. Maximum transmission reliability is delivered by the renowned Long Range mode superior audio quality by the
proprietary Sennheiser Audio Codec (SeDAC) from the Digital 9000.
The BA 60 lithium-ion battery pack ensures up to 5.5 hours of operation. Alternatively, operation is also possible with batteries from the B 60 battery set. The transmitter is fully compatible with the EK 6042 and EM 9046 in Long Range mode.
sennheiser.com
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Riedel Introduces BoleroRidel Communications has introduced Bolero, a new wireless intercom solution capable of supporting 10 beltpacks per antenna. Bolero is an expandable, full-roaming, DECT-based intercom system in the license-free 1.9GHz frequency range.
Fully integrated into Riedel’s Artist digital matrix intercom platform, Bolero offers features such as ADR (Advanced DECT Receiver) with multiple-diversity and RF anti-reflection technology for greater RF robustness, “Touch&Go” beltpack registration, and operates as a wireless beltpack, wireless keypanel, and a walkie-talkie radio.
Bolero runs over a standards-based AES67 IP network. Decentralized antennas connect to AES67 switches and to Artist frames equipped with AES67 client cards, providing a fully integrated point-to-point intercom ecosystem with seamless roaming capabilities.
The Bolero high-clarity voice codec provides both higher speech intelligibility and more efficient use of RF spectrum supporting twice the number of beltpacks per antenna for the same audio bandwidth as other DECT-based systems.
The ADR technology also combines a unique receiver design with multiple diversity elements specifically designed to reduce sensitivity to multipath RF reflections, making Bolero suitable for work in challenging RF environments.
Bolero beltpacks support Bluetooth 4.1, allowing either a Bluetooth headset or
a smartphone to be connected. When a smartphone is connected, the beltpack can act like a car’s “hands free” setup so the user can receive calls on their phone and talk and listen via their beltpack headset. Users can also inject phone calls directly into the intercom channels for more workflow flexibility.
www.riedel.net
RTS ROAMEO Set To ImpressRTS introduced ROAMEO, its professional and easy-to-use wireless intercom solution, during the recent BroadcastAsia trade show. Based on the license-free DECT standard, it provides high-quality audio over a seamlessly integrated digital wireless beltpack and associated access points.
The system consists of the TR-1800 beltpack, AP-1800 access point and accessories including a charger, holster and pole-mount kit.
Operating like a wireless keypanel, ROAMEO can be fully integrated into all existing wired digital RTS matrices, and allows users to address either individuals or specified groups. Connection to a digital matrix is easily established via a single Ethernet cable, and the system can use standard IT infrastructure, which ensures easy installation and low maintenance costs.
ROAMEO’s cellular structure can cover a wide area with superior audio and seamless roaming between the
individual cells. Users can easily expand the coverage area by adding further access points, while additional wireless beltpacks can be directly addressed as part of a wired RTS matrix intercom system.
The system is easily configured in a multi-language setup via scroll lists on the beltpacks or by using the control software AZedit, which allows users to configure the complete intercom system on one screen.
ROAMEO is suitable for a wide range of professional intercom applications including broadcast production studios, event productions, houses of worship, commercial buildings and outside broadcast (OB) trucks.
www.rtsintercoms.com
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beyerdynamic TG 500 Wireless System Makes Asia Debut At BCA 2017
beyerdynamic unveiled the TG 500, a versatile wireless system that offers outstandingly appealing value for money, at this year's BroadcastAsia trade show.
As the successor of the proven Opus 600 series, the new system focuses on modern features and can be used licence-free almost all over the world depending on the frequency band selected. It is suitable for performances on smaller stages, theatre productions, speeches or presentations – a genuine all-rounder.
The beyerdynamic TG 500 system is available in five sets:• TG 550 Vocal Set, supplied with the TG 500H-D handheld
transmitter with a TG V50 capsule (dynamic capsule, cardiod)
• TG 556 Vocal Set, with a TG 500H-C handheld transmitter with a TG V56 capsule (condenser capsule, cardioid)
• TG 558 Presenter Set, with a TG L58 clip-on microphone (condenser, omnidirectional)
• TG 534 Headworn Set, with a TG H34 neckworn microphone (condenser, supercardiod)
• TG 510 Instrument Set, with a WA-CGI instrument cable (6.35mm mono jack)
With an operating range of up to 120 metres, the beyerdynamic TG 500 allows for substantially greater freedom than comparable systems. The switching bandwidth is up to 40 MHz, and the use of all the four
frequency bands available enables up to 72 channels to be operated simultaneously.
At the heart of every set is a receiver with a durable metal enclosure and diversity antenna operation. Two of the 9.5” devices can be mounted side by side in the rack. A dual receiver in 19” format (1 HU) is also available and features a built-in antenna splitter. The two audio channels of the dual receiver can be relayed via a common output if so desired.
Settings are communicated to the transmitters via infrared synchronisation. The transmission frequencies are grouped together, but they can also be freely specified by the user. A scan function assists with the set-up process. The pilot tone function ensures interference-free transmission.
The handheld transmitters feature a mute button at thumb level on the microphone shaft, and the beltpack transmitter has a programmable mute button on the top. In addition to working with normal batteries, the transmitters can also be operated using standard NiMH batteries which can be charged using the optional WA-CD charging dock.The TG 500 sets are available for purchase from selected retailers and on the website, with the recommended retail price ranging between 479 EUR and 559 EUR.
www.beyerdynamic.com
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A New Watering Hole And A New SoundPrym Audio fits out the night-life space
In the ever-changing landscape of Bangalore’s nightlife, pubs have been an enduring feature. As the city expands so has the need for nightlife spots that move beyond the central business district and this is what makes the launch of 1522 – The Pub, on new BEL road a big step. In a relatively new area of the city, that’s fast developing, 1522 stands out, pubs here are few and far between, but a most welcome sight for younger, working professionals.
As the third brand under the 1522 chain of pubs, the New BEL road branch is set to be the flagship property for the chain. A resto-bar, with an ambience that’s hard to dislike 1522, is just the right spot to unwind after a long day in the office or to just enjoy a Sunday afternoon beer. After some deliberation and based on the recommendation of a previous client the management of 1522 approached E&E Systems India Pvt Ltd to provide the audio-visual set up for the pub, during the nascent stages of development. After preliminary discussions and a site visit, it was clear that this was going to be a significantly large project for the team.
The most critical factor in this project was the need to provide top of the line audio-visual solutions that worked within a reasonable budget for the 1522 management. After multiple site visits, reassessing the audio-visual requirements and negotiations a system was chosen. It sounded incredible, was reasonably priced and fitted within the budget of 1522’s management.
Products used in this installation:Audio1. PrymAudio 10" S102. PrymAudio 8" S83. PrymAudio 15" Subwoofer S 154. PA D400 and PA D600 Amplifiers 5. Blu 100 and Blu 10 Processors
Video1. 43" LED TV2. 55" LED TV3. Standard I/O player - BrightSign
" I have been in the Restaurant industry for 15 years. I used PrymAudio for the first time. Love the sound they have put up at the new 1522 Bel road and we have decided to use their services at our next project as well " Chethan Hegde - 1522
With the specifics out of the way, the arduous process of constructing the venue commenced while simultaneously the E&E Systems team, lead by Executive Director Poncho and Technical Manager Gladson, worked on designing the audio-visual set up, that would give the pub just the right ambience.
Using a range of PrymAudio products the final installation was designed to uniformly cover the entire venue without compromising on sound quality. The PrymAudio 10” S10’s and 8” S8’s, compact two way loudspeakers that were installed at the venue consist of a low frequency woofer with a high-power magnet assembly and a titanium
diaphragm, higher frequency compression driver with a 1.4" mounted on a low distortion 90° horizontal by 50° vertical dispersion fully rotatable horn, protected by Secure-Overdriver.To have a full frequency bandwidth reproduced faithfully the team installed two of the PrymAudio 15” sub-woofer S15.
A week of hard labour and multiple tests later, for the team at E&E Systems, this was by far the finest installation put together. For the management of 1522, they were remarkably impressed.
www.prymaudio.com
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INDIA
Amaazia – A Truly Ama‘zing’ Experience Hi-Tech Audio Systems ensures installed audio system complements the experience
Surat, the commercial capital of Gujarat, is often credited with many titles and attributes. Famously referred to as ‘textile capital’ and ‘diamond capital’ of India, the erstwhile Suryapur city has recently acquired yet another embellishment- ‘city of water parks.’
Amaazia – as the newest funtainment destination in town is called – is a truly amazing zing thing. A prestigious project by Rajgreen Group, designed by the famed Sanderson Group of Australia, the newest amusement destination is making a very distinct score. An ETA special. Delve into it.
Fairytale dreams often come true not just for children but for adults as well. Imagine exploring a tidal wave of fun to a tropical paradise in an amazing water park; experiencing the thrill of the world-class theme park rides and myriad entertainment joints coming for the first time to India- from serene to extreme, all under one single roof! Stories, it appears not only come alive, but stay alive.
A sprawling, 16-acre whimsical land, named Amaazia – in tune with its trappings – in Surat, is a new wonderment in town. Promoted by Surat’s leading Realty major Rajgreen Group, and designed by the famed Australian firm Sanderson Group – known for creating Sea World in Canada, and Warner Bros. Studio in Australia, besides
others – the Amaazia sports some veritable entertainment statements:
• Asia’s largest water pool• India’s first water park with 100 per cent imported rides,
brought from Italy, Germany and Switzerland• First in Asia to bring world’s number one ride King Cobra,• And more like a variety of audio plays and fun places.
Playing an important part in the whole entertainment fare is the audio component that had to stand out as one impacting factor, contributing to the experience. Delhi-based audio and entertainment solutions major Hi-Tech Audio Systems landed this prestigious as well challenging job of design and build the audio set-up towards making the thrill park rides more real.
“The client wanted us to design a centralized background music (BGM) system in a zoned pattern with announcements to be made from one central location,” explains Manik Gupta, Director (Sales)-Projects at Hi-Tech Audio Systems. “Understandably, they wanted different music to be played in different zones, but control their volume levels and ON/OFF for each zone from the centralized hub.”
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According to Manik, who stayed in the centre of the whole design-build process, they were all clear about one spec: that the park is open almost 365 days a year, the systems to be installed had to be really sturdy, and reliable, to withstand any harsh environment. The client was also keen to have a solution provider who has an office in Mumbai, or nearby Surat so that they
stood to get any after-sales-support immediately.
The client had a few team members from a Project Management Consultancy firm who had worked on the Ferrari World project in Abu Dhabi which meant the client brief had inputs coming from them as well. In addition to the BGM, the client had also wanted local music source in a few areas like Lazy River Area; Rain Dance Area etc. at certain times of the day, so that brought additional specs to the design.
Team Hi-Tech visited the site; did a thorough need analysis, and took a good two weeks to understand the client requirement, and the site challenges before it submitted the design and system proposal.
Manik Gupta
“We made a detailed proposal along with speaker locations and block schematics after the first meeting,” informs Manik. “Not many changes, except a few in speaker quantities- because they were not required in some office/admin areas,” he explains, “We had designed a very sturdy and fool-proof system, so we to stick with our proposal till the end.”
Amazing Design…That Is…
Accordingly, Hi-Tech teams set out to design the audio ambience for the entire stretch. The complete park was divided into 11 Audio Zones for different pipe music in each zone with varied audio levels. One big challenge in designing the system was that there was no such acoustic partition between zones; more, the speaker selection and their locations were to be chosen in such a way that the spill over between the zones was just minimal, if not zero. Further, the speakers were to be IP55 rated or even better.
The system designer had to choose speakers for a design that would create the right atmosphere and emotion- whether for an adrenaline-pumping ride or a relaxed ambience in indoors or outdoors throughout the parks and attractions, yet with minimal spill over between zones. The design also laid a particular emphasis on camouflaging the systems to avoid tampering and disturbing the ambience of the place.
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Recalls Manik: “For few areas like Lazy River where we had proposed Floor Mount garden speakers Bose Panarray 360P, we discussed with the team from The Sanderson Group for camouflaging it with something which is sturdy and can protect the speakers from tampering. They came up with a wonderful custom design to cover the speakers.”
According to him, with a view to making a very impacting system design in certain critical areas like the Wave Pool Area, and Rain Dance Area which are the park’s main attractions besides the rides, Team Hi-Tech designed 3D simulations.
For the back-end support, the system designer had asked for two Control Room locations considering the size of the park, and also for Fiber Optic network to minimize the otherwise transmission losses via the conventional copper cables. “This helped us to eliminate central routing matrix to avoid single point of failure,” explains Manik. “We utilised the existing network of the park to connect between the two Control Rooms over DANTE Audio. Audio and Control Processor with appropriate number of I/O channels, Call Stations, Message Server, Multi-channel Audio Source were proposed to meet the functionality requirement of the customer.”
The Systems In The Design…
Bose Professional Partner that Hi-Tech is, they understandably chose a complete range of Bose products for the whole of the install. For Wave Pool Area they used Bose Flagship Point and Shoot LT Range of weatherized speakers and subwoofers with 3 units of LT 9702WR and 2 units of dual 12-inch MB24WR subwoofers. These systems was deployed to produce high SPL pumping music during
wave generation to play EDM style music and to overcome high noise levels of water babbles, and public cheer.
The complete park is surrounded by a free flowing Lazy River where people can get in a tube and relax and hence needed a system with rich ambience music. The complete Lazy River was covered with Bose Garden speakers Freespace 360P which were camouflaged with a unique design by the architects. These speakers have a 360° coverage and hence covered both walking pathways and the Lazy River.
Rain Dance Area is another big attraction of the park. This indoor area is like a night club with a unique design of sprinklers from ceiling, sides and floor. Speakers for this space were again proposed to be weather proof/sprinkle proof so the installer employed 4 units of iconic IP55 Bose Panarray 802 speakers with IP56 MB12WR Subwoofers to produce thumping loud music through DJ.
Says Manik “so from King Cobra rides to kiddies’ areas, indoors and outdoors, in queue lines and eating areas, we created a sound that is just the right ambience for a fun-packed day.”
The Hi-Tech Exec, while he based the success of the install on his design expertise, he acknowledges the superlative performance specs of the brands his team employed- Bose, Biamp, Alcorn MC Bridge, Klotz Cables etc. to ensure that the desired quality and reliability was achieved.
Paradigm Shift in Design…
At the heart of the sound system, the Hi-Tech Director says, is their engineered backend system which is a combination of products from Bose and Biamp processors and call stations to make zone-wise announcements. Complete system is sitting on the park’s LAN network and can be monitored from multiple locations as desired. The
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backend set-up provided thus has shifted the paradigm from traditional system with a centralized processing and central routing matrix into a new future i.e. networked future. Logging and system monitoring information is stored locally.
More, the system is expandable and can be linked to other new facilities coming up on the premises i.e. a world class Club House, a premium mall and a multiplex cinema etc.
Challenges Addressed…Like every project, Amaazia too posed its own set of challenges, and given its scale, some of them took the design team to test. One of the earliest challenges was about the speaker design to avoid or minimize decibel spill over between zones even as they produce appropriate SPL to overcome noise levels of people and water. It was indeed a potential one.“We also had challenges with certain proposed location of speakers as interiors changed dynamically at later stages,” recalls Manik, “we had to accommodate those chances to ensure excellent customer experience.”
Choosing the cable routes was another. That the project itself was an outdoor water park install, many services - specially plumbing - were being used underground and the install team had to ensure that it didn’t overlap with them. The Hi-Tech team thus got involved from the very initial stage of civil works on site to ensure it got the conduits laid before the foundation works for Lazy River started.
“Perhaps, the biggest of all, was to live up to the client’s expectation in design, quality and functionality within the budget assigned,” reveals the Hi-Tech Exec. “Client had left the design onto us; so we had a bigger responsibility to ensure that it was done right.”
The Amaazia management is understandably happy with the system design and the experience it weaved around. “We are extremely glad to be the first one in India to create a world-class integrated amusement park catering to audiences of all ages,” says Rajesh Taylor, Project Director at Amaazia. “We wanted to create a facility of international standard and chose to go with brand Bose for audio systems and a system integrator with expertise and experience to integrate such systems professionally,” he explains, “so we chose Hi-Tech Audio Systems. We are very happy with this new system and look forward to extending the same in upcoming facilities also.”
www.hitechaudiosystems.com
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Virasat-e-Khalsa Comes Alive With DTS And SholiteA static museum goes narrative and dynamic through the medium of Light
Modern Stage Service (MSS) recently designed and executed one of the most recognizable and largest government funded fixed AV and lighting installation in the country - Virasat-e-Khalsa Museum. It is an architectural vision, located in the holy town, Anandpur Sahib, near Chandigarh, the capital of the state of Punjab. This breath-taking museum where light plays the major role is a highly respected, praiseworthy combination of spiritualism, concrete and technology blended to form a rich heritage of the Khalsa’s history and culture of Punjab.
MSS, well known for designing the lighting for theatres, auditoriums, public and private museums across the country has taken a revolutionary step, putting together trendsetting interactive elements and a sophisticated lighting control system to provide visitors a narrative museum, where stories depicting Sikhism come alive. “Light is the principle vehicle in this museum as we express the story through light,” said Amardeep Behl, Director, ABDH (Amardeep Behl Design Habit) which meant a lot of programming and interaction between computer systems.
To create the historical world that comes alive and make people feel like part of the story, MSS employed DTS
patented technologies, using lighting fixtures featuring LED technology that can control set-ups of DTS LED products in various combinations with DTS DriveNets to power the lights. Sholite’s extremely versatile and bright aerial effects give the galleries unprecedented flexibility required to make the narrative museum dynamic. The MA-Lighting lighting console handles the complex shows efficiently.
In the 65,000 square feet of interior space, there are two complexes at each side of the ravine, connected by the ceremonial bridge. The stories of ‘Panj-Pani’ starts in a boat shape building which has 27 galleries. The 14 galleries were done earlier in phase I and now the phase II is getting introduced to the public consisting of 13 galleries and lighting design by MSS. DTS products have been used in large numbers for lighting up the venue. All of the 27 galleries in their own way uniquely depict the history of Sikhism and how it originated and came into being. Generic effects like Rain, Fire, water, and others have been created by using 2 Generic GOBO Projectors and complemented by 12 Generic- Dome LED Chandeliers. The museum utilizes light effects to explain each bit of information there is, using state-of-the-art equipment and technologies like Holographic projections, Lighting and other effects
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combined with 3D mapping techniques completely synced with multiple channels of Audio to display war scenes with the sources so carefully placed that the audience feel like they are standing in the middle of the war for that brief moment.
“We are making a narrative museum, which is very dynamic. Light is the principal vehicle in this museum as we express the story through the medium of light. Here the theme changes from static to dynamic mode and light plays the major role in it” saidVarinder Wadhwa under whose guidance MSS has completed 1300 theatres, auditoriums and public and private museums across the country.
The final total area of 68,000 square feet will rank among the top museums of the world recreating history through artistic representation and craft techniques. The lighting solution is unique staying true to the form and style of the 15th century and later periods in each of the galleries telling the early stories of the Sikhs and the birth of the Khalsa.
By carefully inserting a very savvy technology, emotional impact is emphasized. In the very first gallery, a non-linear experience using art, technology and music has no equal anywhere.
The museum celebrates 500 years of Sikh history and the 300th anniversary of the birth of Khalsa, based on the scriptures written by the tenth and last guru, Guru Gobind Singh, designed by Moshe Safdie. Phase 2 of the continuing story of Sikhism at the Virasat-e-Khalsa museum is close to completion. It’s is tentatively slated to be opened to public mid-October. MSS has done an outstanding job bringing the museum to life.
modernstageservice.in
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LASERVISION’S Latest Dubai Attraction Awarded Guinness World Record For A Second Time
DUBAI
The ten-minute immersive experience captures the imagination of the audience
Dubai’s latest World Class attraction IMAGINE, designed by Laservision Mega Media, achieved another Guinness World Record with the launch of
“A CHILD’S DREAM.” The 360-degree spectacular combines the latest in entertainment technologies into a ten-minute immersive experience capturing the imagination of the audience.
This latest production produced by Laservision, has been awarded a Guinness World Record for “World’s Largest Permanent Projection Mapping” as the iconic InterContinental Hotel is transformed into a 4,857 square meter digital canvas.
Designed, created and installed by Laservision Mega Media, “A Child’s Dream” is the second multi-media spectacular to open at IMAGINE and adds to the continuing success of the record-breaking performance of “STARDANCER,” launched December 2016.
“A Child’s Dream” offers an entirely new way to experience IMAGINE and is a wonderful journey through the vibrant imagination of a young child – with airplanes, magical whales, optical illusions and giant dancing robots. Spanning over 20 acres, IMAGINE is a world benchmark for the
latest in permanent multi-media spectaculars and combines projection-mapping, high-definition video, water-screens, dynamic fountains, lasers, surround-sound, intelligent lighting, and powerful flame effects.
“We are exceptionally proud of our creative and technical teams for creating a truly vibrant and colourful adventure into a child’s imagination. It is energetic, playful and really shows off our latest offering of technologies with its incredible colour palettes and rich visual content.” says Shannon Brooks, CEO Laservision.
The complimentary attraction, IMAGINE at Dubai Festival City, is designed for audiences of all ages and languages with multiple showings every evening catering to thousands of audience attendees every week.
This is Laservision’s Third Guinness World Record. Laservision also created the World’s Largest Light and Sound Show, for “A Symphony of Lights,” Hong Kong, and World’s Largest Water Screen for “IMAGINE,” Dubai Festival City.
www.laservision.com.au
PROJECTS
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Jaguar F-PACE Defies Gravity In Shanghai LaunchCHINA
Steve Nield delivers a lighting design that features the SGM G-Spot
The all new Jaguar F-PACE defied gravity once again on the world's largest Loop the Loop in Shanghai, China, in April. This Guinness World Record-breaking
stunt, performed by English stunt driver Terry Grant, was designed to showcase the all-round performance - lightweight design, agility and sports car speed - of the brand's first Sport Utility Vehicle (SUV). Both the F-PACE and Grant had to withstand 6.5G to successfully navigate the 360-degree, six-storey loop with a width of only four metres. Driver Terry Grant trained for two months in preparation to make sure he could withstand G-Forces greater than those experienced by space shuttle pilots.
The venue was the Shanghai Passenger Terminal dockside which is used primarily for berthing passenger cruise ships bound for international destinations. The venue remained
a working dock for the first few days of the build so cruise liners came and went and passengers were embarking just a few meters from the edge of thesite. The usable area for the stunt was some 321 meters wide with only a depth of 16 meters, lighting resources were spread out over 221 Meters by 16 Meters. The Passenger terminal is just up the river from the Bund giving it an amazingly central Shanghai location. To make it even better the venue also had an incredible view of the Pudong Skyline which was the backdrop for the whole stunt.
The F-PACE sped through the specially built structure, using its sports car derived technology and world-class collection of safety features to complete the record loop and officially signal the opening of order books worldwide.
Four 25m trusses packed full of lights fitted nicely right up against the edge of the dock, squeezing in between large mooring posts that cruise ships normally tie up to.
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Months of planning went in to ensuring that both car and driver could complete this world record-breaking challenge. Precise physics, angles, speeds and dimensions were considered by a team of experts including structural engineers, mathematicians and safety experts.
The stunt was the result of a precise mathematical formula, and several months of planning. Grant had to approach the loop at 53mph. When he was going round, the speed dropped as low as 15mph. He had to follow a white line throughout the whole movement to ensure he kept it the right way up in a stunt that lasted just three seconds all in, and saw him pull 6.5G.
Lighting Design Concept The lighting was an expansion on a previously completed stunt in Frankfurt some 18 months earlier. The stunt itself would be delayed if there was any rain but once the rain stops and the track has been dried by an army of sweepers and leaf blowers, then the stunt would go ahead. This fundamentally dictated that the lighting resources used for the stunt must be able to take a good downpour and keep going ready to run at a moment’s notice , enter the SGM G-Spot which was the primary fixture for lighting the loops track surface.
The Lighting was broken down in to two main areas, firstly the equipment rigged to the loop structure which was providing the main source of light for the track & car as well as some aerial effects. Secondly, Ground based resources positioned along the dockside behind the loop structure to provide additional lighting to the structure but predominately for creating a statement on the skyline of Shanghai. Initially Steve Nield, the lighting designer had wanted to place all these resources on three barges out on the river to get some distance between the equipment
and the structure of the loop. However the Shanghai River Authority didn not share his enthusiasm and passion and the idea was quickly rejected. Kelvin Ng of Easy Engineering came up with the idea of placing all the lights in rolling trusses so that lights could be rigged and tested far away from the busy area around the loop structure and then rolled in to place at a suitable time. Four 25m trusses packed full of lights fitted nicely right up against the edge of the dock, squeezing in between large mooring posts that cruise ships normally tie up to.
ChallengesWith only a 16m depth to the work area and with most of that being taken up by the loop structure, moving around the loop was hazardous as cherry pickers, scissor lifts and cranes were working simultaneously in a very confined space. Extra precautions were put in place to manage this congestion and during the entire production period not one accident or incident took place.
Weather was an interesting challenge - for the first few days the sun beat down on the crew with many red sunburnt faces as a result. Literally overnight the weather changed and rain soaked the venue and with the wind chill
A view down the track to the loop
SGM G-Apot Rigging
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it was below zero for 3 days. For the rehearsal and show period all involved were blessed with clear skies and cool weather with near perfect conditions for the stunt.
The rigging of the G-spots should have been done when large sections of the loop were assembled at ground level and then craned in to position. Unfortunately because of a delayed shipment of G-spots from Denmark and subsequent customs clearance, each fixture had to be rigged by hand from a cherry picker on the completed structure. This process with two pickers working one on each side of the loop took 18 hours of non-stop work to complete in order to have the lighting ready for programming.
Safety ConsiderationsSafety was paramount with every possible scenario of what could go wrong considered. The stunt was rehearsed over and over with Terry doing a run up but diverting off to a slipway at the last minute, with each run we rehearsed all the protocols for the different possible outcomes. Standing by were two ambulances, two full paramedic teams, two fire boats and a dozen firemen / emergency rescue teams. The event itself was very intense because the potential of what could go wrong, thankfully all rehearsals and the stunt went perfectly as planned.
The lighting crew that worked on the equipment at the waters edge were required to wear life jackets just in case they fell in the river. The Lighter Side
After the stunt was completed and the VIP’s sipped champagne in a nearby ballroom that looked over the venue, there was a request from the client that the lights be changed to green as the event day was indeed St Patrick’s day. This was duly obliged.
About Terry GrantTerry Grant is considered one of the all-time greats of stunt driving. He is an international stunt driver and multiple world-record-holder for a variety of motoring stunts. Terry has performed at some of the most prestigious events from the Race of Champions and Formula 1 road shows worldwide. Mr Grant: the holder of 19 driving world records, the man who’s done more weird, extreme things in cars than anyone else on the planet.
Team InvolvedLighting Designer: Steve NieldAssistant LD : Jacky HongLighting programmer: Tom WrightLighting Provider: Hiller Pharma / Easy EngineeringLighting Project Manager: Lee Chee HuiLighting Crew Chief: Kelvin Ng / Anthony LawProduction Company: Imagination
Equipment Used50 x SGM G-Spot52 x Yoline LD812 6-IN-1 RGBAW+UV LED Par136 x Short Nosed12 x Robe Robin 1200 Wash16 x Martin Mac Viper (with Rain hats)100 x Light Sky IP300016 x 7kw Xenon Searchlight244 x RGBW LED par20 Martin Atomic 30002 x MA2 Full Size1 x Ma2 Lite2 x MA On – PC8 x MA NPU1 x MA3d Visualization suite
Except for the Atomic strobes and the Mac Vipers, all other fixtures were water proof or water resistant to a degree. Clearly with all these resource outdoors for ten days it was important to have a robust system that was as weatherproof as possible.
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Mother Of The Nation FestivalABU DHABI
Protec engaged to provide comprehensive and fully integrated technology package
Spread across ten days — and more than a kilometre of Abu Dhabi’s corniche beach — the Mother of the Nation Festival (MOTN) celebrates, commemorates and honours the inspirational values of Her Highness Sheikha Fatima bint Mubarak.
Via a number of diverse activity zones, the festival again created an entertaining and highly interactive atmosphere, including educational activities, exhibitions and performance, inviting families and individuals from all walks of life to help preserve the Emirati heritage.
Based on their success in the inaugural year, Protec were again engaged to provide a comprehensive and fully integrated technology package — including rigging, and an array of backline from drum kits to keyboards — under the project management of James Lakin.
Working for Flash Entertainment on the Main Stage, his team faced considerable challenges, not only in reinforcing such a wide performance package, but in mitigating factors outside their control, notably the weather.
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MOTN expanded to five different zoned areas this year: The Happiness Zone offered exhibits of art and exciting activities, inspired by HH Sheikha Fatima’s commitment to fostering future generations through initiatives in which they may learn and grow. Progress was dedicated to interactive experiences and installations, engaging visitors with innovative concepts. Beach Dining was located throughout the central stretch of the Festival, with the Food & Beverage Zone’s restaurants, food trucks and stalls providing visitors with flavours from the UAE and around the world. Pavilion provided a tribute to the accomplishments of the Mother of the Nation, and a reflection on the enduring legacy of HH Sheikha Fatima bint Mubarak. Finally, bridging international culture with the quintessential urban experience, The Souq offered visitors a traditional retail experience inspired by the rich heritage and cultural exchange.
For the Happiness Zone Protec were engaged by production company HQ Worldwide Shows, and were tasked with providing an array of illumination — uplighting the trees and giant flower sculptures, as well as one of the domes, the arts and crafts area and the Jeep tour. They also provided complementary sound reinforcement.
Main Stage lighting was specified by Flash International and was based largely around Clay Paky Prima Mythos, A.LEDA K20 B-EYE / A.LEDA K10 B-EYE and Prima Super Sharpy — all controlled by grandMA 2 Full Size and grandMA 2 Lite desks.
The only changes from the original spec were that the Clay Paky Scenius Profile, originally assigned for front fillers, were redeployed as the stage floor package, while five Martin Atomic strobes were added to provide extra punch.
Protec provided a projection screen that filled the back of the stage, run in tandem with a pair of Christie Roadster HD 20K-J DLP projectors to deliver graphic content from logos, titles, sponsored video loops and information on what was happening throughout the festival — as well as the Pokémon Orchestra, playing in sync to a video.
Protec’s audio department also fielded an L-Acoustics KARA, a decision justified by James Lakin, who stated: “Although it was a small audience area it still required very good audio quality.”
Also backing the decision to use KARA was head of audio design, Ed Ross. “Although the weight loading capacity was fairly low we still potentially needed to throw the sound a fair way for the bigger acts if it got busy on the beach,” he explained.
Protec provided a full monitor system and festival stage patch system going to a Digico SD5 for monitors and a Digico SD10 for FOH. “Because of the wide range of acts, we had a vast array of microphones on site and consequently lots of stage multicore cabling to allow flexible change overs,” he added.
Overall, 21 different artists appeared on the Main Stage over the duration of the Festival, each performing twice a day — making a total of 42 performances over the period. These ranged from a 56-piece orchestra to local jazz and pop bands.
However, the weather provided another unexpected challenge. “There were so many wet days during the set-up and the night before the opening we had wind speeds of 33 metres a second which provided a number of challenges
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site wide in the hours before the doors opened to the public,” explained Lakin.
To overcome the conditions they needed to bag all equipment every night and then unbag prior to the show. “This meant the projectors had to be realigned up every day, giving us only 20 minutes of darkness to do so before the event opened.”
And audio was not spared either. On the morning of the opening day some kit was damaged by water when the covering was ripped off by freak winds. Fortunately they were prepared, and had spares on site.
However, worst hit was the Happiness Zone as all equipment was exposed. Daniel Ivanovski, Protec’s Lighting Engineer, underlined the scale of the challenge in protecting the equipment from the driving rain — which penetrated far inside the roofed stage area — and buffeting winds. “Front of house and dimming/distro area had been covered with tarps held down with stage weights and ropes and the lighting fixtures that weren't under the roof were individually covered with plastic bags every night during the setup and first show days although the weather improved for the festival itself.” The same plastic bag procedure was applied for all lighting fixtures.
Summing up the event, James Lakin said, “All in all the team delivered a seamless show over some fairly difficult and unpredictable days. We managed to deliver on all fronts, which given the size of the site, and challenging weather conditions during the build-up, was no mean feat.”
www.productiontec.com
TMB’s Nuri*Lites Hurricane Fixtures Withstand The WeatherA fully integrated A/V and lighting package was provided by Production Technology (Protec) of Dubai, whose careful planning and work was challenged before opening day by Mother Nature. Hurricane-force, 75 mph winds, with an accompanying torrential downpour, could have easily delayed the event, had it not been for Protec’s experienced crew and some quality, IP-rated gear, including 100 of the new, tough and resilient Nuri*Lites Hurricane LED fixtures.
“We used Nuri*Lites Hurricanes in the Happiness Zone of the festival, which also happened to be the most exposed area during the storm,” says Protec’s Project Manager, James Lakin. “We chose the Hurricanes because they’re IP65-rated, which was necessary for the open air setup on the beach. The fixtures survived and performed beautifully, with minimal fuss on our part.”
“We purchased Nuri*Lites because we knew TMB would stand behind their product if we had any issues,” explains Lakin. “Also, with such a short delivery timeframe (less than 10 days), we needed to go with a company that we trusted to deliver as promised. In addition to their IP rating, the Hurricane’s cost/value factor influenced our decision. They are performing very well and we intend to increase our stock next season.”
The new Nuri*Lites range from TMB includes seven high-performance LED fixtures that won’t break the bank. RGB, RGBW, RGBAW-UV, and Variable White fixtures are available. Outdoor fixtures include the Hurricane RGBW wash and the Manhattan wash with built-in W-DMX wireless, ideal for illuminating walls and large areas indoors or out.
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L-Acoustics Delivers Perfect Coverage For Sing China Final
CHINA
Rightway Audio Consultants design audio system to ignite the massive audience
Held at the Beijing National Stadium, commonly known as the Birds Nest, the final of Sing China’s inaugural season attracted a live audience of over
60,000. Simultaneously broadcast by Zhejiang Television, the production required professional sound that would ignite the massive audience so their energy would translate into a dynamic show. Rightway Audio Consultants Ltd designed an audio system that was up to the Herculean task, utilising a total of 218 L-Acoustics loudspeakers.
Sing China was hosted by superstar Li Hua shao, with renowned artists Jay Chou, Na Ying, Wang Feng and Harlem Yu as coaches and sought to find new vocal talent drawn from public auditions, taking the chosen acts through a series of rounds before announcing Jiang Dunhao of Team Wang Feng the winner.
“We supplied all audio requirements for the two Playoff rounds and the final, which were all mixed by Front of House engineer Jin Shaogang,” explains Vincent Zhou, system designer for L-Acoustics’s Chinese distributor, Rightway Audio. “We have worked with the show’s production team for many years, supplying L-Acoustics for other series and so the show’s audio director, Jin Shaogang
was familiar with L-Acoustics and trusted the system. We were both confident that K1’s power and clarity would provide the right solution for Sing China.”
Having worked at the Birds Nest before, Vincent and the Rightway team were familiar with the venue’s challenging reverb, as well as the obstacle posed by two permanently installed LED screens on the right-hand side of Level 3.
Working in conjunction with Jin Shaogang and L-Acoustics’ applications engineer Alvin Koh, Vincent used Soundvision to design a system that deployed delays to ensure even coverage of the venue, including an asymmetrical flown delay system to account for the LED screens and provide even cover for Levels 2 and 3. This approach meant that Jin Shaogang did not have to drive the system too hard, keeping the volume at a level that accounted for the reverb while ensuring good intelligibility throughout.
The final design comprised 12 K1 plus two K2 left and right for the main hangs, which cover the field, with the top K1 covering a distance of 125m. Two side hangs of 10 K1 plus three K2 were positioned to cover levels 1 and 2 to the side of the stage.
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“We used three K2 at the bottom of these arrays because we didn’t want the side hangs to affect the audience on the field, with the K2s at 35 degrees in / 55 degrees out to give us less coverage of the field and therefore provide less interference,” Vincent explains. “We had an additional three stacks of three Kara each for side fill and front fill, to ensure complete coverage.
“We also used five ground stacked arrays of four K2, with two stacks either side and one in the middle to cover Level 1 at the rear of the stadium. These were very easy to move if we needed to and, by using K2-Jacks, we were able to make the bottom cabinet of each array an exact angle. We didn’t fly these delays because the back of Level 1 is shadowed by Level 2, and the flying position was too high to be able to get coverage to the back of Level 1.
“We had nine hangs using a total of 48 K1, 18 K2 and 22 K1-SB cabinets, with four of them at stage left and five stage right to prevent energy going to the screens.”
“We had 16 SB28s each side configured in cardioid,” he says. “When you have a long horizontal array, you get narrow coverage in the horizontal, so we had stacks of just two cabinets to make them lower than the stage. In the horizontal, we had eights stacks of subs. This meant that the horizontal coverage was a little narrow, so we added some delays at the outside of the subs.”
“Alvin gave me a lot of suggestions that were really helpful and, because Soundvision is such a powerful tool, I was able to produce a model that was very close to the Birds Nest’s model. The results were perfect and the entire team was very happy.”
www.l-acoustics.com
EVENTS LISTING 66
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Jun 01 – 03PALM Expo India 2017Venue: Bombay Exhibition Center, Goregaon East, Mumbai, IndiaSite: www.palmexpo.in
June 2-5, 2017PALMEXPO 2017Venue: China International Exhibition Center, Beijing, ChinaSite: www.palmexpo.com
Jun 9 – 12Guangzhou International Lighting Exhibition 2017Venue: China Import and Export Fair Complex, Guangzhou, ChinaSite: guangzhou-international-lighting-exhibition.hk.messefrankfurt.com/guangzhou/en/for-visitors/welcome.html
Jun 13 – 16IAAPA Asian Attractions Expo 2017Venue: Marina Bay Sands, SingaporeSite: www.iaapa.org/expos/asian-attractions-expo/home
Jun 14 – 16Conference Programme starts on Jun 10InfoComm International 2017Venue: Orlando, Florida, USASite: www.infocommshow.org
Jul 13 – 15Summer NAMM 2017Venue: Nashville, TNSite: www.namm.org/summer
Jul 26 – 28ProAVL Asia 2017 / Toursim Technology Asia 2017Venue: Marina Bay Sands, SingaporeSite: www.proavlasia.com
Aug 17 – 19PALMM PhilippinesVenue: World Trade Centre, Metro ManilaSite: https://www.facebook.com/PALMMPH/
Aug 29 – 31IntegrateVenue: Melbourne Convention Centre, AustraliaSite: integrate-expo.com
Sep 5 – 7Shanghai Smart Home Technology (SSHT)Venue: Shanghai New International Expo Centre, Shanghai, ChinaSite: www.building.messefrankfurt.com.cn
Sep 26 – 28InfoComm India 2017Venue: Bombay Exhibition Centre, IndiaSite: www.infocomm-india.com
Oct 11 - 14Prolight + Sound Shanghai 2017Venue: SNIEC, ShanghaiSite: www.prolight-sound-shanghai.hk.messefrankfurt.com
Oct 12 – 14Broadcast India ShowVenue: Bombay Exhibition CentreSite: www.broadcastindiashow.com
Oct 17 - 19Prolight + Sound Middle East 2017Venue: DWTC, DubaiSite: www.prolightsoundme.com
Oct 25 - 27Broadcast IndonesiaVenue: Jakarta International Expo, IndonesiaSite: www.broadcast-indonesia.com
Oct 25 – 27Vietnam Pro-AV & Lighting Fair 2017Venue: ICE, Cultural Palace, Hanoi, VietnamSite: www.proavlight.com
Nov 17 – 19Conference programme starts on November 13LDIVenue: Las Vegas Convention Center, USASite: www.ldishow.com
2017
