2013 Remote Sports Production Yearbook

2013 REMOTE SPORTS PRODUCTION YEARBOOK

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PuBlicAtiOnfEAtuRing thE sEvEnth AnnuAl Remote seRvices DiRectoRY

2013 REMOTE SPORTS

PRODUCTIONYEARBOOK

thE cOMPlEtE guiDE tO Remote PRoDUctioN

seRvices & tecHNoLoGY

A SportS Video Group PuBlicAtiOn

REMOtE sPORts PRODuctiOn YEARBOOK 2013 7

table of contents

FRom tHe eDitoRiAL DiRectoR12 End of an Era

execUtive RoUNDtAbLe17 ‘Our Trucks Are as Busy as Ever’Vendor execs see booming business in ratings, rights deals, multiscreen

eNGiNeeRiNG RePoRt31 Truck Design: Baseband’s Last

Hurrah?The future of 4K, 3D may be hazy, but the move to IP is in sight

NEW TRUCK PROFILES 50 Crosscreek Television 54 CSP Mobile Productions 58 D2 Productions 63 Dome Productions 69 Game Creek Video 74 IMS Productions 80 MIRA Mobile Television 84 Mobile TV Group 89 NEP Broadcasting 94 Proshow Broadcast 98 Token Creek Mobile TV 102 Trio Video 106 Turner Studios

REMOTE SERvICES PROvIDERS

116 3ality Technica Advanced Mobility Aerial Video Systems All Mobile Video Alpha Video ARCTEK

120 Axis Global Azzurro Systems Integration Beck Associates Bexel Broadcast Services

124 Broadcast Services Intl. CAMERON PACE Group CAT Entertainment Services CBC Mobile Productions CBT Systems

128 Cinesys-Oceana Clark Media Communications Engineering Corplex Diversified Systems

132 Encompass Digital Media F&F Productions Filmwerks Frontline Communications Gearhouse Broadcast

136 Gerling & Associates Illumination Dynamics IMT Kodiak Mobile Television Lyon Video Mansion Mobile Television

140 Metrovision Production Group NES Communications Services On Call Communications PACSAT Platinum Upline Services PSSI/Strategic TV

144 Reality Check Systems Show Partners SkyCam/CableCam SOS Global Express The Systems Group

148 VCA VER YES Productions

vENDOR SERvICES DIRECTORY158 Crew Services

Regional Listing170 Crew Services

Alphabetical Listing182 Generators

Regional Listing194 Generators

Alphabetical Listing206 Remote Production Units

Regional Listing208 Remote Production Units

Alphabetical Listing214 Satellite Trucks

Regional Listing220 Satellite Trucks

Alphabetical Listing

227 mobiLe sPoRts PRoDUctioN GEaRbaSEDetails of equipment found in nearly 200 HD, SD, and 3D trucks

258 AD INDEx Directory of SVG sponsors

2013REMOTE SPORTS PRODUCTION YEaRbOOK

Paul Gallo, Executive Director [email protected]

Tel: 212.696.1799

Martin Porter, Executive [email protected]

Tel: 516.767.6720

Ken Kerschbaumer, Executive Director, [email protected]

Tel: 212.481.8140

Jason Dachman, Managing [email protected]

Tel: 646.861.2373

Brandon Costa, Senior [email protected]

Tel: 646.861.2370

Karen Hogan, Associate [email protected]

Tel: 646.559.0434

Susan Qualtrough, Copy [email protected]

Riva Danzig, Art [email protected]

Tel: 917.602.4588

Rob Payne, Managing Director,

Worldwide Sponsor [email protected]

Tel: 212.481.8131

Andrew Lippe, Membership & Client Services Manager

[email protected] Tel: 212.481.8133

Andrew Gabel, Manager, Sponsor Development

[email protected] Tel: 646.998.4554

Hayley Gordon, Sponsorship Coordinator [email protected]

Tel: 646.524.7497

Cristina Ernst, Circulation Manager [email protected]

Tel: 917.309.5174

About SVGThe Sports Video Group was formed in 2006 to sup-port the professional community that relies on video,

audio, and broadband technologies to produce and dis-tribute sports content. Leagues, owners, teams, players, broadcasters, Webcasters, and consumer-technology providers have joined SVG to learn from each other, turn vision into reality, and implement innovations, while sharing experiences that will lead to advances

in sports production/distribution and the overall consumer sports experience.

Mission:To advance the creation, production, and distribu-

tion of sports content.To provide a knowledge resource for the growing

community of sports video professionals working for broadcast/broadband organizations, professional teams

and leagues, collegiate and secondary schools, and facilities.

To facilitate a dialogue with manufacturers, suppliers, and technology developers that will improve the quality

and profitability of sports programming.

PRINTED IN THE USA

Published by sPorts Video grouP

260 Fifth Ave., ste. 600 New york, Ny 10001

tel: 212.481.8140 Fax: 212.696.1783

www.sportsvideo.org

12 REMOtE sPORts PRODuctiOn YEARBOOK 2013

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Remote Production 2013: End of an Era

The 2013 Remote Sports Production Yearbook once again shines a spotlight on new trucks and rebuilds updating older trucks. Across the board, such

trucks, numbering nearly 25, have made the move to a 3-Gbps infrastructure and next-generation tools like the latest EVS servers, Grass Valley and Sony produc-tion switchers, IP-based routing, fiber, and more.

And, while they are the next generation of trucks, they can also be considered the start of the last generation of trucks we have come to know and love: begin-ning next year, remote-production-truck suppliers looking to build a new truck that will be on the road through 2020 will have to begin considering how to make a truck easily upgradeable to 4K — or even to 8K if networks like NHK are to be believed.

Many of the challenges of such a move are outlined in the Executive Round-table and Engineering Report, which begin on page 17. There is still plenty that the equipment-manufacturing community needs to do before 4K production for sports becomes a reality. And that work most likely means that it will be at least two years before we will need to add a “4K-capable” column in the Gearbase sec-tion, which begins on page 227.

Any uncertainty about tomorrow, however, is offset by a growing certainty in the current opportunities for remote-service providers. A number of new region-al networks have begun broadcasting, and all networks will continue to expand their live event coverage in 2013. All of that additional content creates new means for remote-production-service providers to get access to capital for future builds.

There are, of course, plenty of challenges. The escalating cost of rights is pres-suring production teams to do more with less. But then again, the escalating costs are also putting pressure on the bean counters to make sure the production team can make billion-dollar investments look like a billion bucks on-air. Hence, the constant tug of war over production enhancements vs. budgetary constraints.

Fortunately, the production teams are increasingly able to make their case and add next-generation enhancements, such as super-high-speed cameras and 4K production tools.

The constant pressure to drive profits is also creating pressure to keep more personnel at home. It is unclear what portions of the production team can be kept home, but it is certainly apparent that the pipes between the broadcast center and the remote facilities are robust enough that more and more creative personnel — graphics artists, editors — may be able to stop being road warriors.

We hope you enjoy this year’s Yearbook and find it a worthwhile resource throughout the year as you seek the production trucks and services that best meet your needs. Although the nature of those services may change in the com-ing years, one thing is certain: this Yearbook will always help you get your job done more quickly and efficiently.

The Sports Video Group is comprised of leading industry figures who are committed to technical excellence in the sports industry. Members help guide the direction of the organization, consult on various group initiatives, and enable more dialogue across different industry segments.ChairmanSteve hellmuth, NBA, EVP, Operations and TechnologyadviSory Board memBerSKen aagaard, CBS Sports, EVP, Operations and

Production Servicesadam acone, NFL Network, Director,

Media Operations & PlanningGlenn adamo, NFL ,VP,

Media Operations and BroadcastingPeter angell, IEC in Sport, COOandrea Berry, Fox Network Engineering and Operations,

SVP, Broadcast OperationsChuck Blazer, FIFA, Executive Committeedavid Catzel, Microsoft, Platform Services Adviser, DPEChris Calcinari, ESPN, VP, Event OperationsJason Cohen, HBO Sports, DirectorJoe Cohen, HTN Communications, Chairman and CEOmichael Cohen, Industry Consultantdon Colantonio, ESPN,

Senior Director of Production EnhancementsCindy Cortell, MLB Network, Director of ITmichael davies, Fox Sports, VP, Field OperationsPreston davis, ABC, President,

Broadcast Operations and EngineeringScott davis, Industry ConsultantJim deFillipis, Fox Technology Group, SVP,

Television Engineeringed delaney, YES Network, SVP,

Broadcast Operations and EngineeringJed drake, ESPN, SVP and EP, Event Productiondave dukes, PGA Tour Entertainment, Senior Director,

Technical Operationsrussell Gabay, Major League Baseball International,

VP and Executive ProducerJerry Gepner, L5 Media Services,

Media and Technology ExecutiveSteve Gorsuch, USTA Billie Jean King Tennis Center,

Director of Broadcast Operationsmark haden, MLB Network, VP, Engineering and ITdeb honkus, NEP Broadcasting, ChairmanGeorge hoover, NEP Broadcasting, CTOJeff Jacobs, MTV Networks, VP,

Production Planning and Strategiesrobert d. Jordan CFe, Venue Research and Design,

Managing PartnerJohn Kvatek, University of Central Florida Athletics

Association, Director of Video ServicesJohn Leland, Origin Digital, VP,

Global Media OperationsLouis Libin, Broad Comm, PresidentJodi markley, ESPN, SVP, Operationsmichael meehan, NBC Sports, VPKen norris, UCLA, Director of Video OperationsGary olson, CONCACAF, CTOChuck Pagano, ESPN, EVP and CTOdel Parks, Sinclair Broadcast Group, VP, Engineering

and OperationsPatty Power, CBS Sports Network, SVP, OperationsPaul Puccio, Industry ConsultantScott rinehart, Fighting Irish Digital Media, Lead

TechnologistLarry rogers, FirstInTV, Presidentmike rokosa, NBA, VP, EngineeringBob ross, CBS, SVP, East Coast OperationsTom Sahara, Turner Sports, VP,

Operations and TechnologyChuck Scoggins, Industry ConsultantBruce Shapiro, Speed, Coordinating Technical ProducerJack Simmons, Fox Sports, SVP, Productiondon Sperling, New York Giants Entertainment,

VP and Executive ProducerJerry Steinberg, Fox Sports, SVP, Field OperationsSusan Stone, MLB Network, SVP, OperationsPatrick Sullivan, Game Creek Video, PresidentJohn Ward, DIRECTV Entertainment, SVP,

Production & Traffic Operationsernie Watts, Turner Studios,

Senior Director of Technical Ops, Live EventsJeff Willis, ESPN,

Coordinating Technical Manager of Eventsrichard Wolf, ABC, SVP, Telecommunications &

Network Origination Servicesdave Zur, Altitude Sports & Entertainment,

VP, Operations Ken Kerschbaumer, SVG Editorial Director

from the Editorial Director


Executive Roundtable

Even with autumn work stoppages in two consecutive years, national and regional sports networks’ demand for HD mobile units continues to escalate and SD trucks fall by the wayside. Meanwhile, the exponential growth of multiplatform distribution and the proliferation of college-conference and regional sports networks throughout the U.S. offer potentially lucrative new revenue streams for remote-production providers.

“I think it is a very good time right now for our business,” says Pat Sullivan, president/owner, Game Creek Video. “There is a lot of activity in the regional-sports-network area and the networks that are being developed by college conferences. People are asking for more cameras and more replay devices, and our trucks are as busy as ever.”

Nonetheless, significant challenges remain for the industry, namely the danger of labor strife among the big-four pro sports leagues, spastic gas prices and travel costs for crew, the eternal issue of obtaining financing for new trucks, and finding the next generation of engineers in an increasingly IT-centric world.

“We are in a terrific industry, so long as a league does not lock out or strike,” says Phil Garvin, president/founder/co-owner, Mobile TV Group. “But we have had two out of four major leagues — and almost three — do just that in the past year. And that’s when the banks can become concerned. When we have a lockout, the impact is enormous because it is not just one team, it’s the whole league. That is very unusual for an industry. There is no bright side to that kind of situation.”

Vendors Begin To See $$$ Trickle Down Regardless of the loss of NBA and NHL (and

nearly NFL) dates due to labor-related work stoppages, one thing is certain: the sports industry as a whole has never been a more lucrative business. And as both national and regional sports networks fork out more and more money for the rights to live sports programming, remote-production providers are beginning to reap the rewards.

“As the rights fees go up and the competition for those rights increases, quality and reliability of production become absolutely crucial,” says Garvin.

‘our trucks Are as busy as ever’vendor execs see booming business in rising ratings and rights deals, not to mention the multiscreen revolution

By Jason Dachman

“I think it is a very good time right now for our business. There is a lot of activity in the regional-sports- and college-conference-network area. People are asking for more cameras and replay devices, and our

trucks are as busy as ever.” —Pat Sullivan, Game Greek Video

as Nielsen ratings and the value of media-rights deals for live sports programming continue to skyrocket, the remote-production industry

finds itself in an enviable position. With a growing number of eyeballs watching and dollars invested, rightsholders are more intent than ever on delivering the best possible production quality in their live sports tele-casts, which is good news for the vendors that supply the trucks, equip-ment, and skilled engineers at the production compound.

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deliver now that they are willing to pay a little extra to get that added level of assurance. That was always true for a big playoff game, but it is now true at almost every level.”

With the overall cost of these sports properties on the rise, the production budget becomes less of a factor in the bottom line. Many truck vendors see this as an opportunity to augment productions with additional facilities in an effort to enhance the overall quality of the show.

“We have definitely started to see the effects [of the huge rights deals],” says Sullivan. “If [rightsholders] are going to invest multiple millions or even billions of dollars in this content, the trucks quickly become a very small component in the overall cost of producing these events. A modest increase in what they pay for mobile facilities can end up creating a significant increase in the quality of the final product.”

Multiscreen DistributionSports productions across the country are getting

additional trucks and gear as a result of the multiscreen revolution of the past few years. The linear telecast is now just one element in a multipronged production effort at high-profile events like golf majors, tennis Grand Slams, and others.

“In all the new rights-fees deals, there are components of those contracts that address secondary-screen distribution, which shows me that there is going to be more focus on how we are going to be able to supply multiple feeds out of one truck or one compound,” says Mike Werteen, SVP of sales and client services, NEP Broadcasting. “That means more facilities and more equipment, which obviously bodes well for what we do.”

Sullivan says Game Creek trucks have been brought in specifically to handle streaming productions at live sports events on several occasions over the past year, and his company is not alone.

“We are starting to see people think more about the different revenue streams — second-screen and Internet distribution — that could be available from an event that is already being covered,” says Corplex President/Partner Scott West. “They are already covering these events, so why not find new ways to sell the same content? That requires more

infrastructure on the compound, which is good news for the truck business because they need more trucks and gear in order to make that happen.”

Meanwhile, lower-profile college events that may not have warranted even a three-camera shoot just five years ago are being streamed online to a newfound audience. In addition to ESPN3, which streams hundreds of live college events each year, colleges around the country are looking to increase their brand and exposure by streaming their athletics events online.

“We have one SD truck left in our fleet,” says CSP Mobile President Len Chase. “That truck exclusively works for ESPN3, so it’s created a little niche business for us. We are seeing more and more cases where our signal is being divvied up. Our regular network broadcast or a local RSN feed is also being utilized for mobile devices and second-screen [platforms]. Our new truck is set up with four transmission paths just for that reason.”

The RSN EffectOver the past year, new regional sports networks

have popped up across the U.S., headlined by the Lakers-fueled Time Warner Cable SportsNet and Deportes in Los Angeles and a septet of Pac-12 Networks scattered throughout the western half of the country (new RSNs also launched in Houston, New Orleans, and San Diego). TWC Deportes, the first dedicated Spanish-language RSN in the country, could be a sign of things to come for the market, creating yet another potential new revenue stream for mobile-truck providers.

“Regional sports shows are getting extremely complex,” says Garvin. “In addition to home and away feeds, we are producing Spanish feeds now. And then, sometimes leagues and league networks will want a clean feed. Then you add in all the second-screen aspects. In the end, what was a pretty small show 10 or 20 years ago at the RSN level is now an awfully big show.”

Financing Remains ToughWith SD trucks nearly off the road entirely,

vendors are rolling out HD units at a rapid pace, with an eye on potential new markets in the college and regional sectors. Mobile-production vendors

“We are starting to see people think more about the different revenue streams — second-screen and Internet distribution — that could be available from an event that is already being covered.”

—Scott West, Corplex


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launched more than 20 new or rebuilt trucks during 2012, with many more on the way in 2013. However, despite the high-octane output of new HD trucks, obtaining the financing for them remains a constant obstacle.

“It is easier to get capital [to finance new trucks] today than it was during the economic downturn four years ago, no question about that,” says Werteen. “But we are also entering our second straight year of a major work stoppage in pro sports, and that hurts everybody. There are business plans that are built upon the assumption that that revenue will be there for us. So when labor disputes happen, it is painful for everyone.”

Dealing With Work StoppagesAlthough the Republican primary race and

presidential election of 2012 helped offset lost business from the NBA and NHL lockouts, mobile providers still have seen their bottom line take a hit.

“Unfortunately, you are always going to have work stoppages; it’s just a downside of the business,” says Sullivan. “We have been fortunate in that we have made up some of that revenue through the debates and inauguration and such, but it is still a very good-size hit.”

While companies like Corplex have looked to differentiate their business in an effort to protect themselves from future work stoppages (picking up more events along the lines of skiing, rodeo, etc.), there is no way to truly future-proof the business from a lockout.

“Not only do you have a risk of losing a huge percentage of your work, but you also can’t replace it until the league cancels the whole season,” explains Garvin, who has pledged that there will be no lockout-related layoffs at MTVG. “So you are sitting there not knowing whether your truck is booked or not two weeks out. And you can’t rebook your truck because you have to honor those original dates. We aren’t left with a lot of alternatives.”

Fuel, Travel, and Engineers In addition to the looming risk of a work

stoppage, mobile-production–truck providers also face year-in/year-out hurdles like fluctuating fuel prices and travel costs.

“We’ve always dealt with [gas and travel prices], but it’s to a point now where it’s critical,” says Crosscreek Television Productions President/CEO Spruce McCree. “Much like everybody else, we’re trying to negotiate and have been somewhat successful with factoring [fuel and travel] rates into our contracts. But it certainly doesn’t offset the terrible rise in costs that we’re paying. You just have to do a lot of volume and be creative in what you do there.”

Another constant challenge is the search for highly skilled engineers as the truck business becomes a more IT-centric ballgame.

“The big challenge for us continues to be finding high-quality engineers,” says Sullivan. “That is always going to be a challenge because it is a very specialized position and it is more difficult for us as we get bigger. Our ability to put engineers who are up to our standards on every truck is becoming more and more difficult.”

Sullivan does, however, see great value in establishing relationships with both the military and local universities — as Game Creek has done with the Navy and schools like UMass-Lowell — in order to scout the next crop of engineers.

Bottom Line: Business Is BoomingDespite these obstacles and tumultuous labor

situations, the remote-sports-production industry can boast a solid bill of health. With ratings, ad revenue, and media-rights investment up almost across the board, sports networks and broadcasters are more willing than ever to open their wallets to enhance the production quality of their telecasts. That means greater revenues for mobile-production providers and plenty to be thankful for going into a promising 2013 campaign.

“Personally, when I see these escalating rights deals, I feel bullish about our place in the industry and the industry as a whole,” says Werteen. “Obviously, when there is that much money spent on rights fees, it means that live sports has been targeted as destination viewing for television viewers. If [networks] are going to pay that much money for live sports, there is going to be a focus on getting the most exposure possible for that content, and that bodes well for our industry.”

“Regional sports shows are getting extremely complex. In addition to home and away feeds, we are producing Spanish feeds. Sometimes leagues and league networks want a clean feed. Then you add in all the second-screen aspects.” —Phil Garvin, Mobile Television Group

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Engineering Report

But the beginning of a revolu-tionary phase is also taking place. Trucks will continue to move beyond baseband infrastructures and become central hubs where content comes and goes as files, IP signals, and, of course, live cam-era feeds. And, as viewers demand more super-slow-motion shots, there is a need to expand the super-slow-motion camera beyond one or two cameras on a show.

Companies like Inertia Unlimited, Fletcher Chicago, and NAC Imaging dominate the super-slow-motion–camera market, thanks to cameras that can shoot well above 600 frames per second and continue to offer improved performance in night-game situations. Meanwhile, the more traditional camera manufacturers — Sony, Grass Valley, Ikegami — offer cameras that can shoot only upwards of 180 frames per second. But Phil Garvin, president/founder/co-owner, Mobile TV Group, foresees a day when standard truck cameras offer ultra-slow-motion capability.

“That will make [using ultra-slow-motion] a lot easier [to maintain], and I think the way we offer ultra-slo-mo to the customer is going to change dramatically over the next few years,” he explains. “Someday, the manufacturers of cameras will make new features available simply through software upgrades. The customer is going to be able to request features via these upgrades on a game-by-game

basis.”One company looking to fulfill that promise is

Grass Valley. The company’s newest cameras, the LDX series, will eventually offer the ability to add features to the camera and turn them off as needed. So the ability for remote-production companies to pay for the ultra-motion feature only when it is needed could drastically change the marketplace.

“I wouldn’t be surprised to someday see a client ask us to provide them with all high-frame-rate cameras at every position,” says Game Creek Video President Pat Sullivan. “That would significantly

truck Design: baseband’s Last Hurrah?the future of 4K, 3D, and other formats may be hazy, but the move to iP is clearly in sightBy Ken Kerschbaumer

The state of remote-production–truck engineering continues in an evolutionary phase as the transition to IT-based signal transport, em-

bedded audio, and the ability to push and pull content from the field to a broadcast center via fiber continue to make advances. But the beginning of a revolutionary phase is also taking place.

Ultra-slow-motion cameras like NAC Image Technology’s Hi-Motion II are seen more and more often at live sports produc-tions across the country.


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The potential demand for more high-frame-rate cameras is not the only area of acquisition that is beginning to impact the remote-production world. One of the hottest phrases on the lips of industry professionals is Ultra HD, or 4K. Fox Sports, for example, is using a 4K camera to capture images that can be zoomed in, providing HD-quality close-up extractions of things like a foot touching an end line in football.

“I hear more about 4K than 1080p these days,” says Garvin. “Nobody gets too excited about 1080p because it’s not a huge difference [in quality] by the time it gets to the home. And, while I think 4K is interesting, I don’t think that I have to worry about it right now. Initially, it will be used for a portion of the HD production, and then we’ll see where we go from there.”

Scott West, president/partner of Corplex, says 4K is certainly something he is aware of and investigating. “The question is, when will the technology shake out to a point where the networks will be able to transmit or will they just archive?” he says. “There also has to be a business model that makes that work. Is that the next step, like SD to HD? Maybe. We are not willing to spend money tomorrow, but we have our engineering staff keeping apprised of the developments in that.”

The good news for all truck companies is that, outside of the cameras, there is still another year or two of product development before other equipment — production switchers, EVS servers, camera-control gear — becomes truly 4K-friendly. Right now, for example, it is impossible to cut a multicamera 4K production from a production switcher.

That ability to wait is important for another reason: it allows the rest of the TV industry to attempt to figure out where it wants to go.

“When it comes to moving images to the home, there is no clear focus as to where the industry is going,” says NEP Broadcasting CTO George Hoover. “And these are not decisions that any one network or organization can make on their own.”

Product development for the manufacturers is not cheap, and making 3D- or 4K-capable products when it is unclear if or when the market will develop carries risk. The same goes for a production truck that is meant to have a life cycle of at least seven years. Does 1080p become a real service delivered by cable and satellite operators? Can 3D gain traction courtesy of glasses-free displays? And how about 4K and, eventually, Super Hi-Vision (8K)? NHK says it will have complete 8K production workflows developed by 2016.

If a truck rolled out in 2013 is expected to be on the road until 2020, how can it be future-proofed when the equipment does not yet exist? That is one reason signal transport within the truck and outside the truck is becoming so important. A prodigious shift toward IP-centric routing and distribution infrastructures is just beyond the horizon, and NEP’s latest trucks to hit the road — ND6 and Entourage — represent what may be the company’s final generation of traditional baseband-video trucks.

Fox Sports deploys a Sony F65 4K camera (shown here at MetLife Stadium) to create a Super Zoom feature during its NFL coverage.

“There are some radical advances just around the corner next year.”

George Hoover, NEP Broadcasting


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rt “The next generation of trucks will really change the way that routing and distribution is done,” says Hoover. “We will move to more IP-centric infrastructures, which are not quite out there just yet, but they are right around the corner. Some of the technical standards that will allow that evolution to happen are getting ready to be certified by the various standards organizations, like IEEE, SMPTE, and AES. There are some radical advances just around the corner next year.”

The move to IP-centric infrastructures also will open up more and more opportunities for production personnel — graphics operators, even those on the front bench — to remain home and control camera feeds and other aspects of production from a production-control room tied to the venue and truck via fiber.

The problem now is that the level of connectivity needed to make those workflows applicable on a wide scale is not quite in place. More important, by the time the new production-control room is constructed and outfitted with equipment and full-time personnel, the cost savings may prove negligible. And not only do cameras and microphones still need to be placed and maintained, but there are the additional risks of connectivity problems and also of being unable to solve technical problems or react to a breaking story.

“Compromise is not something that can be done [on a grade-A event],” notes Hoover.

Of all the next-generation options on the table, 1080p is closest to becoming reality. The vast majority of trucks built in the past three years are capable of 1080p production, and Game Creek Video, for example, now has nearly half its fleet capable of 1080p work.

“When we started building these trucks — the first was for YES Network — it was in the midst of all the 3D hype,” says Sullivan. “My discussions with Paul Boner and Jason Taubman [VP of engineering

and VP of design/new technology, respectively, at Game Creek Video] centered around the concept that, if we made our trucks 3G-capable, then 3D would not be a huge leap to take if that is the way the industry ended up going. At the same time, the network gurus are always saying that 1080p is ultimately where they want to be, so why not just build a truck that way?”

West says Corplex has also taken steps to be 1080p/3D-capable via 3G routing and signal distribution: “Our last truck was built with 1080p cameras, and, as soon as Grass Valley brings out the frame for the [necessary] switcher, we have an agreement to purchase that already. We are trying to get to that level.”

But all the steps taken by the production-truck community to future-proof the trucks mean nothing if there is no clear understanding of what clients need. During the HD transition, five or six companies were able to lay out a vision and gain consensus that HD was the way forward.

“But now the decision-makers are in the hundreds,” says Hoover of a continually expanding cable, broadcast, and online universe. “Content producers and distributors need to guide manufacturers, as we cannot sustain false starts like 1080p and 3D. They need a roadmap for 2025: no one can afford to flip technology every two years.”

All Game Creek trucks built from now on — including the newly unveiled Apollo shown here — will be 1080p-capable.

All the steps taken by the production-truck community to future-proof the trucks mean nothing if there is no clear understanding of what clients need.

remote SportS production Yearbook 2013 45

In this year’s edition of the Remote Sports Production Yearbook, we once again shine a light on production-truck vendors’ latest and greatest offerings. In the following pages, you will find in-depth profiles of the units that hit the market in 2012 and those set to debut in early 2013.

These articles will allow you to learn about the newest trucks on the road, the innovations found within them, and the equipment that

resides inside their walls. Not only can you find out if a particular truck meets your needs, but you can also better understand the design and engineering philosophy behind it, as well as the latest engineering trends being embraced in today’s market.

For details on equipment in the trucks cov-ered and the suppliers’ other offerings, turn to the Mobile Gearbase section, beginning on page 227.

Profilesnew truck

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50 remote SportS production Yearbook 2013

CrossCreek Television

located in the Birmingham, AL, suburb of Alabaster, Crosscreek

Television Productions prides itself on serving its niche marketplace. Be it NHRA broadcasts for ESPN or SEC football games, Crosscreek may be a picturesque, mom-and-pop produc-tion company, but you’d never know it from its rapidly expanding fleet of HD mobile-production units.

After releasing the brand-new Voyager 10 in December 2011, Crosscreek quickly followed up with Voyager 11. To build it, the company gutted one of its original SD trucks, Voyager 6, and filled it up with completely new gear, adding another unit to its HD fleet, which now goes five deep.

“You’d never know it’s not a new truck until you saw the rivets on the outside,” cracks President/CEO Spruce McRee.

Voyager 11, a 53-ft. expando trailer, is built around a Grass Valley Kalypso 4.5M/E HD switcher and comes with eight Sony HDC 1500L cameras (the truck has capability for 12 cameras), a bevy of FUJINON lenses, and a Calrec Artemis audio console. Graphics engine is Chyron’s HyperX3 Lyric Pro software.

The truck is also wired for 12 tape machines and 40 channels of EVS server.

Crosscreek selected Cobalt Digital to provide, commission, and configure a signal-distribution sys-tem for Voyager 11. Cobalt supplied a card-based solution comprising its 9901-UDX 3G/HD/SD up/down/crossconverters with frame syncs, a 9821 downconverter with HD/SD-SDI input, HD/SD-SDI reclocking, SD-SDI and analog video/audio outputs, and distribution amplifiers. The system is controlled by OGCP-9000 control panels.

Technological enhancements and new trucks have become a constant at Crosscreek. Additional facili-ties and resources are in response to a constant need to support the rapidly growing pool of content in the southern U.S.

“[It] made sense to us [to add two trucks] because we had turned away work, and the opportunity to have another truck in our HD fleet to help our

arrangements with ESPN and NHRA was important to us,” says VP of Engineering John Peers.

Over the past couple of years, McRee has seen his company’s profile increase exponentially, and that in turn has paid huge dividends in seeking financing for projects like Voyager 10 and Voyager 11.

“We had to prove ourselves,” he says. “Once [Voy-ager] 8 rolled out and did its very first show, we’ve had all kinds of compliments about what a great job we did and what a great truck it was. The proof was in the pudding. Once the trucks got out there and started working and doing well, the financial people started seeking us out, and we’ve been very fortunate to get some attractive deals, which you’ve got to do in this business; the margins are just too tight. Being a small company, years ago, we were having to borrow money at 12% interest. Now we’re down in the 4% range. It’s just one of those things that you’ve got to ride out and prove yourself and have a good track records and contracts.”

voyager 11 expands HD Fleet to Fiveby brandon costa

CROSSCREEK TELEVISION PRODUCTIONS100 Airpark Ct., Alabaster, AL 35007

205.663.4411www.crosscreektv.com

Voyager 11 is housed in the trailer that used to be Voyager 6.

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This fall, CSP Mobile Productions added HD2 to its mobile fleet. The 53-ft. expando, wired for 16

cameras with 720p and 1080i capabilities, will be deployed for ESPN’s coverage of Big East basketball and provide the company with additional inventory during the hectic fall sports season.

HD2 features a slightly larger infrastructure than HD1, with two EVS HD LSM XTS replay servers configured for eight channels and one set up for four; Grass Valley HD Kayenne production switcher; Utah Scientific HD video router; Chyron HyperX3.1 HD graphics; Cobalt Digital up/down/crossconver-sion gear; and RTS Adam intercom system.

The mobile unit will be equipped with 10 Ikega-mi triax/fiber base stations, 10 HDK-77EC hand-held cameras, six system expanders with 7-in. viewfinders, and an assortment of Canon lenses.

“[CSP Mobile Productions] carries both fiber and triax on [our] trucks all the time, so it doesn’t mat-ter whether we’re in a place where we’ve got to home run everything or if there’s full-blown SMPTE [and] they are triaxed,” says President Len Chase. “The trucks are capable of very easily — a matter of a couple switches — [going] between fiber and triax. We’re doing the same thing with HD2.”

Opting for a Calrec Artemis audio console, CSP Mobile Productions set out to double the amount of MADI used in HD2. Although HD3 (the company converted its SD3 unit in October 2010) features 128 channels, HD2 has been installed with four BNC cables carrying 64 channels for a total of 256.

The enhanced MADI interface will allow addi-tional audio pass between the audio router and console, EVS replay servers (HD3 is configured to five channels, whereas HD1 has six and HD2 eight), and intercom system.

“[The Artemis console] handles a much larger capacity on the MADI side of the world, as well as the digital side,” he explains. “It just lends itself to that because, in the Omega console, we actually hit our limit. The 256 [channels of] MADI that we’re looking at right now [would have] maxed out that console [because] it can’t go any higher than that.”

Integrated by New Hampshire-based Little Bay Broadcast Services, HD2 will roll out on the first mobile trailer constructed by Michigan-based Ken-tucky Trailer Technologies. That may be a new name in the mobile-unit space, but the company is no stranger to building quality sports-production trucks.

Kentucky Trailer Technologies acquired Calutech Mobile Solutions’ engineering and manufacturing properties. In 2010, Calutech constructed the trailer for HD2’s predecessor, HD1, which hit the road in March 2011. When CSP Mobile Productions decided to build a new mobile unit earlier this year, Chase connected with Phil Bingham, director of Mobile Broadcast/Medical for Kentucky Trailer Technolo-gies, who had made the transition from Calutech.

“We’re really hoping this relationship that we’re starting with Kentucky Trailer Technologies is going to be a solid one. We’ve been very happy with our Calutech [trailer],” says Chase. “[Kentucky Trailer Technologies] is promising us the same-quality trailer that Calutech built, and I think that relation-ship [is off to] a great start. I think they could be a real powerhouse in the mobile world.”

CsP Mobile ProDuCTions

CSP Mobile Productions15 Willey Rd., Saco, ME 04072

207.282.9680www.cspmobile.com

HD2 rolls out in Time for Fall sports Frenzy by karen Hogan

HD2 offers double the MADI capability of HD3.

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by brandon costa

it wasn’t too long ago that HD broadcasts were a luxury. Today, even for the smallest college

conferences or minor-league franchises, they’re a necessity. That can prove a tremendous financial challenge for video and broadcast professionals pur-chasing gear. Fortunately for them, technology com-panies are finding ways to bridge the monetary gap.

D2 Productions’ new Genesis HD mobile unit is the latest example.

“To participate in broadcast today, you really have to be in HD,” says David Walzer, general partner at D2 Productions. “So I think, for a lot of colleges, especially smaller schools, there’s not a lot of opportunity because the HD production can be far up and out of their price range.

“We feel there is this middle market that is underserved,” he continues. “They can certainly Web-stream, but, if they are looking to do something that is suitable for broadcast, I think this truck will allow them to do that at a price point that has never really been possible for them before. We are enabling the market for smaller schools to enter the broadcast world.”

The 24-ft. Genesis is compact in size and affordable in price. It is built around a core of NewTek gear that includes the TriCaster 850 Extreme switcher and the 3Play 425 replay system. D2 hopes to capitalize on the burgeoning college market that features loads of live-game opportunities.

“There’s this movement to get every sporting event played online, and each game doesn’t have to be a huge $40,000 production,” says Walzer, “but they do want it to look professional with replay and graphics. I think the equipment that we are putting into the truck enables that to happen for the first time.”

Genesis’s production arsenal also contains a Black-magic Design 40x40 HD-SDI router; three AJA FS2 dual-channel frame syncs; three Sony 32-in. multiview monitors, a 19-in. program monitor, and three 19-in. standalone video monitors; a Plura 217 engineering monitor; an Ensemble BE-56 test-signal generator; and Grass Valley distribution and conversion tools.

Four Sony PMW-EX3 cameras drive the broadcast,

and the mobile unit has the capacity for six cameras.“A lot of the stuff in the truck we are taking is

stock items, and we’re either customizing them or augmenting them to optimize them for broadcast,” says Walzer. “With EX3s, we’re taking the stock camera but taking off the stock lens and putting on true sports lenses and longer lenses. We are customizing rear controls, viewfinders, the whole thing, in order to make them user-friendly for the sports world.”

According to Walzer, since its debut, Genesis has been picking up higher-profile events, including a college-soccer broadcast for CBS Sports Network.

“I think, until you see the truck in action, there’s always a question in people’s minds: ‘Does this thing work?’” says Walzer. “There’s still this stigma, when people hear the word TriCaster and/or trailer, that there’s this preconceived notion of what it is.

“Our goal here was to build a solid production platform in a trailer using NewTek technology,” he continues. “I think we’ve done that and we’re proving that we can create a benchmark standard for this class of production facility. Everybody that does a show on this thing is just amazed that they got that caliber of show out of this truck.”

D2 PRODUCTIONS80 Northboro Rd. East, Marlborough, MA 01752

508.485.0300www.d2productions.com

D2 ProDuCTionsCompact, Affordable Genesis looks To bring HD to the Masses

Genesis targets the lower-budget market with a compact size and affordable price.

profile


it was a busy year north of the border for Toronto-based Dome Productions. Two new

53-ft. expando trucks hit the road in 2012, and the company set its eyes on the second-screen and small-event markets.

“Content is king out there, and I always look at it as someone has to facilitate that,” says SVP/GM Mary Ellen Carlyle. “As there’s more non-broad-casters producing content, it’s an opportunity for the mobile industry.”

Intended to capitalize on a boom in content in both Canada and the U.S., Dome’s two newest trucks — Atlantic and Pacific — are 53-ft. mobile-production trucks that advance the company’s new commitment to 3G and 1080p signal-flow technology.

“These are what we would consider our A-level trucks, covering most of our primetime program-ming,” says Director of Engineering Mike John-son.

The trucks are very similar to each other in terms of layout and gear, which are similar to those of other models in the Dome fleet. Atlantic and Pacific feature the latest gear provided by some traditional Dome partners, including EVS and Chyron.

EVS’s XT3 servers play a key role in making the truck fully 3G, enabling higher-speed file transfers. The 3G capabilities of the XT3 help Dome connect stereo 3D cameras using a single link. Its loop recording technology and networking capabilities give operators complete media control from ingest to playout, including live editing, slow-motion replays, multichannel playback, and transfer to third-party systems, such as craft editors, automa-tion, archiving, or storage. The XT3 also offers additional camera recording, superior live sports graphics, and the advanced edit-while-recording feature during special sports events.

The only portion of the trucks that does not sup-port 3G/1080p is the production switcher, a Grass Valley 4M/E Kayenne.

Atlantic and Pacific offer new-model cameras

from Sony. The HDC-2400 series camera has the same features and capabilities as its predecessor, the HDC-1500, but allows native 1080p image origination, a 2X frame-rate output at 1080i for enhanced motion replay, and a no-“lunchbox”-required triax or fiber cable connection.

Also available on board each truck are 11 FUJI-NON lenses, a Calrec Artemis Beam audio con-sole, and a Chyron HyperX3 and Lyric Pro for graphics.

A feature on Dome’s latest line of trucks is an uplink for the tractor portion of the rig and a small satellite cabin positioned on the back of the tractor.

“Now, with the main production unit, you can do satellite uplinking as a backup service for the main production and fiber delivery,” says Johnson. “It’s a nice feature to have. We can do that because the facilities and the technology allow us to do that. To service that kind of signal and uplink is a lot lighter and more compact than ever.”

DoMe ProDuCTionsTwo expandos roll out; ‘sidecar’ Market Grows

by brandon costa

DOME PRODUCTIONS1 Blue Jays Way, Ste. 3400,

Toronto, ON M5V-1JSTel: 416.341.2001 Fax: 416.341.2135

www.dome productions.com

Pacific is one of Dome’s two trucks launched in 2012.

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This year, Dome is also excited about another of its newest projects, CompanionTV. Referred to as a “sidecar” facility, it takes aim at both second-screen–supported shows and smaller events that don’t require a major truck.

CompanionTV is a small-format production trailer that can be towed with a van or a truck. The sidecars are based on the NewTek TriCaster TCXD850 Extreme and include a Digital Rapids StreamZHD encoder unit, a small Mackie audio board, and three Sony PMW-EX3 cameras.

“It’s a lot more nimble production package that we can create audio/video production for publish-ing in some fashion,” says Johnson, “whether it’s Web streaming or live delivery.”

CompanionTV’s StreamZHD encoder handles multiple delivery formats. Used in conjunction with Dome’s content-delivery network, it is able to deliver content in custom-tailored formats for iPhones, Blackberrys, and Android devices as well as personal computers.

Despite its initial design to serve as a support vehicle, says Carlyle, CompanionTV has been getting much attention as a primary production vehicle.

“We haven’t really dived into the supplement side of it yet, as the major broadcasters are just starting to play with that,” she says. “It can go independently or adjacent to a mobile, but it’s a totally different rate card and still comes with EX3 cameras versus a Sony 1500 or 2500 camera.”

Dome plans to forge on with its successful side-car business, rolling out more before the end of the calendar year. With all these new facilities, busi-ness is clearly booming in the great white north.

“The market is good,” says Carlyle. “With this

whole industry and the way that it’s changing, the one thing you can count on is live sports. I also think whether it’s a broadcaster or a Webcaster or a BDU [cable company], they still need content. The only thing that’s really driving live audiences is live sports.

“Down in the States,” she continues, “you guys are seeing tremendous growth at the colleges, and now, with more high school content, that allows us to jump into that smaller market with our smaller trucks. In Canada, there’s little growth. In the U.S., things have grown quite a bit.”

Atlantic hit the road in October, making its debut during a TSN Canadian Football League telecast right in Dome’s backyard: the Rogers Centre in Toronto. Pacific, which debuted in September, was only four days old when it assisted CAMERON PACE Group on Sky Sports’ 3D broadcast of the Ryder Cup.

CompanionTV has also been very active, working smaller events such as boxing, film festivals, and even coverage of a budget meeting

at the Ontario government’s Ministry of Finance. Its marquee event thus far was powering Sportsnet Connected’s coverage of the 2012 World Series in Detroit.

The Toronto Blue Jays took advantage of Dome’s second-screen capabilities — hosting a Website with viewer-selected alternative camera angles, accessible on any computer or portable device, instant replays (viewable within 30 seconds of the action) — during the team’s home opener in April.

DoMe ProDuCTions continued from previous page

Atlantic is fully 1080p-capable with the exception of the GV Kayenne switcher

Dome’s newest project: CompanionTV, a “sidecar facility”

profile


GAMe Creek viDeo

by ken kerschbaumer and Jason dachman

Game Creek Video was one of the busiest builders in the remote-production indus-

try in 2012, rolling out four trucks: a pair for NFL Network’s Thursday Night Football pack-age and another pair for the recently launched Comcast SportsNet Houston’s Rockets and Astros coverage.

The NFL Network’s expanded slate of Thursday-night games this season is being produced out of Pride and Glory, two new 53-ft. double-expando trucks. Pride is home to the network pregame show, and game production takes place in Glory. In 2013, both units will handle not only NFL games but also the Combine, NFL Draft, and the Hall of Fame games.

“Pride and Glory are cut from the same cloth, although Glory has a full-time B unit,” says Game Creek VP of Design and New Technology Jason Taubman. “There is now a fiber tether between Pride and Glory so that they can merge the infrastructure and work together as one unit. There are 16 strands of fiber connecting the two trucks so we don’t need three days to run 100 pieces of copper. We can be up and running within a couple of hours of dropping the trailer. It’s plug-and-play.”

Also easing that integration is an RTS tri-bus expansion for the Adam intercom that results in 64 intercom channels that allow everyone in the three units to communicate.

“It allows intercom frames to be expanded so that one can span into another truck or location and hook up with fiber to form one large frame,” says Taubman. “Before, we used VoIP, which works fine, but it can result in a tiny bit of delay that can lead to echoes.”

The NFL Network production is a big one, with 10 cameras used during the pregame show and 14 Sony 2500 cameras for the games as well as two Inertia Unlimited XMo high-speed cameras, two super-slo-mos, a Skycam, blimp cameras, and a

number of robotics. A 4M/E Grass Valley Kayenne production switcher is at the center of operations.

The 12 EVS operators (all working on the latest XT3 servers) are located in the Glory B unit, but the equipment is in the A unit.

“That allows all of the EVS operators to be in one place and also allows the producer and director to be within arm’s reach of the graphics and editorial folks so they can interact,” adds Taubman.

Audio will be handled by two Calrec Apollo boards. Helping future-proof the trucks is a 3-Gbps Evertz router that can support 1080p/60 or 3D needs in the future. The video router is 567x1,152, and the audio is 2,560x2,560 embedded, 1,536x1,536 MADI, 576x576 AES, and 384x384 analog for a total of 5,056x5,056. The 3-Gbps pipes open up a host of new distribution options, but the bottleneck is that only the cameras can currently pass 3-Gbps signals; the EVS replay servers compress the signal down to 200 Mbps.

“Baseband video may go away, and we may be moving IP packets around,” says Taubman. “But

GaME CREEK VIDEO23 Executive Dr., Hudson, NH 03051Tel: 603.882.5222 / Fax: 603.882.5444

www.gamecreekvideo.com

A Quartet of new Trucks for nFl network, Csn Houston

Pride is home to NFL Network’s weekly Thursday Night Football pregame show.

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it’s not ready for primetime yet.”As with Justice and Victory, Game Creek took a

unique strategy in building facilities for the newly launched Comcast SportsNet Houston. Rather than use the single-truck dual-feed model used by the bulk of RSNs for home/away shows, Game Creek created a pair of trucks that work in tandem to produce Rockets and Astros telecasts: a 53-ft. HD truck for the home show and a 44-ft. truck for the away show.

“Historically, these contracts have been serviced by a single truck that does dual feeds, but we are taking a different approach,” says Taubman. “We are providing them a high-end truck for standalone home shows and a second smaller truck with more-limited infrastructure in it for away shows to use.”

Apollo, the 53-footer, and Gemini, the 44-ft. unit, will work almost exclusively for CSN Houston (although the contract is not exclusive), which was launched in October after the Astros and Rockets agreed to a $3.2 billion, 20-year deal with Comcast in fall 2010 (the Astros and Rockets hold a combined 77% stake in the network).

“We are hoping that this kind of [model] catches on, and that it is something RSNs are interested in doing,” says Taubman. “We have been looking for an excuse to build one of these mini trucks for a while. And we hope that, once it gets out into the wild, some other entities take a look at it and see that it is something they like more than a gigantic truck doing a dual feed. These trucks can also work out well for some of the smaller, yet high-profile shows.”

Apollo marks the third incarnation of Game Creek’s Justice-class truck, following in the footsteps of Justice (2011) and Larkspur (2010). Apollo features a nearly identical layout to its predecessors and is also built around a Kayenne switcher. Where Justice and Larkspur feature a Calrec Apollo audio console, the Apollo truck will mark Game Creek’s first installment of an Artemis console.

The unit also features Sony HDC2500 cameras with Canon lensing, two six-channel EVS XT3 replay servers, and three four-channel EVS RO (replay-only) servers, Boland LCD monitors, Chyron graphics, an Evertz EQX video router, and EMR audio router.

Gemini is built around a Grass Valley Kalypso switcher and a Calrec Omega audio console.

“They are going to share some cameras and be hooked together with a fiber tether,” says Taubman. “They will be able to share basically their entire infrastructure back and forth. But the key difference between this and the past [dual-feed model] is that this mini truck can stand alone. It is its own little truck that is completely capable of doing a high school basketball game or an NBA away show. It’s just capped at 10 cameras and five EVS’s.”

Game Creek also upgraded its Freedom and Patriot 53-ft. expando trucks over the summer. Both now have flat-screen monitors with multiviewers as well as command-control monitoring so that Game Creek staffers in New Hampshire can remotely ensure that the trucks are operating as expected. Patriot also received an upgrade via a Calrec Alpha console with Bluefin technology with 96 faders and new phone systems.

GAMe Creek continued from previous page

Game Creek’s 53-ft. Apollo truck (shown here) teams with a smaller, 44-ft. unit for CSN Houston’s live Rockets and Astros coverage.

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iMs ProDuCTions

IMS Productions may have originated as media partner to the Indianapolis Motor Speedway,

but its multimedia production services extend far beyond the track. Well-versed in HD live event production, the company recently inked a deal with the new Time Warner Cable regional sports network to support its Spanish-language feed. While plans to build an A unit are still in the works, IMS Productions’ newest B unit has hit the road.

“For Time Warner Cable, we built a small straight-body truck that handles their Deportes feed,” says Paul Nijak, director of engineering, IMS Productions. “It has been built and rolled, and that truck links up to an A unit that we have in place out there for this year.”

The 35-ft. straight-body truck houses a 1M/E Grass Valley Kalypso switcher, Chyron HyperX3 graphics engine, and Evertz multiviewers.

For the upcoming 2012-13 season, IMS Pro-ductions’ Time Warner Cable B unit will supple-ment YES Productions’ HD 2, which was secured through Alliance Productions (both IMS and YES are members of Alliance Productions). Time War-ner Cable Deportes will broadcast Lakers, Galaxy, and Sparks, as well as Mountain West Conference football and basketball and California Interscho-lastic Federation high school games.

In addition to the Time Warner Cable B unit, IMS Productions plans to roll out an additional B unit for IndyCar racing and other large events. Super B will supplement the A unit of the race’s broadcast partner and will be used primarily to distribute cameras and signals throughout the race compound.

“We needed a better way to handle distribu-tion — both audio and video,” says Nijak, “and this truck is going to be able to distribute up to a hundred cameras to four different A units.”

Super B will also house IMS Productions’ new robotic camera system. Including its very own unique housing and mounting process, the system debuted during the 2012 IndyCar series. The sys-tem is designed to operate on single-strand fiber

and provides HD video, telemetry, four channels of audio, and camera control.

“We designed them strategically for racing, but they can be used anywhere,” says Nijak. “They’re really reliable.”

The 53-ft. expando will house two Chyron HyperX3 graphics engines, Evertz multiviewers, and Cobalt Digital crossconversion. The highlight of the B unit, however, is the Calrec Artemis audio console with submix capabilities.

In addition to video and audio distribution, Super B will be responsible for second-screen distribution.

“I’m moving some gear out of a different truck into [Super B] that does Web streaming for Indy-Car; we are into that pretty heavily for IndyCar,” Nijak explains. “We also stream in-car cameras to Verizon cellphones, and that’ll all be done out of that truck as well.”

Both IMS Productions Super B and Time War-ner Cable B unit were integrated in-house; the Super B unit was built by Ohio-based Engineered Mobile Solutions.

IMS’s newest B unit will support Time Warner Cable Deportes in Los Angeles.

b units roll out for TWC sports Deportes, indyCarby karen Hogan

IMS PRODUCTIONS4555 W. 16th St., Indianapolis, IN 46222

317.492.8770www.imsproductions.tv

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MirA Mobile TelevisionM12HD Points to a new Future by brandon costa

Confident in the burgeoning sports-television industry on the West Coast — this year has seen

the launch of Fox Sports San Diego, seven Pac-12 networks, and Time Warner Cable’s pair of new Lakers networks — MIRA began building M12HD without a contract.

“We were just convinced that we were going to get an opportunity,” says VP/GM Frank Taylor, “and we just wanted to be sure that we were already well down the road to being able to handle that opportunity before it coalesced into something we could get our arms around.”

When Pac-12 Enterprises came calling and the two sides were able to strike a deal, M12HD proved a perfect fit.

“As we got deeper into discussions with the Pac-12 and we had a look at their RFP [request for proposal] for their A-level football and basketball, there were things we knew we had to be sure were going to be on board any truck we were going to dedicate to that A-level package,” says Taylor. “M12 ended up meeting 99% of the specs that they had in their RFP for the A-level events already.”

The 53-ft. expando is similar in size and layout to other trucks in the MIRA fleet — most notably M7HD, M9HD, and M11HD — but the company made significant technological changes that point its future in a new direction. M12HD has an Evertz router, whereas other MIRA trucks use PESA. Instead of Sony cameras, it features 12 Grass Valley LDK 8000 Elite cameras coupled with FUJINON lenses, including two 101X lenses. M12HD is also the first MIRA truck to use a Grass Valley Kayenne HD production switcher.

According to Taylor, though, the biggest changes are on the audio side, with MIRA upgrading to Calrec’s Artemis Beam with Bluefin2 and Hydra2. Extensive audio embedding/de-embedding is incorporated, supporting 48 video sources. In addition, there is a 256x256 MADI interface to the Evertz router.

As the slickest truck in MIRA’s fleet, M12HD regularly served as the mobile unit of choice for all of Pac-12 Networks’ A-level broadcasts on football Saturdays and will continue to be the top truck throughout the men’s and women’s basketball season.

“We have worked together for a long time,” says

Leon Schweir, SVP of production and operations, Pac-12 Networks. “So they understand our markets and know our universities very well. We figured, with us launching new networks in new facilities, we should also have a new truck, so their cutting-edge M12HD equipment will fit in nicely.”

Taylor and the rest of the MIRA Mobile team were thrilled when they landed the Pac-12 package, which was officially announced in April.

“As you can imagine, we were pretty pleased,” he laughs. “It was something that we had our sights set on for a long time. As the largest West Coast mobile-facilities company, this wasn’t something that suddenly occurred to us was a great idea. We were very focused about putting together a partnership with the Pac-12 Networks because we knew it would likely be the single biggest thing to change in the western-U.S. marketplace in our business ever.”

To help handle the work load, MIRA converted M6 from SD to HD, getting it on the road in November, just in time to tackle the more than 100 men’s and women’s basketball games.

“The big challenge for us on the mobile side is just the sheer number of events; it’s a massive undertaking,” says Coll. “There is still a tremendous amount of truck events that they are going to be doing, and that, I think, for a company like MIRA is pretty daunting. It’s a big challenge, but we’re up for it.”

MIRa MOBILE25749 SW Canyon Creek Rd.,

Wilsonville, OR 97070Tel: 503.464.0900 • Fax: 505.464.0897

www.miramobile.com

M12 is centered on a Grass Valley Kayenne switcher.

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Mobile Tv GrouPAs regional-sports-net Market Grows, Annual expansion Continues

by Jason dachman

Mobile TV Group may boast one of the largest fleets in the remote-production industry, but

the company has no plans to halt the annual expan-sion of its fleet. Even at 25 trucks strong, MTVG plans to follow up the fall debut of 31HDX by rolling out an additional pair of dual-feed HD 53-ft. expando mobile units in December and April. And the recent flurry of lucrative rights deals involving regional sports networks — MTVG’s primary market — sug-gest that expansion is unlikely to halt anytime soon.

“We are aiming for two new trucks a year, and sometimes we hit three,” says President/co-founder Phil Garvin. “Maybe it ends up being two a year plus another refurbished truck, but it will always be at least two a year.”

31HDX, the latest addition to the MTVG fleet, hit the pavement this month in Phoenix, working Suns, Coyotes, and Diamondbacks games for Fox Sports Arizona. The unit will also make its way to Los Angeles and Salt Lake City when needed.

The dual-feed truck, which strongly resembles recent MTVG additions 28HDX, 29, and 30, rides on a brand-new chassis built by Frontline Communications and features a Grass Valley Kayenne switcher (4.5M/E), Calrec Artemis audio console, and Chyron HyperX2 (primary feed) and HyperX3 (secondary feed) graphics.

However, MTVG has kicked up its replay and routing capabilities compared with other recent HDX units. 31HDX includes two six-channel EVS XT3s, one six-channel XT2, and two four-channel XT2s, as well as a more robust Grass Valley router.

“It is very similar to our recent trucks, except that there are more channels of EVS and all channels now have EVS SpotBox, which was a major upgrade to all of our mobile units nationwide,” says Garvin. “The router is also larger, which opens up a lot of new options.”

In addition, 31HDX — like all of MTVG’s latest trucks — is equipped with 10 Grass Valley LDK8000 cameras, which run on digital triax, outfitted with Canon lenses.

“These Grass Valley cameras really are

spectacular,” says Garvin. “We have always used Grass Valley triax cameras, but they have moved from analog triax to digital triax, and it’s made a tremendous difference. The digital triax gives you a little longer cable length, makes it more reliable, and gives you a much better image.”

In December, 32HDX will replace 11HDX in St. Louis (Fox Sports Midwest), covering Cardinals baseball and Blues hockey. The unit will also sneak down to Nashville and Memphis to assist MTVG in those markets. The gear complement will be largely the same as 31HDX with the exception of the audio console, which will be a Euphonix unit rather than Calrec Artemis.

Also on the horizon is 33HDX, which will likely replace 12HDX in Minneapolis (Fox Sports North), covering Twins, Timberwolves, Wild, and college games.

Both 11HDX and 12 will stay active, covering a variety of events throughout the country for MTVG and subbing for other mobile-truck vendors when they are overbooked.

31HDX bears a striking resemblance to predecessors 28, 29, and 30 in both layout and gear.

Main Office2400 N. Ulster St.Denver, CO 80238

Tel: 303.388.8500 / Fax: 303.388.3773

Midwest Office Minnesota/Wisconsin

379 W. 60th St.Minneapolis, MN 55419

Tel: 952.922.2373 / Fax: 952.487.9124

Dallas Office2909 Taylor St.

Dallas, TX 75226Tel: 214.651.1446 / Fax: 214.571.9225

In every major professional, extreme, and adventure sport, Tiffen’s leading brands are providing today’s cinematographers with the advanced technology they need to maximize the action filming experience. Lowel lighting, Tiffen Filters, Davis & Sanford tripods, Listec teleprompters, and the revolutionary Steadicam camera stabilizers let you capture every incredible, exciting moment.

© 2012 The Tiffen Company

Steadicam Operator: Casey Warren/MINDCASTLE

For more info on Technologies from Tiffen, go to www.tiffen.com

EXTREMESPORTS–DEMAND–EXTREMEEQUIPMENT

tiffen_svg_2012_v8.indd 1 11/4/12 8:01 AM

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neP broADCAsTinGDuplicating layouts Cuts Costs, Makes for More-efficient operationby ken kerschbaumer and Jason dachman

2012 was a busy time for NEP Broadcasting, which rolled out six brand-new mobile-produc-

tion units, highlighted by NEP Supershooters’ ND5 and ND6, NEP Denali’s Silver, and Sweetwater’s Entourage.

“We are continuing to build upon our legacy and refine our [fleet],” says NEP CTO George Hoover. “We continue to make improvements to make our [mobile units] as state of the art as possible with the addition of proven and reliable technology.”

ND5, which was used by NBC Sports Group for its NHL coverage before moving on to Notre Dame college football in the fall, is a single truck unit geared toward sports production and light-entertainment shows. Similar to Supershooters 16, 18, and 20, ND5 features a large three-tier control room, a back-to-back layout in the tape area, and virtual monitor walls throughout.

It is built around a Grass Valley Kalypso switcher (3.5M/E and 90 inputs) and a PESA HD router (192x176). The truck is also equipped with a Chyron HyperX3 graphics system, five six-channel EVS XT3 slow-motion replay systems (as well as EVS Spot Box, XFile, and IPDirector), and a full complement of Sony HDC1000 and HDC1500 cameras with Canon lenses.

At the center of the audio infrastructure is a Calrec Artemis Beam console featuring Bluefin2 high-

density signal processing (totaling 340 channels and six MADI interfaces), three Calrec Hydra2 I/O boxes, and a PESA distributed-audio router. Sennheiser mics, shotgun mics, and announcer headsets are also on board.

Later in the year, NEP rolled out ND6. Essentially a carbon copy of ND5, it features a large, three-tier control room and a back-to-back layout in tape that has already been deployed across five additional trucks in the fleet. In addition, the virtual-monitor-wall configuration is compatible with ND5, SS16, SS18, and SS20, allowing production teams to move more easily between trucks when necessary.

ND5 (shown here) and ND6 feature nearly identical layouts that make it easier for engineers to work on one, then the other.

NEP BROaDCaSTING2 Beta Dr. Pittsburgh, PA 15238Tel: 800.444.0054

NEP STUDIOS – NYC

NEP Midtown Studios885 Second Ave.New York, NY 10017 Tel: 212.548.7700 Fax: 212.355.0523

NEP 5th ave. Studios401 Fifth Ave.New York, NY 10016 Tel: 212.401.4981 Fax: 212.685.4317

NEP Studio 54513 West 54th St.New York, NY 10019 Tel: 212.468.1833 Fax: 212.468.1890

NEP Production Center727 Eleventh Ave.New York, NY 10019 Tel: 212.649.6242 Fax: 212.974.1120

NEP Penn Studios401 Seventh Ave.New York, NY 10001 Tel: 212.299.4866 Fax: 212.299.4867

NEP Studio 33503 West 33rd St.New York, NY 10001 Tel: 212.649.6399 Fax: 212.760.2821

NEP Studio 3736 West 37th St.New York, NY 10018 Tel: 212.695.7704Fax: 212.268.7920

NEP Screenworks – Corona, Ca1580 Magnolia Ave.Corona, CA 92879Tel: 951.279.8877

NEP Denali – Burbank, Ca2 Theta Dr.Burbank, CA 15238Tel: 800.444.0054

New Jersey Field Office96 Route 173 WestHampton, NJ 08827Tel: 908.735.4066

Hawaii 808.676.3800

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“One of our reasons for making two nearly identical trucks was that the infrastructure and setup configurations can port back and forth between trucks,” says Hoover. “So an EIC who is doing a show on ND6 and did a show last week on ND5 can simply log on, plug in that monitor-wall configuration, and have the truck preloaded.”

In addition to convenience, this interchangeable configuration allows clients like NBC to significantly reduce personnel costs.

“We’re all being driven by the need to contain costs, and the biggest costs facing our clients after rights fees is on-site manpower: hotels, per diem, airfares, and so on,” says Hoover. “So anything we can do to make that more efficient is a huge upside, particularly if you have a client working in a family of trucks and moving back and forth.”

ND6 features a Grass Valley Kalypso 3.5M/E switcher (90 inputs), five EVS XT3 replay systems, a Chyron HyperX3 graphics system, PESA HD (192x160) and audio routers, and a virtual-monitor wall with a Harris multiviewer. The truck is wired for 16 CCUs and features Sony cameras (HDC1000s and HDC1500s) with Canon lenses and Vinten heads/tripods.

In terms of audio, the truck supports multichannel embedded audio and features a Calrec Artemis Beam console with Bluefin2 high-density signal processing, which allows for 340 channels of audio (170 stereo and 56 5.1 surround). The truck is also equipped with Sennheiser and Sony microphones.

“We took more of an evolutionary approach with these trucks,” says Hoover. “We’re trying to improve the layout, monitor-wall designs, and things that people have really liked when we’ve done them in the past.”

ND6 debuted for NBC at the Belmont Stakes and worked various Comcast and NBC Sports Group shows throughout the rest of the year.

With respect to entertainment-level trucks, two

were introduced by NEP: Silver and Entourage.Silver, which was originally referred to as Arizona

upon its debut at the 2012 Academy Awards, is an entertainment-specific truck with a similar layout and design to NEP Denali’s California truck (which debuted in summer 2011).

With a wide two-tier control room and a large audio room with seating for three, this single-truck unit is geared toward multicamera reality programs and light entertainment. NBC also used Silver to produce The Voice.

“[Silver] is a slightly smaller version of [California] with the same physical footprint and equipment complement,” says Hoover. “The only real difference is that California has a massive audio infrastructure designed to do a show like the Tony Awards or Kennedy Center Honors without a separate audio truck, while [Silver] just has a smaller audio infrastructure intended for shows that don’t have a live orchestra.”

At the heart of Silver is a Grass Valley Kalypso switcher and Trinix HD router. On the audio side is a Calrec Alpha audio console with MADI and Hydra, and a Grass Valley Apex audio router. In addition, Silver features wiring for 20 tape machines and two EVS servers, virtual-monitor walls throughout, and Sony cameras.

“We have [NEP Denali units] Summit and California to do big really big audio shows,” says Hoover. “But, for shows like The Voice, America’s Got Talent, or So You Think You Can Dance, audio is not typically the total [responsibility] of the mobile unit. Either it is all prerecorded, or it is being done by a separate audio truck. Silver is perfectly suited for shows like this.”

And then there is Entourage. Focused squarely at NEP’s Sweetwater entertainment-focused division, it features a similar footprint to the company’s Silver and Cobalt units, including an oversize audio room that is integral to many live music shows.

As for gear, the Entourage is equipped with a Sony MVS8000A Switcher (80 inputs), a Studer Vista 5 audio console, a Harris HD/SD router, a discrete production-monitor wall, Shure and Sennheiser microphones, an Avid Deko 3000 HD/SD character generator (upon request), and Sony cameras with FUJINON lenses.

Says Hoover, “Entourage also [targets] clients of the Denali model who are interested in a different set of technologies depending on what they would like to use and are familiar with.”

ND5’s audio infrastructure is highlighted by a Calrec Artemis Beam console.

neP continued from previous page

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ProsHoW broADCAsT Maestro Aims To Master Mid-level Marketby Jason dachman

As the number of 53-ft. HD production trucks on the road continues to grow and SD trucks

gradually make their way to the halls of history, a growing middle sector has developed in the sports-production market and demands HD quality at an SD price point. With this in mind, Proshow Broadcast launched its second 40-ft. HD mobile unit in August, with its sights set squarely on this burgeoning market.

“We are not chasing major sports contracts; that market is well served already. But there is a lot of room for B-level work and lower where we see opportunity,” says Proshow President Tim Lewis. “We have already proven that we can serve that market well. This is just the next step so that we are able to serve it better.”

Dubbed Maestro, the new truck is similar to Prodigy, a 40-ft. unit that has served a variety of mid-level HD shows over the past three years: college football (Oregon Ducks), NBA dual feeds (Phoenix Suns), minor-league sports (WHL hockey for ROOT Sports), and a variety of entertainment shows.

“We loved that sweet spot that Prodigy seemed to hit, but we wanted to take it to the next step without having to get into a full trailer,” says Lewis. “First, we were more than a little tight on space [in Prodigy]. Second, we wanted [to have] a bit bigger footprint but still stay in that compact 40-ft.–head-to-tail truck.”

Maestro is housed in a Gerling & Associates 40-ft. Super Stallion (on a Peterbilt chassis) with 30-ft. expando (Prodigy is a straight truck), alleviating the issue of cramped quarters. In addition, Proshow worked with founder/President Fred Gerling and his team to develop an air-conditioning system and floor plan that maximize space (40 ft. long x 8 ft. 6 in. wide x 13 ft. 3 in. high) and weight. Maestro’s layout accommodates eight seats in the production room, five in the EVS/tape area, and two in the video.

“Once they get inside,” says Lewis, “people are going to be surprised that they are not in a full trailer.”

Prodigy features a Sony MVS8000 switcher and a Yamaha audio console, but Lewis believed that Maestro “needed to get a switcher and an [audio

console] that people were more used to.” Toward that end, Proshow built Maestro around a Grass Valley Kalypso 4M/E switcher and a Calrec Omega console with Bluefin technology, both of which are familiar to most freelance operators.

Maestro’s equipment complement also includes two six-channel EVS XT2 replay servers (though it is wired for a total of three six-channel EVS servers and eight VTRs) and an EVS XF2 removable server, a Chyron Duet HyperX3 HD graphics system, Sony HDS Series router (128x128 HD video or 128x128 AES audio pairs) and BMD HD video router, and an RTS ADAM-CS 64-port matrix intercom. The production room features a Marshall LCD monitor wall with Miranda multiviewers.

The truck carries a full eight-camera complement (Sony HXC100 units primarily with Canon lenses and a Sony PMW-EX1 XDCAM EX camcorder) and is wired for a maximum of 12 triax cameras.

“As those 53-ft. SD units start going offline more quickly, the demand will rise for HD, but no one is willing to double their cost for it,” says Lewis. “We are in a good position for those smaller networks that are looking for an HD solution that can do a six-camera game at a good rate.”

ProShow’s compact Maestro unit debuted in August.

PROSHOW BROaDCaST

3095 Hebb Avenue, Vancouver, BC, V4M-5V3 Tel: 604-293-1771

http://www.proshow.com

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Token Creek Mobile TvChippewa Delivers All-in-one sports Production by karen Hogan

One of the nation’s fastest-growing mobile-HD- and digital-television-production companies

will grow even more before 2012 draws to a close. Token Creek Mobile Television, based in Waunakee, WI, will add Chippewa to a fleet that already boasts Varsity, Hiawatha, and Sioux.

“We saw a need that there were still more HD resources needed in our field, [and] we want to grow the company,” says Brendan Clark, director of engineering, Token Creek. “[Chippewa] is built primarily for sports, but we also do corporate and entertainment shows as well.”

At the heart of Chippewa is a PESA HD 288x576 multirate video router and 3G-capable Cobalt Digital signal-processing gear, including Cobalt’s HPF-9000 high-power frames populated with HD-SDI reclocking, MADI, and audio DAs; frame syncs; and Cobalt’s 9901-UDX-HD 3G up/down/crossconverters with 16 channels of AES embedding and color-correction software.

The 48-ft. expando features a Grass Valley HD Kayenne 4.5M/E HD switcher with 96 inputs and 48 outputs, and six keyers per M/E (total of 30). Graphics are handled by Chyron HyperX3 dual-channel HD-SDI clips players and Lyric PRO 8.1 and Windows XP. Chippewa is wired for 14 tape machines and includes two EVS XT3 servers with six channels and four channels, respectively.

Ten Grass Valley LDX8000 cameras equipped with FUJINON lenses and two JVC HD GYHM750ULL camcorders compose the camera complement, supported by six Cartoni Delta heads and sticks and eight Vector 70 heads with quickset tripods. In total, Chippewa is wired for 12 cameras and can handle both SMPTE fiber and triax.

The monitor wall features NEC, Marshal, and Sony flat-panel technology. A 272x272 RTS ADAM system that is populated for 104x104 serves communications.

For audio, Token Creek selected a Calrec Artemis with Bluefin desk with 64 faders and MADI interface. The console features 128 analog inputs and 64 outputs, as well as 128 AES inputs and 128 outputs.

“We’re pretty excited about it,” says Clark. “It’s going to have a very substantial audio complement

on it. It’s going to be a nice powerful truck in a rela-tively small footprint.”

Integrated by Beck Associates, Chippewa com-pleted its first production during Thanksgiving week. The truck will serve a variety of shows in the coming months, primarily covering college football and col-lege basketball but without a network contract.

“It’s a for-hire truck that’s built on our specs, so it’s [available for various productions],” explains Clark. “We do [productions] for ESPN regional, for Raycom Sports, [and] for Alliance Productions.”

Chippewa does not require a B unit, allowing it to serve a variety of productions.

“The business still seems to be growing right now,” Clark observes. “We see a lot of people mov-ing towards large — A, B, or more — units, and we try to stay in a single-truck package.

“We try to design [trucks] so that they’ll work in all kinds of applications,” he continues. “The main thing we try to design for is flexibility, so we try to make it a solid unit that’s rapidly deployable, quick and easy to set up for a set-shoot-strike day, but has the infrastruc-ture to do a very large show as well.”

TOKEN CREEK501 Moravian Valley Rd.,

Waunakee, WI 53597Tel: 608.849.4965 / Fax: 608.849.4035

www.tokencreek.com

Token Creek’s Chippewa debuted on Thanksgiving, covering the Detroit Holiday Parade for WDIV-TV.

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Trio viDeo

2012 marked the dawn of a new era for Trio Video, with NEP Broadcasting acquiring the

Chicago-based mobile-production vendor in March. Most noted for its Chicago sports influence and concert production, Trio Video has turned over a new leaf as an arm of NEP while maintain-ing its well-established name.

“Being a part of NEP has really broadened our access to resources, which helps us better serve our clients, being able to offer them a wider range of products and facilities to the whole NEP family,” says Trio Video VP Jack Walsh, who remained on board with co-founder Gary Meagher to run the Trio brand and its Chicago facility.

Included in the deal for Trio was new truck Aqua. The 55-ft. expando is a rebranded and remodeled NCP 3, which came over to Trio in September. According to Walsh, it underwent a significant amount of client-specific rendering to better serve its primary client, Comcast SportsNet Chicago.

One of those renderings was to accommodate dual feeds, which Trio Video assists with often for visiting broadcasters at the United Center.

“A lot of the dual feeds just work off of a Grass Valley 1M/E panel off the Kalypso,” says Walsh. “So what we did was take the Kalypso switcher in this truck and put it on sliders so, when it does a dual feed, it slides up to the monitor wall, which creates a hole in the front console frame, and we drop in a 1M/E panel there.”

Aside from dual feeds, Aqua also functions as a standalone broadcast vehicle. Besides a Grass Valley Kalypso 4M/E production switcher, it was also refit-ted with a Calrec analog audio-mixing console. In the remodeling, all replay servers were upgraded to EVS XT2. The truck also comes with a Chyron Duet HyperX3 HD for graphics and 10 Thompson 6000 cameras that are 720p- and 1080i-capable.

Having already cornered most of the Chicago sports scene with Comcast SportsNet, Trio’s Aqua handles Bulls and Blackhawks games but is not tied to just the United Center. It also works Chicago Fire (MLS) games and any other projects it can pick up across the country.

For the immediate future, there are no further plans for Trio Video to expand its fleet of five HD trucks and two B units. All new truck decisions now go through NEP’s Pittsburgh office.

“It’s a joint discussion,” says Walsh. “The discus-sion hasn’t come up for a new trailer for our division at all, but, for other equipment upgrades that have come along, we put in a cap-ex request for what gear we need and why we think we need it and submit that to Pittsburgh.

“It used to be that we would all get together and [say] we need a new truck, let’s build it,” he contin-ues. “Now it has to go to Pittsburgh. The good thing about that is that I don’t have to go pitch it to the bank at this point, but our associates in Pittsburgh have to justify it.”

Forging Ahead under neP bannerby brandon costa

TRIO VIDEO2132 W. HubbardChicago, IL 60612

Tel: 312.421.7060 / Fax: 321.421.0361www.nepinc.com/welcome/trio_video

After NEP acquired Trio Video in March, NCP3 was remodeled and rebranded as Aqua.

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Turner sTuDiosPair of new HD Mobile units set To Hit the road in early 2013by Jason dachman

Turner Studios is poised to roll out two remote-production trucks in the first half of 2013, mark-

ing the launch of a new era for the Atlanta-based mobile unit provider. After debuting in 2001 as SD trucks, Turner’s current pair of mobile units were gut-ted and upgraded to HD in 2004 and will now be retired after nearly 12 years on the road. The new units are set to debut in February and April, respec-tively.

“We are still running trucks that are close to first-generation HD, so this is a big step up for us,” says Ernie Watts, senior director of technical operations, live events and field operations. “It opens up the door and gives us the backbone to do a lot of new things like 3G and 1080p in the future. We feel this equipment will serve us well in the future, and we are now a couple of steps ahead of the game, from a technical standpoint.”

The identical 53-ft. expando trailers were built by Gerling & Associates and will be integrated by Beck Associates (which also integrated the original SD units in 2000-01) in Austin, TX. Turner Studios, which supplies the trucks to Turner Sports and a variety of outside clients, expects the units to have a lifespan similar to their predecessors’.

“On trailer bodies, we like to see a 10-year service life,” says Director of Technical Operations Bob McGee. “And over the life of the truck, we know they are going to undergo anywhere from one to three substantial renovations — up to and including redo-ing all the wiring and infrastructure.”

Turner Studios began investigating design of the new trucks in late 2009, when much of the gear that will end up in the final product had not yet begun to hit the market. For example, both trucks will feature the latest Grass Valley Kayenne switchers (4M/E), Evertz EQX video routers, and Sony HDC-2500 cameras, all of which either had not yet been released or have been significantly updated since 2009.

In addition, the two new trucks will offer a Calrec Alpha audio console (with Bluefin technology), Chyron HyperX3 graphics, 12 Sony HDC-2500s with Canon lenses, and a total of 33 NEC LCD monitors through-out the audio, production, tape, and video areas.

Although the complement of EVS replay servers will initially match that of Turner’s current trucks (two six-channel and two four-channel EVS XT2+s), the two new units are wired for 10 eight-channel EVS XT3s, providing plenty of room for expansion.

“The new truck is wired to have a very large EVS [complement],” says McGee. Production needs never seem to decrease, just increase, so we have to be pre-pared for whatever they might ask for in the future.”

In designing the new trucks, Turner Studios Field Operations focused heavily on lighting, to reduce energy consumption. Using low-power and low-heat Whelen LED technology rather than traditional halo-gen bulbs for much of the interior and exterior light-ing, Turner significantly cut down on consumption and lightened the load on air-conditioning units.

“We use LED everywhere in the truck, including the outside strike lights,” says McGee. “Yes, the lights are pricier, but they are very bright, and the stated service life is now about 40,000 hours, which is pretty much unheard of. The main reason for going this way is lower power consumption and reduced thermal loading on the A/C system.”

TURNER STUDIOSField Operations, 820 Ralph McGill Blvd.

Atlanta, GA 30306 404.524.3911www.turnerstudios.com

Turner’s TS1 (shown here) and TS2 will come off the road in early 2013 to pave the way for two brand-new HD trucks.

Remote SpoRtS pRoduction YeaRbook 2013 113

As part of SVG’s effort to provide Yearbook read-ers with an in-depth overview of the vendors within their industry, this year’s Mobile Ser-vices Providers section covers everything from mobile-production–truck and power-generator vendors to trailer builders, system integrators, and equipment-rental companies.

The section highlights more than 40 of the in-dustry’s most important and well respected com-panies. For contact information for these compa-nies and other SVG sponsors, turn to page 258.3ality Technica page 116Advanced Mobility 116Aerial Video Systems 116All Mobile Video 116Alpha Video 116Arctek Satellite 116Axis Global Logistics 120Azzurro Systems Integration 120Beck Associates 120Bexel Broadcast Services 120Broadcast Services International 124CAMERON PACE Group 124CAT Entertainment Services 124CBC Mobile Productions 124CBT Systems 124Cinesys-Oceana 128Clark Media 128

Communications Engineering Inc. page 128Corplex 128Diversified Systems 128Encompass Digital Media 132F&F Productions 132Filmwerks International 132Frontline Communications 132Gearhouse Broadcast 132Gerling and Associates 136Illumination Dynamics 136IMT 136Kodiak Mobile Television 136Lyon Video 136Mansion Mobile Television 136Metrovision Production Group 140NES Communication Services 140On Call Communications 140PACSAT 140Platinum Uplink Services 140PSSI/Strategic TV 140Reality Check Systems 144Show Partners 144SkyCam/CableCamSOS Global Express 144The Systems Group 144VCA 148VER 148YES Productions 148

Providers

Remote SeRviceS

116 Remote SpoRtS pRoduction YeaRbook 2013

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Headquartered in Burbank, CA, 3ality Technica is an innovator, manufacturer, and provider of ste-reoscopic 3D production systems and technology. 3D broadcaster BSkyB and the HBS feeds from the FIFA World Cup have based their live event productions on 3ality Technica’s technology.

The company’s broadcast partners include TV Globo (Brazil), Telegenic (UK), CCTV (China), BTV (Beijing), Topvision (Germany), Sky Sports (UK), and Fuji TV (Japan).

Elements, a division of 3ality Technica, is dedi-cated to designing and manufacturing professional camera accessories for filmmakers working in all types of production environments. New products include key camera solutions for the Micron for Sony NEX-FS700 and the Canon C300/C500. All of the small-camera support solutions provide the same protection and durability as the standard cinema-size accessories.

The Chicago-based company designs and builds high-quality, innovative mobile equipment trail-ers for the healthcare, television-broadcast, and banking industries and for special events and sports events around the world. It has nearly 30 years’ experience doing business nationally and internationally in the trailer industry.

Advanced Mobility recently refurbished the Token Creek Chippewa and completed repairs on NEP mobile-production trailers. The work included complete modification of the expando, reworking the slide-out mechanism, and adding lightweight flooring. All interior walls and ceiling were replaced, with new LED lights throughout, and all lower-compartment doors were replaced with lighter-weight frames, doors, and handles.

Aerial Video Systems

A provider of HD RF cameras and aerial produc-tion, AVS inventories 45 Link HD RF systems worldwide and three Cineflex V14-HD gyro-sta-bilized HD aerial cameras and offers a single-unit, single-carrier wireless 3D HD solution.

AVS’s 12-lb. wireless P1 camera system is the preferred Steadicam camera package for Dancing

With the Stars, American Idol, America’s Got Talent, NBC’s Sunday Night Football, ESPN’s Monday Night Football, NFL Network, and a variety of award shows, including the Academy Awards.

AVS also provided the HD RF cameras and aerials for Monday Night Football, NFL Network, the MLB Playoffs and World Series, and Deadliest Catch. For the 2012 US Open tennis tournament, AVS was enlisted to provide the wireless ser-vices for more than 375 hours of coverage spread among CBS, ESPN, Tennis Channel, and Sky TV.

The provider of end-to-end video and audio solu-tions for entertainment, sports, and news program-ming and events is built on a foundation of innova-tion, service, and integrated resources. The company remains committed to technology, both that avail-able today and what will be available in the future. According to the company, it pioneers and masters new ideas, like HD video, before others adopt them.

The Alpha Video Sports & Entertainment Group is a system integrator for large-venue technology sys-tems in collegiate and professional sports facilities.

After wrapping up projects for Penn State University and the Miami Marlins, the Sports Group turned its attention to several other HD control-room integrations. For the Tennessee Titans, Alpha Video completed a new HD control room at Nashville’s LP Field that is driving the largest end-zone LED displays in the NFL. The company also completed the first phase of an HD upgrade for the Atlanta Hawks at Philips Arena.

Alpha Video is in the final stages of completing a large technology upgrade for the University of Minnesota.

As the calendar turned to fall, Alpha Video start-ed integration of a new HD control room for the University of Kansas at historic Allen Fieldhouse.

2012 started out with a bang for ARCTEK. January saw a record number of transmissions for its four


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suplink trucks (two Ku- and two C-band), all based on the Sprinter chassis and equipped with HD encoding and monitoring.

The company was in Iowa with multiple trucks for news coverage of the Presidential Caucus. Its White truck headed to the West Coast for eight weeks of college basketball. College hockey, college basketball, and HD encoding kept the rest of the fleet busy around the Midwest.

The Minneapolis-based satellite-transmission provider also worked conference basketball tour-naments, racing, and Major League Baseball. These highlights — along with breaking-news coverage, corporate events, and plenty of college football — keep the company busy from coast to coast.

Axis’s service to the industry accelerated sig-nificantly this past summer. Early in the summer, Axis coordinated multitrailer loads of staging equipment for a major music-awards event on the West Coast, including the time-sensitive pickup of equipment from multiple sources and repriori-tizing loads to successfully deliver equipment per a customer’s exact delivery schedule.

Next, Axis did a pickup from two equipment-rental companies on the West Coast, delivering it to the U.S. Tennis Association at Arthur Ashe Stadium in New York City for a major broadcaster.

Axis moved on to politics and provided logistics support to broadcasters at the Republican National Convention in Tampa, FL, and the Democratic National Convention in Charlotte, NC. On all of these jobs, Axis provided its on-site project-man-agement team along with its Web-based on-line LogiView asset-management system and AxisTrak transportation-management system.

The Azzurro Group’s new AzzurroCam trans-portable camera system was recently deployed at the New York Jets training camp and is currently responsible for daily transmission of all press con-ferences airing on NFL Network and NYJets.com. It integrates seamlessly with NFL Network’s exist-ing TeamCam system currently installed at more than 48 locations throughout the U.S.: every NFL team site, NFL League offices, and several remote-analyst home and office locations.

AzzurroCam requires minimal setup time with little advance notice necessary. Capable of trans-mitting HD or SD over existing public Internet, the unit provides a total portable production solution yet is small enough to be checked airport baggage.

Based in Austin, TX, Beck Associates has been integrating television facilities for more than 30 years. The company provides a full range of design, consulting,

engineering, and integration services and strives to improve and refine its process and product with every project.

Recent sports-related projects include the University Athletic Association, Gatorvision (University of Florida); Comcast SportsNet San Francisco; Comcast SportsNet Houston; a new sports-news facility for WVUE in Benson Tower at the New Orleans Saints’ Champion Square; the newest Crosscreek Television Productions mobile-production unit, Voyager 11; and Token Creek Mobile Television’s newest HD mobile unit, Chippewa.

Beck Associates is currently integrating two new mobile-production units for Turner Sports.

Bexel, a unit of Vitec Group’s Services Division, provides efficient portable solutions in the form of scalable flypacks and production trailers.

The customizable Hercules flypack for remote and space-constrained venues is flexible and rugged and can be shipped anywhere in the world. It features a Sony MVS7000X 4M/E multi format digital production switcher; a Calrec Artemis Beam digital audio console with Bluefin2 high-density signal processing, 48 multilayer faders, and Calrec Hydra2 I/O; and custom production monitor wall with up to 224 virtual displays using Evertz multi-image display processors. Also included is an Evertz EMR 160x288 multiformat video router (11 XLink outputs); audio router with 576x576 AES, 96x96 analog audio, 20 MADI ports; multiple EVS LSM XT2+ six-channel HD DDRs; and Sony or Panasonic multiformat HD VTRs.

In addition to Hercules, Bexel’s Elements flypack systems are customizable from two to 12 cameras. Depending on the client’s needs, all


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ssystems can be augmented with complementary equipment including audio, RF audio, communications, graphics, fiber-optic systems, and wireless video.

Bexel has also sustained success with its three mobile-production facilities, including BBS One, a configurable 53-ft. facility designed to enable 2D or 3D production, digital editing, EVS workflows, or online production applications.

BSI-TV was chosen as “leading technology solu-tions partner” by CBC as it prepares for its role as host broadcaster of the 2015 Pan/Parapan American Games. CBC/Radio-Canada has part-nered with Canadian company BSI-TV to provide engineering and technical production throughout the broadcast.

BSI-TV has been providing technical produc-tion to the remote-television business for more than 35 years. Other credits include more than 18 Olympic Games, major world champion-ships, and more than 12 Emmy Awards. In the past year, BSI-TV has provided technical pro-duction, Airpac facilities, and crew for world championships in Shanghai, and Daegu, Korea; Euro 2012; Ryder Cup; and at the London Olympic Games.

CAMERON PACE Group specializes in providing innovative and integrated business solutions for live production. CPG is an industry leader in 3D technologies and production services and has an extensive mobile fleet for 5D production.

Co-founded by James Cameron and Vince Pace, CPG is advancing 5D production through devel-opment of products, solutions, and creative tools for use across all media channels. In 2012, CPG un-veiled and deployed its latest innovative solutions to wide acclaim, from SmartRigs to the Shadow line, which comprises the Handheld ShadowCam, Shadow4K, and the ShadowCaster A units.

CPG also delivered the X Games and the college football season for ESPN as 5D productions, each production delivering both a 2D and a 3D broad-cast. The Winter X Games deployed three dozen 3D cameras. In September, CPG and Sky Sports produced the Ryder Cup in 3D, with Sky 3D show-ing more than 30 hours of live coverage.

CES has been busy with U.S. professional sports and college athletic events over the past year: ESPN/ABC fall college football season games, MLB playoffs, NBA All-Star Game, NASCAR Speed Week, and the Daytona 500. In addition to powering up network remote-broadcast compounds, company technicians engineered supplemental HVAC for the mobile units in some of the cities that experienced record tempera-tures this summer. Internationally, CES has opened offices in Europe and South America and recently worked with Comcom in coordinating temporary power for a UFC fight at HSBC Arena in Rio de Janeiro.

09_09_30Official logotype

2012 has been a busy year for CBC Mobile Productions. In January, the company launched HD mobile Infinity a 53-ft. expando designed to provide the look and feel of a large mobile but serve midsize production budgets. In the spring, the company secured a multiyear Fox Sports college-football package.

In a partnership with Broadcast Services International and CBC/Radio-Canada, CBC Mobile Productions was awarded the contract to provide host broadcast services for the 2015 Pan/Parapan American Games.

The company has an HD fleet, combined with value-added support, production coordination, and crewing services available to offer full turnkey solutions. In the business for more than 50 years, CBC Mobile Productions is a commercial entity of CBC/Radio Canada and does not receive any government subsidies.

With more than 30 years of industry experience in systems integration and engineering for the television broadcast industry, CBT Systems

provides innovative workflow tech-nology and customized integration and

engineering solutions. CBT serves clients and proj-ects ranging in both size and scope in sports broad-casting, television broadcasting, video production, and corporate video.

CBT Systems is responsible for MLB Network’s BallPark Cam system, installed in ballparks across the country. The project, which originated out

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sof a need for cost-effective and superior media delivery, earned a Tech Emmy nomination for MLB Network. At the heart of the BallPark Cam is CBT’s ShowFlow production technology.

CineSys-Oceana is the result of the merger of two distributors of hardware, software, and specialized services to the media and entertainment indus-try. The company serves as a systems provider for broadcast, digital production, postproduction, new media, and high-end digital computing.

CineSys, founded in 1997, is well-known as a supplier of motion-picture hardware, software, and engineering support in the southern U.S.

Oceana Digital, headquartered in Toronto, supplies systems, support, and software across Canada and the northeastern U.S.

With offices in New York, Miami, Atlanta, Dallas, Houston, Toronto, and Vancouver, the new CineSys-Oceana will continue to provide sales and support services to the media and entertainment industry in most major production centers across the continent.

TM

Clark Media provides corporations, production companies, and networks with broadcast-equip-ment rentals and production services. The com-pany has extensive experience providing modu-lar video and audio systems for the production of in-studio and on-location television series and events. Clark Media provides the assurance of 24/7 support and depth of resources to provide addi-tional equipment at a moment’s notice.

Clark Media designs and builds mobile HD-production solutions for clients at a cost-effec-tive price; the goal is to provide a smaller but pow-erful production vehicle that offers quality produc-tion equipment with a proven layout and workflow. The company plans to accomplish this by taking advantage of new HD technologies that offer cost and weight savings previously unavailable.

A Newington, VA, consult-ing, design, and systems-integration company, CEI represents more than 600 equipment manufacturers for project integration and direct

equipment sales. The company also operates a service and support organization, available to the sports-media industry nationwide, from its service depot in Virginia and on-site field repair and maintenance services. CEI service engineers receive regular industry training and authorized certification to keep pace with new products and technologies.

Corplex is looking forward to a busy fall. It started in August with the company’s Platinum unit’s work on ESPN’s Little League Regionals broadcasts while its other two units, Iridium and Chromium, were involved with Fox News’ RNC and DNC Convention broadcasts. Iridium also worked on CBS’s PGA Championship coverage. Platinum helped kick off the NFL season with CBS Sports, and Iridium broadcasts for both CBS and Fox this season.

In September, Corplex’s challenge was European Tour Productions’ broadcast of the 2012 Ryder Cup at Medinah, IL, outside of Chicago, the com-pany’s home base. Corplex had both Iridium and Chromium on-site for ETP with more than 40 cameras. October brought the MLB playoffs, with Chromium and Iridium broadcasting for both Turner and MLB International.

Diversified Systems was awarded the task of build-ing the nascent Pac-12 Enterprises’ San Francisco-based production facility, and the team was head-ed by lead systems architect Greg Doyle.

The Pac-12 Enterprises project was unlike any challenge Diversified had ever taken on. With work beginning in December, the company had only eight months to get a fully operational broadcast online to serve not one but seven new networks.

To combat the time crunch, Diversified began a prebuild, with racks of gear and infrastructure constructed in its Santa Clara, CA, fabrication shop prior to the crew’s entering the Pac-12 facility, which didn’t have its formal groundbreaking until mid February.

Diversified also worked with Time Warner Cable to build the new Los Angeles Lakers network. That project began in July 2011 and won’t be completed until the network hits air in late October.

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As a provider of digital-media origination, distri-bution, and transmission for sports leagues and broadcasters worldwide, Encompass offers HD, SD, and IP services including fixed teleport and remote satellite-uplink transmission for backhauls, production, and origination services. The com-pany is home to a large number of sports-owned, -operated, and -themed networks. Via its fully integrated facilities, Encompass provides seamless disaster recovery and archival solutions, giving its clients an alternative, cost-effective game plan.

As Encompass partners with various sports leagues, its fleet of C- and Ku-band satellite trucks can be spotted on the road heading to some of America’s most watched sports events. Clients include CBS Sports Network, ESPN, Gol-TV, IMG College, NASCAR Media Group, MLB, NFL Network, NHL, ROOT Sports, Tennis Channel, TVG, Speed, YES Network, and WWE.

On a mission to provide one of the youngest, best-equipped, and custom-configurable fleets of HD remote-broadcast mobile-production units in the industry, F&F Productions has upgraded its current fleet. This strong belief made the deci-sion obvious to renovate instead of expanding the fleet to ensure quality production trucks.

Among the upgrades to GTX-12 was a Calrec Artemis Beam with Bluefin2 audio board, a virtual monitor wall in videotape, and an interior face-lift. GTX-14 also was upgraded to the Calrec Artemis Beam with Bluefin2, along with an improved truck interior. And GTX-15 received a renovated interior to go along with the new Grass Valley Kayenne HD switcher. All the B units were upgraded with Blackmagic routers, new patch panels, DAs, and HD-SDI monitors to increase versatility.

This year may be Filmwerks’ busiest yet in provid-ing reliable and redundant power, climate control, mobile studios, and site lighting to productions from coast to coast.

With launch points in major cities across the country, along with a combination of experience and dedicated staff, Filmwerks is able to provide exceptional service for successful, memorable events wherever they may be. All packages are custom-built to suit any job or footprint.

Filmwerks is highly active in the sports world, providing power and additional resources to vari-ous users at the US Open tennis tournament and to CBS for its SEC football productions. Filmwerks has also worked with the ESPN College Gameday crew for more than a decade.

Frontline’s production trailers are designed and manufactured as mobile production suites, pro-viding all the features and equipment found in fixed production facilities and offered in lengths up to 53 ft. The custom-designed and -manu-factured trailers are available in either straight-body or slide-out designs and with single or dual slide-outs in various lengths. Frontline offers a 96-in. interior width for up to five full equip-ment racks across the trailer; coach work uses the lightest composite materials to minimize delivered trailer weight. Recently, the company saved nearly 3,000 lbs. in delivered weight using aluminum for major components. Several floor-plan options are offered, with engineering ser-vices available to design custom layouts for up to 30 operators. The result: durable and reliable mobile-production trailers.

Specializing in broadcast-equipment rental, equipment sales, project solutions, and systems integration, Gearhouse Broadcast offers experi-ence and a track record in major world sports events.

At IBC2012 in Amsterdam, Gearhouse Broadcast announced a strategic sales and market-development agreement with Hitachi Kokusai Electric Europe. The agreement provides Gearhouse Broadcast with prime distribution rights to all Hitachi broadcast cameras in many international territories.


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Late 2011 and early 2012 were totally unlike any time in Gerling history, with more orders placed in that period than ever before, each requiring completion in time for the 2012 NFL season.

In January, the Gerling staff went on full overtime and did not take any time off until late July, custom-designing and delivering more than 13 new trailers primarily targeted at the 2012 NFL season. Gerling also custom-built and delivered 21 other trucks over the period, making 2012 the company’s largest year to date.

Innovations and a return to some shorter trail-ers were highlights of the year, with five added trailers currently working their way through con-struction.

For 11 years, ID, a subsidiary of ARRI CSC and an ARRI Group Company, has provided lighting and power for many prominent sports events across the nation. Among them: Monday Night Football, college football, X Games, Red Bull events, Golf Channel, Speed TV, and Sunday Night Baseball. To provide improved, efficient lighting and power options, ID constantly adapts to the customers’ changing needs.

The company focuses on making technological and environmentally friendly decisions, purchas-ing new low-emission generators that will comply with EPA regulations for years to come. ID is also investing in state-of-the-art LED lighting fixtures for remote ops and booth lighting.

IMT is a consulting, design, construction, and systems-integration company providing scalable technology systems for business operations. This year, it announced a new Sports Digital Asset Management Service specifically designed for the athletics industry. For sports-content owners and producers, having a digital-asset–management strategy has become an essential part of doing business and affects virtually every aspect of the organization’s operations and future multimedia ROI opportunities.

As an example, IMT worked with Tennis Channel to design and build a new file-based workflow, which allows its broadcast, editorial, graphics, and

postproduction teams to share and archive content.IMT addresses these major market sectors: Media

& Entertainment, Information Technologies (IT), Education, and Telecommunications. Through an active engagement process, IMT consultants and engineers collect, interpret, refine, design, build, and maintain technology systems that deliver optimum results for clients.

Kodiak Mobile Television is a full-service mobile-production company located in Broken Arrow, OK. Its new Grizz HD was designed and built to be a compact, efficient HD unit while providing the production tools clients require. The 45-ft. trailer has a three-bench production area, audio, tape/server, and video/engineering, all in separate rooms. At less than half the weight of a 53-ft. trailer and by not needing a B unit, it offers fuel savings and reduced crew expenses to save clients money. Grizz HD is equipped for posted shows and corporate events. The 2013 schedule already has it on location from Florida to California and Austin, TX, to Indianapolis.

Lyon Video mobile-production trucks stayed busy this past sum-mer, working such events as the US Open tennis tournament for CBS and CBS Sports Network, Major League Baseball for ESPN and Fox

Sports, college football for ESPN/ABC, the Little League World Series studio feed for ESPN, and MLS coverage in Dallas; Columbus, OH; Salt Lake City; and Houston. In addition, Lyon units worked NFL preseason contests for the Bengals, Steelers, Packers, and Redskins. And Lyon Video has been all over the race track with Speed, cov-ering the Barrett Jackson Auto Auction, TORC Racing, Grand AM racing, and Moto GP.

Lyon Video is currently building two mobile units for ESPN’s Longhorn Network, with plans to roll them out in early 2013.

With facilities like the ME-2HD 53-ft. expanding mobile unit, Mansion Mobile Television is setting the standard for HD television production. Located


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sin Branson, MO, the company is in close proximity to most major cities in the Midwest. Its facilities are intended to make any sports, entertainment, or corporate event the best it can be.

METROVISIONProduction Group

HD

Metrovision Production Group offers a full spec-trum of communication and production servic-es, including mobile production, satellite trans-mission, IP media, live-event presentation, and broadcast-equipment rentals. It has served clients across North America since 1988. Along with having a fleet of mobile units and extensive equip-ment inventory, Metrovision takes a turnkey, solutions-driven approach, combining technical expertise with strong commitment to customer service.

NES Communication Services has added mul-ticamera HD production services to its product offering, deploying both a production flypack and an HD-production/Ku hybrid truck to cover a variety of events. Since the early-June launch, NES has handled more than a dozen events, including six soccer split feeds and two boxing programs. The addition of the HD production resources along with C- and Ku-band trucks and flyaway antennas makes NES a single stop for HD production and transmission services for events worldwide.

An automated satellite solution from On Call Communications gave KKTV Colorado Springs, CO, an advantage over its competition with the abil-

ity to deliver live coverage of the Waldo Fires. KKTV used 3G/4G aggregation packs, combining

them with QuickSPOT, a mobile, automated satellite solution that provides on-demand satellite Internet service. The service provides a dedicated satellite link that delivers high-quality, stable video streams when microwave is unavailable or 3G coverage is unreliable.

In the midst of the worst fire ever to hit the city

of Colorado Springs, KKTV delivered 130 hours live, continuous coverage to the community from areas where the station typically would not be able to get a signal out.

I N T E R N A T I O N A L A full-service video- and audio-production, post-production, and satellite-transmissions company,

PACSAT provides services nationally and inter-nationally from its headquarters in Sacramento, CA. It provides services in the West, Midwest, Southwestern, and Southeastern U.S. for major news, sports, entertainment, advertising, corporate, and government clients.

Platinum Uplink Services is the Upper Midwest’s newest fully HD mobile satellite-uplink provider. The company’s state-of-the-art satellite-uplink truck is wired for eight cameras and six transmis-sion paths, giving clients the flexibility and technol-ogy they need during production. The new truck, after two months of in-the-field service, received positive feedback and created new demand for the company.

To better serve clients, Platinum Uplink Services recently added another HD/SD Ericsson Voyager II encoder. The company now travels with three HD/SD and MPEG-2/4 encoders, allowing it to serve a wider variety of events large or small.

Platinum Uplink Services is a boutique com-pany specializing in mobile satellite services. The ability to effectively cover sports and news events depends on quality equipment and excellent mobile satellite engineers.

PSSI has designed and integrated a six-camera HD production and uplink truck. The 35-ft. unit was built to support the company’s growing base of customers requiring HD remote-production services. PSSI has also been selected as the primary HD satellite transmission company for Pac-12 Networks, providing Ku- and C-Band satellite-uplink trucks, satellite transponder space, HD encoding, fiber coordination, and overall out-


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sside management of remote digital transmission operations.

PSSI will support Pac-12 Networks throughout its six regions. Its production-uplink truck (K-34) is also part of the offering to Pac-12, producing soccer, field hockey, volleyball, and swimming shows.

PSSI will also provide Pac-12 with on-site pro-duction-management services and tech support. Currently, PSSI is supporting the content delivery of up to 15 Pac-12 events each week with Ku uplinks, production, and digital satellite space.

For the start of the 2012 season, Golf Channel turned to Reality Check Systems and design part-ner Cake Studios to deliver a complete rebrand for their flag-

ship show Golf Central. RCS and Cake provided a turnkey solution: initial concept, design of the show logo, open/pre-rendered animations, and Vizrt real-time graphics package.

Earlier this year, Reality Check Systems developed custom graphics and software for Mediatec to support a multilanguage platform covering the International Ice Hockey Federation World Championships in Helsinki and Stockholm.

RCS designed, programmed, and supplied hardware for the HD ticker for MASN, launched in February 2012. The installation includes authoring of ticker content on revolving playl-ists; breaking news; automated score data for MLB, NFL, NBA, NHL, CBK, and CFB; inte-gration with master-control automation; and remote-control operation for manual insertion and removal during commercial.

Founded in 1985, Show Partners provides production, operations, and engineering solutions, specializing in remote television and live event productions. From original programming to world-class sports events, the company has proved its ability to execute complex shows and handle the challenges and constraints that are always present in the industry.

In 2011, founder/CEO Michael S. Mantovani resumed the role of president. Mantovani, a six-time Sports Emmy Award recipient, has success-fully realigned the company based on its original mission statement and core values.

The SkyCam and CableCam systems center on a sophisticated, computer-controlled cable suspen-sion system that supports, stabilizes, and allows three-dimensional movement of a camera to cap-ture overhead video of major events.

Although early versions of aerial camera sys-tems were developed in the 1980s, SkyCam’s introduction to football started with the XFL in 2001. The NFL first incorporated the technology in 2003, when ESPN added SkyCam to certain broadcasts, and Fox did the same with CableCam. In 2006, SkyCam and CableCam were jointly acquired and, in subsequent years, were restruc-tured into a service-oriented business with a focus on technology investment and cost-efficiencies.

As 2012 reached its midway point, SOS Global Express again expanded its worldwide offerings to new and existing customers. The high point of the half-year mark was certainly the London Olympic Games, where the company deployed a seasoned team of professionals to handle customers from around the world, including broadcasters from the U.S., Japan, Brazil, EU, UK, and Mexico.

After the London Games closed, the SOS Global team rapidly loaded and managed a charter aircraft with a departure four days later to customers awaiting gear for setup at the US Open tennis tournament in Flushing Meadows, NY. This all came on the heels of a successfully executed Euro 2012 in Poland and Ukraine.

Company focus then moved to the 26th NFL season and MLB postseason, along with a full schedule of other challenging and interesting projects. The International team shifted to the east and south towards Russia and Brazil.

The Systems Group has provided strategic, technical, and operational support to global broadcasters for more than 20 years, includ-ing consultation, architectural planning, sys-tem design, project management, procurement,


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sand advanced systems integration. The com-pany’s consulting services comprise Operational Analysis, an in-depth examination of current operations; Space Programming, which defines room complements, square footage, space, and adjacency requirements for optimized work-flows; Conceptual Design, which provides an elegant engineering solution with defined tech-nology parameters; Architectural Planning, which aligns architectural plans with current and future technical and operational needs; Budget Development, which balances the pre-liminary equipment budget between financial constraints and operational expectations; and Technical Specification, which conclusively defines and documents critical project data, such as preliminary technical drawings, working budgets, and project timeline.

VCA is one of the 10 largest systems integrators in the U.S., with offices in New York, New Jersey, and Pennsylvania.

Projects with MSG Networks, MSG Varsity, and Rutgers football, along with new display technology from Christie Digital and postproduction systems from Avid, place VCA in a position to integrate all elements of live coverage, postproduction, digital signage, asset management, and IT infrastructure to create a complete communications solutions.

VCA worked closely with New York-based regional sports network SNY on the design and build of its new Daily News Live studio set. VCA helped select and implement nine NEC 55-in. ultra-narrow bezel monitors in a 3x3 configuration in a custom-built video-wall mount.

VER (Video Equipment Rentals) is a broadcast-, AV-, audio-, computer-, lighting-, and creative-LED-equipment-rental company.

VER has presence with 23 offices across the U.S., Canada, and Europe, providing equipment everywhere in the world. The company’s extensive inventory includes HD cameras/camera systems, custom flypacks, VTRs, DDRs, EVS, fiber, super-slo-mo systems, audio, and more.

2012 has been a good year for YES Productions, with the normal NBA, college-basketball, baseball, and soccer events, as well as the usual mix of concerts, corporate shows, and various sports events.

This summer, YES Productions upgraded the router in HD 1 and HD 2 with new controller cards, fiber input, and output cards. The Adam systems were also some updated with new controller cards and interface units. An additional camera was added to each truck, bringing the total to 10 cameras on HD 1 and nine cameras on HD 2.

This fall, the company is busy with ESPN, CBS Sports college football, and Cox Sports. During the NBA season, HD 1 will remain in the New Orleans area for various clients, and HD 2 will travel to the West Coast for a season covering the Los Angeles Lakers.

REMOTE SpORTS pROducTiOn YEaRbOOk 2013 153

DirectoryThe SVG Mobile Production Yearbook is, once again, proud to partner with ProductionHub to offer a comprehensive directory for those in search of crewing services, generators, satellite trucks, remote-production units, and much more.

ProductionHub.com provides a valuable online resource, listing not only the vendors covered here but a wealth of other services as

well. The site also has one of the top job boards in the industry, a valuable tool for freelancers seeking work and for sports networks and con-tent creators looking to fill positions.

Feel free to use the services directories here as a starting point for finding the providers that best meet your needs, but also be sure to visit www.productionhub.com for updated in-formation on potential suppliers.

vEndOR SERvicES

Courtesy of

158 REMOTE SpORTS pROducTiOn YEaRbOOk 2013

*All information is subject to change. For the most current contact information, please visit www.productionhub.com

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Crew Services* — Regional Listing

Alaska Anchorage Alaska Locations www.filmalaskalocations.com (907) 783-2143Arizona Lake Havasu City Jeff London Productions www.guardianpictures.com (928) 566-1366

Mesa East-West Productions www.eastwestproductions.com (480) 491-8312Phoenix Burke Brothers Productions www.burkebrothersproductions.com (602) 321-0398Phoenix Crew West Inc www.crewwestinc.com (888) 444-2739Phoenix High-End Labor Pool www.highendlaborpool.com (602) 225-2454Phoenix No Jip Lighting (602) 684-0580

Arkansas Little Rock Film Gear Rentals www.filmgearrentals.com (501) 920-3392California Alhambra Computer Tradeshow Rentals (386) 481-8783

Apple Valley TCB Event Medical Services www.tcbeventmed.com (877) 526-7306Burbank Cast & Crew Entertainment Services www.castandcrew.com (818) 848-6022Burbank NABET - CWA Local 53 www.nabet53.org (818) 846-0490Fairfax Creative Presentations www.cpresents.com (415) 785-3897Hollywood Surreel www.surreel.com (323) 464-3975Huntington Beach Camera Corps, The www.cameracorps.com (714) 846-2461Irvine Kwokman Productions www.kwokmanproductions.com (949) 679-2089Lake Elsinore California Cart Builder www.californiacartbuilder.com (866) 347-1010Los Angeles Epicenter Films (213) 534-3100Los Angeles HAIR BY SAPPHIRE www.HairbySapphire.com (310) 963-2067Los Angeles Production Reference Services www.prodrefservice.com (310) 275-8002Los Angeles Run & Gun Production Services www.rgps.tv (310) 463-4394Oceanside Available Light/JT Services www.JTServices.com (800) 439-1605Sacramento Studio Center, The www.thestudiocenter.com (916) 564-9333

San Diego Crystal Pyramid Inc. dba Crystal Pyramid Productions www.crystalpyramid.com (619) 644-3000

San Diego Photo Styling Workshops www.theinvisiblestylist.com (619) 295-1456San Diego San Diego Production Centre www.sdpcentre.com (858) 573-9313San Diego Satellite Digital Teleproductions (S.D.T.V.) www.sdtv.com (619) 293-7777San Diego Wire Wizards www.WireWizards.tv (619) 992-0549San Francisco Christie Every Productions www.everyproductions.com (415) 902-0309San Francisco Industry 415 Creative Production Agency www.industry415.com (415) 954-0988

Santa Barbara Tom Piozet - Home Planet Productions/Home Planet Post www.homeplanetproductions.com (805) 965-9848

Sherman Oaks Wintech Video www.wintechvideo.com (818) 501-6565West Hollywood Renee Garcia Casting/RG Casting www.reneegarciacasting.com (323) 532-7264

Colorado Denver Film in Colorado www.filmincolorado.com (303) 946-1199Evergreen Crew Connection www.crewconnection.com (800) 352-7397Highlands Ranch Weiler Production Services www.weilerproductions.com (303) 470-5696

Connecticut Fairfield ICA Creative Crews (800) 835-9292Florida Bradenton Affect Films www.filmvideo.com (818) 253-1247

Fort Lauderdale Camera Crew Miami www.cameracrewmiami.com (800) 800-1361Hollywood Spiral Crews

Lakeland Crew West / Satellink Communication Service www.satellinkwest.com (863) 698-4313

Margate Bear Crew (954) 509-0738Miami Neon Flair www.neonflair.com (305) 467-6556Orlando Crew Call www.crewcallinc.com (407) 363-9055Orlando Pixel 1080 www.pixel1080.com (813) 777-0720Palm Beach A Core Group Cannestro (561) 644-8566Pompano Beach Local Motion www.localmotionlabor.com (954) 786-8904St. Petersburg Florida Film & Video www.flhd.tv (727) 369-0732Tampa Cameras International www.camerasinternational.com (813) 831-1553Tampa Ren Scott Creative Marketing www.renscottcreativemarketing.com (813) 872-8350

Georgia Atlanta Crew Atlanta/The Big House Motion Picture Co. www.crewatlanta.net (888) 887-6884

Atlanta Encompass Digital Media www.encompass-m.com (800) 243-1995Atlanta Lighting & Production Equipment www.lpe.com (800) 275-3721

State City Company name WebSite phone



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Crew Services* — Regional Listing

Atlanta Phase 3 Media www.phase3media.com (866) 454-8127Atlanta Stylesession Firm www.stylesessionfirm.com (404) 692-1706Atlanta Visual Tellers www.visualtellers.com (323) 999-1057

Hawaii Kailua Lewis Communications www.lewiscommunications.tv (808) 946-8100Kailua NOA Production www.NOAPro.com (808) 366-1515

Idaho Nampa Chris Wade Media www.chriswademedia.com (208) 850-0400Illinois Chicago Event Engineering www.eventengineering.com (773) 645-2000

Grayslake Clarion Production Services (847) 543-1188Indiana Indianapolis Efroymson Services (317) 253-7832Iowa Ankeny Production Support Services www.productionsupport.com (515) 965-3761

Hiawatha Metro Studios www.metro-studios.com (319) 363-2002Kansas Topeka Video Concepts (785) 273-9003Kentucky Louisville Duckworks www.morganatkinson.com (502) 637-7840Louisiana New Orleans Nola Medic (504) 715-6003Maryland Annapolis World Class Video www.netvibes.com/worldclassvideo (410) 224-0204

Baltimore BlueRock Productions www.bluerockproductions.com (410) 358-7000Baltimore Sand Dollar Productions www.sanddollarproductions.com (336) 529-3964Fulton Crews Control www.CrewsControl.com (800) 545-2739North Potomac Media Central www.mediacentral.net (301) 217-0049Potomac Asia Broadcast www.absatellite.net/services/index.html (301) 605-7629Silver Spring Alacer Video Production Services www.alacervideo.com (301) 754-0093Silver Spring Metro Teleproductions www.mtitv.com (301) 608-9077

Massachusetts Brookline The New England Institute of Art www.artinstitutes.edu/boston/ (617) 739-1700Canton Central Booking Service www.centralbookingservice.com (781) 364-1880Concord Crew Boston Video Production Services www.crewboston.com (978) 369-8944Gardner RJ Cleaning Service www.rjcleaning.com (978) 340-0930Newton Green Line Group www.glgtv.com (617) 663-5240

Michigan Clawson Mezzanine (248) 709-6560Troy Midwest Video (248) 583-3630Warren Live Out Loud Productions www.liveoutloudproductions.com (248) 238-8804

Minnesota Minneapolis STAR Tutoring Service www.startutoring.com (612) 866-0566Missouri Kansas City Sportstaff www.sportstaffcrews.com (816) 505-5533

Springfield Jeff Nene Production & Design (417) 860-2196Nevada Henderson Premiere Production Services www.premierepro.com (702) 248-2580

Las Vegas Avenger Productions www.avengerproductions.com (702) 655-3339Las Vegas Brooks Vision Entertainment www.brooksvision.com (866) 286-4122Las Vegas Carafelli Productions www.carafelliproductions.com (702) 525-1129Las Vegas Got Films www.gotfilms.com (702) 838-9143Las Vegas JCS Broadcast Video Productions www.jcsvideo.com (800) 791-8671Las Vegas LV Productions HD www.LVproductionsHD.com (310) 593-1921Las Vegas Production Central Group (702) 395-7216

New Jersey Gloucester City Axis Video (856) 379-0873New Mexico Albuquerque Stew Casting (505) 489-2257New York Catskill Northeastern Broadcast Services www.nebroadcast.com (518) 634-2511

Hauppauge Thaler Films www.thalerfilms.com (631) 851-2000Howard Beach NY Crew Power Production Services (718) 843-3038Kings Park Jammin Design Productions www.jammindesignproductions.com (631) 292-9632Manhattan The People’s DP www.thepeoplesdp.com (646) 415-7782Nassau Golden Lamb Productions www.glpvideoproduction.com (518) 766-4358New York Atlantic Television www.atlantictv.com (212) 625-9327New York Aurora Coast Productions www.AuroraCoast.com (212) 375-0700New York DailyHires.com www.dailyhires.com (888) 696-1800New York Film Friends www.film-friends.com (212) 620-0084New York Filmwerk Media www.filmwerk.tv (212) 645-6668New York Hired Gun Video www.HiredGunVideo.com (518) 755-6313




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Crew Services* — Regional ListingState City Company name WebSite phone

New York Leftfield Pictures, featuring Leftfield Rentals and Crews www.leftfieldpictures.com (212) 564-2607

New York Max Curious Productions www.maxcurious.com (212) 706-8200New York Mobile Video Productions www.mobilevideoproductions.net (212) 924-9616New York Moving Picture Crew www.movingpicturecrew.com (800) 800-1361New York NBTV Studios www.NBTVstudios.com (212) 500-2087New York Technical Operations www.tech-ops.com (212) 465-1318New York Video Dimensions www.videodimensions.net (212) 262-5453Rome Entertainment Services www.entertainmentservices.us (315) 335-4645Saratoga Springs Carr-Hughes Productions - Adirondack www.carr-hughes.com (518) 584-0202

North Carolina Cary LADIEKADIVA.com www.ladiekadiva.com (919) 272-7555Matthews Production Management Specialist www.arenaspecialistslive.com (704) 708-6773Wilmington Swirl Films/Rentals www.swirlfilms.com (910) 798-2934

Ohio Cincinnati iO Productions www.ioproductions.net (513) 561-1459Oklahoma Oklahoma City DPT Productions www.dptproductions.com (405) 848-5952

Oklahoma City Production Services www.ProductionServicesLLC.com (405) 568-2079Tulsa Oklahoma Film Commission www.oklahomaproductionguide.com

Oregon Gladstone 2 Girls Catering & Craft Services www.twogirlscatering.com (503) 318-1719Portland ROSTER www.rosterreps.com (503) 381-2067

Pennsylvania Clifton Heights CrewStore www.thecrewstore.com (484) 688-0142Conshohocken Wonderful Machine www.wonderfulmachine.com (610) 260-0200Philadelphia Total Production Services www.tpsweb.com (888) 877-1178Pittsburgh Cortron Media www.cortronmedia.com (412) 302-4072Pittsburgh H & H Care (412) 760-5881

Rhode Island Middletown Towerstream www.towerstream.com (866) 848-5848South Carolina Mount Pleasant Location Carolina www.locationcarolina.com (843) 224-0691

Summerville Turners Movie Medics (843) 367-8117Tennessee Bartlett Proshow Systems www.proshowsystems.com (901) 372-0550

Madison Junction Entertainment www.junctionentertainment.com (615) 915-1559Nashville Film Ready Face www.filmreadyface.com (727) 214-8624Nashville Quick-It Courier www.quick-itcourier.com (615) 595-6844Seymour 5 Star Services www.fivestarportables.com (865) 806-3351

Texas Austin KRD Media Group www.krdmediagroup.com (512) 565-9423Dallas InMotion Imagery www.inmotionimagery.com (214) 748-2225Fort Worth Texas World Television www.twtv.net (817) 572-4600Humble Digital Network Associates www.digitalnetworkassociates.com (281) 738-2329Richmond Paul Flanagan Productions (281) 633-0913San Antonio Five Point Six Studios www.FivePointSix.com (210) 558-6777

Utah Salt Lake City E-Z Moving www.ezmovingslc.com (801) 347-7786Washington RMS Services www.rmsservices-pro.com (435) 215-4814

Virginia Alexandria Spotkick Productions www.SpotKickProductions.com (703) 717-1086McLean Accent Media www.accentmediainc.com (703) 356-9427

Washington Seattle LDM Worldwide Productions www.ldmworldwide.com (206) 463-1902Seattle Production Services NW www.psninc.com (206) 542-1154

Washington, DC I.A.T.S.E. Local 22 www.iatselocal22.com (202) 269-0212

Maslow Media Group www.maslowmedia.com (202) 965-1100Vidrios Imaging & Sound (301) 233-6594

Wisconsin Madison Grassland Media www.grasslandmedia.com (608) 238-7575Wausau Golden Icon www.goldenicon.com (715) 849-4266



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Crew Services*—Alphabetical Listing

2 Girls Catering & Craft Services Gladstone Oregon www.twogirlscatering.com (503) 318-17195 Star Services Seymour Tennessee www.fivestarportables.com (865) 806-3351A Core Group Cannestro Palm Beach Florida (561) 644-8566Accent Media McLean Virginia www.accentmediainc.com (703) 356-9427Affect Films Bradenton Florida www.filmvideo.com (818) 253-1247Alacer Video Production Services Silver Spring Maryland www.alacervideo.com (301) 754-0093Alaska Locations Anchorage Alaska www.filmalaskalocations.com (907) 783-2143Asia Broadcast Potomac Maryland www.absatellite.net/services/index.html (301) 605-7629Atlantic Television New York New York www.atlantictv.com (212) 625-9327Aurora Coast Productions New York New York www.AuroraCoast.com (212) 375-0700Available Light / JT Services Oceanside California www.JTServices.com (800) 439-1605Avenger Productions Las Vegas Nevada www.avengerproductions.com (702) 655-3339Axis Video Gloucester City New Jersey (856) 379-0873Bear Crew Margate Florida (954) 509-0738BlueRock Productions Baltimore Maryland www.bluerockproductions.com (410) 358-7000Brooks Vision Entertainment Las Vegas Nevada www.brooksvision.com (866) 286-4122Burke Brothers Productions Phoenix Arizona www.burkebrothersproductions.com (602) 321-0398California Cart Builder Lake Elsinore California www.californiacartbuilder.com (866) 347-1010Camera Corps, The Huntington Beach California www.cameracorps.com (714) 846-2461Camera Crew Miami Fort Lauderdale Florida www.cameracrewmiami.com (800) 800-1361Cameras International Tampa Florida www.camerasinternational.com (813) 831-1553Carafelli Productions Las Vegas Nevada www.carafelliproductions.com (702) 525-1129Carr-Hughes Productions - Adirondack Saratoga Springs New York www.carr-hughes.com (518) 584-0202

Cast & Crew Entertainment Services Burbank California www.castandcrew.com (818) 848-6022

Central Booking Service Canton Massachusetts www.centralbookingservice.com (781) 364-1880Chris Wade Media Nampa Idaho www.chriswademedia.com (208) 850-0400Christie Every Productions San Francisco California www.everyproductions.com (415) 902-0309Clarion Production Services Grayslake Illinois (847) 543-1188Computer Tradeshow Rentals Alhambra California (386) 481-8783Cortron Media Pittsburgh Pennsylvania www.cortronmedia.com (412) 302-4072Creative Presentations Fairfax California www.cpresents.com (415) 785-3897Crew Atlanta / The Big House Motion Picture Company Atlanta Georgia www.crewatlanta.net (888) 887-6884

Crew Boston Video Production Services Concord Massachusetts www.crewboston.com (978) 369-8944

Crew Call Orlando Florida www.crewcallinc.com (407) 363-9055Crew Connection Evergreen Colorado www.crewconnection.com (800) 352-7397Crew West / Satellink Communication Service Lakeland Florida www.satellinkwest.com (863) 698-4313

Crew West Inc Phoenix Arizona www.crewwestinc.com (888) 444-2739Crews Control Fulton Maryland www.CrewsControl.com (800) 545-2739Crewsouth Birmingham Alabama www.crewsouth.com (866) 816-2739CrewStore Clifton Heights Pennsylvania www.thecrewstore.com (484) 688-0142Crystal Pyramid Inc. dba Crystal Pyramid Productions San Diego California www.crystalpyramid.com (619) 644-3000

DailyHires.com New York New York www.dailyhires.com (888) 696-1800Digital Network Associates Humble Texas www.digitalnetworkassociates.com (281) 738-2329DPT Productions Oklahoma City Oklahoma www.dptproductions.com (405) 848-5952Duckworks Louisville Kentucky www.morganatkinson.com (502) 637-7840E-Z Moving Salt Lake City Utah www.ezmovingslc.com (801) 347-7786East-West Productions Mesa Arizona www.eastwestproductions.com (480) 491-8312Efroymson Services Indianapolis Indiana (317) 253-7832Encompass Digital Media Atlanta Georgia www.encompass-m.com (800) 243-1995Entertainment Services Rome New York www.entertainmentservices.us (315) 335-4645Epicenter Films Los Angeles California (213) 534-3100

Company name City State WebSite phone



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Crew Services*— E-N

Event Engineering Chicago Illinois www.eventengineering.com (773) 645-2000Film Friends New York New York www.film-friends.com (212) 620-0084Film Gear Rentals Little Rock Arkansas www.filmgearrentals.com (501) 920-3392Film in Colorado Denver Colorado www.filmincolorado.com (303) 946-1199Film Ready Face Nashville Tennessee www.filmreadyface.com (727) 214-8624Filmwerk Media New York New York www.filmwerk.tv (212) 645-6668Five Point Six Studios San Antonio Texas www.FivePointSix.com (210) 558-6777Florida Film & Video St. Petersburg Florida www.flhd.tv (727) 369-0732Golden Icon Wausau Wisconsin www.goldenicon.com (715) 849-4266Golden Lamb Productions Nassau New York www.glpvideoproduction.com (518) 766-4358Got Films Las Vegas Nevada www.gotfilms.com (702) 838-9143Grassland Media Madison Wisconsin www.grasslandmedia.com (608) 238-7575Green Line Group Newton Massachusetts www.glgtv.com (617) 663-5240H & H Care Pittsburgh Pennsylvania (412) 760-5881HAIR BY SAPPHIRE Los Angeles California www.HairbySapphire.com (310) 963-2067High-End Labor Pool Phoenix Arizona www.highendlaborpool.com (602) 225-2454Hired Gun Video New York New York www.HiredGunVideo.com (518) 755-6313I.A.T.S.E. Local 22 Washington, DC www.iatselocal22.com (202) 269-0212ICA Creative Crews Fairfield Connecticut (800) 835-9292Industry 415 Creative Production Agency San Francisco California www.industry415.com (415) 954-0988

InMotion Imagery Dallas Texas www.inmotionimagery.com (214) 748-2225iO Productions Cincinnati Ohio www.ioproductions.net (513) 561-1459Jammin Design Productions Kings Park New York www.jammindesignproductions.com (631) 292-9632JCS Broadcast Video Productions Las Vegas Nevada www.jcsvideo.com (800) 791-8671Jeff London Productions Lake Havasu City Arizona www.guardianpictures.com (928) 566-1366Jeff Nene Production & Design Springfield Missouri (417) 860-2196Junction Entertainment Madison Tennessee www.junctionentertainment.com (615) 915-1559KRD Media Group Austin Texas www.krdmediagroup.com (512) 565-9423Kwokman Productions Irvine California www.kwokmanproductions.com (949) 679-2089LADIEKADIVA.com Cary North Carolina www.ladiekadiva.com (919) 272-7555LDM Worldwide Productions Seattle Washington www.ldmworldwide.com (206) 463-1902Leftfield Pictures, featuring Leftfield Rentals and Crews New York New York www.leftfieldpictures.com (212) 564-2607

Lewis Communications Kailua Hawaii www.lewiscommunications.tv (808) 946-8100Lighting & Production Equipment Atlanta Georgia www.lpe.com (800) 275-3721Live Out Loud Productions Warren Michigan www.liveoutloudproductions.com (248) 238-8804Local Motion Pompano Beach Florida www.localmotionlabor.com (954) 786-8904Location Carolina Mount Pleasant South Carolina www.locationcarolina.com (843) 224-0691LV Productions HD Las Vegas Nevada www.LVproductionsHD.com (310) 593-1921Maslow Media Group Washington, DC www.maslowmedia.com (202) 965-1100Max Curious Productions New York New York www.maxcurious.com (212) 706-8200Media Central North Potomac Maryland www.mediacentral.net (301) 217-0049Metro Studios Hiawatha Iowa www.metro-studios.com (319) 363-2002Metro Teleproductions Silver Spring Maryland www.mtitv.com (301) 608-9077Mezzanine Clawson Michigan (248) 709-6560Midwest Video Troy Michigan (248) 583-3630Mobile Video Productions New York New York www.mobilevideoproductions.net (212) 924-9616Moving Picture Crew New York New York www.movingpicturecrew.com (800) 800-1361NABET - CWA Local 53 Burbank California www.nabet53.org (818) 846-0490NBTV Studios New York New York www.NBTVstudios.com (212) 500-2087Neon Flair Miami Florida www.neonflair.com (305) 467-6556No Jip Lighting Phoenix Arizona (602) 684-0580NOA Production Kailua Hawaii www.NOAPro.com (808) 366-1515Nola Medic New Orleans Louisiana (504) 715-6003Northeastern Broadcast Services Catskill New York www.nebroadcast.com (518) 634-2511




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Crew Services* — N-WCompany name City State WebSite phoneNY Crew Power Production Services Howard Beach New York (718) 843-3038

Oklahoma Film Commission Tulsa Oklahoma www.oklahomaproductionguide.comPaul Flanagan Productions Richmond Texas (281) 633-0913Phase 3 Media Atlanta Georgia www.phase3media.com (866) 454-8127Photo Styling Workshops San Diego California www.theinvisiblestylist.com (619) 295-1456Pixel 1080 Orlando Florida www.pixel1080.com (813) 777-0720Premiere Production Services Henderson Nevada www.premierepro.com (702) 248-2580Production Central Group Las Vegas Nevada (702) 395-7216Production Management Specialist Matthews North Carolina www.arenaspecialistslive.com (704) 708-6773Production Reference Services Los Angeles California www.prodrefservice.com (310) 275-8002Production Services Oklahoma City Oklahoma www.ProductionServicesLLC.com (405) 568-2079Production Services NW Seattle Washington www.psninc.com (206) 542-1154Production Support Services Ankeny Iowa www.productionsupport.com (515) 965-3761Proshow Systems Bartlett Tennessee www.proshowsystems.com (901) 372-0550Quick-It Courier Nashville Tennessee www.quick-itcourier.com (615) 595-6844Ren Scott Creative Marketing Tampa Florida www.renscottcreativemarketing.com (813) 872-8350Renee Garcia Casting/RG Casting West Hollywood California www.reneegarciacasting.com (323) 532-7264RJ Cleaning Service Gardner Massachusetts www.rjcleaning.com (978) 340-0930RMS Services Washington Utah www.rmsservices-pro.com (435) 215-4814ROSTER Portland Oregon www.rosterreps.com (503) 381-2067Run & Gun Production Services Los Angeles California www.rgps.tv (310) 463-4394San Diego Production Centre San Diego California www.sdpcentre.com (858) 573-9313Sand Dollar Productions Baltimore Maryland www.sanddollarproductions.com (336) 529-3964Satellite Digital Teleproductions (S.D.T.V.) San Diego California www.sdtv.com (619) 293-7777

Spiral Crews Hollywood FloridaSportstaff Kansas City Missouri www.sportstaffcrews.com (816) 505-5533Spotkick Productions Alexandria Virginia www.SpotKickProductions.com (703) 717-1086STAR Tutoring Service Minneapolis Minnesota www.startutoring.com (612) 866-0566Stew Casting Albuquerque New Mexico (505) 489-2257Studio Center, The Sacramento California www.thestudiocenter.com (916) 564-9333Stylesession Firm Atlanta Georgia www.stylesessionfirm.com (404) 692-1706Surreel Hollywood California www.surreel.com (323) 464-3975Swirl Films/Rentals Wilmington North Carolina www.swirlfilms.com (910) 798-2934TCB Event Medical Services Apple Valley California www.tcbeventmed.com (877) 526-7306Technical Operations New York New York www.tech-ops.com (212) 465-1318Texas World Television Fort Worth Texas www.twtv.net (817) 572-4600Thaler Films Hauppauge New York www.thalerfilms.com (631) 851-2000The New England Institute of Art Brookline Massachusetts www.artinstitutes.edu/boston (617) 739-1700The People’s DP Manhattan New York www.thepeoplesdp.com (646) 415-7782Tom Piozet - Home Planet Productions/Home Planet Post Santa Barbara California www.homeplanetproductions.com (805) 965-9848

Total Production Services Philadelphia Pennsylvania www.tpsweb.com (888) 877-1178Towerstream Middletown Rhode Island www.towerstream.com (866) 848-5848Turners Movie Medics Summerville South Carolina (843) 367-8117Video Concepts Topeka Kansas (785) 273-9003Video Dimensions New York New York www.videodimensions.net (212) 262-5453Vidrios Imaging & Sound Washington, DC (301) 233-6594Visual Tellers Atlanta Georgia www.visualtellers.com (323) 999-1057Weiler Production Services Highlands Ranch Colorado www.weilerproductions.com (303) 470-5696Wintech Video Sherman Oaks California www.wintechvideo.com (818) 501-6565Wire Wizards San Diego California www.WireWizards.TV (619) 992-0549Wonderful Machine Conshohocken Pennsylvania www.wonderfulmachine.com (610) 260-0200World Class Video Annapolis Maryland www.netvibes.com/worldclassvideo (410) 224-0204



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Generators* — Regional ListingState City Company name WebSite phoneAlaska Anchorage Northern Lights Marine

Generatorswww.northern-lights.com (907) 562-2222

Fairbanks SolarAlaska www.solaralaska.com (907) 235-6842Arizona Mesa Sound Lighting F/X www.soundlightingfx.com (602) 722-0783

Phoenix Reel - Men www.reelmeninc.com (602) 286-6800Phoenix United Rentals - Phoenix www.ur.com (602) 273-7401Scottsdale RSC Rental Service www.rscrental.com (480) 905-3300Tucson H & E Equipment Services www.he-equipment.com (520) 770-1120

Arkansas Mena Laark Honeywagons www.laarkhoneywagons.com (818) 516-6474North Little Rock Event Power www.eventpowerpro.com (501) 351-5837

California Alameda Mike Van Dine Power & Light www.powerlight.net (510) 749-9475Burbank AC Power Distribution www.acpowerdistribution.com (818) 848-4004Burbank United Rentals - Burbank www.ur.com (818) 842-5288Calabasas Studio Air Conditioning

Rentalswww.studioairconditioning.com (818) 222-4143

Carson Multiquip www.multiquip.com (800) 421-1244Cerritos Location Air www.locationair.tv (855) 444-4757Chatsworth Cinerep International www.cinerepamps.com (818) 882-2677Chatsworth SMS Generators www.smsgenerators.com (818) 361-2151Compton CAT Entertainment Services www.es-cat.com (310) 631-7700Culver City Century Studio www.centurystudio.com (310) 287-3600Culver City La Brea Air www.labrearentals.com (800) 452-2732Los Angeles W.A. Benjamin Electric www.benjaminelectric.com (213) 749-7731Marina del Rey Westside Production Services (310) 244-2700Newark Atlas Sales & Rentals www.atlassales.com (800) 972-6600Norco Norco Equipment Rentals www.norcoequipmentrentals.com (951) 371-1231North Hollywood Hollywood Honeywagon &

Production Vehicleswww.hollywoodhoneywagon.com (818) 763-1966

North Hollywood Star Power Generators www.starpowergenerators.com (818) 982-2200Placentia Temp Power Systems www.temppower.com (714) 223-5600San Diego Andrus Lighting and Grip www.andruslighting.com (619) 521-0585San Fernando Illumination Dynamics www.illuminationdynamics.com (818) 686-6400San Francisco Cresco Production Express www.crescorent.com (415) 920-2801Santa Clarita Santa Clarita Movie Ranch www.santaclaritamovieranch.com (661) 268-1891Sausalito Top Productions www.top-productions.com (415) 332-3005Simi Valley Cinema Air www.cinemaair.com (805) 732-6517Sun Valley Dadco www.dadcopowerandlights.com (818) 768-8886

Connecticut Stamford Lex Products www.lexproducts.com (818) 768-4474Florida Clearwater Command www.cmnd.com (727) 724-1220

Dania EmPower www.empowergenerators.com (866) 751-9644Deerfield Beach IIS Group Optimum Power &

Environmentwww.optimumpower.com (954) 421-2828

Fort Lauderdale Garrett Sound & Lighting www.garrettsound.com (954) 777-3277Fort Lauderdale Production Power & Air www.productionpowerandair.com (954) 739-2468Fort Lauderdale Production Toolbox Services www.productiontoolbox.com (954) 463-4820Hollywood Sidram Power www.sidrampower.com (954) 989-8898Miami Americas Generators www.gopower.com (305) 592-6800Miami MAGIC II Lighting and Grip www.magic2lighting.com (305) 685-1811Miami Megawattage www.megawattage.com (954) 302-3565Miami Mobile Power & Air www.aparty4less.com (305) 235-9188Miami Unique Producers Service www.uniqueproducers.com (305) 681-7627Orlando CAT Entertainment Services www.es-cat.com (407) 855-6195Orlando DataPro Systems www.dataprosystems.com (407) 292-4282Orlando Hollywood Rentals Production

Services - Orlandowww.hollywoodrentals.com (407) 354-2555

Orlando Walker Miller Equipment www.walkermiller.com (407) 299-2620St. Augustine CAT Entertainment Services www.es-cat.com (904) 737-7730



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Generators* — Regional Listing

Tampa Production Services & Systems www.psstampa.com (813) 354-1913Georgia Atlanta Hertz Energy Services www.hertzequip.com (678) 848-5996

Atlanta PC&E (Production Consultants & Equipment)

www.pce-atlanta.com (404) 609-9001

Atlanta Wavelength Generators www.wavelengthgenerators.com (404) 687-9511Savannah Ross SysCon www.rosssyscon.com (912) 238-5800

Hawaii Lihue Toolmaster Hawaii www.toolmasterhawaii.com (808) 246-1000Illinois Schiller Park Northern Lighting & Power www.northernlightingandpower.com (847) 671-9695Indiana Carmel Koch Creative Enterprises (317) 846-3443Iowa Alta Gull Wing Industries www.gull-wing.com (800) 838-1482

Des Moines Pratt Audio - Visual & Video www.prattav.com (515) 280-9800Oskaloosa Musco Lighting www.musco.com (800) 825-6030

Kansas Kansas City Lights On Kansas City www.lightson.com (913) 362-6940Overland Park Prime Light www.paddock.com/primelight (913) 226-0849

Louisiana Baton Rouge Digital FX www.digitalfx.tv (888) 898-6010Hammond Event Rental www.neworleansevent.com (504) 362-8368Harvey Center Staging www.centerstaging.net (504) 247-0020Kenner Aggreko www.aggreko.com (504) 461-0556New Orleans Available Lighting www.availablelighting.com (504) 831-5214New Orleans Nola Film Logistics www.nolafl.com (504) 309-6612New Orleans Silver Screen Supply www.silverscreensupplies.com (504) 737-0555

Maryland Beltsville TOPP Portable Air www.spotcool.com (800) 892-8677Centreville Annapolis Mobile Power

Serviceswww.annapolismobilepower.com (410) 758-0450

Hyattsville Washington Source for Lighting

www.thewashingtonsource.com (301) 779-8185

Severn Kohler Event Services www.kohlereventservices.com (866) 732-8734Massachusetts Amesbury Munters Corporation - MCS

Headquarterswww.munters.com (800) 686-8377

Canton High Output - Boston www.highoutput.com (781) 364-1800Dedham ScreenLight & Grip www.screenlightandgrip.com (781) 326-5088Hamilton CMT www.habitatmonitor.com (978) 768-2555Hudson Thermalogic www.thermalogic.com (800) 343-4492West Bridgewater Equipment 4 Rent www.equipment4rent.net (508) 583-5500Worcester Immedia www.immedia1.com (508) 791-3366

Michigan Rochester Essential Sound Products www.essentialsound.com (248) 375-2655Minnesota Brooklyn Park Broadway Rental Equipment www.broadwayrental.com (763) 533-1680

Shakopee Ziegler Power Systems www.zieglerinc.com (612) 445-4292Missouri Kansas City Dean Machinery www.deancat.com (816) 200-5470

St. Louis CK Power Products www.ckpower.com (314) 868-8620St. Louis Current Events www.watts-on-wheels.com (314) 204-5119

Montana Bozeman Filmlites www.filmlitesmt.com (406) 587-0226Nevada Las Vegas Fourth Phase www.prg.com (702) 942-4572

Reno United Rentals - Reno www.ur.com (775) 789-6000New Jersey Atlantic Highlands Risco www.riscorv.com (732) 872-7722

Kenilworth CAT Entertainment Services www.es-cat.com (908) 272-8400Maple Shade Sunbelt Rentals www.sunbeltrentals.com (856) 779-2772South Plainfield SBP Industries www.sbp4juice.com (908) 412-8630

New Mexico Santa Fe Serious Grippage & Light www.seriousgrippage.com (505) 473-1566New York Bayside Abbey Rent-All www.abbeyrent.com (718) 428-0400

Brooklyn Pro AV Source www.proavrentals.net (800) 884-0653Brooklyn United Rentals - Brooklyn www.ur.com (718) 456-8546Hicksville On Site Energy www.onsite-energy.com (800) RENTAL1Holtsville H.O. Penn Machinery www.hopenn.com (631) 654-4400Long Island City Ace Rentals and Staging www.acerentals.com (718) 943-0840Long Island City Available Light www.alny.net (718) 707-9670Long Island City Silvertrucks Lighting www.silvercupstudios.com (718) 906-2000




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Generators* — Regional Listing

New York Mineola Thomas Cestare www.thomascestareinc.com (516) 742-5550Nanuet Dynamic Productions www.dynamic-prod.com (845) 624-5101New Paltz Stark Lighting & Generator www.starklighting.com (347) 538-6501New Rochelle Tri-state Electric www.tri-state-electric.com (866) 947-3252New York CSI Rentals www.csirentals.com (212) 243-7368New York RGH Productions www.rghlighting.com (212) 947-4749Pine Bush Pine Bush Equipment www.pbeinc.com (845) 744-2006Staten Island Goblin Lighting Services www.goblininc.com (718) 447-7157

North Carolina

Denver Cooke Rentals www.cookerentals.com (704) 483-2722

Wilmington Gregory Poole Equipment www.gregorypoole.com (888) 646-7368North Dakota

Ray NOV Portable Power www.Nov.com/portablepower (701) 339-8870

Ohio Massillon HydroThrift www.hydrothrift.com (330) 837-5141Oklahoma Oklahoma City Toucan Productions www.toucanlighting.com (405) 943-9036Oregon Portland Peterson Caterpillar www.petersoncat.com (503) 288-6411Pennsylvania Havertown Gaffer Baron www.gafferbaron.com (610) 449-6550

Pittsburgh Air Conditioner Rental And Leasing

www.acrental.com (800) 581-4844

Rhode Island North Kingstown CAT Entertainment Services www.es-cat.com (888) 296-4492Providence High Output - Providence www.highoutputrhodeisland.com (401) 521-0676

South Carolina

Charleston All Occasions Party www.alloccasionsparty.com (843) 554-6334

Charleston High Output - Charleston www.highoutputcharleston.com (843) 722-3600Charleston Neff Rental www.neffrental.com (843) 760-6333Charleston Paladin Equipment Rentals (843) 819-6401

Tennessee Dandridge Rathbone Energy www.rathboneenergy.com (800) 223-1775Franklin Cine Power Systems www.cinepowersystems.com (615) 521-6857Knoxville Smoky Mountain Grip &

Lightingwww.smokymtngrip.com (865) 947-5483

Nashville Citation Film & Tape Support www.citationsupport.com (615) 298-5252Texas Dallas CAT Entertainment Services www.es-cat.com (214) 638-1400

Dallas R & R Lighting www.texasgenerators.com (214) 341-3222Forney Regenerators Manufacturing www.regenerators.com (972) 552-3944Houston Juice Goose/Whitenton

Industrieswww.juicegoose.com (713) 772-1404

Houston MC Lighting & Production Services

www.mclighting.com (713) 723-1393

Houston Whitenton Industries www.juicegoose.com (713) 772-1404Irving Panavision - Dallas www.panavision.com (972) 929-8585Rowlett Burrell Enterprises www.litepower.com (972) 475-8111Rowlett LitePOWER www.litepower.com (972) 475-8111Spring Aggreko www.aggreko.com (281) 298-9151

Vermont Hinesburg NRG Systems www.nrgsystems.com (802) 482-2255Washington Seattle Pacific Grip & Lighting -

Seattlewww.pacific-grip.com (206) 622-8540

Wisconsin Sheboygan Kohler Event Services www.kohlereventservices.com (888) 769-3794




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Generators* — Alphabetical ListingCompany name City State WebSite phoneAbbey Rent-All Bayside New York www.abbeyrent.com (718) 428-0400AC Power Distribution Burbank California www.acpowerdistribution.com (818) 848-4004Ace Rentals and Staging Long Island City New York www.acerentals.com (718) 943-0840Aggreko – Texas Spring Texas www.aggreko.com (281) 298-9151Aggreko, Inc. – Louisiana Kenner Louisiana www.aggreko.com (504) 461-0556Air Conditioner Rental and Leasing Pittsburgh Pennsylvania www.acrental.com (800) 581-4844All Occasions Party Charleston South Carolina www.alloccasionsparty.com (843) 554-6334Americas Generators Miami Florida www.gopower.com (305) 592-6800Andrus Lighting and Grip San Diego California www.andruslighting.com (619) 521-0585Annapolis Mobile Power Services Centreville Maryland www.annapolismobilepower.com (410) 758-0450Atlas Sales & Rentals Newark California www.atlassales.com (800) 972-6600Available Light Long Island City New York www.alny.net (718) 707-9670Available Lighting New Orleans Louisiana www.availablelighting.com (504) 831-5214Broadway Rental Equipment Brooklyn Park Minnesota www.broadwayrental.com (763) 533-1680Burrell Enterprises Rowlett Texas www.litepower.com (972) 475-8111CAT Entertainment Services Compton California www.es-cat.com (310) 631-7700CAT Entertainment Services Orlando Florida www.es-cat.com (407) 855-6195CAT Entertainment Services St. Augustine Florida www.es-cat.com (904) 737-7730CAT Entertainment Services Kenilworth New Jersey www.es-cat.com (908) 272-8400CAT Entertainment Services North Kingstown Rhode Island www.es-cat.com (888) 296-4492CAT Entertainment Services Dallas Texas www.es-cat.com (214) 638-1400Center Staging Harvey Louisiana www.centerstaging.net (504) 247-0020Century Studio Culver City California www.centurystudio.com (310) 287-3600Cine Power Systems Franklin Tennessee www.cinepowersystems.com (615) 521-6857Cinema Air Simi Valley California www.cinemaair.com (805) 732-6517Cinerep International Chatsworth California www.cinerepamps.com (818) 882-2677Citation Film & Tape Support Nashville Tennessee www.citationsupport.com (615) 298-5252CK Power Products St. Louis Missouri www.ckpower.com (314) 868-8620CMT Hamilton Massachusetts www.habitatmonitor.com (978) 768-2555Command Clearwater Florida www.cmnd.com (727) 724-1220Cooke Rentals Denver North Carolina www.cookerentals.com (704) 483-2722Cresco Production Express San Francisco California www.crescorent.com (415) 920-2801CSI Rentals New York New York www.csirentals.com (212) 243-7368Current Events St. Louis Missouri www.watts-on-wheels.com (314) 204-5119Dadco Sun Valley California www.dadcopowerandlights.com (818) 768-8886DataPro Systems Orlando Florida www.dataprosystems.com (407) 292-4282Dean Machinery Kansas City Missouri www.deancat.com (816) 200-5470Digital FX Baton Rouge Louisiana www.digitalfx.tv (888) 898-6010Dynamic Productions Nanuet New York www.dynamic-prod.com (845) 624-5101EmPower Dania Florida www.empowergenerators.com (866) 751-9644Equipment 4 Rent West Bridgewater Massachusetts www.equipment4rent.net (508) 583-5500Essential Sound Products Rochester Michigan www.essentialsound.com (248) 375-2655Event Power North Little Rock Arkansas www.eventpowerpro.com (501) 351-5837Event Rental Hammond Louisiana www.neworleansevent.com (504) 362-8368Filmlites Bozeman Montana www.filmlitesmt.com (406) 587-0226Fourth Phase Las Vegas Nevada www.prg.com (702) 942-4572Gaffer Baron Havertown Pennsylvania www.gafferbaron.com (610) 449-6550Garrett Sound & Lighting Fort Lauderdale Florida www.garrettsound.com (954) 777-3277Goblin Lighting Services Staten Island New York www.goblininc.com (718) 447-7157Gregory Poole Equipment Wilmington North Carolina www.gregorypoole.com (888) 646-7368Gull Wing Industries Alta Iowa www.gull-wing.com (800) 838-1482H & E Equipment Services Tucson Arizona www.he-equipment.com (520) 770-1120H.O. Penn Machinery Holtsville New York www.hopenn.com (631) 654-4400Hertz Energy Services Atlanta Georgia www.hertzequip.com (678) 848-5996High Output - Boston Canton Massachusetts www.highoutput.com (781) 364-1800



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Generators* — H-R

High Output - Providence Providence Rhode Island www.highoutputrhodeisland.com (401) 521-0676High Output - Charleston Charleston South Carolina www.highoutputcharleston.com (843) 722-3600Hollywood Honeywagon & Production Vehicles

North Hollywood California www.hollywoodhoneywagon.com (818) 763-1966

Hollywood Rentals Production Services - Orlando

Orlando Florida www.hollywoodrentals.com (407) 354-2555

HydroThrift Massillon Ohio www.hydrothrift.com (330) 837-5141IIS Group Optimum Power & Environment

Deerfield Beach Florida www.optimumpower.com (954) 421-2828

Illumination Dynamics San Fernando California www.illuminationdynamics.com (818) 686-6400Immedia Worcester Massachusetts www.immedia1.com (508) 791-3366Juice Goose/Whitenton Industries Houston Texas www.juicegoose.com (713) 772-1404Koch Creative Enterprises Carmel Indiana (317) 846-3443Kohler Event Services - Maryland Severn Maryland www.kohlereventservices.com (866) 732-8734Kohler Event Services - Wisconsin Sheboygan Wisconsin www.kohlereventservices.com (888) 769-3794La Brea Air Culver City California www.labrearentals.com (800) 452-2732Laark Honeywagons Mena Arkansas www.laarkhoneywagons.com (818) 516-6474Lex Products Stamford Connecticut www.lexproducts.com (818) 768-4474Lights On Kansas City Kansas City Kansas www.lightson.com (913) 362-6940LitePOWER Rowlett Texas www.litepower.com (972) 475-8111Location Air Cerritos California www.locationair.tv (855) 444-4757MAGIC II Lighting and Grip Miami Florida www.magic2lighting.com (305) 685-1811MC Lighting & Production Services Houston Texas www.mclighting.com (713) 723-1393Megawattage Miami Florida www.megawattage.com (954) 302-3565Mike Van Dine Power & Light Alameda California www.powerlight.net (510) 749-9475Mobile Power & Air Miami Florida www.aparty4less.com (305) 235-9188Multiquip Carson California www.multiquip.com (800) 421-1244Munters - MCS Headquarters Amesbury Massachusetts www.munters.com (800) 686-8377Musco Lighting Oskaloosa Iowa www.musco.com (800) 825-6030Neff Rental Charleston South Carolina www.neffrental.com (843) 760-6333Nola Film Logistics New Orleans Louisiana www.nolafl.com (504) 309-6612Norco Equipment Rentals Norco California www.norcoequipmentrentals.com (951) 371-1231Northern Lighting & Power Schiller Park Illinois www.northernlightingandpower.com (847) 671-9695Northern Lights Marine Generators Anchorage Alaska www.northern-lights.com (907) 562-2222NOV Portable Power Ray North Dakota www.Nov.com/portablepower (701) 339-8870NRG Systems Hinesburg Vermont www.nrgsystems.com (802) 482-2255On Site Energy Hicksville New York www.onsite-energy.com (800) RENTAL1Pacific Grip & Lighting - Seattle Seattle Washington www.pacific-grip.com (206) 622-8540Paladin Equipment Rentals Charleston South Carolina (843) 819-6401Panavision - Dallas Irving Texas www.panavision.com (972) 929-8585PC&E (Production Consultants & Equipment)

Atlanta Georgia www.pce-atlanta.com (404) 609-9001

Peterson Caterpillar Portland Oregon www.petersoncat.com (503) 288-6411Pine Bush Equipment Pine Bush New York www.pbeinc.com (845) 744-2006Pratt Audio - Visual & Video Des Moines Iowa www.prattav.com (515) 280-9800Prime Light Overland Park Kansas www.paddock.com/primelight (913) 226-0849Pro AV Source Brooklyn New York www.proavrentals.net (800) 884-0653Production Power & Air Fort Lauderdale Florida www.productionpowerandair.com (954) 739-2468Production Services & Systems Tampa Florida www.psstampa.com (813) 354-1913Production Toolbox Services Fort Lauderdale Florida www.productiontoolbox.com (954) 463-4820R & R Lighting Dallas Texas www.texasgenerators.com (214) 341-3222Rathbone Energy Dandridge Tennessee www.rathboneenergy.com (800) 223-1775Reel - Men Phoenix Arizona www.reelmeninc.com (602) 286-6800Regenerators Manufacturing Forney Texas www.regenerators.com (972) 552-3944RGH Productions New York New York www.rghlighting.com (212) 947-4749Risco Atlantic Highlands New Jersey www.riscorv.com (732) 872-7722Ross SysCon Savannah Georgia www.rosssyscon.com (912) 238-5800




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Generators* — R-Z

RSC Rental Service Scottsdale Arizona www.rscrental.com (480) 905-3300Santa Clarita Movie Ranch Santa Clarita California www.santaclaritamovieranch.com (661) 268-1891SBP Industries South Plainfield New Jersey www.sbp4juice.com (908) 412-8630ScreenLight & Grip Dedham Massachusetts www.screenlightandgrip.com (781) 326-5088Serious Grippage & Light Santa Fe New Mexico www.seriousgrippage.com (505) 473-1566Sidram Power Hollywood Florida www.sidrampower.com (954) 989-8898Silver Screen Supply New Orleans Louisiana www.silverscreensupplies.com (504) 737-0555Silvertrucks Lighting Long Island City New York www.silvercupstudios.com (718) 906-2000Smoky Mountain Grip & Lighting Knoxville Tennessee www.smokymtngrip.com (865) 947-5483SMS Generators Chatsworth California www.smsgenerators.com (818) 361-2151SolarAlaska Fairbanks Alaska www.solaralaska.com (907) 235-6842Sound Lighting F/X Mesa Arizona www.soundlightingfx.com (602) 722-0783Star Power Generators North Hollywood California www.starpowergenerators.com (818) 982-2200Stark Lighting & Generator New Paltz New York www.starklighting.com (347) 538-6501Studio Air Conditioning Rentals Calabasas California www.studioairconditioning.com (818) 222-4143Sunbelt Rentals Maple Shade New Jersey www.sunbeltrentals.com (856) 779-2772Temp Power Systems Placentia California www.temppower.com (714) 223-5600Thermalogic Hudson Massachusetts www.thermalogic.com (800) 343-4492Thomas Cestare Mineola New York www.thomascestareinc.com (516) 742-5550Toolmaster Hawaii Lihue Hawaii www.toolmasterhawaii.com (808) 246-1000Top Productions Sausalito California www.top-productions.com (415) 332-3005TOPP Portable Air Beltsville Maryland www.spotcool.com (800) 892-8677Toucan Productions Oklahoma City Oklahoma www.toucanlighting.com (405) 943-9036Tri-state Electric New Rochelle New York www.tri-state-electric.com (866) 947-3252Unique Producers Service Miami Florida www.uniqueproducers.com (305) 681-7627United Rentals - Brooklyn Brooklyn New York www.ur.com (718) 456-8546United Rentals - Burbank Burbank California www.ur.com (818) 842-5288United Rentals - Phoenix Phoenix Arizona www.ur.com (602) 273-7401United Rentals - Reno Reno Nevada www.ur.com (775) 789-6000W.A. Benjamin Electric Los Angeles California www.benjaminelectric.com (213) 749-7731Walker Miller Equipment Orlando Florida www.walkermiller.com (407) 299-2620Washington Source for Lighting Hyattsville Maryland www.thewashingtonsource.com (301) 779-8185Wavelength Generators Atlanta Georgia www.wavelengthgenerators.com (404) 687-9511Westside Production Services Marina del Rey California (310) 244-2700Whitenton Industries Houston Texas www.juicegoose.com (713) 772-1404Ziegler Power Systems Shakopee Minnesota www.zieglerinc.com (612) 445-4292




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Remote Production Units* — RegionalState City Company name WebSite phone

Alabama Alabaster Crosscreek Television Productions www.crosscreektv.com (205) 663-4411

Jemison Control 1 Communications www.control1comm.com (205) 706-9524Mobile Corredo Media Solutions (251) 533-5433Montgomery Dan Black Studios www.danblackstudios.com (334) 279-6036Spanish Fort AVS Media Group www.avsmediagroup.com (251) 621-1200

Alaska Anchorage Alaska Mobile Productions (907) 762-9268Arizona Phoenix Cox Creative Studios www.coxcreativestudios.com (623) 328-4778

Phoenix Skyline Productions www.skylinevideo.com (480) 345-8009Arkansas Little Rock Alliance Productions www.allianceproductions.com (501) 219-2653

Little Rock Hailstone Creek Productions www.hailstonecreek.com (501) 371-9515North Little Rock Jones Mobile Television www.jmtv.com (501) 376-1993Rogers Clark’s Video Group www.clarksvideogroup.com (479) 636-7111

California Burbank Apache Rental Group www.apacherentalgroup.com (818) 842-9944

Burbank Pacifico Television Engineer-ing www.pacificobroadcast.com (818) 566-9706

Burbank Touring Video www.touringvideo.com (818) 504-3500Calabasas Coastal Media Group www.coastalmediagroup.com (818) 880-9800Chatsworth Cinerep Amps www.cinerepamps.com (818) 882-2677Concord E-N-G Mobile Systems www.e-n-g.com (800) 662-4522Diamond Bar 21 Lakes Media Group www.21lakes.com (951) 278-4151Joshua Tree Mojave Film Services (760) 799-4414Los Angeles Cinelease www.cinelease.com (818) 841-8282Los Angeles Digital Media Group www.digitalmedia.tv (818) 974-4000Malibu J-Lab Company www.j-lab.com (310) 457-4090

Norwalk UniSat: Universal Satellite Communications www.unisatmobile.com (562) 483-4800

Sacramento PACSAT www.pacsat.com (800) 672-2728

San Diego Satellite Digital Teleproduc-tions (S.D.T.V.) www.sdtv.com (619) 293-7777

San Diego SWATV Entertainment www.swatv.com (619) 746-2390San Francisco Brickley Production Services www.brickley.com (415) 864-6600San Francisco Cresco Production Express www.crescorent.com (415) 920-2801San Jose Global Link Productions www.globalinktv.com (408) 465-2787San Martin South Valley Mobile Television www.southvalleymobiletelevision.com (408) 230-5694Santa Clarita Buboosky www.buboosky.com (661) 510-7650Santa Monica Mobeon www.mobeon.com (888) 789-2463

Sherman Oaks PSSI Global Services - Strategic Television www.pssiglobal.com (310) 575-4400

Stockton Total New Technology www.totalnewtechnology.com (866) 383-6828Sunland Schulman Mobile Video www.schulmanmv.com (323) 785-2528Torrance CENTRO NET Productions www.centronetproductions.com (310) 237-5653Vacaville VTR Specialists www.vtrspecialists.com (707) 453-1343

Van Nuys Sweetwater Digital Produc-tions www.svptv.com (818) 902-9500

West Covina VideoWorks www.videowks.com (626) 338-4820Colorado Denver Mobile TV Group www.mobiletvgroup.com (303) 542-5555

Denver Production Services Interna-tional www.psiiusa.com (303) 757-8400

Englewood Slipstream Media www.ssmediatv.com (303) 353-9425

Englewood Yellow Gal High Definition (YGHD) www.yghdtv.com (720) 255-1640

Connecticut Milford Conover Production Services www.conover.net (203) 877-5427Simsbury Fountainhead Production www.fountainhd.net (860) 658-4838



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Florida Boca Raton Mobile Studios www.mobilestudios.com (877) 777-7147Cape Canaveral Communications Concepts www.cciflorida.com (321) 783-5232Clearwater F & F Productions www.fandfproductions.com (727) 530-5000

Florida Clearwater Frontline Communications www.frontlinecomm.com (727) 573-0400Clearwater Oshkosh Specialty Vehicles www.oshkoshsv.com (727) 573-0400Fort Lauderdale Digital Comm Link www.dclinc.net (877) 532-5438Fort Lauderdale Global Technical Solutions (954) 583-8001Fort Lauderdale Mobile Content Providers www.mcp-media.com (954) 895-8061Fort Lauderdale MSR Mobile Stage Rentals www.mobilestagerentals.com (877) 882-8889Fort Lauderdale Remote Telecast www.remotetelecast.tv (209) 534-9988Jacksonville HMTV www.televisiontrucks.com (904) 223-0742Lake Mary Skystorm Productions www.skystorm.com (407) 328-4747Miami Christian Media Group www.cmgshows.com (786) 286-4942

Miami Fireland Productions & Satel-lite Services www.firelandtv.com (305) 386-6882

Miami News Edits www.newsedits.com (786) 515-9796Miami Tfactor Mobile Television www.tfactor.tv (305) 597-0430Miami Beach Encanta Productions www.encanta.com (305) 673-5958

Miami Beach Mirikesh Production Motor-coach & Trailer www.mirikesh.com (786) 295-3969

Orlando Orbital Communications www.orbitalcom.tv (800) 682-4364

Orlando TMR Television Mobile Resources www.tvmr.com (407) 737-0046

Tampa 10-20 Productions (813) 300-4221West Palm Beach National Teleproductions www.ntpfla.com (561) 689-9271

Georgia Atlanta Encompass Digital Media www.encompass-m.com (800) 243-1995Atlanta KEF Media Associates www.kefmedia.com (404) 605-0009

Atlanta Mobile Stage Network Rentals & Sales www.mobilestagenetwork.com (516) 882-5412

Atlanta Narrow Path Productions www.narrowpath.tv (770) 704-8000Atlanta Turner Studios www.turnerstudios.com (404) 885-4876Jasper Talking Rock Communications www.talkingrockcommunications.com (706) 692-6450Lawrenceville Lightnin’ Production Rentals www.lightnin.net (770) 963-1234Lilburn Gunner Live www.gunnerlive.com (678) 313-6001Marietta AgoraTV www.agoratv.tv (678) 581-3750

Hawaii Hawi Keith Nealy Productions www.keithnealy.com (808) 882-7772Honolulu John Guild Communications www.john-guild.com (808) 596-2211Honolulu Shoot It Live www.shootitlive.tv (808) 371-3023

Kapolei George Cambra Movie Produc-tion Trucks (808) 845-1546

Illinois Chicago Big Shoulders Digital Video Productions www.bigshoulders.com (312) 540-5400

Chicago GigRig Chicago www.gigrigchicago.com (312) 666-9900Chicago Trio Video www.triovideo.com (312) 421-7060Crystal Lake Satellite Technology Systems www.stslivetv.com (800) 838-1472Lake Bluff Corplex Television www.corplex.tv (888) 673-5400

Monee Advanced Mobility Specialty Vehicles www.amstcorp.com (708) 235-2800

Peoria ScheffTech Productions www.schefftech.com (309) 524-5865

St. Charles HD Roadie Mobile Entertain-ment www.hdroadie.com (630) 918-7000

Indiana Hammond Calutech Mobile Solutions www.kytrailer.com (219) 845-1695Indianapolis LeSEA Productions www.whmbtv.com (317) 773-5050Merrillville Lakeshore Productions www.lakeshoreproduction.com (219) 756-5656Mishawaka CVM Productions www.cvmproductions.com (574) 256-0068

Remote Production Units* — Regional ListingState City Company name WebSite phone



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Remote Production Units* — Regional ListingState City Company name WebSite phone

Noblesville LeSEA Productions www.leseaproductions.com (317) 773-5050Kansas Olathe Freebird Communications www.freebirdtv.com (913) 209-2788

Kentucky Lexington Hammond Communications Group www.hammondcg.com (859) 254-1878

Louisiana Baton Rouge LPB HD Production Truck www.lbp.org (225) 767-4220New Orleans Satellite Center www.satctr.com (504) 915-8244

Louisiana New Orleans YES Productions www.yesproductions.org (800) 736-8812Maine Saco CSP Mobile Productions www.cspmobile.com (207) 375-6052

Maryland Phoenix Sheffield Audio Video Productions www.sheffieldav.com (800) 355-6613

Massachusetts Auburn Wolf Coach www.wolfcoach.com (978) 568-5100Avon Technology Management www.tmcrecycles.com (508) 580-6701Marlborough D2 Productions www.d2productions.com (508) 485-0300Springfield VideoPort Communications www.videoportc.com (413) 478-1745

Wakefield Remote Facilities Consulting Services www.remotefacilities.com (781) 246-8300

Michigan Lansing SCP Media www.scp-media.com (517) 507-0383Plymouth Cii Productions www.ciivideo.com (734) 459-3936Sterling Heights Moonlink Satellite www.moonlinksat.com (586) 323-9590

Minnesota Arden Hills Common World Productions www.commonworld.com (651) 582-0502Coon Rapids CTN Studios www.ctnstudios.com (763) 767-6525

Minneapolis Arctek HD Satellite Productions www.arcteksat.com (612) 623-1986

Minneapolis RumJungle Media www.rumjungle.com (952) 472-5525Missouri Branson Mansion Mobile TV www.mansionmobile.tv (417) 699-3158

Kansas City Cashmark Media www.cashmarkmedia.com (816) 861-4200Springfield TL Mobile Television (417) 877-0025St. Louis Broadcast Biscuit www.broadcastbiscuit.com (314) 308-2689St. Louis Spot Media Production Group www.spotmediatransfer.com (314) 667-5915

Nevada Las Vegas CoverEDGE Las Vegas www.coveredge.com (800) 822NEWSLas Vegas RentLEDsigns.com www.RentLEDsigns.com (888) 920-4485

New Hampshire Hudson Game Creek Video www.gamecreekvideo.com (603) 882-5222

Pelham Thistle Communications www.thistlecommunications.net (603) 598-5100New Jersey East Rutherford Venue Services Group www.vsg.tv (888) 700-4388

Hackensack Patchamp www.patchamp.com (201) 457-1504Maywood NE Productions www.mobilexstream.com (800) 382-2072Ramsey Jim Houston Productions www.nysportsvideos.com (201) 825-7659Voorhees Broadcast Center Studios www.broadcastcenterstudios.com (856) 751-3500Wayne Vision Quest Productions www.visionquestproductions.com (973) 686-9400

New York Flushing Interface Communications www.interfacetv.com (718) 463-8700Flushing Multi Media Network News www.multimedianetworknews.com (718) 809-7058

Lancaster Admiral Video Mobile Productions www.AdmiralVideo.com (716) 651-9900

New City Flight 9 Satellite Services www.flight9.com (888) 354-4489New York All Mobile Video www.allmobilevideo.com (212) 586-8616New York KoKo - Baz Video & Film www.kokobaz.com (212) 674-6601Port Washington ADM Productions www.admproductions.com (516) 484-6900Warwick Centrex Communications www.centrexcom.com (845) 987-1666West Babylon Village Video News www.vvn.com (631) 752-9311

North Carolina Apex RMG Satellite Productions www.rmgsat.com (919) 363-3645

Charlotte Paradigm Broadcast Services www.paradigmbroadcast.com (704) 995-9600Winston Salem Spevco www.spevco.com (336) 924-8100

Ohio Columbus Lyon Video www.lyonvideo.com (614) 297-0001

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Remote Production Units* — Regional Listing

Columbus Mobile Production Services www.remoteriley.com (614) 864-7900North Olmsted Custom Mobile Products www.custommobileproducts.com (440) 779-2740Poland First Call UPLinks www.firstcalluplinks.com (800) 951-6707Sunbury Bennett Systems www.tvmobile.net (740) 965-5727Sunbury Gerling and Associates www.gerlinggroup.com (740) 965-2888Troy Shawn Snider Studios (567) 644-4847

Oklahoma Broken Arrow Allied Broadcast Group www.alliedbroadcastgroup.com (918) 250-5353Tulsa LeSEA Productions www.leseaproductions.com (918) 254-4701Tulsa Winnercomm www.winnercomm.com (918) 496-1900

Oregon Wilsonville MIRA Mobile Television www.miramobile.com (503) 464-0900Pennsylvania Boyertown J A Taylor & Associates www.broadcastassociates.com (610) 754-6800

Harrisburg Invica www.invica.net (717) 577-6601Harrisburg Media Solutions www.mediamadeeasy.com (877) 860-5255

King Of Prussia PMTV - Producers Manage-ment TeleVision www.pmtv.com (610) 768-1770

Lancaster Proviaus www.proviaus.com (717) 842-0440Allentown New Century Productions www.nepinc.com/welcome/ncp (610) 798-4014Philadelphia Total Production Services www.tpsweb.com (888) 877-1178Pittsburgh NEP Broadcasting www.nepinc.com (800) 444-0054Pittsburgh Viewpoint Production Services www.viewpoint.tv (800) 820-0402West Chester CCI Communications www.ccivideo.com (610) 296-7233

South Carolina Myrtle Beach Satellite Papa www.satellitepapa.com (843) 333-5963

Tennessee Goodlettsville Video One Productions www.vopinc.com (615) 859-1521Hendersonville Camp Digital www.campdigital.net (615) 826-0122Hendersonville Stokes Production Services www.stokesvideo.com (615) 822-6500Memphis KNO Productions www.knoproductions.com (901) 729-8770Murfreesboro Tennessee Digital Video www.tndv.com (615) 585-6528

Texas Argyle GoVision www.jumbo.tv (940) 464-2320Austin Earl Miller Productions www.earlmillerproductions.com (512) 458-4343Beaumont Bounce Multimedia www.bouncemultimedia.com (409) 860-5551Dallas Texas TV Trucks www.TexasTVTrucks.com (972) 570-1118Dallas Tricam Video Productions www.tricamvideo.com (817) 909-4137

Houston Advanced Containment Systems www.acsi-us.com (713) 987-0336

Humble Digital Network Associates www.digitalnetworkassociates.com (281) 738-2329Schertz Shook Mobile Technology www.shook-usa.com (210) 651-5700Waco TriVan Truck Body Texas www.trivan.com (866) 874-8261

Utah Sandy Videolines Mobile Television www.videolinesmobiletv.com (801) 580-9474

Virginia Williamsburg Colonial Williamsburg Produc-tions www.history.org/productions (757) 220-7143

Washington Auburn Jonas Jensen Studios www.jonasjensen.com (800) 776-5554Seattle LDM Worldwide Productions www.ldmworldwide.com (206) 463-1902Seattle Production Services NW www.psninc.com (206) 542-1154

Washington, DC Locked On Communications www.locked-on.net (410) 923-2979

Wisconsin Waunakee Token Creek Mobile Television www.tokencreek.com (608) 849-4965


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208 REMOTE SpORTS pROducTiOn YEaRbOOk 2013*All information is subject to change. For the most current contact information, please visit www.productionhub.com

Remote Production Units* — AlphaCompany name City State WebSite phone10-20 Productions Tampa Florida (813) 300-422121 Lakes Media Group Diamond Bar California www.21lakes.com (951) 278-4151ADM Productions Port Washington New York www.admproductions.com (516) 484-6900Admiral Video Mobile Productions Lancaster New York www.AdmiralVideo.com (716) 651-9900Advanced Containment Systems Houston Texas www.acsi-us.com (713) 987-0336Advanced Mobility Specialty Vehicles Monee Illinois www.amstcorp.com (708) 235-2800AgoraTV Marietta Georgia www.agoratv.tv (678) 581-3750Alaska Mobile Productions Anchorage Alaska (907) 762-9268All Mobile Video New York New York www.allmobilevideo.com (212) 586-8616Alliance Productions Little Rock Arkansas www.allianceproductions.com (501) 219-2653Allied Broadcast Group Broken Arrow Oklahoma www.alliedbroadcastgroup.com (918) 250-5353Apache Rental Group Burbank California www.apacherentalgroup.com (818) 842-9944Arctek HD Satellite Productions Minneapolis Minnesota www.arcteksat.com (612) 623-1986AVS Media Group Spanish Fort Alabama www.avsmediagroup.com (251) 621-1200Bennett Systems Sunbury Ohio www.tvmobile.net (740) 965-5727Big Shoulders Digital Video Productions Chicago Illinois www.bigshoulders.com (312) 540-5400Bounce Multimedia Beaumont Texas www.bouncemultimedia.com (409) 860-5551Brickley Production Services San Francisco California www.brickley.com (415) 864-6600Broadcast Biscuit St. Louis Missouri www.broadcastbiscuit.com (314) 308-2689Broadcast Center Studios Voorhees New Jersey www.broadcastcenterstudios.com (856) 751-3500Buboosky Santa Clarita California www.buboosky.com (661) 510-7650Calutech Mobile Solutions Hammond Indiana www.kytrailer.com (219) 845-1695Camp Digital Hendersonville Tennessee www.campdigital.net (615) 826-0122Cashmark Media Kansas City Missouri www.cashmarkmedia.com (816) 861-4200CCI Communications West Chester Pennsylvania www.ccivideo.com (610) 296-7233Centrex Communications Warwick New York www.centrexcom.com (845) 987-1666CENTRO NET Productions Torrance California www.centronetproductions.com (310) 237-5653Christian Media Group Miami Florida www.cmgshows.com (786) 286-4942Cii Productions Plymouth Michigan www.ciivideo.com (734) 459-3936Cinelease Los Angeles California www.cinelease.com (818) 841-8282Cinerep Amps Chatsworth California www.cinerepamps.com (818) 882-2677Clark’s Video Group Rogers Arkansas www.clarksvideogroup.com (479) 636-7111Coastal Media Group Calabasas California www.coastalmediagroup.com (818) 880-9800Colonial Williamsburg Productions Williamsburg Virginia www.history.org/productions (757) 220-7143Common World Productions Arden Hills Minnesota www.commonworld.com (651) 582-0502Communications Concepts Cape Canaveral Florida www.cciflorida.com (321) 783-5232Conover Production Services Milford Connecticut www.conover.net (203) 877-5427Control 1 Communications Jemison Alabama www.control1comm.com (205) 706-9524Corplex Television Lake Bluff Illinois www.corplex.tv (888) 673-5400Corredo Media Solutions Mobile Alabama (251) 533-5433CoverEDGE Las Vegas Las Vegas Nevada www.coveredge.com (800) 822-NEWSCox Creative Studios Phoenix Arizona www.coxcreativestudios.com (623) 328-4778Cresco Production Express San Francisco California www.crescorent.com (415) 920-2801Crosscreek Television Productions Alabaster Alabama www.crosscreektv.com (205) 663-4411CSP Mobile Productions Saco Maine www.cspmobile.com (207) 375-6052CTN Studios Coon Rapids Minnesota www.ctnstudios.com (763) 767-6525Custom Mobile Products North Olmsted Ohio www.custommobileproducts.com (440) 779-2740CVM Productions Mishawaka Indiana www.cvmproductions.com (574) 256-0068D2 Productions Marlborough Massachusetts www.d2productions.com (508) 485-0300Dan Black Studios Montgomery Alabama www.danblackstudios.com (334) 279-6036Digital Comm Link Fort Lauderdale Florida www.dclinc.net (877) 532-5438Digital Media Group Los Angeles California www.digitalmedia.tv (818) 974-4000Digital Network Associates Humble Texas wwww.digitalnetworkassociates.com (281) 738-2329E-N-G Mobile Systems Concord California www.e-n-g.com (800) 662-4522Earl Miller Productions Austin Texas www.earlmillerproductions.com (512) 458-4343



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Remote Production Units* — E-M

Encanta Productions Miami Beach Florida www.encanta.com (305) 673-5958Encompass Digital Media Atlanta Georgia www.encompass-m.com (800) 243-1995F & F Productions Clearwater Florida www.fandfproductions.com (727) 530-5000Fireland Productions & Satellite Services Miami Florida www.firelandtv.com (305) 386-6882First Call UPLinks Poland Ohio www.firstcalluplinks.com (800) 951-6707Flight 9 Satellite Services New City New York www.flight9.com (888) 354-4489Fountainhead Production Simsbury Connecticut www.fountainhd.net (860) 658-4838Freebird Communications Olathe Kansas www.freebirdtv.com (913) 209-2788Frontline Communications Clearwater Florida www.frontlinecomm.com (727) 573-0400Game Creek Video Hudson New Hampshire www.gamecreekvideo.com (603) 882-5222George Cambra Movie Production Trucks Kapolei Hawaii (808) 845-1546Gerling and Associates Sunbury Ohio www.gerlinggroup.com (740) 965-2888GigRig Chicago Chicago Illinois www.gigrigchicago.com (312) 666-9900Global Link Productions San Jose California www.globalinktv.com (408) 465-2787Global Technical Solutions Fort Lauderdale Florida (954) 583-8001GoVision Argyle Texas www.jumbo.tv (940) 464-2320Gunner Live Lilburn Georgia www.gunnerlive.com (678) 313-6001Hailstone Creek Productions Little Rock Arkansas www.hailstonecreek.com (501) 371-9515Hammond Communications Group Lexington Kentucky www.hammondcg.com (859) 254-1878HD Roadie Mobile Entertainment St. Charles Illinois www.hdroadie.com (630) 918-7000HMTV Jacksonville Florida www.televisiontrucks.com (904) 223-0742Interface Communications Flushing New York www.interfacetv.com (718) 463-8700Invica Harrisburg Pennsylvania www.invica.net (717) 577-6601J A Taylor & Associates Boyertown Pennsylvania www.broadcastassociates.com (610) 754-6800J-Lab Company Malibu California www.j-lab.com (310) 457-4090Jim Houston Productions Ramsey New Jersey www.nysportsvideos.com (201) 825-7659John Guild Communications Honolulu Hawaii www.john-guild.com (808) 596-2211Jonas Jensen Studios Auburn Washington www.jonasjensen.com (800) 776-5554Jones Mobile Television North Little Rock Arkansas www.jmtv.com (501) 376-1993KEF Media Associates Atlanta Georgia www.kefmedia.com (404) 605-0009Keith Nealy Productions Hawi Hawaii www.keithnealy.com (808) 882-7772KNO Productions Memphis Tennessee www.knoproductions.com (901) 729-8770KoKo - Baz Video & Film New York New York www.kokobaz.com (212) 674-6601Lakeshore Productions Merrillville Indiana www.lakeshoreproduction.com (219) 756-5656LDM Worldwide Productions Seattle Washington www.ldmworldwide.com (206) 463-1902LeSEA Productions Indianapolis Indiana www.whmbtv.com (317) 773-5050LeSEA Productions Noblesville Indiana www.leseaproductions.com (317) 773-5050LeSEA Productions Tulsa Oklahoma www.leseaproductions.com (918) 254-4701Lightnin’ Production Rentals Lawrenceville Georgia www.lightnin.net (770) 963-1234Locked On Communications Washington, DC www.locked-on.net (410) 923-2979LPB HD Production Truck Baton Rouge Louisiana www.lbp.org (225) 767-4220Lyon Video Columbus Ohio www.lyonvideo.com (614) 297-0001Mansion Mobile TV Branson Missouri www.mansionmobile.tv (417) 699-3158Media Solutions Harrisburg Pennsylvania www.mediamadeeasy.com (877) 860-5255MIRA Mobile Television Wilsonville Oregon www.miramobile.com (503) 464-0900Mirikesh Production Motorcoach & Trailer Miami Beach Florida www.mirikesh.com (786) 295-3969

Mobeon Santa Monica California www.mobeon.com (888) 789-2463Mobile Content Providers Fort Lauderdale Florida www.mcp-media.com (954) 895-8061Mobile Production Services Columbus Ohio www.remoteriley.com (614) 864-7900Mobile Stage Network Rentals & Sales Atlanta Georgia www.mobilestagenetwork.com (516) 882-5412Mobile Studios Boca Raton Florida www.mobilestudios.com (877) 777-7147Mobile TV Group Denver Colorado www.mobiletvgroup.com (303) 542-5555Mojave Film Services Joshua Tree California (760) 799-4414Moonlink Satellite. Sterling Heights Michigan www.moonlinksat.com (586) 323-9590MSR Mobile Stage Rentals Fort Lauderdale Florida www.mobilestagerentals.com (877) 882-8889




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Remote Production Units* — M-T

Multi Media Network News Flushing New York www.multimedianetworknews.com (718) 809-7058Narrow Path Productions Atlanta Georgia www.narrowpath.tv (770) 704-8000National Teleproductions West Palm Beach Florida www.ntpfla.com (561) 689-9271NE Productions Maywood New Jersey www.mobilexstream.com (800) 382-2072NEP Broadcasting Pittsburgh Pennsylvania www.nepinc.com (800) 444-0054New Century Productions Allentown Pennsylvania www.nepinc.com/welcome/ncp (610) 798-4014News Edits Miami Florida www.newsedits.com (786) 515-9796Orbital Communications Orlando Florida www.orbitalcom.tv (800) 682-4364Oshkosh Specialty Vehicles Clearwater Florida www.oshkoshsv.com (727) 573-0400Pacifico Television Engineering Burbank California www.pacificobroadcast.com (818) 566-9706PACSAT - California Sacramento California www.pacsat.com (800) 672-2728Paradigm Broadcast Services Charlotte North Carolina www.paradigmbroadcast.com (704) 995-9600Patchamp Hackensack New Jersey www.patchamp.com (201) 457-1504PMTV - Producers Management TeleVision King Of Prussia Pennsylvania www.pmtv.com (610) 768-1770

Production Services International Denver Colorado www.psiiusa.com (303) 757-8400Production Services NW Seattle Washington www.psninc.com (206) 542-1154Proviaus Lancaster Pennsylvania www.proviaus.com (717) 842-0440PSSI Global Services - Strategic Television Sherman Oaks California www.pssiglobal.com (310) 575-4400

Remote Facilities Consulting Services Wakefield Massachusetts www.remotefacilities.com (781) 246-8300Remote Telecast Fort Lauderdale Florida www.remotetelecast.tv (209) 534-9988RentLEDsigns.com Las Vegas Nevada www.RentLEDsigns.com (888) 920-4485RMG Satellite Productions Apex North Carolina www.rmgsat.com (919) 363-3645RumJungle Media Minneapolis Minnesota www.rumjungle.com (952) 472-5525Satellite Center New Orleans Louisiana www.satctr.com (504) 915-8244Satellite Digital Teleproductions (S.D.T.V.) San Diego California www.sdtv.com (619) 293-7777Satellite Papa Myrtle Beach South Carolina www.satellitepapa.com (843) 333-5963Satellite Technology Systems Crystal Lake Illinois www.stslivetv.com (800) 838-1472ScheffTech Productions Peoria Illinois www.schefftech.com (309) 524-5865Schulman Mobile Video Sunland California www.schulmanmv.com (323) 785-2528SCP Media Lansing Michigan www.scp-media.com (517) 507-0383Shawn Snider Studios Troy Ohio (567) 644-4847Sheffield Audio Video Productions Phoenix Maryland www.sheffieldav.com (800) 355-6613Shook Mobile Technology Schertz Texas www.shook-usa.com (210) 651-5700Shoot It Live Honolulu Hawaii www.shootitlive.tv (808) 371-3023Skyline Productions Phoenix Arizona www.skylinevideo.com (480) 345-8009Skystorm Productions Lake Mary Florida www.skystorm.com (407) 328-4747Slipstream Media Englewood Colorado www.ssmediatv.com (303) 353-9425South Valley Mobile Television San Martin California www.southvalleymobiletelevision.com (408) 230-5694Spevco Winston Salem North Carolina www.spevco.com (336) 924-8100Spot Media Production Group St. Louis Missouri www.spotmediatransfer.com (314) 667-5915Stokes Production Services Hendersonville Tennessee www.stokesvideo.com (615) 822-6500SWATV Entertainment San Diego California www.swatv.com (619) 746-2390Sweetwater Digital Productions Van Nuys California www.svptv.com (818) 902-9500Talking Rock Communications Jasper Georgia www.talkingrockcommunications.com (706) 692-6450Technology Management Avon Massachusetts www.tmcrecycles.com (508) 580-6701Tennessee Digital Video Murfreesboro Tennessee www.tndv.com (615) 585-6528Texas TV Trucks Dallas Texas www.TexasTVTrucks.com (972) 570-1118Tfactor Mobile Television Miami Florida www.tfactor.tv (305) 597-0430Thistle Communications Pelham New Hampshire www.thistlecommunications.net (603) 598-5100TL Mobile Television Springfield Missouri (417) 877-0025TMR Television Mobile Resources Orlando Florida www.tvmr.com (407) 737-0046Token Creek Mobile Television Waunakee Wisconsin www.tokencreek.com (608) 849-4965Total New Technology Stockton California www.totalnewtechnology.com (866) 383-6828Total Production Services Philadelphia Pennsylvania www.tpsweb.com (888) 877-1178




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Remote Production Units* — T-Y

Touring Video Burbank California www.touringvideo.com (818) 504-3500Tricam Video Productions Dallas Texas www.tricamvideo.com (817) 909-4137Trio Video Chicago Illinois www.triovideo.com (312) 421-7060TriVan Truck Body Texas Waco Texas www.trivan.com (866) 874-8261Turner Studios Atlanta Georgia www.turnerstudios.com (404) 885-4876UniSat: Universal Satellite Communications Norwalk California www.unisatmobile.com (562) 483-4800

Venue Services Group East Rutherford New Jersey www.vsg.tv (888) 700-4388Video One Productions Goodlettsville Tennessee www.vopinc.com (615) 859-1521Videolines Mobile Television Sandy Utah www.videolinesmobiletv.com (801) 580-9474VideoPort Communications Springfield Massachusetts www.videoportc.com (413) 478-1745VideoWorks West Covina California www.videowks.com (626) 338-4820Viewpoint Production Services Pittsburgh Pennsylvania www.viewpoint.tv (800) 820-0402Village Video News West Babylon New York www.vvn.com (631) 752-9311Vision Quest Productions Wayne New Jersey www.visionquestproductions.com (973) 686-9400VTR Specialists Vacaville California www.vtrspecialists.com (707) 453-1343Winnercomm Tulsa Oklahoma www.winnercomm.com (918) 496-1900Wolf Coach Auburn Massachusetts www.wolfcoach.com (978) 568-5100Yellow Gal High Definition (YGHD) Englewood Colorado www.yghdtv.com (720) 255-1640YES Productions New Orleans Louisiana www.yesproductions.org (800) 736-8812


Satellite Trucks* — Regional ListingState City Company name WebSite phoneAlabama Jemison Control 1 Communications www.control1comm.com (205) 706-9524

Montgomery Dan Black Studios www.danblackstudios.com (334) 279-6036

Arizona Chandler ATCI - Antenna Technology Com-munications www.atci.net (480) 844-8501

Phoenix Crew West www.crewwestinc.com (888) 444-2739Prescott Desert Sky Media www.chamberorganizer.com (888) 728-8782

California Concord E-N-G Mobile Systems www.e-n-g.com (800) 662-4522

Fresno RTM - Remote Transmission Management www.rtmhd.com (866) 786-4389

Los Angeles Digital Media Group www.digitalmedia.tv (818) 561-6798Los Angeles Flying Cow Satellite Services www.flyingcowsat.com (310) 372-4759Modesto Remote Telecast www.remotetelecast.tv (209) 534-9988Mountain View TVU Networks www.tvupack.com (650) 969-6732Sacramento PACSAT - California www.pacsat.com (800) 672-2728

San Diego Satellite Digital Teleproductions (S.D.T.V.) www.sdtv.com (619) 293-7777

San Francisco Central Coast Uplink www.centralcoastuplink.com (831) 325-5271San Jose Broadlogic Network Technologies www.broadlogic.com (408) 452-3300San Jose Global Link Productions. www.globalinktv.com (408) 465-2787San Juan Capistrano Todocast www.todocast.tv (949) 655-1036Santa Clara Anacom www.anacominc.com (408) 519-2062

Sherman Oaks PSSI Global Services - Strategic Television www.pssiglobal.com (310) 575-4400

Sun Valley Pansat Satellite TV System www.pansatusa.com (818) 367-8269Sunland Schulman Mobile Video www.schulmanmv.com (323) 785-2528

Colorado Commerce City Prolink/MSI www.prolinkonline.com (720) 529-9743Connecticut Stamford Newtec America www.newtec.be (203) 323-0042Florida Clearwater Advanced Microwave Components www.advancedmicrowave.com (727) 571-1008

Clearwater F & F Productions www.fandfproductions.com (727) 530-5000Clearwater Frontline Communications www.frontlinecomm.com (727) 573-0400Dania Calhoun Satellite Communications www.calhounsat.com (305) 655-2629

Locations in North Carolina, California, Nevada, Arizona, Florida, Illinois, New York, and TennesseeNationwide Service | 910.675.1145 | www. filmwerksintl.com | www.twinpackpower.com

If you’ve seen a large entertainment or sporting event live or on television, chances are we were

there. The world may not be familiar with our name but people all around it are certainly familiar

with our work. From coast to coast and beyond, Filmwerks provides the power and equipment

necessary to bring events and productions of all sizes to life!

Mobile Studios & Staging Arena & Site LightingRedundant Power Systems

Your Partners in Broadcast Power and Production Logistics... from Coast to Coast.



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Satellite Trucks* — Regional Listing

Fort Lauderdale Digital Comm Link www.dclinc.net (877) 532-5438Fort Lauderdale Remote Telecast www.remotetelecast.tv (954) 295-1735Fort Lauderdale RemoteOne Communications www.remoteonecommunications.com (954) 707-0765

Lakeland Crew West/Satellink Communication Service www.satellinkwest.com (863) 698-4313

Melbourne BAF Satellite & Technology www.satamerica.com (800) 966-3822Miami GLASAT.com www.glasat.com (786) 210-2235Miami News Edits www.newsedits.com (786) 515-9796Miami Overon America www.overonamerica.com (305) 357-5891

Ocala Atlantic Coast Satellite Telcommunications www.acst-uplink.com (352) 687-3587

Orlando Lowery Satellite Services www.lowerysatellite.com (407) 859-7940Orlando MobileCast-Live www.mobilecast-live.com (407) 376-8379Orlando Telepoint Studios www.Telepointstudios.com (407) 859-7940Orlando TMR Television Mobile Resources www.tvmr.com (407) 737-0046

Georgia Atlanta Encompass Digital Media www.encompass-m.com (800) 243-1995Jasper Talking Rock Communications www.talkingrockcommunications.com (706) 692-6450Lilburn Gunner Live www.gunnerlive.com (678) 313-6001Marietta AgoraTV www.agoratv.tv (678) 581-3750

Hawaii Kailua NOA Production www.NOAPro.com (808) 366-1515Illinois Crystal Lake Satellite Technology Systems www.stslivetv.com (800) 838-1472

Peoria WTVP www.wtvpvideo.org (309) 677-4747Sugar Grove A I S Satellite Communications www.aissatellite.com (630) 466-4304Wauconda Satellite Communication Systems www.1800usalink.com (847) 556-1056

Indiana Merrillville Lakeshore Productions www.lakeshoreproduction.com (219) 756-5656Iowa Clear Lake Efficient Antenna Systems www.easisat.com (888) 327-4797

Waterloo Baird Satellite Supporting Systems www.bairdsatellitesupports.com (319) 233-3561Kentucky Florence Nickless Shirmer & Co. www.nsccom.com (800) 543-1584Louisiana New Orleans Satellite Center www.satctr.com (504) 915-8244Maine Saco CSP Mobile Productions www.cspmobile.com (207) 375-6052Maryland Potomac Asia Broadcast www.absatellite.net (301) 605-7629Massachusetts Ashland Remote Broadcast Services www.RemoteBroadcastServices.com (201) 312-5531

Billerica Polatis www.polatis.com (978) 327-5080

Wakefield Remote Facilities Consulting Services www.remotefacilities.com (781) 246-8300

Michigan Albion Satellite Export & Engineering www.sepatriot.com (800) 470-3510Ann Arbor Michigan Satellite Systems www.misat.com (734) 761-9011

Minnesota Cottage Grove PSB Satellite www.PSBsatellite.com (651) 768-9150Minneapolis Arctek HD Satellite Productions www.arcteksat.com (612) 623-1986Minneapolis RumJungle Media www.rumjungle.com (952) 472-5525St. Paul Ingwell Communications www.ingwellcommunications.com (612) 839-5154

Missouri Kansas City Satellite Engineering Group www.sateng.com (800) 932-1555St. Louis Spot Media Transfer www.spotmediatransfer.com (314) 667-5915

Montana Butte RapComm www.rapcomm.com (406) 490-1895Nevada Las Vegas Crew West www.crewwestinc.com (480) 367-6888New Hampshire Pelham Thistle Communications www.thistlecommunications.net (603) 598-5100

New Jersey Holmdel Musicam USA www.musicamusa.com (732) 739-5600Old Bridge Fulton Production and Consulting www.satellitedownlink.com (917) 312-9894Wayne Vision Quest Productions www.visionquestproductions.com (973) 686-9400Whippany A3 Media www.a3mediallc.com (800) 881-0569

New Mexico Albuquerque Crew West www.crewwestinc.com (888) 444-2739New York Flushing Interface Communications www.interfacetv.com (718) 463-8700

Hauppauge Miteq www.miteq.com (631) 439-9108Nanuet American Satellite Uplink www.americansatelliteuplink.com (845) 352-0998New City Flight 9 Satellite Services www.flight9.com (888) 354-4489New York All Mobile Video www.allmobilevideo.com (212) 727-1234




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Satellite Trucks* — Regional Listing

New York Liman Video Rental www.lvrusa.com (212) 594-0086New York Metrovision Production Group www.metrovision.tv (212) 989-1515Victor GCS www.globalcoms.com (585) 742-9100Warwick Centrex Communications www.centrexcom.com (845) 987-1666West Babylon Village Video News www.vvn.com (631) 752-9311

North Carolina Apex RMG Satellite Productions www.rmgsat.com (919) 363-3645

Charlotte All Stars Communications www.allstarscomm.com (704) 377-9393Charlotte Nomadic Communications www.nomadic-comm.com (866) 519-7723Winston Salem Spevco www.spevco.com (336) 924-7927

Ohio Cincinnati Central Satellite Service www.centralsat.com (513) 821-7200New Middletown Sure Shot Transmissions www.sureshotsat.com (330) 542-0900North Olmsted Custom Mobile Products www.custommobileproducts.com (440) 779-2740Poland First Call UPLinks www.firstcalluplinks.com (800) 951-6707Rocky River TeleNet Media www.telenetmedia.net (216) 276-8841Sunbury Gerling and Associates www.gerlinggroup.com (740) 965-2888

Pennsylvania Boyertown J A Taylor & Associates www.broadcastassociates.com (610) 754-6800Harrisburg Media Solutions www.mediamadeeasy.com (877) 860-5255

Indiana Quintech Electronics & Communications www.quintechelectronics.com (800) 839-3658

King Of Prussia PMTV - Producers Management TeleVision www.pmtv.com (610) 768-1770

Malvern Liberty Uplink www.libertyuplink.com (215) 964-5222Philadelphia Total Production Services www.tpsweb.com (888) 877-1178West Chester Raider Productions www.raiderproductions.tv (610) 793-3000

South Carolina Myrtle Beach Satellite Papa www.satellitepapa.com (843) 333-5963

Tennessee Cordova Prolink Satellite www.prolinksat.com (901) 356-2394Nashville NorthStar Studios www.northstarstudios.tv (800) 605-3590

Texas Austin ATX|HD (800) 338-6862Austin Olivier Video Productions www.ovptv.com (281) 300-5416Dallas Texas TV Trucks www.TexasTVTrucks.com (972) 570-1118Denton WSC HD Productions www.wschdproductions.tv (940) 483-9200Fort Worth Applied Telecommunications www.appliedtelecominc.com (817) 763-5992Houston PACSAT www.pacsat.com (800) 672-2728Missouri City World Teleport www.worldteleport.com (281) 741-8753Schertz Shook Mobile Technology www.shook-usa.com (210) 651-5700

Utah Salt Lake City Bonneville Satellite www.bonneville.com (801) 575-7500Virginia Glen Allen SkyWire Communications www.skywireuplink.com (877) 575-9947

Virginia Beach Atlantic Satellite www.atlanticsat.com (757) 318-3500

Williamsburg Colonial Williamsburg Productions www.history.org/productions (757) 220-7143

Washington Ridgefield Wild Hare Satellite. www.wildharesat.com (360) 573-6850Washington, DC Dawnbreaker Communications www.dawnbreakercommunications.com (202) 288-0805

LiveOnSite www.liveonsite.com (703) 431-4332NPR Satellite Services www.nprss.org (202) 513-2626

West Virginia Charleston The Media Center www.themediacenter222.com (304) 720-5466Wisconsin Prairie Du Chien DH Satellite www.dhsatellite.com (800) 627-9443




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Satellite Trucks* — Alphabetical Listing

A I S Satellite Communications Sugar Grove Illinois www.aissatellite.com (630) 466-4304

A3 Media Whippany New Jersey www.a3mediallc.com (800) 881-0569

Advanced Microwave Components Clearwater Florida www.advancedmicrowave.com (727) 571-1008

AgoraTV Marietta Georgia www.agoratv.tv (678) 581-3750

All Mobile Video New York New York www.allmobilevideo.com (212) 727-1234

All Stars Communications Charlotte North Carolina www.allstarscomm.com (704) 377-9393

American Satellite Uplink Nanuet New York www.americansatelliteuplink.com (845) 352-0998

Anacom Santa Clara California www.anacominc.com (408) 519-2062

Applied Telecommunications Fort Worth Texas www.appliedtelecominc.com (817) 763-5992

Arctek HD Satellite Productions Minneapolis Minnesota www.arcteksat.com (612) 623-1986

Asia Broadcast Potomac Maryland www.absatellite.net (301) 605-7629

ATCI - Antenna Technology Communications Chandler Arizona www.atci.net (480) 844-8501

Atlantic Coast Satellite Telcommunications Ocala Florida www.acst-uplink.com (352) 687-3587

Atlantic Satellite Virginia Beach Virginia www.atlanticsat.com (757) 318-3500

ATX|HD Austin Texas (800) 338-6862

BAF Satellite & Technology Melbourne Florida www.satamerica.com (800) 966-3822

Baird Satellite Supporting Systems Waterloo Iowa www.bairdsatellitesupports.com (319) 233-3561

Bonneville Satellite Salt Lake City Utah www.bonneville.com (801) 575-7500

Broadlogic Network Technologies San Jose California www.broadlogic.com (408) 452-3300

Calhoun Satellite Communications Dania Florida www.calhounsat.com (305) 655-2629

Central Coast Uplink San Francisco California www.centralcoastuplink.com (831) 325-5271

Central Satellite Service Cincinnati Ohio www.centralsat.com (513) 821-7200

Centrex Communications Warwick New York www.centrexcom.com (845) 987-1666

Colonial Williamsburg Productions Williamsburg Virginia www.history.org/productions (757) 220-7143

Control 1 Communications Jemison Alabama www.control1comm.com (205) 706-9524

Crew West Phoenix Arizona www.crewwestinc.com (888) 444-2739

Crew West Las Vegas Nevada www.crewwestinc.com (480) 367-6888

Crew West Albuquerque New Mexico www.crewwestinc.com (888) 444-2739

Crew West/Satellink Communication Service Lakeland Florida www.satellinkwest.com (863) 698-4313

CSP Mobile Productions Saco Maine www.cspmobile.com (207) 375-6052

Custom Mobile Products North Olmsted Ohio www.custommobileproducts.com (440) 779-2740

Dan Black Studios Montgomery Alabama www.danblackstudios.com (334) 279-6036

Dawnbreaker Communications Washington, DC www.dawnbreakercommunications.com (202) 288-0805

Desert Sky Media Prescott Arizona www.chamberorganizer.com (888) 728-8782

DH Satellite Prairie Du Chien Wisconsin www.dhsatellite.com (800) 627-9443

Digital Comm Link Fort Lauderdale Florida www.dclinc.net (877) 532-5438

Digital Media Group Los Angeles California www.digitalmedia.tv (818) 561-6798

E-N-G Mobile Systems Concord California www.e-n-g.com (800) 662-4522

Efficient Antenna Systems Clear Lake Iowa www.easisat.com (888) 327-4797

Encompass Digital Media Atlanta Georgia www.encompass-m.com (800) 243-1995

F & F Productions Clearwater Florida www.fandfproductions.com (727) 530-5000

First Call UPLinks Poland Ohio www.firstcalluplinks.com (800) 951-6707

Flight 9 Satellite Services New City New York www.flight9.com (888) 354-4489

Flying Cow Satellite Services Los Angeles California www.flyingcowsat.com (310) 372-4759




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Satellite Trucks* — F-R

Frontline Communications Clearwater Florida www.frontlinecomm.com (727) 573-0400

Fulton Production and Consulting Old Bridge New Jersey www.satellitedownlink.com (917) 312-9894

GCS Victor New York www.globalcoms.com (585) 742-9100

Gerling and Associates Sunbury Ohio www.gerlinggroup.com (740) 965-2888

GLASAT.com Miami Florida www.glasat.com (786) 210-2235

Global Link Productions San Jose California www.globalinktv.com (408) 465-2787

Gunner Live Lilburn Georgia www.gunnerlive.com (678) 313-6001

Ingwell Communications St. Paul Minnesota www.ingwellcommunications.com (612) 839-5154

Interface Communications Flushing New York www.interfacetv.com (718) 463-8700

J A Taylor & Associates Boyertown Pennsylvania www.broadcastassociates.com (610) 754-6800

Lakeshore Productions Merrillville Indiana www.lakeshoreproduction.com (219) 756-5656

Liberty Uplink Malvern Pennsylvania www.libertyuplink.com (215) 964-5222

Liman Video Rental New York New York www.lvrusa.com (212) 594-0086

LiveOnSite Washington, DC www.liveonsite.com (703) 431-4332

Lowery Satellite Services Orlando Florida www.lowerysatellite.com (407) 859-7940

Media Solutions Harrisburg Pennsylvania www.mediamadeeasy.com (877) 860-5255

Metrovision Production Group New York New York www.metrovision.tv (212) 989-1515

Michigan Satellite Systems Ann Arbor Michigan www.misat.com (734) 761-9011

Miteq Hauppauge New York www.miteq.com (631) 439-9108

MobileCast-Live Orlando Florida www.mobilecast-live.com (407) 376-8379

Musicam USA Holmdel New Jersey www.musicamusa.com (732) 739-5600

News Edits Miami Florida www.newsedits.com (786) 515-9796

Newtec America Stamford Connecticut www.newtec.be (203) 323-0042

Nickless Shirmer & Co. Florence Kentucky www.nsccom.com (800) 543-1584

NOA Production Kailua Hawaii www.NOAPro.com (808) 366-1515

Nomadic Communications Charlotte North Carolina www.nomadic-comm.com (866) 519-7723

NorthStar Studios Nashville Tennessee www.northstarstudios.tv (800) 605-3590

NPR Satellite Services Washington, DC www.nprss.org (202) 513-2626

Olivier Video Productions Austin Texas www.ovptv.com (281) 300-5416

Overon America Miami Florida www.overonamerica.com (305) 357-5891

PACSAT Houston Texas www.pacsat.com (800) 672-2728

PACSAT - California Sacramento California www.pacsat.com (800) 672-2728

Pansat Satellite TV System Sun Valley California www.pansatusa.com (818) 367-8269

PMTV - Producers Management TeleVision King Of Prussia Pennsylvania www.pmtv.com (610) 768-1770

Polatis Billerica Massachusetts www.polatis.com (978) 327-5080

Prolink Satellite Cordova Tennessee www.prolinksat.com (901) 356-2394

Prolink/MSI Commerce City Colorado www.prolinkonline.com (720) 529-9743

PSB Satellite Cottage Grove Minnesota www.PSBsatellite.com (651) 768-9150

PSSI Global Services - Strategic Television Sherman Oaks California www.pssiglobal.com (310) 575-4400

Quintech Electronics & Communications Indiana Pennsylvania www.quintechelectronics.com (800) 839-3658

Raider Productions West Chester Pennsylvania www.raiderproductions.tv (610) 793-3000

RapComm Butte Montana www.rapcomm.com (406) 490-1895

Remote Broadcast Services Ashland Massachusetts www.RemoteBroadcastServices.com (201) 312-5531

Remote Facilities Consulting Services Wakefield Massachusetts www.remotefacilities.com (781) 246-8300




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Remote Telecast Modesto California www.remotetelecast.tv (209) 534-9988

Remote Telecast Fort Lauderdale Florida www.remotetelecast.tv (954) 295-1735

RemoteOne Communications Fort Lauderdale Florida www.remoteonecommunications.com (954) 707-0765

RMG Satellite Productions Apex North Carolina www.rmgsat.com (919) 363-3645

RTM - Remote Transmission Management Fresno California www.rtmhd.com (866) 786-4389

RumJungle Media Minneapolis Minnesota www.rumjungle.com (952) 472-5525

Satellite Center New Orleans Louisiana www.satctr.com (504) 915-8244

Satellite Communication Systems Wauconda Illinois www.1800usalink.com (847) 556-1056

Satellite Digital Teleproductions (S.D.T.V.) San Diego California www.sdtv.com (619) 293-7777

Satellite Engineering Group Kansas City Missouri www.sateng.com (800) 932-1555

Satellite Export & Engineering Albion Michigan www.sepatriot.com (800) 470-3510

Satellite Papa Myrtle Beach South Carolina www.satellitepapa.com (843) 333-5963

Satellite Technology Systems Crystal Lake Illinois www.stslivetv.com (800) 838-1472

Schulman Mobile Video Sunland California www.schulmanmv.com (323) 785-2528

Shook Mobile Technology Schertz Texas www.shook-usa.com (210) 651-5700

SkyWire Communications Glen Allen Virginia www.skywireuplink.com (877) 575-9947

Spevco Winston Salem North Carolina www.spevco.com (336) 924-7927

Spot Media Transfer St. Louis Missouri www.spotmediatransfer.com (314) 667-5915

Sure Shot Transmissions New Middletown Ohio www.sureshotsat.com (330) 542-0900

Talking Rock Communications Jasper Georgia www.talkingrockcommunications.com (706) 692-6450

TeleNet Media Rocky River Ohio www.telenetmedia.net (216) 276-8841

Telepoint Studios Orlando Florida www.Telepointstudios.com (407) 859-7940

Texas TV Trucks Dallas Texas www.TexasTVTrucks.com (972) 570-1118

The Media Center Charleston West Virginia www.themediacenter222.com (304) 720-5466

Thistle Communications Pelham New Hamp-shire www.thistlecommunications.net (603) 598-5100

TMR Television Mobile Resources Orlando Florida www.tvmr.com (407) 737-0046

Todocast San Juan Capist-rano California www.todocast.tv (949) 655-1036

Total Production Services Philadelphia Pennsylvania www.tpsweb.com (888) 877-1178

TVU Networks Mountain View California www.tvupack.com (650) 969-6732

Village Video News West Babylon New York www.vvn.com (631) 752-9311

Vision Quest Productions Wayne New Jersey www.visionquestproductions.com (973) 686-9400

Wild Hare Satellite Ridgefield Washington www.wildharesat.com (360) 573-6850

World Teleport Missouri City Texas www.worldteleport.com (281) 741-8753

WSC HD Productions Denton Texas www.wschdproductions.tv (940) 483-9200

WTVP Peoria Illinois www.wtvpvideo.org (309) 677-4747

Satellite Trucks* — R-WCompany name City State WebSite phone

Gearbase

REMOTE spORTs pROducTiOn

For the seventh year, the SVG Remote Sports Production Yearbook provides a comprehen-sive overview of the North American mobile-production–unit landscape, with technology overviews of nearly 200 HD, SD, and 3D trucks. The equipment information listed for each truck — cabling, audio console, cameras, graphics, microphones, switcher, replay devices, still store — is crucial in determining whether a remote-production facility fits your needs.

The Gearbase continues to be one of the most

important offerings in our annual Yearbook, pro-viding a single source for comprehensive specs for the trucks on the road. Although visiting dozens of company Websites can get the job done, this Gearbase offers a quick look at units currently serving the remote–sports-production market.

An online version can be found at sportsvideo .org, allowing you to search for the specific truck that meets your needs throughout the year.

Contact information for many of the compa-nies listed here starts on page 258.

REMOTE spORTs pROducTiOn YEaRbOOk 2013 227

Gear

base

All information subject to change. Please contact the truck vendor’s Website for the most current information on equipment and capabilities230 REMOTE spORTs pROducTiOn YEaRbOOk 2013

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TriAx, Fiber, or

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(CHAnnels)number oF

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TruCk nAme Dimensions HD/sD/ 3D

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smPTe TriAx, Fiber, or

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(CHAnnels)number oF

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lenses GrAPHiCs miCroPHonesProDuCTion

sWiTCHer, mix eFFeCTs

number rePlAy DeviCes sTill sTore

All

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eoEpic 3D 53' double

expando HD/3D Y Both Studer Vista 8 (256) 18 Sony (9 3ality Technica 3D Rigs) 18 Fujinon Avid Deko 3000, Chyron

HyperX3, Infinit As requested Sony MVX8000X, 4M/E 4 EVS, 18 HDCAM Sony

Titan 60' triple expando HD N Both Studer Vista 8 (256) 24 Sony 24 Fujinon As requested As requested Sony MVS8000A, 4M/E 4 6-ch EVS; HDCAM Sony

Celebrity 53' triple expando HD N Both Studer Vista 8 (256) 14 Sony 15 Fujinon Chyron Infinit As requested Sony MVS8000, 4M/E 10 HDCAM or DigiBeta Sony

Crossroads 53' triple expando HD N Both Studer Vista 8 (256) 16 Sony 16 Fujinon Pinnacle Deko 3000 As requested Sony MVS8000G, 4M/E 16 HDCAM Sony

Resolution 53' triple expando HD N Both Studer Vista 8 (256) 14 Sony 14 Fujinon Avid Deko 3000, Chyron

HyperX3, Infinit As requested Sony MVS8000, 4M/E 12 HDCAM SonyEndurance 53' expando SD N Triax Midas Legend 3000 (48) 12 Ikegami 12 Fujinon Avid Deko 3000 As requested GV Kalypso, 4M/E EVS, Tektronix Profile, as needed Leitch

Straight 51' SD N Triax Neve BTC (56) 8 Ikegami 9 Fujinon Chyron Infinit As requested GV4000, 3M/E 10 DigiBeta or BetaSP, 2 VHS Leitch

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ns ENCORE 53' expando HD N Both SSL C100 (96) 9 Sony, 2 Panasonic

POV 9 Canon Chyron HyperX3, Lyric Pro; Harris Inscriber G3

Senn, Sony, Beyer, Shure, Crown GV Kalypso, 4M/E

3 6-ch EVS XT2+, XHub2, XFile2; 3 HDCAM, 2 HDSR, XDcam, DigiBeta,

BetaSP/SX; DVDGV Kalypso

ÉVOLUTION 53' expando HD N Both Calrec Sigma w/Bluefin (80) 8 Sony, 2 Panasonic POV 11 Canon Chyron HyperX3, Lyric

Pro Senn, Sony, Beyer GV Kayenne, 4.5M/E2 6-ch EVS XT3, 6-ch XT2+, 4-ch XS

SpotBox, XHub2, XFile2; HDCAM, HDSR, XDcam, DigiBeta

GV Kayenne

INFINITY 53' expando HD N Both Calrec Artemis w/Bluefin (48 multi-layer)

6 Sony, 2 Panasonic POV

6 Canon, 2 Fujinon

Chyron HyperX3, Lyric Pro, Inscriber G3 Senn, Crown, Sony GV Kalypso, 4M/E

2 6-ch EVS XT3, XHub2, XFile2; 2 HDCAM, HDSR, XDcam, DigiBeta,

Beta SP/SX; DVDGV Kalypso

PREMIERE 53' expando HD N Both SSL C100 (96) 9 Sony, 2 Panasonic POV 11 Canon Chyron HyperX3, Lyric

Pro, Inscriber G3Senn, Sony, Beyer, Shure,

Crown GV Kalypso, 4M/E3 6-ch EVS XT2+, XHub2, XFile2; 3

HDCAM, 2 HDSR, XDcam, DigiBeta, Beta SP/SX, DVD

GV Kalypso

CHINOOK 53' expando SD N Triax Calrec T-100 (48) 9 Sony, 2 Sony POV 6 Canon, 4 Fujinon

Chyron HyperX3 Lyric Pro, Inscriber G3

Senn, A-T, Sony, Shure, EV, Crown GV Kalypso, 4M/E 6-ch EVS XT, 4-ch XT, RO XT; DigiBeta,

Beta SP/SX, DVD GV KalypsoCoAstAl

MediA GrouP

1 14x30 HD N Fiber Mackie (32) 5 JVC Lenses vary Chyron HyperX As requested FOR-A HVS 300 4-ch Abekas Mira Abekas

CorP

lex

Chromium HD 53' expando HD/3G Y Both Calrec Apollo 128 Fader (240) + 8 MADI 10 Sony 8 Fujinon,

7 Canon Per client spec Senn, Beyer, Sony, EV, Shure

GV Kayenne, 4M/E w/4-ch Summit server

4 6-ch EVS XT2, SpotBox, 2 XHub2; HDCAM, DigiBeta GV Kayenne

Iridium HD 53' expando HD N Both Calrec Sigma (144) 10 Sony 15 Canon Per client spec Senn, Beyer, Sony, EV, Shure GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2,

SpotBox, 2 XHub2; HDCAM, DigiBeta GV Kalypso w/Klip

Cache

Platinum HD 53' triple ex-pando HD N Both Calrec Alpha 100 (192) 10 Sony 15 Fujinon Per client spec Shure, Senn, A-T, Sony,

Sound Devices GV Kalypso, 4M/E2 6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2, SpotBox, 2 XHub2; HDCAM, DigiBeta,

BetaSPGV Kalypso w/Klip

Cache

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HDRF 1 33' HD/SD Y Fiber or RF MIDAS (32) 6-8 HD RF N/A N/A Wired or wireless, call 32-ch Harris HD router N/A N/A

HDRF 5 53' HD/SD Y Fiber or RF MIDAS (32), STAGETEC (96) 8-12 HD RF N/A N/A Wired or wireless, call 32-ch Harris HD router N/A N/A

HDRF 6 53' HD/SD Y Fiber or RF MIDAS VERONA (48) 8-12 HD RF N/A N/A Wired or wireless, call 32-ch Harris HD router N/A

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Voyager 4 51' expando SD N N Yamaha PM4000 (48) 9 Sony 11 Fujinon Chyron HyperX HD/SD As requested GV Kalypso, 4M/E 6-ch EVS XT, 4-ch XT, XFile; FFV, 4 Digi-Beta, 6 Betacam GV Keyenne

Voyager 7 48' SD N N Soundcraft Series 4 (44) 9 Sony 6 Canon, 3 Fujinon Chyron HyperX HD/SD EV, A-T, Sony, Shure GV Kalypso, 4M/E 4-ch EVS XT2, XFile; 3 BetaSP,

3 DigiBeta, FFV GV Kayenne

Voyager 8 53' expando HD Y Both Calrec Sigma Desk w/Bluefin (128) 19 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E2 6-ch EVS XT2, 2 4-ch XT2, 3 RO XT2, XFile2, XHub, IPDirector; 2 DigiBeta,

4 DVCPROK2

Voyager 9 53' expando HD Y Both Calrec Sigma Desk w/Bluefin (128) 13 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E6-ch EVS XT2, 4-ch XT, 3 RO XT2, XFile2,

XHub, IPDirector; 2 DigiBeta, 2 DVCPRO

GV Kayenne

Voyager 10 53' expando HD Y Both Calrec Artemis (256, exp, to 340) 10 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E, 6-ch EVS XT2+, 4-ch XT2+, XFile2, Xhub; 2 DigiBeta, DVCPRO K2

Voyager 11 53' expando HD Y Both Calrec Artemis w/Bluefin (48 multi-layer) 10 Sony 12 Fujinon Chyron HyperX3 As requested GV Kalypso, 4M/E 6-ch EVS XT2+, 4-ch XT2+, XFile2,

XHub; 2 DigiBeta, DVCPRO

CsP

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ns HD1 53' expando HD N Both Calrec Omega 8 Ikegami 10 Canon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4.5M/E

2 6-ch EVS XT2, 1 4-ch XT2, 4-ch RO SpotBox, XFile, IPDirector; 4-ch K2 Solo,

HDCAM, HDDCV Pro, 2 DigiBeta

HD2 53' expando HD N Both Calrec Artemis 10 Ikegami 12 Canon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4.5M/E

8-ch EVS XT3, 2 6-ch XT3, 4-ch RO SpotBox, XFile, IPDirector; 4-ch K2 Solo,

HDCAM, HDDCV Pro, 2 DigiBeta; 2 6-ch XT2, 4-ch XT2, 4-ch RO SpotBox,

XFile, IPDirector; 4-ch K2 Solo, HDCAM, HDDCV Pro, 2 DigiBeta; 6-ch EVS XT, 4-ch XT2; 2 DigiBeta, 2 Beta SP,

FastFoward

HD3 53' HD N Both Calrec Omega 8 Ikegami 10 Canon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4.5M/E6-ch/4-ch EVS XT2, 4-ch RO XT2 Spot-Box, IPDirector; HDCAM, DVCPRO, 2

DigiBeta, FFVSD5 40' SD/ 16:9 N Triax Yamaha 3500 (56) 9 Ikegami 5 Fujinon Chyron HyperX Senn, EV, Sony GV 4000. 3M/E 4-ch EVS XT2, 4-ch LSM, XFile2; 2

BetaSP, 2 DigiBeta, FFV

Gearbase


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TriAx, Fiber, or

boTHAuDio Console

(CHAnnels)number oF

CAmerAs & mAke


Co

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TruCk nAme Dimensions HD/sD/ 3D

1080P/60 CAPAble

smPTe TriAx, Fiber, or

boTHAuDio Console

(CHAnnels)number oF

CAmerAs & mAke

lenses GrAPHiCs miCroPHonesProDuCTion

sWiTCHer, mix eFFeCTs

number rePlAy DeviCes sTill sTore

All

Mo

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Vid

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Epic 3D 53' double expando HD/3D Y Both Studer Vista 8 (256) 18 Sony (9 3ality

Technica 3D Rigs) 18 Fujinon Avid Deko 3000, Chyron HyperX3, Infinit As requested Sony MVX8000X, 4M/E 4 EVS, 18 HDCAM Sony

Titan 60' triple expando HD N Both Studer Vista 8 (256) 24 Sony 24 Fujinon As requested As requested Sony MVS8000A, 4M/E 4 6-ch EVS; HDCAM Sony

Celebrity 53' triple expando HD N Both Studer Vista 8 (256) 14 Sony 15 Fujinon Chyron Infinit As requested Sony MVS8000, 4M/E 10 HDCAM or DigiBeta Sony

Crossroads 53' triple expando HD N Both Studer Vista 8 (256) 16 Sony 16 Fujinon Pinnacle Deko 3000 As requested Sony MVS8000G, 4M/E 16 HDCAM Sony

Resolution 53' triple expando HD N Both Studer Vista 8 (256) 14 Sony 14 Fujinon Avid Deko 3000, Chyron

HyperX3, Infinit As requested Sony MVS8000, 4M/E 12 HDCAM SonyEndurance 53' expando SD N Triax Midas Legend 3000 (48) 12 Ikegami 12 Fujinon Avid Deko 3000 As requested GV Kalypso, 4M/E EVS, Tektronix Profile, as needed Leitch

Straight 51' SD N Triax Neve BTC (56) 8 Ikegami 9 Fujinon Chyron Infinit As requested GV4000, 3M/E 10 DigiBeta or BetaSP, 2 VHS Leitch

CbC

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ns ENCORE 53' expando HD N Both SSL C100 (96) 9 Sony, 2 Panasonic

POV 9 Canon Chyron HyperX3, Lyric Pro; Harris Inscriber G3

Senn, Sony, Beyer, Shure, Crown GV Kalypso, 4M/E

3 6-ch EVS XT2+, XHub2, XFile2; 3 HDCAM, 2 HDSR, XDcam, DigiBeta,

BetaSP/SX; DVDGV Kalypso

ÉVOLUTION 53' expando HD N Both Calrec Sigma w/Bluefin (80) 8 Sony, 2 Panasonic POV 11 Canon Chyron HyperX3, Lyric

Pro Senn, Sony, Beyer GV Kayenne, 4.5M/E2 6-ch EVS XT3, 6-ch XT2+, 4-ch XS

SpotBox, XHub2, XFile2; HDCAM, HDSR, XDcam, DigiBeta

GV Kayenne

INFINITY 53' expando HD N Both Calrec Artemis w/Bluefin (48 multi-layer)

6 Sony, 2 Panasonic POV

6 Canon, 2 Fujinon

Chyron HyperX3, Lyric Pro, Inscriber G3 Senn, Crown, Sony GV Kalypso, 4M/E

2 6-ch EVS XT3, XHub2, XFile2; 2 HDCAM, HDSR, XDcam, DigiBeta,

Beta SP/SX; DVDGV Kalypso

PREMIERE 53' expando HD N Both SSL C100 (96) 9 Sony, 2 Panasonic POV 11 Canon Chyron HyperX3, Lyric

Pro, Inscriber G3Senn, Sony, Beyer, Shure,

Crown GV Kalypso, 4M/E3 6-ch EVS XT2+, XHub2, XFile2; 3

HDCAM, 2 HDSR, XDcam, DigiBeta, Beta SP/SX, DVD

GV Kalypso

CHINOOK 53' expando SD N Triax Calrec T-100 (48) 9 Sony, 2 Sony POV 6 Canon, 4 Fujinon

Chyron HyperX3 Lyric Pro, Inscriber G3

Senn, A-T, Sony, Shure, EV, Crown GV Kalypso, 4M/E 6-ch EVS XT, 4-ch XT, RO XT; DigiBeta,

Beta SP/SX, DVD GV KalypsoCoAstAl

MediA GrouP

1 14x30 HD N Fiber Mackie (32) 5 JVC Lenses vary Chyron HyperX As requested FOR-A HVS 300 4-ch Abekas Mira Abekas

CorP

lex

Chromium HD 53' expando HD/3G Y Both Calrec Apollo 128 Fader (240) + 8 MADI 10 Sony 8 Fujinon,

7 Canon Per client spec Senn, Beyer, Sony, EV, Shure

GV Kayenne, 4M/E w/4-ch Summit server

4 6-ch EVS XT2, SpotBox, 2 XHub2; HDCAM, DigiBeta GV Kayenne

Iridium HD 53' expando HD N Both Calrec Sigma (144) 10 Sony 15 Canon Per client spec Senn, Beyer, Sony, EV, Shure GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2,

SpotBox, 2 XHub2; HDCAM, DigiBeta GV Kalypso w/Klip

Cache

Platinum HD 53' triple ex-pando HD N Both Calrec Alpha 100 (192) 10 Sony 15 Fujinon Per client spec Shure, Senn, A-T, Sony,

Sound Devices GV Kalypso, 4M/E2 6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2, SpotBox, 2 XHub2; HDCAM, DigiBeta,

BetaSPGV Kalypso w/Klip

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Pro

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HDRF 1 33' HD/SD Y Fiber or RF MIDAS (32) 6-8 HD RF N/A N/A Wired or wireless, call 32-ch Harris HD router N/A N/A

HDRF 5 53' HD/SD Y Fiber or RF MIDAS (32), STAGETEC (96) 8-12 HD RF N/A N/A Wired or wireless, call 32-ch Harris HD router N/A N/A

HDRF 6 53' HD/SD Y Fiber or RF MIDAS VERONA (48) 8-12 HD RF N/A N/A Wired or wireless, call 32-ch Harris HD router N/A

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Voyager 4 51' expando SD N N Yamaha PM4000 (48) 9 Sony 11 Fujinon Chyron HyperX HD/SD As requested GV Kalypso, 4M/E 6-ch EVS XT, 4-ch XT, XFile; FFV, 4 Digi-Beta, 6 Betacam GV Keyenne

Voyager 7 48' SD N N Soundcraft Series 4 (44) 9 Sony 6 Canon, 3 Fujinon Chyron HyperX HD/SD EV, A-T, Sony, Shure GV Kalypso, 4M/E 4-ch EVS XT2, XFile; 3 BetaSP,

3 DigiBeta, FFV GV Kayenne

Voyager 8 53' expando HD Y Both Calrec Sigma Desk w/Bluefin (128) 19 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E2 6-ch EVS XT2, 2 4-ch XT2, 3 RO XT2, XFile2, XHub, IPDirector; 2 DigiBeta,

4 DVCPROK2

Voyager 9 53' expando HD Y Both Calrec Sigma Desk w/Bluefin (128) 13 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E6-ch EVS XT2, 4-ch XT, 3 RO XT2, XFile2,

XHub, IPDirector; 2 DigiBeta, 2 DVCPRO

GV Kayenne

Voyager 10 53' expando HD Y Both Calrec Artemis (256, exp, to 340) 10 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E, 6-ch EVS XT2+, 4-ch XT2+, XFile2, Xhub; 2 DigiBeta, DVCPRO K2

Voyager 11 53' expando HD Y Both Calrec Artemis w/Bluefin (48 multi-layer) 10 Sony 12 Fujinon Chyron HyperX3 As requested GV Kalypso, 4M/E 6-ch EVS XT2+, 4-ch XT2+, XFile2,

XHub; 2 DigiBeta, DVCPRO

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ns HD1 53' expando HD N Both Calrec Omega 8 Ikegami 10 Canon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4.5M/E

2 6-ch EVS XT2, 1 4-ch XT2, 4-ch RO SpotBox, XFile, IPDirector; 4-ch K2 Solo,

HDCAM, HDDCV Pro, 2 DigiBeta

HD2 53' expando HD N Both Calrec Artemis 10 Ikegami 12 Canon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4.5M/E

8-ch EVS XT3, 2 6-ch XT3, 4-ch RO SpotBox, XFile, IPDirector; 4-ch K2 Solo,

HDCAM, HDDCV Pro, 2 DigiBeta; 2 6-ch XT2, 4-ch XT2, 4-ch RO SpotBox,

XFile, IPDirector; 4-ch K2 Solo, HDCAM, HDDCV Pro, 2 DigiBeta; 6-ch EVS XT, 4-ch XT2; 2 DigiBeta, 2 Beta SP,

FastFoward

HD3 53' HD N Both Calrec Omega 8 Ikegami 10 Canon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4.5M/E6-ch/4-ch EVS XT2, 4-ch RO XT2 Spot-Box, IPDirector; HDCAM, DVCPRO, 2

DigiBeta, FFVSD5 40' SD/ 16:9 N Triax Yamaha 3500 (56) 9 Ikegami 5 Fujinon Chyron HyperX Senn, EV, Sony GV 4000. 3M/E 4-ch EVS XT2, 4-ch LSM, XFile2; 2

BetaSP, 2 DigiBeta, FFV

Gear

base

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TriAx, Fiber, or

boTHAuDio Console

(CHAnnels)number oF

CAmerAs & mAke



d2

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s

Genesis 24'x8' HD Y SMPTE Fiber Soundcraft GB8 (32) 5 Sony PMW-EX3 2 Canon, 3 Canon Newtek Livetext

3 Senn HMD26600XQ, 3 EV RE50, 3 Sony EC-

M77B, 4 Senn MKH416, 4 Crown PCC-160

NewTek TriCaster 850 Extreme w/control surface NewTek 3Play 425 Integrated in TriCaster

do

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Pro

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Horizon HD 53' HD N Triax Calrec Alpha 100 (360) 10 GV 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch XT2

SpotBox, Xhub; 2 HDCAM GV Kalypso

Majestic HD w/B-Unit 53' HD N Triax Calrec Alpha 100 (360) 10 GV 14 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, XS

SpotBox, XHub, 2 HDCAM GV Kalypso

Spirit HD 53' HD N Both Calrec Sigma (360) 10 Sony 1500 11 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch

SpotBox XS, XHub2; 2 HDCAM GV Kalypso

Trillium HD w/B-Unit 53' HD N Both Calrec Alpha 100 w/Bluefin (540) 10 Sony 1500 14 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch XT2

SpotBox, XHub2; 2 HDCAM GV Kalypso

Tribute HD 53' HD N Triax Calrec (240) 10 GV 11 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kayenne, 4M/E 2 6-ch EVS XT2, 4-ch RO XT3, XS

SpotBox, Xhub; 2 HDCAM GV Kayenne

Thunder HD 53' HD Partial Both Calrec Sigma (360) 10 Sony 1500 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch XT2


Echo HD 53' HD Partial Both Calrec Sigma (360) 10 Sony 1500 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS XT2+, 4-ch RO XT2, 4-ch XS


Pacific HD 53' HD Except SWR Both Calrec Artemis (360) 10 Sony 2400 11 Fujinon Chyron HyperX3, Lyric Pro A-T, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch XT3 LSM, 4-ch RO XT3, 4-ch XS

SpotBox, Xfile, 2 XHub3 GV Kayenne

Atlantic HD 53' HD Except SWR Both Calrec Artemis (360) 10 Sony 2400 11 Fujinon Chyron HyperX3, Lyric Pro A-T, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch XT3 LSM, 4-ch RO XT3, 4-ch XS

SpotBox, Xfile, 2 XHUB3 GV Kayenne

Unity 53' SD N Triax Calrec S2 (60) 9 Ikegami 9 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS; 4 DigiBeta, BetaSP GV Kalypso

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ECO-3HD 30x20 HD N Triax Yamaha (48) 9 Sony 5 Fujinon Chyron Duet Hyper LEX2

6 A-T lav mics, 4 shot-gun mics

Sony MVS-8000GSF, 2M/E 6-ch EVS, 2 HyperDeck SSD

F&F

Pro

du

Ctio

ns GTX-11 53' expando HD N Both Calrec Omega w/Bluefin (96) 13 Ikegami 15 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4M/E 2 4-ch EVS HD XT2, 2 6-ch HD XT2;

DVCPRO, DigiBetaKayenne, Image Store,

4-ch K2 Summit serverGTX-12 53' expando HD N Both Calrec Artemis Beam Digital w/

Bluefin2 (128) 13 Ikegami 15 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4M/E 2 4-ch EVS HD XT2, 2 6-ch HD XT2; DVCPRO, DigiBeta

Kayenne, Image Store, 4-ch K2 Summit server

GTX-14 53' expando HD N Both Calrec Artemis Beam Digital w/Bluefin2 (128) 14 Ikegami 16 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4M/E 2 4-ch EVS HD XT2, 2 6-ch HD XT2;

2 SRW5500, DigiBeta Kayenne, Image Store,

4-ch K2 Summit serverGTX-15 53' double

expando HD Y Both Calrec Alpha w/Bluefin2 (128) 14 Ikegami 16 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4M/E 2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2, 2 DVCPRO, HDCAM, DigiBeta


GTX-16 53' double expando HD Y Both Calrec Apollo w/Bluefin2 (128) 14 Ikegami 16 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4M/E 4 6-ch EVS HD XT2; 2 SRW5500,


4-ch K2 Summit server

GA

Me

Cree

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ideo

Eagle A & B 53' expando HD N Both Calrec Omega w/Bluefin (56) 10 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch RO EVS; DigiBeta, HDCAM, DVCPRO GV Kalypso

Freedom A & B 53' expando HD N Both Calrec Sigma 100 (64) 12 Sony 15 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 6-ch EVS XT2, 3 4-ch RO XT2; DVCPRO, HDCAM, DigiBeta GV Kalypso

Intrepid A & B 53' expando HD N Both Calrec Sigma 100 (64) 13 Sony 15 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 EVS XT2, 3 RO EVS; DVCPRO, DigiBeta GV KalypsoNorthstar 53' expando HD N Both Calrec Sigma w/Bluefin (64) 10 Sony 12 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch EVS RO,

DigiBeta, HDCAM, DVCPRO GV Kalypso

Patriot A & B 53' expando HD N Both Calrec Alpha 100 (72) 12 Sony 14 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch RO XT2; DigiBeta, HDCAM, DVCPRO GV Kalypso

Fox A, B, C (D, E) 2 53' expandos HD N Both Calrec Alpha w/Bluefin (96), Calrec Sigma 100 (64) 14 Sony 18 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 4 6-ch XT2 Super Slo

Mo, 4 6-ch RO EVS; DVCPRO GV Kayenne

Clipper A & B 53' expando HD N Both Calrec Alpha 100 (72) 12 Sony 16 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 4-ch EVS XT2, 3 4-ch RO XT2; HDCAM GV Kalypso

Liberty A & B 53' dual expando HD N Both Calrec Alpha w/Bluefin (96) 12 Sony 16 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 3 6-ch EVS XT2, 2 4-ch RO EVS;

DVCPRO, DigiBeta GV Kayenne

Legends 53' expando HD N Both Calrec Alpha w/Bluefin (80) 12 Sony 14 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 2 4-ch RO EVS; 3 HDCAM, DigiBeta GV Kalypso

Dynasty A & B 53' dual expando HD Y Both Calrec Alpha w/Bluefin (96) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 EVS XT2, 4 RO EVS; DVCPRO, DigiBeta GV Kayenne

Larkspur 53' expando HD Y Both Calrec Alpha w/Bluefin (80) 11 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 3 4-ch RO EVS; DigiBeta, DVCPRO GV Kayenne

Victory A & B 53' dual expando HD Y Both Calrec Apollo (144) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 EVS XT2+, 4 RO EVS; DVCPRO,

DigiBeta GV Kayenne

Justice 53' expando HD Y Both Calrec Apollo (144) 11 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 3 4-ch RO EVS; DigiBeta, DVCPRO GV Kayenne

GCV-B1 53' HD Y N/A N/A N/A N/A N/A N/A N/A N/A N/AGCV-B2 53' HD Y N/A N/A N/A N/A N/A N/A N/A N/A N/A

Pride A & B 53' dual expando HD Y Both Calrec Apollo (144) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 EVS XT3, 2 RO EVS; DVCPRO, DigiBeta GV Kayenne

Glory 53' dual expando HD Y Both Calrec Apollo (144) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 4 EVS XT3, 5 RO EVS; DVCPRO, DigiBeta GV Kayenne

TBD 53' expando HD Y Both Calrec Artemis (144) 10 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 3 4-ch RO EVS; DigiBeta, DVCPRO GV Kayenne

Gearbase

Co

mPA

ny


TriAx, Fiber, or

boTHAuDio Console

(CHAnnels)number oF

CAmerAs & mAke



d2

Pr

od

uCt

ion

s

Genesis 24'x8' HD Y SMPTE Fiber Soundcraft GB8 (32) 5 Sony PMW-EX3 2 Canon, 3 Canon Newtek Livetext

3 Senn HMD26600XQ, 3 EV RE50, 3 Sony EC-

M77B, 4 Senn MKH416, 4 Crown PCC-160

NewTek TriCaster 850 Extreme w/control surface NewTek 3Play 425 Integrated in TriCaster

do

Me

Pro

du

Ctio

ns

Horizon HD 53' HD N Triax Calrec Alpha 100 (360) 10 GV 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch XT2

SpotBox, Xhub; 2 HDCAM GV Kalypso

Majestic HD w/B-Unit 53' HD N Triax Calrec Alpha 100 (360) 10 GV 14 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, XS

SpotBox, XHub, 2 HDCAM GV Kalypso

Spirit HD 53' HD N Both Calrec Sigma (360) 10 Sony 1500 11 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch

SpotBox XS, XHub2; 2 HDCAM GV Kalypso

Trillium HD w/B-Unit 53' HD N Both Calrec Alpha 100 w/Bluefin (540) 10 Sony 1500 14 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch XT2


Tribute HD 53' HD N Triax Calrec (240) 10 GV 11 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kayenne, 4M/E 2 6-ch EVS XT2, 4-ch RO XT3, XS

SpotBox, Xhub; 2 HDCAM GV Kayenne

Thunder HD 53' HD Partial Both Calrec Sigma (360) 10 Sony 1500 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch XT2


Echo HD 53' HD Partial Both Calrec Sigma (360) 10 Sony 1500 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS XT2+, 4-ch RO XT2, 4-ch XS


Pacific HD 53' HD Except SWR Both Calrec Artemis (360) 10 Sony 2400 11 Fujinon Chyron HyperX3, Lyric Pro A-T, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch XT3 LSM, 4-ch RO XT3, 4-ch XS

SpotBox, Xfile, 2 XHub3 GV Kayenne

Atlantic HD 53' HD Except SWR Both Calrec Artemis (360) 10 Sony 2400 11 Fujinon Chyron HyperX3, Lyric Pro A-T, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch XT3 LSM, 4-ch RO XT3, 4-ch XS

SpotBox, Xfile, 2 XHUB3 GV Kayenne

Unity 53' SD N Triax Calrec S2 (60) 9 Ikegami 9 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS; 4 DigiBeta, BetaSP GV Kalypso

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on

s

ECO-3HD 30x20 HD N Triax Yamaha (48) 9 Sony 5 Fujinon Chyron Duet Hyper LEX2

6 A-T lav mics, 4 shot-gun mics

Sony MVS-8000GSF, 2M/E 6-ch EVS, 2 HyperDeck SSD

F&F

Pro

du

Ctio

ns GTX-11 53' expando HD N Both Calrec Omega w/Bluefin (96) 13 Ikegami 15 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4M/E 2 4-ch EVS HD XT2, 2 6-ch HD XT2;


4-ch K2 Summit serverGTX-12 53' expando HD N Both Calrec Artemis Beam Digital w/

Bluefin2 (128) 13 Ikegami 15 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4M/E 2 4-ch EVS HD XT2, 2 6-ch HD XT2; DVCPRO, DigiBeta


GTX-14 53' expando HD N Both Calrec Artemis Beam Digital w/Bluefin2 (128) 14 Ikegami 16 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4M/E 2 4-ch EVS HD XT2, 2 6-ch HD XT2;

2 SRW5500, DigiBeta Kayenne, Image Store,

4-ch K2 Summit serverGTX-15 53' double

expando HD Y Both Calrec Alpha w/Bluefin2 (128) 14 Ikegami 16 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4M/E 2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2, 2 DVCPRO, HDCAM, DigiBeta


GTX-16 53' double expando HD Y Both Calrec Apollo w/Bluefin2 (128) 14 Ikegami 16 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kayenne, 4M/E 4 6-ch EVS HD XT2; 2 SRW5500,


4-ch K2 Summit server

GA

Me

Cree

k V

ideo

Eagle A & B 53' expando HD N Both Calrec Omega w/Bluefin (56) 10 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch RO EVS; DigiBeta, HDCAM, DVCPRO GV Kalypso

Freedom A & B 53' expando HD N Both Calrec Sigma 100 (64) 12 Sony 15 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 6-ch EVS XT2, 3 4-ch RO XT2; DVCPRO, HDCAM, DigiBeta GV Kalypso

Intrepid A & B 53' expando HD N Both Calrec Sigma 100 (64) 13 Sony 15 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 EVS XT2, 3 RO EVS; DVCPRO, DigiBeta GV KalypsoNorthstar 53' expando HD N Both Calrec Sigma w/Bluefin (64) 10 Sony 12 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch EVS RO,

DigiBeta, HDCAM, DVCPRO GV Kalypso

Patriot A & B 53' expando HD N Both Calrec Alpha 100 (72) 12 Sony 14 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch RO XT2; DigiBeta, HDCAM, DVCPRO GV Kalypso

Fox A, B, C (D, E) 2 53' expandos HD N Both Calrec Alpha w/Bluefin (96), Calrec Sigma 100 (64) 14 Sony 18 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 4 6-ch XT2 Super Slo

Mo, 4 6-ch RO EVS; DVCPRO GV Kayenne

Clipper A & B 53' expando HD N Both Calrec Alpha 100 (72) 12 Sony 16 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 4-ch EVS XT2, 3 4-ch RO XT2; HDCAM GV Kalypso

Liberty A & B 53' dual expando HD N Both Calrec Alpha w/Bluefin (96) 12 Sony 16 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 3 6-ch EVS XT2, 2 4-ch RO EVS;

DVCPRO, DigiBeta GV Kayenne

Legends 53' expando HD N Both Calrec Alpha w/Bluefin (80) 12 Sony 14 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 2 4-ch RO EVS; 3 HDCAM, DigiBeta GV Kalypso

Dynasty A & B 53' dual expando HD Y Both Calrec Alpha w/Bluefin (96) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 EVS XT2, 4 RO EVS; DVCPRO, DigiBeta GV Kayenne

Larkspur 53' expando HD Y Both Calrec Alpha w/Bluefin (80) 11 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 3 4-ch RO EVS; DigiBeta, DVCPRO GV Kayenne

Victory A & B 53' dual expando HD Y Both Calrec Apollo (144) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 EVS XT2+, 4 RO EVS; DVCPRO,

DigiBeta GV Kayenne

Justice 53' expando HD Y Both Calrec Apollo (144) 11 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 3 4-ch RO EVS; DigiBeta, DVCPRO GV Kayenne

GCV-B1 53' HD Y N/A N/A N/A N/A N/A N/A N/A N/A N/AGCV-B2 53' HD Y N/A N/A N/A N/A N/A N/A N/A N/A N/A

Pride A & B 53' dual expando HD Y Both Calrec Apollo (144) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 EVS XT3, 2 RO EVS; DVCPRO, DigiBeta GV Kayenne

Glory 53' dual expando HD Y Both Calrec Apollo (144) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 4 EVS XT3, 5 RO EVS; DVCPRO, DigiBeta GV Kayenne

TBD 53' expando HD Y Both Calrec Artemis (144) 10 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 3 4-ch RO EVS; DigiBeta, DVCPRO GV Kayenne

Gear

base


Co

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TriAx, Fiber, or

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(CHAnnels)number oF

CAmerAs & mAke


iMs

Pr

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ns

IMS HD1 53' expando HD Y Both Calrec Sigma (128) 16 Sony 20 Canon Chyron HPX Senn, Beyer, Shure, Sony GV Kalypso+K13, 4M/E 2 6-ch EVS XT2, 4 6-ch RO XT2, SpotBox, XFile, SportsHub; DVCPRO, HDCAM

IMS HD2 53' dual expando HD Y Triax Calrec Sigma (128) 8 Sony 10 Canon Chyron HPX Senn, Beyer, Shure, Sony GV Kayenne, 4.5M/E

6-ch EVS XT2, 4-ch EVS XT2, 2 4-ch EVS XT2 RO, SpotBox, XFile, SportsHub,

DigiBetaJAs

diGitAl New Wave 30' HD N Fiber Yamaha M7CL (32) 8 Sony PDW700 8 Fujinon Chyron HyperX2 Shure Sony MFS-2000, 1.4M/E N/A SonyJones

Mobile tV

JMTV 51' expando SD N Triax Yamaha PM4000 (56) 8 Sony 10 Fujinon Chyron HyperX3 A-T, Beyer, PZM, Sony, EV, Lectro GV 4000, 3M/E

6-ch EVS XT2, 4-ch RO XT2, 4-ch SpotBox, XHub, XNet,

XFile; 2 DigiBeta, 2 BetaSPkodiAk Mobile

tVGrizz HD 45' HD N Triax Calrec Omega w/Bluefin (80) 7 GV LDK 3000+ 7 Fujinon Chyron HyperX3 Senn, Sony, A-T, EV GV Kayenne, 2.5M/E

2 6-ch EVS XT Nano, 8-ch Tightrope ZePlay, HDCam, 2 DVCPro HD,

10 Ki Pro RackGV Kayenne

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Lyon-1 38' expando HD N Both Yamaha M7CL (48) 6 GV 6 Fujinon Per request Senn, A-T, Sony GV Kalypso, 3M/E 6-ch EVS XT2, 4-ch XT2, XFile, XHub; FFV HD, DVCPRO HD, DigiBeta GV Kalypso


Lyon-5 53' expando HD N Triax Calrec Q2 (120) 10 GV 10 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E2 6-ch EVS XT2, 2 4-ch RO XT2, XFile2; FFV HD, HDCAM, DVCPRO, DigiBeta,

BetaSP, DVDGV Kalypso

Lyon-6 53' expando HD N Triax Calrec Alpha (160) 11 GV 12 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E6-ch EVS XT2+, 6-ch XT2, 4-ch RO

XT2+, 4-ch RO XT2, XT2+, SpotBox, XFile2; DVCPRO, DigiBeta, BetaSP, DVD

GV Kalypso

Lyon-7 53' expando HD N Triax Calrec Sigma w/Bluefin (320) 11 GV 12 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E2 6-ch EVS XT2, 2 4-ch XT2 RO, XT2, SpotBox, XFile2; HDCAM, DVCPRO,

DigiBeta, BetaSP, DVDGV Kalypso

Lyon-8 53' expando HD N Both Calrec Sigma w/Bluefin (320) 13 GV 19 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kayenne, 4.5M/E3 6-ch EVS XT2, 3 4-ch RO XT2, XFile2;

HDCAM, DVCPRO, DigiBeta, BetaSP, DVD

GV Kayenne

Lyon-9 50' expando HD N Both Calrec Omega Digital w/Bluefin (160) 9 GV 11 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kalypso, 4M/E

2 6-ch EVS XT2, 2 4-ch RO XT2, XT2, SpotBox, XFile2; DVCPRO, HDCAM,



2 6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2, XT2, SpotBox, XFile2; DVCPRO,

2 HDCAM, DigiBeta, BetaSP, DVDGV Kalypso

Lyon-11 53' expando HD Y Both Calrec Apollo w/Bluefin2 (1,020) 16 GV 20 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kayenne, 4.5M/E4 6-ch EVS XT2+, 4-ch XS2+, SpotBox, XFile2; DVCPRO, HDCAM, DigiBeta,

BetaSP, DVDGV Kayenne

Lyon-12 53' expando HD Y Both Calrec Artemis w/Bluefin2 (340) 12 GV 12 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kayenne, 4.5M/E3 6-ch EVS XT2+, 4-ch RO XT2+, EVS

XT2+, SpotBox, XFile2; DVCPRO, HDCAM, DigiBeta, BetaSP, DVD

GV Kayenne

MA

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M

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ME-1 50' expando SD N Triax Yamaha PM1D (128) 9 Ikegami 9 Fujinon Chyron HyperX w/C-Mix, Lyric 5.25 and 6.5

Senn, EV, Sony sports complement GV Kalypso, 3M/E EVS 4-ch LSM, 4 DigiBeta, 2 Beta SP GV Kalypso

ME-2HD 53' expando HD N Triax SSL C-100HD (256) 11 GV, 2 Sony robos

2 Canon 100x, 5

Canon 86x, 3 Canon

22x, 2 Canon 11x

Chyron HyperX3, Lyric 8.0 Senn, EV, Sony GV Kalypso, 4M/E 2 6-ch EVS, 4-ch RO EVS; 2 HDCAM,

XDCAM, DVCPRO, 2 DVD GV Kalypso

Met

ro V

isio

n Metro HD-1 40' expando HD/SD N Fiber Studer Vista 5 Console (24) 10 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV GV HD/SD Kalypso, 4M/E 2 6-ch EVS XT2, DigiBeta, DVD FFV,

DigiBeta, DVCAM, DVCPRO GV Kalypso

Metro HD-2 40' expando HD/SD N Fiber Calrec Omega w/Bluefin (64) 8 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV GV HD/SD Kalypso, 4M/E 2 6-ch EVS XT2, DigiBeta, DVD, FFV,


Metro HD-3 40' HD/SD N Fiber Allen & Heath ML5000 (32) 6 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV Sony HD/SD MVS-8000A

2.5M/E6-ch EVS XT2, DigiBeta, DVD, DigiBeta,

DVCAM, DVCPRO Sony MVS-8000A

Mir

A M

obi

le

MIRA M4HD 53' expando HD N Both Yamaha PM-5000 (64) 8 Sony 9 Canon Chyron HyperX3 Senn, Beyer, EV, Shure, Sony GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2,

SpotBox, XFile; FFV GV Kalypso w/Klip

Cache

MIRA M5HD (dual feed) 53' expando HD N Both Yamaha PM-5000 (64) 10 Sony 11 Fujinon 2 Chyron HyperX3 Senn, EV, Shure, Sony GV Kalypso, 4M/E2 6-ch EVS XT2+, 2 RO XT 2+, SpotBox, XFile; HD FFV, ClipStore, DigiBeta, Beta

SP GV Kalypso w/Klip

Cache

MIRA M6 53' expando SD N Triax Soundcraft Series 5 (64) 10 Ikegami 1 Canon, 9 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kalypso, 4M/E 6-ch EVS XT, XFile; 4 DigiBeta, 2 BetaSP,

FFV GV Kalypso w/Klip

Cache

MIRA M7HD 53' expando HD N Both Calrec Sigma w/Bluefin (104 mono, 104 stereo) 10 Sony 12 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E

6-ch EVS XT2, 4-ch XT2, 2 4-ch RO XT2, SpotBox, XFile; XDCAM, HDCAM,

DigiBeta, BetaSPGV Kalypso w/Klip

Cache

MIRA M8HD 48' expando HD N Both Calrec Omega w/Bluefin (64 mono, 48 stereo) 7 Sony 8 Fujinon Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch RO XT2, SpotBox;

2 DVD, BetaSP, DigiBetaGV Kalypso w/Klip

CacheMIRA M9HD 53' expando HD N Both Calrec Sigma w/Bluefin (104 mono,

104 stereo) 10 Sony 12 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E 2 6-ch EVS XT2, 2 4-ch RO XT2, SpotBox, XFile; DVCPRO, DigiBeta

GV Kalypso w/Klip Cache

MIRA M10 53' expando SD N Triax Yamaha PM-4000 (56) 10 Ikegami 10 Fujinon Chyron LEX Senn, EV, Sony GV Kalypso, 4M/E 6-ch EVS XT, XFile; FFV, 4 DigiBeta, 2 BetaSP, 2 DVD


MIRA M11HD 53' expando HD N Both Calrec Sigma w/Bluefin (104 mono, 104 stereo) 10 Sony 11 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E 2 6-ch EVS XT2+, 2 4-ch RO XT2+, Spot-

Box, XFile; 1 DVCPRO, DigiBetaGV Kalypso w/Klip

Cache

Gearbase


Co

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TriAx, Fiber, or

boTHAuDio Console

(CHAnnels)number oF

CAmerAs & mAke


iMs

Pr

odu

Ctio

ns

IMS HD1 53' expando HD Y Both Calrec Sigma (128) 16 Sony 20 Canon Chyron HPX Senn, Beyer, Shure, Sony GV Kalypso+K13, 4M/E 2 6-ch EVS XT2, 4 6-ch RO XT2, SpotBox, XFile, SportsHub; DVCPRO, HDCAM

IMS HD2 53' dual expando HD Y Triax Calrec Sigma (128) 8 Sony 10 Canon Chyron HPX Senn, Beyer, Shure, Sony GV Kayenne, 4.5M/E

6-ch EVS XT2, 4-ch EVS XT2, 2 4-ch EVS XT2 RO, SpotBox, XFile, SportsHub,

DigiBetaJAs

diGitAl New Wave 30' HD N Fiber Yamaha M7CL (32) 8 Sony PDW700 8 Fujinon Chyron HyperX2 Shure Sony MFS-2000, 1.4M/E N/A SonyJones

Mobile tV

JMTV 51' expando SD N Triax Yamaha PM4000 (56) 8 Sony 10 Fujinon Chyron HyperX3 A-T, Beyer, PZM, Sony, EV, Lectro GV 4000, 3M/E

6-ch EVS XT2, 4-ch RO XT2, 4-ch SpotBox, XHub, XNet,

XFile; 2 DigiBeta, 2 BetaSPkodiAk Mobile

tVGrizz HD 45' HD N Triax Calrec Omega w/Bluefin (80) 7 GV LDK 3000+ 7 Fujinon Chyron HyperX3 Senn, Sony, A-T, EV GV Kayenne, 2.5M/E

2 6-ch EVS XT Nano, 8-ch Tightrope ZePlay, HDCam, 2 DVCPro HD,

10 Ki Pro RackGV Kayenne

lyo

n V

ideo



Lyon-5 53' expando HD N Triax Calrec Q2 (120) 10 GV 10 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E2 6-ch EVS XT2, 2 4-ch RO XT2, XFile2; FFV HD, HDCAM, DVCPRO, DigiBeta,

BetaSP, DVDGV Kalypso

Lyon-6 53' expando HD N Triax Calrec Alpha (160) 11 GV 12 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E6-ch EVS XT2+, 6-ch XT2, 4-ch RO

XT2+, 4-ch RO XT2, XT2+, SpotBox, XFile2; DVCPRO, DigiBeta, BetaSP, DVD

GV Kalypso

Lyon-7 53' expando HD N Triax Calrec Sigma w/Bluefin (320) 11 GV 12 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E2 6-ch EVS XT2, 2 4-ch XT2 RO, XT2, SpotBox, XFile2; HDCAM, DVCPRO,


Lyon-8 53' expando HD N Both Calrec Sigma w/Bluefin (320) 13 GV 19 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kayenne, 4.5M/E3 6-ch EVS XT2, 3 4-ch RO XT2, XFile2;

HDCAM, DVCPRO, DigiBeta, BetaSP, DVD

GV Kayenne


2 6-ch EVS XT2, 2 4-ch RO XT2, XT2, SpotBox, XFile2; DVCPRO, HDCAM,



2 6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2, XT2, SpotBox, XFile2; DVCPRO,

2 HDCAM, DigiBeta, BetaSP, DVDGV Kalypso

Lyon-11 53' expando HD Y Both Calrec Apollo w/Bluefin2 (1,020) 16 GV 20 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kayenne, 4.5M/E4 6-ch EVS XT2+, 4-ch XS2+, SpotBox, XFile2; DVCPRO, HDCAM, DigiBeta,

BetaSP, DVDGV Kayenne

Lyon-12 53' expando HD Y Both Calrec Artemis w/Bluefin2 (340) 12 GV 12 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kayenne, 4.5M/E3 6-ch EVS XT2+, 4-ch RO XT2+, EVS

XT2+, SpotBox, XFile2; DVCPRO, HDCAM, DigiBeta, BetaSP, DVD

GV Kayenne

MA

nsi

on

M

obi

le t

V

ME-1 50' expando SD N Triax Yamaha PM1D (128) 9 Ikegami 9 Fujinon Chyron HyperX w/C-Mix, Lyric 5.25 and 6.5

Senn, EV, Sony sports complement GV Kalypso, 3M/E EVS 4-ch LSM, 4 DigiBeta, 2 Beta SP GV Kalypso

ME-2HD 53' expando HD N Triax SSL C-100HD (256) 11 GV, 2 Sony robos

2 Canon 100x, 5

Canon 86x, 3 Canon

22x, 2 Canon 11x

Chyron HyperX3, Lyric 8.0 Senn, EV, Sony GV Kalypso, 4M/E 2 6-ch EVS, 4-ch RO EVS; 2 HDCAM,

XDCAM, DVCPRO, 2 DVD GV Kalypso

Met

ro V

isio

n Metro HD-1 40' expando HD/SD N Fiber Studer Vista 5 Console (24) 10 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV GV HD/SD Kalypso, 4M/E 2 6-ch EVS XT2, DigiBeta, DVD FFV,


Metro HD-2 40' expando HD/SD N Fiber Calrec Omega w/Bluefin (64) 8 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV GV HD/SD Kalypso, 4M/E 2 6-ch EVS XT2, DigiBeta, DVD, FFV,


Metro HD-3 40' HD/SD N Fiber Allen & Heath ML5000 (32) 6 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV Sony HD/SD MVS-8000A

2.5M/E6-ch EVS XT2, DigiBeta, DVD, DigiBeta,

DVCAM, DVCPRO Sony MVS-8000A

Mir

A M

obi

le

MIRA M4HD 53' expando HD N Both Yamaha PM-5000 (64) 8 Sony 9 Canon Chyron HyperX3 Senn, Beyer, EV, Shure, Sony GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2,

SpotBox, XFile; FFV GV Kalypso w/Klip

Cache

MIRA M5HD (dual feed) 53' expando HD N Both Yamaha PM-5000 (64) 10 Sony 11 Fujinon 2 Chyron HyperX3 Senn, EV, Shure, Sony GV Kalypso, 4M/E2 6-ch EVS XT2+, 2 RO XT 2+, SpotBox, XFile; HD FFV, ClipStore, DigiBeta, Beta

SP GV Kalypso w/Klip

Cache

MIRA M6 53' expando SD N Triax Soundcraft Series 5 (64) 10 Ikegami 1 Canon, 9 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kalypso, 4M/E 6-ch EVS XT, XFile; 4 DigiBeta, 2 BetaSP,

FFV GV Kalypso w/Klip

Cache

MIRA M7HD 53' expando HD N Both Calrec Sigma w/Bluefin (104 mono, 104 stereo) 10 Sony 12 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E

6-ch EVS XT2, 4-ch XT2, 2 4-ch RO XT2, SpotBox, XFile; XDCAM, HDCAM,

DigiBeta, BetaSPGV Kalypso w/Klip

Cache

MIRA M8HD 48' expando HD N Both Calrec Omega w/Bluefin (64 mono, 48 stereo) 7 Sony 8 Fujinon Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch RO XT2, SpotBox;

2 DVD, BetaSP, DigiBetaGV Kalypso w/Klip

CacheMIRA M9HD 53' expando HD N Both Calrec Sigma w/Bluefin (104 mono,

104 stereo) 10 Sony 12 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E 2 6-ch EVS XT2, 2 4-ch RO XT2, SpotBox, XFile; DVCPRO, DigiBeta


MIRA M10 53' expando SD N Triax Yamaha PM-4000 (56) 10 Ikegami 10 Fujinon Chyron LEX Senn, EV, Sony GV Kalypso, 4M/E 6-ch EVS XT, XFile; FFV, 4 DigiBeta, 2 BetaSP, 2 DVD


MIRA M11HD 53' expando HD N Both Calrec Sigma w/Bluefin (104 mono, 104 stereo) 10 Sony 11 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E 2 6-ch EVS XT2+, 2 4-ch RO XT2+, Spot-

Box, XFile; 1 DVCPRO, DigiBetaGV Kalypso w/Klip

Cache

Gear

base


Co

mPA

ny


TriAx, Fiber, or

boTHAuDio Console

(CHAnnels)number oF

CAmerAs & mAke


MirA Mobile MIRA M12HD 53' expando HD N Both Calrec Artemis Beam w/Bluefin2 &

Hydra2 (104 mono, 104 stereo)12 GV LDK 8000

Elite 13 Fujinon Chyron HyperX3 Senn, Shure, Sony, Beyer GV Kayenne 4.5M/E 2 6-ch EVS XT3, 2 4-ch RO XT2+, Spot-Box, XFile; HDCAM, DigiBeta, XDCam

GV Kayenne w/Klip Cache

Mo

bile

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Gro

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2X 50' expando SD N Triax Soundcraft Europa (48) 8 Sony 10 Canon Chyron HyperX2 A-T, Senn, EV, Sony GV 3000, 3M/E 3 EVS, 3 BetaSP GV Kalypso5HDX 53' expando HD N Triax Soundcraft Series 5 (56) 10 GV 11 Canon Chyron HyperX2 A-T, Senn, EV, Sony GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch XT2, DigiBeta, 2

BetaSPGV Kalypso, Abekas

ClipStore7HDX 53' expando HD N Triax Euphonix System 5-B (96) 10 GV, 1 Ultra-Mo

Phantom V640 11 Canon Chyron HyperX2 A-T, Senn GV XTEN DD, 4M/E 2 4-ch EVS XT, 6-ch XT2, 4-ch RO XT; DigiBeta, 2 BetaSP

GV Kalypso, Abekas ClipStore

8HDX 53' expando HD N Triax Euphonix System 5-B (96) 10 GV, 1 Ultra-Mo Phantom V640

10 Canon, 1 Ang-enieux

Chyron HyperX2, HyperX3 A-T, Senn GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch XT2, 2 4-ch RO XT;

DigiBeta, 2 BetaSPGV Kalypso, Abekas

ClipStore

11HDX 53' expando HD N Triax Euphonix System 5-B (96) 10 GV, 1 Ultra-Mo Phantom V640 12 Canon Chyron HyperX2,

HyperX3 A-T, Senn GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch XT2, 2 4-ch RO XT; DigiBeta, 2 BetaSP





14D 53' SD N Triax Yamaha PM 4000 (40) 8 Sony 9 Canon Chyron LEX Senn Sony DVS 7250, 3.5M/E EVS, 3 BetaSP Sony16HDX 53' expando HD N Triax Euphonix System 5-B (96) 10 GV, 1 Ultra-Mo

Phantom V640 12 Canon Chyron HyperX2, HyperX3 A-T, Senn, EV GV Kalypso, 4M/E 2 4-ch EVS XT2, 6-ch XT2, 2 4-ch RO XT,

XFile; DigiBeta, 2 BetaSPGV Kalypso, Abekas

ClipStore17HDX-S 40' expando HD N Triax Yamaha PM 5000 (48) 6 GV 8 Canon Chyron HyperX2 Senn, Sony, EV GV Kayak-300, 3M/E 6-ch EVS XT, 6-ch RO XT; DVD Internal, Abekas Clip-

Store18HDX-S 40' expando HD N Triax Yamaha PM 5000 (48) 6 GV 8 Canon Chyron HyperX2 Senn, Sony, EV GV Kayak-300, 3M/E 6-ch EVS XT, 6-ch RO XT; DVD Internal, Abekas Clip-


Store20HDX 53' expando HD N Triax Euphonix System 5-B (96) 10 GV, 1 Ultra-Mo

Phantom V640 12 Canon Chyron HyperX2, HyperX3 A-T, Senn, EV GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch XT2, 4-ch RO XT;

DigiBeta, 2 BetaSPInternal, Abekas Clip-

Store21HDX-S 48' expando HD N Triax Euphonix (84) 8 GV 10 Canon Chyron HyperX2 Senn, Sony, EV GV Kalypso, 3M/E 6-ch EVS XT, 4-ch XT, 4-ch RO XT;

BetaSP, DigiBeta, DVDInternal, Abekas Clip-

Store22HDX-S 48' expando HD N Triax Euphonix (108) 8 GV, 1 Ultra-Mo

Phantom V640 12 Canon Chyron HyperX2 Senn, Sony, EV GV Kayak, 4.5M/E 2 4-ch EVS XT, 6-ch XT2, 4-ch RO XT; DigiBeta, 2 BetaSP, DVD

Internal, Abekas Clip-Store

23HDX-S 48' expando HD N Triax Euphonix (108) 8 GV, 1 Ultra-Mo Phantom V640 9 Canon Chyron HyperX Senn, Sony, EV GV Kalypso, 3M/E 6-ch EVS XT, 4-ch XT, 2 4-ch RO XT;

BetaSP, DVDInternal, Abekas Clip-

StorePUMA HD 32' expando HD N Triax Yamaha (40) 6 GV 5 Canon Chyron HyperX2 Senn, Sony, EV GV Kayak, 2M/E 4-ch EVS XT, 4-ch EVS XT RO, BetaSP Internal, Abekas Clip-

StorePUMA Colorado 32' expando SD N Triax Yamaha (40) 5 GV 5 Canon Chyron HyperX2 Senn, Sony, EV GV Kayak, 2M/E 4-ch EVS; DVCAM, DVD Internal, Abekas Clip-

Store24HDX 48' expando HD N Triax Euphonix MaxAIR (108) 8 GV 9 Canon Chyron HyperX2 Senn, Sony, EV GV Kayak, 3.5M/E 6-ch EVS, 4-ch EVS, 4-ch RO EVS, XFile;



Phantom V640 11 Canon Chyron HyperX2 Senn, Sony, EV GV Kayenne, 4.5M/E 2 4-ch EVS XT2, 6-ch XT2, 2 4-ch RO XT, 2 Xfile; DigiBeta, 2 BetaSP



HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 4-ch EVS XT2, 2 6-ch XT2, 2 4-ch RO XT2, 2 XFile; DigiBeta, BetaSP


27HDX 53' expando HD N Triax Euphonix (24) 10 GV, 1 Ultra-Mo Phantom V640 11 Canon Chyron HyperX2,

HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 4-ch EVS XT2, 2 6-ch XT2, 2 4-ch RO XT2, 2 XFile; DigiBeta, Beta SP Internal, Spot Box


HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 3 6-ch EVS XT2, 2 4-ch RO XT2, 2 XFile; DigiBeta, Beta SP


29HDX 53' expando HD N Triax Calrec Artemis 10 GV, 1 Ultra-Mo Phantom V640 11 Canon 2 Chyron HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 3 6-ch EVS XT2, 2 4-ch RO XT2, 2-ch

SpotBox, 2 XFile; DigiBetaInternal, Abekas Clip-

Store30HDX 53' expando HD N Triax Calrec Artemis 10 GV, 1 Ultra-Mo

Phantom V640 11 Canon Chyron HyperX2, HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 3 6-ch EVS XT2, 2 4-ch RO XT2, 2-ch



Phantom V640 11 Canon Chyron HyperX2, HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 2 6-ch EVS XT3, 6-ch XT2, 4-ch XT2, 4-ch

RO XT2, 2 XFile; DigiBetaInternal, Abekas Clip-

Store32HDX 53' expando HD N Triax Euphonix (24) 10 GV, 1 Ultra-Mo

Phantom V640 11 Canon Chyron HyperX Senn, Sony, EV GV Kayenne, 4.5M/E 5 EVS Internal, Abekas Clip-Store, SpotBox

MPs

MPS 1 48' SD 16:9 N Triax Yamaha PM-3500 (48x8x2) 6 Sony 700, 4 Sony 750

6 Canon, 4 Fujinon

Chyron Duet HyperX2 w/Cmix

EV, Sony, Shure, Senn, Rohde GV Kalypso, 4M/E 4-ch EVS, 4-ch XT, 3 DigiBeta, 1 BetaSP,

FFV GV Kalypso

MPS 3 28' SD 16:9 N Triax Yamaha PM-2000 (48) 3 Sony BVP 900, 3 Sony BVP 950

3 Canon, 3 Fujinon Chyron Duet EV, Sony, Shure, Senn,

Rohde GV Kalypso, 4M/E 2 4-ch EVS LSM, DigiBeta, 2 Beta SP, FFV GV Kalypso

MU 4 50' expando SD 16:9 N Triax Yamaha PM4000 (52x8x2) 6 LDK 10, 4 LDK 10P

6 Canon, 4 Fujinon

Chyron HyperX2 w/Cmix

EV, Sony, Shure, Senn, Rohde GV Kalypso, 4M/E 6-ch EVS XT, 4-ch XT2, XFile; 4 DigiBeta,

2 BetaSP, FFV GV Kalypso

MU 5 53' expando SD 16:9 N Triax SSL Axiom MT+ (192) 6 Sony BVP 900, 4 Sony BVP 950

6 Fujinon, 5 Canon Chyron HyperX3 EV, Sony, Shure, Senn,

Rohde GV Kalypso, 4M/E 2 4-ch EVS XT, XFile; 4 DigiBeta, 2 Beta SP, FFV GV Kalypso

MtV

n

etw

ork

s Pegasus 54' double expando HD Y Both Calrec Alpha (100) 16 Ikegami

HDK79EC 25 Fujinon As requested Sony MVS8000A, 4M/E 6-ch EVS XT, Xfile; 2 Sony DigiBeta, 16 Sony SRW VTR Sony MVS8000A

Nereus 53' expando HD Y Fiber Lawo MC2/66 10 Ikegami HDK-79EC 16 Fujinon As requested

Sony MVS6000, 2M/E; MKS9011,1M/E as

requested 2 EVS XT2, 12 Sony SRW VTR Sony MVS6000

Barrie 53' expando HD Y Fiber Lawo MC2/564 Sony PMW-EX3, 4 Sony BRCH 700

Robotics

4 Sony, oth-ers upon request

As requested Sony MVS7000X HD 2 EVS XT2; wired for 12 VTR Sony MVS7000X

nCP

NCPII 53' expando SD N Both Yamaha PM 5000 (52) 11 Ikegami 7 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E 6-ch EVS XT, 4-ch HCT; FFV, 6 DigiBeta, 2 BetaSP As requested

NCPIII 53' expando HD Y Triax Calrec S (48) 10 GV 8 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 3M/E 3 4-ch EVS XT, 4-ch RO EVS; HDCAM, 2 DigiBeta As requested

NCPIV 53' expando HD Y Both Calrec Sigma w/Bluefin (72) 12 Ikegami, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

2 6-ch EVS XT2, XT, 2 6-ch RO XT2, XT2, SpotBox; 2 DigiBeta, BetaSP, DVCPRO,

GigE, Multicam 10As requested

Gearbase


Co

mPA

ny


TriAx, Fiber, or

boTHAuDio Console

(CHAnnels)number oF

CAmerAs & mAke


MirA Mobile MIRA M12HD 53' expando HD N Both Calrec Artemis Beam w/Bluefin2 &

Hydra2 (104 mono, 104 stereo)12 GV LDK 8000

Elite 13 Fujinon Chyron HyperX3 Senn, Shure, Sony, Beyer GV Kayenne 4.5M/E 2 6-ch EVS XT3, 2 4-ch RO XT2+, Spot-Box, XFile; HDCAM, DigiBeta, XDCam

GV Kayenne w/Klip Cache

Mo

bile

tV

Gro

uP

2X 50' expando SD N Triax Soundcraft Europa (48) 8 Sony 10 Canon Chyron HyperX2 A-T, Senn, EV, Sony GV 3000, 3M/E 3 EVS, 3 BetaSP GV Kalypso5HDX 53' expando HD N Triax Soundcraft Series 5 (56) 10 GV 11 Canon Chyron HyperX2 A-T, Senn, EV, Sony GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch XT2, DigiBeta, 2

BetaSPGV Kalypso, Abekas

ClipStore7HDX 53' expando HD N Triax Euphonix System 5-B (96) 10 GV, 1 Ultra-Mo

Phantom V640 11 Canon Chyron HyperX2 A-T, Senn GV XTEN DD, 4M/E 2 4-ch EVS XT, 6-ch XT2, 4-ch RO XT; DigiBeta, 2 BetaSP


8HDX 53' expando HD N Triax Euphonix System 5-B (96) 10 GV, 1 Ultra-Mo Phantom V640

10 Canon, 1 Ang-enieux

Chyron HyperX2, HyperX3 A-T, Senn GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch XT2, 2 4-ch RO XT;

DigiBeta, 2 BetaSPGV Kalypso, Abekas

ClipStore







14D 53' SD N Triax Yamaha PM 4000 (40) 8 Sony 9 Canon Chyron LEX Senn Sony DVS 7250, 3.5M/E EVS, 3 BetaSP Sony16HDX 53' expando HD N Triax Euphonix System 5-B (96) 10 GV, 1 Ultra-Mo

Phantom V640 12 Canon Chyron HyperX2, HyperX3 A-T, Senn, EV GV Kalypso, 4M/E 2 4-ch EVS XT2, 6-ch XT2, 2 4-ch RO XT,

XFile; DigiBeta, 2 BetaSPGV Kalypso, Abekas

ClipStore17HDX-S 40' expando HD N Triax Yamaha PM 5000 (48) 6 GV 8 Canon Chyron HyperX2 Senn, Sony, EV GV Kayak-300, 3M/E 6-ch EVS XT, 6-ch RO XT; DVD Internal, Abekas Clip-




Phantom V640 12 Canon Chyron HyperX2, HyperX3 A-T, Senn, EV GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch XT2, 4-ch RO XT;

DigiBeta, 2 BetaSPInternal, Abekas Clip-

Store21HDX-S 48' expando HD N Triax Euphonix (84) 8 GV 10 Canon Chyron HyperX2 Senn, Sony, EV GV Kalypso, 3M/E 6-ch EVS XT, 4-ch XT, 4-ch RO XT;


Store22HDX-S 48' expando HD N Triax Euphonix (108) 8 GV, 1 Ultra-Mo

Phantom V640 12 Canon Chyron HyperX2 Senn, Sony, EV GV Kayak, 4.5M/E 2 4-ch EVS XT, 6-ch XT2, 4-ch RO XT; DigiBeta, 2 BetaSP, DVD


23HDX-S 48' expando HD N Triax Euphonix (108) 8 GV, 1 Ultra-Mo Phantom V640 9 Canon Chyron HyperX Senn, Sony, EV GV Kalypso, 3M/E 6-ch EVS XT, 4-ch XT, 2 4-ch RO XT;

BetaSP, DVDInternal, Abekas Clip-

StorePUMA HD 32' expando HD N Triax Yamaha (40) 6 GV 5 Canon Chyron HyperX2 Senn, Sony, EV GV Kayak, 2M/E 4-ch EVS XT, 4-ch EVS XT RO, BetaSP Internal, Abekas Clip-

StorePUMA Colorado 32' expando SD N Triax Yamaha (40) 5 GV 5 Canon Chyron HyperX2 Senn, Sony, EV GV Kayak, 2M/E 4-ch EVS; DVCAM, DVD Internal, Abekas Clip-

Store24HDX 48' expando HD N Triax Euphonix MaxAIR (108) 8 GV 9 Canon Chyron HyperX2 Senn, Sony, EV GV Kayak, 3.5M/E 6-ch EVS, 4-ch EVS, 4-ch RO EVS, XFile;



Phantom V640 11 Canon Chyron HyperX2 Senn, Sony, EV GV Kayenne, 4.5M/E 2 4-ch EVS XT2, 6-ch XT2, 2 4-ch RO XT, 2 Xfile; DigiBeta, 2 BetaSP



HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 4-ch EVS XT2, 2 6-ch XT2, 2 4-ch RO XT2, 2 XFile; DigiBeta, BetaSP



HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 4-ch EVS XT2, 2 6-ch XT2, 2 4-ch RO XT2, 2 XFile; DigiBeta, Beta SP Internal, Spot Box


HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 3 6-ch EVS XT2, 2 4-ch RO XT2, 2 XFile; DigiBeta, Beta SP


29HDX 53' expando HD N Triax Calrec Artemis 10 GV, 1 Ultra-Mo Phantom V640 11 Canon 2 Chyron HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 3 6-ch EVS XT2, 2 4-ch RO XT2, 2-ch



Phantom V640 11 Canon Chyron HyperX2, HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 3 6-ch EVS XT2, 2 4-ch RO XT2, 2-ch



Phantom V640 11 Canon Chyron HyperX2, HyperX3 Senn, Sony, EV GV Kayenne, 4.5M/E 2 6-ch EVS XT3, 6-ch XT2, 4-ch XT2, 4-ch

RO XT2, 2 XFile; DigiBetaInternal, Abekas Clip-

Store32HDX 53' expando HD N Triax Euphonix (24) 10 GV, 1 Ultra-Mo

Phantom V640 11 Canon Chyron HyperX Senn, Sony, EV GV Kayenne, 4.5M/E 5 EVS Internal, Abekas Clip-Store, SpotBox

MPs

MPS 1 48' SD 16:9 N Triax Yamaha PM-3500 (48x8x2) 6 Sony 700, 4 Sony 750

6 Canon, 4 Fujinon

Chyron Duet HyperX2 w/Cmix

EV, Sony, Shure, Senn, Rohde GV Kalypso, 4M/E 4-ch EVS, 4-ch XT, 3 DigiBeta, 1 BetaSP,

FFV GV Kalypso

MPS 3 28' SD 16:9 N Triax Yamaha PM-2000 (48) 3 Sony BVP 900, 3 Sony BVP 950

3 Canon, 3 Fujinon Chyron Duet EV, Sony, Shure, Senn,

Rohde GV Kalypso, 4M/E 2 4-ch EVS LSM, DigiBeta, 2 Beta SP, FFV GV Kalypso

MU 4 50' expando SD 16:9 N Triax Yamaha PM4000 (52x8x2) 6 LDK 10, 4 LDK 10P

6 Canon, 4 Fujinon

Chyron HyperX2 w/Cmix

EV, Sony, Shure, Senn, Rohde GV Kalypso, 4M/E 6-ch EVS XT, 4-ch XT2, XFile; 4 DigiBeta,

2 BetaSP, FFV GV Kalypso

MU 5 53' expando SD 16:9 N Triax SSL Axiom MT+ (192) 6 Sony BVP 900, 4 Sony BVP 950

6 Fujinon, 5 Canon Chyron HyperX3 EV, Sony, Shure, Senn,

Rohde GV Kalypso, 4M/E 2 4-ch EVS XT, XFile; 4 DigiBeta, 2 Beta SP, FFV GV Kalypso

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s Pegasus 54' double expando HD Y Both Calrec Alpha (100) 16 Ikegami

HDK79EC 25 Fujinon As requested Sony MVS8000A, 4M/E 6-ch EVS XT, Xfile; 2 Sony DigiBeta, 16 Sony SRW VTR Sony MVS8000A

Nereus 53' expando HD Y Fiber Lawo MC2/66 10 Ikegami HDK-79EC 16 Fujinon As requested

Sony MVS6000, 2M/E; MKS9011,1M/E as

requested 2 EVS XT2, 12 Sony SRW VTR Sony MVS6000

Barrie 53' expando HD Y Fiber Lawo MC2/564 Sony PMW-EX3, 4 Sony BRCH 700

Robotics

4 Sony, oth-ers upon request

As requested Sony MVS7000X HD 2 EVS XT2; wired for 12 VTR Sony MVS7000X

nCP

NCPII 53' expando SD N Both Yamaha PM 5000 (52) 11 Ikegami 7 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E 6-ch EVS XT, 4-ch HCT; FFV, 6 DigiBeta, 2 BetaSP As requested

NCPIII 53' expando HD Y Triax Calrec S (48) 10 GV 8 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 3M/E 3 4-ch EVS XT, 4-ch RO EVS; HDCAM, 2 DigiBeta As requested

NCPIV 53' expando HD Y Both Calrec Sigma w/Bluefin (72) 12 Ikegami, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

2 6-ch EVS XT2, XT, 2 6-ch RO XT2, XT2, SpotBox; 2 DigiBeta, BetaSP, DVCPRO,


Gear

base


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(CHAnnels)number oF

CAmerAs & mAke


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NCPVII 53' expando HD Y Triax Calrec Alpha (96) 12 GV, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E2 6-ch EVS XT2, 3 4-ch RO XT2, EVS SpotBox; 2 HD DVCPRO, HDCAM,

2 DigiBeta, GigE, Multicam 10As requested

NCPVIII 53' expando HD Y Both Calrec Alpha w/Bluefin (96) 12 Ikegami, 1 Sony 14 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E6-ch EVS XT2, 4-ch XT2, 3 4-ch RO XT2,

XT2, SpotBox; DigiBeta, DVCPRO, 2 HDCAM, GigE, Multicam 10

As requested

NCPIX 53' expando SD N Triax Yamaha PM1D (48) 9 Sony 9 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 6-ch EVS XT, 4-ch 4 XT; 4 DigiBeta, BetaSP, FF As requested

NCPX 53' expando HD Y Triax Calrec Alpha w/Bluefin (96) 16 GV, 1 Panasonic 18 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E3 6-ch EVS XT2, 4 6-ch XT2, 6-ch XT2 SpotBox; 2 DigiBeta, 2 DVCPRO, GigE,

Multicam 10As requested

NCPXI 53' expando HD Y Both Calrec Sigma w/Bluefin (72) 10 Ikegami 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 2 6-ch EVS XT2, 3 4-ch RO XT2, SpotBox; DVCPRO, 2 DigiBeta, GigE, Multicam 10 As requested

NCPXII 53' expando HD Y Triax SSL C100 (92) 10 Sony 12 Canon As requested Senn, EV, Sony Sony MVS8000, 4M/E 2 6-ch EVS XT2, 3 4-ch RO XT2, XT2 SpotBox; XDCAM, 2 DigiBeta, 2 BetaSP As requested

NCPXIV 53' expando HD Y Both Calrec Sigma w/Bluefin (72) 10 Ikegami, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

2 6-ch EVS XT2, 2 6-ch RO XT2, XT2 SpotBox; 2 HDCAM, XDCAM, DigiBeta,


ND2 53' expando HD N Both Calrec Q2 (120) Wired for 8 GV 10 Canon As requested Senn, Sony, EV, Shure, Sanken GV Kalypso, 4M/E Wired for 8 VTR and 4 EVS as requested As requested

ND3 53' expando twin HD N Both Calrec Alpha w/Bluefin (86) Up to 24 Sony 22 Canon As requested Senn, Sony, EV, Shure Sony MVS-8000A, 4M/E

7 EVS HD LSM XT2, 2 HD LSM XT2, HD LSM XT2, 4-ch SpotBox, 6-ch

SportsNet Hub, 3 XFile2, 3 IPDirector; 3 Sony SRW, 2 HDW, DVW A500

As requested

ND4 53' expando twin HD N Both Calrec Alpha w/Bluefin (86) Up to 24 Sony 16 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

6 6-ch EVS XT2, SpotBox, SportsNet Hub, IPDirector; GigE, DigiBeta, 3 HDCAM, HDCAM SRW

As requested

ND5 53' expando HD N Both Calrec Artemis Beam with Bluefin (64) 12 Sony 14 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 3.5M/E

5 6-ch EVS XT3 LSM, XT2 SpotBox, IPDirector, 2 EVS, XFile2; GigE

Jumboframe network; Sony HDCAM, 2 Sony XDCAM, DigiBeta

As requested


5 6-ch EVS XT3 LSM, XT2, SpotBox, IPDirector, 2 EVS, XF2; GigE


As requested

Red & Black 53' expando twin HD N Triax Calrec Alpha w/Bluefin (86) 11 Sony 13 Fujinon As requested Senn, Sony, EV, Shure GV Kayenne, 4M/E 2 6-ch EVS XT2, 4 XT2, SpotBox,

SportsNet Hub; 8 HDCAM, 2 SRW As requested

SS10 53' expando twin HD N Both Calrec Alpha w/Bluefin (96) 24 Sony 28 Fujinon As requested Senn, Sony, EV, Shure Sony MVS-8000, 4M/E

4 6-ch EVS XT2, 2 6-ch XT2 Super Motion, SportsNet Hub, SpotBox;

2 DigiBeta, 3 HDCAM SRW, 2 DVCPROAs requested

SS11 53' expando HD N Both Calrec Omega w/Bluefin (64) 10 Sony 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E3 6-ch EVS XT2, 4-ch RO XT2, XT2 SpotBox, SportsNet Hub; DigiBeta,

DVCPRO, 2 HDCAMAs requested

SS14 53' expando HD N Triax Calrec Alpha (60) 10 GV 11 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E2 6-ch EVS XT2, 2 4-ch XT2,

SpotBox, SportsNet Hub; GigE, DigiBeta, 2 HDCAM

As requested

SS16 53' expando with B unit HD N Both Calrec Sigma w/Bluefin (64) 10 Sony 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT2, SpotBox, SportsNet Hub;

2 HDCAM, DVCPRO, DigiBeta As requested

SS17 53' expando HD N Both Calrec Sigma w/Bluefin (64) 10 Ikegami 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E2 6-ch EVS XT2, 2 4-ch EVS XT2, EVS

SpotBox, DigiBeta, 5 HDCAM, HDCAM SRW

As requested

SS18 53' expando HD N Triax Calrec Sigma w/Bluefin (60) 11 GV 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT2, EVS SpotBox, SportsNet Hub, 1 SRW, DigiBeta As requested

SS15 53' expando HD N Both Calrec Sigma w/Bluefin (64) 12 Sony 9 Canon, 2 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

3 6-ch EVS XT2, 4-ch XT2, SpotBox, SportsNet Hub; DigiBeta, 2 DVCPRO,

HDCAM, SRW, DigiBetaAs requested


5 6-ch EVS XT2, 4-ch XT2, SpotBox, 2 SportsNet Hub; DigiBeta, DVCPRO,


SS2153' expando

twin with 3rd unit

HD N Both Calrec Alpha w/Bluefin (76) 15 Sony, 5 GV 24 Canon As requested Senn, Sony, EV, Shure GV Kayenne Duo, 4.5M/E9 6-ch EVS XT2, XT2+, 2 XT2, SportsNet

Hub, 2 SpotBox, 5 SportsNet Hub; DigiBeta, DVCPRO, SRW

As requested

SS22 53' expando HD N Both Calrec Apollo w/Bluefin 12 Sony 13 Canon As requested As requested GV Kalypso, 4.5M/E5 6-ch EVS XT2, SportBox, SportsNet Hub; 2 GigE Jumboframe, HDCAM,

DVCPRO, DigiBetaAs requested

SS24 53' expando twin HD N Both Calrec Alpha w/Bluefin (86) 15 Sony 17 Canon As requested Senn, Sony, EV, Shure Sony MVS-8000, 3.5M/E

6 6-ch EVS XT2, 2 SpotBox, SportsNet Hub; 2 DigiBeta, 3 HDCAM, HDCAM

SRW, DVCPRO, DigiBetaAs requested

SS23 53' expando with B unit HD N Triax Calrec Alpha (64) 10 GV 13 Fujinon As requested Senn, Sony, EV GV Kalypso, 4M/E

2 6-ch EVS XT2, 2 4-ch RO XT2, SpotBox, SportsNet Hub; 2 DVCPRO,

HDCAM, 2 DigiBetaAs requested

SS2553' expando

twin with carry-all truck

HD N Both Calrec Alpha w/Bluefin (86) 14 Sony, 1 Pana-sonic

15 Canon, 2 Fujinon As requested Senn, Sony, EV, Shure GV Kayenne, 4.5M/E

6 4-ch EVS XT2, XT2, 3 6-ch XT2, Spot-Box, SportsNet Hub; DigiBeta,

2 DVCPROAs requested

SS28 53' expando with B unit HD N Triax Calrec Sigma w/Bluefin (64) 10 GV 10 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 2 6-ch EVS XT2, 3 4-ch XT2, SpotBox;

2 DigiBeta, DVCPRO, HDCAM As requested

Gearbase


Co

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TriAx, Fiber, or

boTHAuDio Console

(CHAnnels)number oF

CAmerAs & mAke


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NCPVII 53' expando HD Y Triax Calrec Alpha (96) 12 GV, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E2 6-ch EVS XT2, 3 4-ch RO XT2, EVS SpotBox; 2 HD DVCPRO, HDCAM,

2 DigiBeta, GigE, Multicam 10As requested

NCPVIII 53' expando HD Y Both Calrec Alpha w/Bluefin (96) 12 Ikegami, 1 Sony 14 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E6-ch EVS XT2, 4-ch XT2, 3 4-ch RO XT2,

XT2, SpotBox; DigiBeta, DVCPRO, 2 HDCAM, GigE, Multicam 10

As requested

NCPIX 53' expando SD N Triax Yamaha PM1D (48) 9 Sony 9 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 6-ch EVS XT, 4-ch 4 XT; 4 DigiBeta, BetaSP, FF As requested

NCPX 53' expando HD Y Triax Calrec Alpha w/Bluefin (96) 16 GV, 1 Panasonic 18 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E3 6-ch EVS XT2, 4 6-ch XT2, 6-ch XT2 SpotBox; 2 DigiBeta, 2 DVCPRO, GigE,

Multicam 10As requested

NCPXI 53' expando HD Y Both Calrec Sigma w/Bluefin (72) 10 Ikegami 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 2 6-ch EVS XT2, 3 4-ch RO XT2, SpotBox; DVCPRO, 2 DigiBeta, GigE, Multicam 10 As requested

NCPXII 53' expando HD Y Triax SSL C100 (92) 10 Sony 12 Canon As requested Senn, EV, Sony Sony MVS8000, 4M/E 2 6-ch EVS XT2, 3 4-ch RO XT2, XT2 SpotBox; XDCAM, 2 DigiBeta, 2 BetaSP As requested

NCPXIV 53' expando HD Y Both Calrec Sigma w/Bluefin (72) 10 Ikegami, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

2 6-ch EVS XT2, 2 6-ch RO XT2, XT2 SpotBox; 2 HDCAM, XDCAM, DigiBeta,


ND2 53' expando HD N Both Calrec Q2 (120) Wired for 8 GV 10 Canon As requested Senn, Sony, EV, Shure, Sanken GV Kalypso, 4M/E Wired for 8 VTR and 4 EVS as requested As requested

ND3 53' expando twin HD N Both Calrec Alpha w/Bluefin (86) Up to 24 Sony 22 Canon As requested Senn, Sony, EV, Shure Sony MVS-8000A, 4M/E

7 EVS HD LSM XT2, 2 HD LSM XT2, HD LSM XT2, 4-ch SpotBox, 6-ch

SportsNet Hub, 3 XFile2, 3 IPDirector; 3 Sony SRW, 2 HDW, DVW A500

As requested

ND4 53' expando twin HD N Both Calrec Alpha w/Bluefin (86) Up to 24 Sony 16 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

6 6-ch EVS XT2, SpotBox, SportsNet Hub, IPDirector; GigE, DigiBeta, 3 HDCAM, HDCAM SRW

As requested


5 6-ch EVS XT3 LSM, XT2 SpotBox, IPDirector, 2 EVS, XFile2; GigE


As requested


5 6-ch EVS XT3 LSM, XT2, SpotBox, IPDirector, 2 EVS, XF2; GigE


As requested

Red & Black 53' expando twin HD N Triax Calrec Alpha w/Bluefin (86) 11 Sony 13 Fujinon As requested Senn, Sony, EV, Shure GV Kayenne, 4M/E 2 6-ch EVS XT2, 4 XT2, SpotBox,

SportsNet Hub; 8 HDCAM, 2 SRW As requested

SS10 53' expando twin HD N Both Calrec Alpha w/Bluefin (96) 24 Sony 28 Fujinon As requested Senn, Sony, EV, Shure Sony MVS-8000, 4M/E

4 6-ch EVS XT2, 2 6-ch XT2 Super Motion, SportsNet Hub, SpotBox;

2 DigiBeta, 3 HDCAM SRW, 2 DVCPROAs requested

SS11 53' expando HD N Both Calrec Omega w/Bluefin (64) 10 Sony 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E3 6-ch EVS XT2, 4-ch RO XT2, XT2 SpotBox, SportsNet Hub; DigiBeta,

DVCPRO, 2 HDCAMAs requested

SS14 53' expando HD N Triax Calrec Alpha (60) 10 GV 11 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E2 6-ch EVS XT2, 2 4-ch XT2,

SpotBox, SportsNet Hub; GigE, DigiBeta, 2 HDCAM

As requested

SS16 53' expando with B unit HD N Both Calrec Sigma w/Bluefin (64) 10 Sony 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT2, SpotBox, SportsNet Hub;

2 HDCAM, DVCPRO, DigiBeta As requested

SS17 53' expando HD N Both Calrec Sigma w/Bluefin (64) 10 Ikegami 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E2 6-ch EVS XT2, 2 4-ch EVS XT2, EVS

SpotBox, DigiBeta, 5 HDCAM, HDCAM SRW

As requested

SS18 53' expando HD N Triax Calrec Sigma w/Bluefin (60) 11 GV 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT2, EVS SpotBox, SportsNet Hub, 1 SRW, DigiBeta As requested


3 6-ch EVS XT2, 4-ch XT2, SpotBox, SportsNet Hub; DigiBeta, 2 DVCPRO,



5 6-ch EVS XT2, 4-ch XT2, SpotBox, 2 SportsNet Hub; DigiBeta, DVCPRO,


SS2153' expando

twin with 3rd unit

HD N Both Calrec Alpha w/Bluefin (76) 15 Sony, 5 GV 24 Canon As requested Senn, Sony, EV, Shure GV Kayenne Duo, 4.5M/E9 6-ch EVS XT2, XT2+, 2 XT2, SportsNet

Hub, 2 SpotBox, 5 SportsNet Hub; DigiBeta, DVCPRO, SRW

As requested

SS22 53' expando HD N Both Calrec Apollo w/Bluefin 12 Sony 13 Canon As requested As requested GV Kalypso, 4.5M/E5 6-ch EVS XT2, SportBox, SportsNet Hub; 2 GigE Jumboframe, HDCAM,

DVCPRO, DigiBetaAs requested

SS24 53' expando twin HD N Both Calrec Alpha w/Bluefin (86) 15 Sony 17 Canon As requested Senn, Sony, EV, Shure Sony MVS-8000, 3.5M/E

6 6-ch EVS XT2, 2 SpotBox, SportsNet Hub; 2 DigiBeta, 3 HDCAM, HDCAM

SRW, DVCPRO, DigiBetaAs requested

SS23 53' expando with B unit HD N Triax Calrec Alpha (64) 10 GV 13 Fujinon As requested Senn, Sony, EV GV Kalypso, 4M/E

2 6-ch EVS XT2, 2 4-ch RO XT2, SpotBox, SportsNet Hub; 2 DVCPRO,

HDCAM, 2 DigiBetaAs requested

SS2553' expando

twin with carry-all truck

HD N Both Calrec Alpha w/Bluefin (86) 14 Sony, 1 Pana-sonic

15 Canon, 2 Fujinon As requested Senn, Sony, EV, Shure GV Kayenne, 4.5M/E

6 4-ch EVS XT2, XT2, 3 6-ch XT2, Spot-Box, SportsNet Hub; DigiBeta,

2 DVCPROAs requested

SS28 53' expando with B unit HD N Triax Calrec Sigma w/Bluefin (64) 10 GV 10 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 2 6-ch EVS XT2, 3 4-ch XT2, SpotBox;

2 DigiBeta, DVCPRO, HDCAM As requested

Gear

base


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TriAx, Fiber, or

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(CHAnnels)number oF

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SS29 53' expando twin HD N Both Calrec Artemis (64) 10 Sony, 2 Pana-

sonic 13 Canon As requested Senn, Sony, EV, Shure GV Kayenne, 4M/E3 6-ch EVS XT2, 2 6-ch RO XT2, Spot-

Box, SportsNet Hub; DigiBeta, 2 DVCPRO

As requested

SS31 53' expando HD N Both Calrec Sigma w/Bluefin (64) 10 GV 7 Canon, 3 Fujinon As requested As requested GV Kalypso, 3.5M/E 3 6-ch EVS XT2, SpotBox; GigE,

SportsNet Hub, HDCAM, DigiBeta As requested

SS3 53' expando or flypack HD N Both DiGiCo SD10B 6 GV, 2 Sony 8 Canon As requested As requested Ross Carbonite 2, 1.5M/E 1 GV K2 Solo, 2 K2 Dyno Summit As requested

SS32 53' expando 3D Y Both Calrec Alpha w/Bluefin (72) Wired for 20 3D As requested As requested As requested Sony MVS-8000X, 4M/E 5 6-ch EVS XT3, 6-ch XT3 SpotBox;

2 SRW dual stream, DVCPRO, 2 Blu-ray As requestedSS4 52' expando SD N Both Calrec S2 (60) 10 Sony 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT, XT SpotBox; 3 DigiBeta As requestedSS2 48' expando SD N Both Yamaha PM 4000-48C (44) 13 Ikegami 15 Canon,

1 Fujinon As requested Senn, Sony, EV, Shure GV 4000, 3.5M/E 7 DigiBeta, BetaSP As requestedSS7 52' expando SD N Both Calrec S2 (60) 14 Sony 15 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT, SpotBox As requested

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Ali California 53' expando HD N Both Calrec Apollo (144) up to 16 Sony As

requested As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E Up to 16 VTRs and 5 servers on request As requested

Summit 53' expando twin HD N Both Calrec Alpha w/Bluefin (96) up to 24 Sony

2 Canon, up to 20 Fujinon

As requested Senn, Sony, EV, Shure GV Kalypso Duo HD, 4M/E 20 VTRs or 7 EVS on request, 2 SpotBox As requested

Gold 53' expando SD N Both Calrec Q2 (120) 12 Sony Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E Up to 20 VTRs on request As requested

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Prodigy 40' HD N Triax Yamaha M7 (48) 6 Sony 5 Canon, 1 Fujinon Chyron HyperX2 Senn, Sony, EV Sony MVS-8000, 2.5M/E 2 6-ch EVS XT2 LSM; HDCAM,

DigiBeta, DVCPRO, XDCAM, DVD Abekas Clipstore

Maestro 40' expando HD N Triax Calrec Omega (112) 8 Sony 7 Canon, 1 Fujinon Chyron HyperX3 Senn, Sony, EV GV Kalypso, 4M/E 2 6-ch EVS XT2 LSM; DigiBeta XDCAM,

DVDGV Kalypso, Abekas

ClipStore

rAyCoM sPorts

HD1 53' expando HD/SD N Both Calrec Omega Audio Console w/Bluefin (48) 9 Sony 10 Canon Chryon HyperX3 HD/SD Senn, A-T GV Kayenne HD, 4M/E 2 6-ch EVS XT2+, 2 4-ch RO XT2+,

4-ch SpotBox, XFile GV KayenneR4 51' SD N Triax Yamaha PM 4000 (48) 8 Ikegami 8 Canon Chyron HyperX2 HD/SD Senn, Sony, Shure GV 3000-3T, 3M/E 2 4-ch. EVS XT2+, 4-ch. RO Abekas

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SSM 1 53' SD N Triax Yamaha PM 3500 (48) 6 Sony 4 Canon Chyron LEX, Infinit Senn, A-T, EV GV 3000, 3M/E 5 BetaSP, FFV Abekas

sdtV HDLA 40' combo/

expandable HD Y Both Calrec Zeta (56) 7 Sony 6 Canon Chyron HyperX3 Senn, Sony Sony MVS 8000, 4M/E 2 EVS XT2, XFile; 2 HDW-S2000, PDW1500 XDCAM, Fast Forward Sony

HD Link 32' combo HD/SD Y Triax Yamaha 02R96 (24) None None Chyron Max Senn, Sony Sony MFS-2000, 1.5M/E Sony BVW-75, BVW-D75, 2 PVW-2800ExpandoLink 40' combo/

expandable SD N Triax Allen & Heath ML4000 (40) 8 Sony 8 Canon Chyron Duet Senn, Sony DVS 7350, 3.5M/E EVS XT; 6 Sony BVW-D75, DVW-500, Doremi Sony

swee

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er

Cobalt

A unit: 55'8" long x 13'8"

high x 15'9" or 21'5" or 25'7"

wide expanded depending on

configuration; B unit; 37' long x

13'6" high x 8'6" wide without

tractor

HD Fiber Studer Vista Sony according to needs

Fujinon according to needs

Upon request Shure, Senn GV Kayenne, 4/5M/E HD/SD options Upon request

Entourage60' wide x 13'8"

high x 15'1" wide expanded without tractor



Upon request Shure, Senn Sony MVS8000A HD/SD options Upon request

Pacific

A unit; 47' long x 13' high x 13'

wide; B unit; 40' long x 13' high x

8.5' wide

HD Fiber 2 cascaded Yamaha DM2000 Sony according to needs


Upon request Shure, Senn GV Kayak, 2.5M/E HD/SD options Upon request

Sapphire40' long x 12'

high x 12' wide expanded

HD Fiber Yamaha DM2000 Digital Audio Console

Sony according to needs


Upon request Shure, Senn Sony, 1.5M/E HD/SD options Upon request

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Hollywood 50' expando HD N Triax Yamaha PM4000 (44) 7 GV8 Ang-enieux,

2 CanonChyron HyperX EV, Shure, Senn GV Kayenne, 3M/E 6-ch EVS, 4-ch EVS, SpotBox, XFile;

2 DigiBeta/2 DVCPRO

Gearbase


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TriAx, Fiber, or

boTHAuDio Console

(CHAnnels)number oF

CAmerAs & mAke


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SS29 53' expando twin HD N Both Calrec Artemis (64) 10 Sony, 2 Pana-

sonic 13 Canon As requested Senn, Sony, EV, Shure GV Kayenne, 4M/E3 6-ch EVS XT2, 2 6-ch RO XT2, Spot-

Box, SportsNet Hub; DigiBeta, 2 DVCPRO

As requested

SS31 53' expando HD N Both Calrec Sigma w/Bluefin (64) 10 GV 7 Canon, 3 Fujinon As requested As requested GV Kalypso, 3.5M/E 3 6-ch EVS XT2, SpotBox; GigE,

SportsNet Hub, HDCAM, DigiBeta As requested

SS3 53' expando or flypack HD N Both DiGiCo SD10B 6 GV, 2 Sony 8 Canon As requested As requested Ross Carbonite 2, 1.5M/E 1 GV K2 Solo, 2 K2 Dyno Summit As requested

SS32 53' expando 3D Y Both Calrec Alpha w/Bluefin (72) Wired for 20 3D As requested As requested As requested Sony MVS-8000X, 4M/E 5 6-ch EVS XT3, 6-ch XT3 SpotBox;

2 SRW dual stream, DVCPRO, 2 Blu-ray As requestedSS4 52' expando SD N Both Calrec S2 (60) 10 Sony 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT, XT SpotBox; 3 DigiBeta As requestedSS2 48' expando SD N Both Yamaha PM 4000-48C (44) 13 Ikegami 15 Canon,

1 Fujinon As requested Senn, Sony, EV, Shure GV 4000, 3.5M/E 7 DigiBeta, BetaSP As requestedSS7 52' expando SD N Both Calrec S2 (60) 14 Sony 15 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT, SpotBox As requested

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den

Ali California 53' expando HD N Both Calrec Apollo (144) up to 16 Sony As

requested As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E Up to 16 VTRs and 5 servers on request As requested

Summit 53' expando twin HD N Both Calrec Alpha w/Bluefin (96) up to 24 Sony

2 Canon, up to 20 Fujinon

As requested Senn, Sony, EV, Shure GV Kalypso Duo HD, 4M/E 20 VTRs or 7 EVS on request, 2 SpotBox As requested

Gold 53' expando SD N Both Calrec Q2 (120) 12 Sony Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E Up to 20 VTRs on request As requested

Pro

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st

Prodigy 40' HD N Triax Yamaha M7 (48) 6 Sony 5 Canon, 1 Fujinon Chyron HyperX2 Senn, Sony, EV Sony MVS-8000, 2.5M/E 2 6-ch EVS XT2 LSM; HDCAM,

DigiBeta, DVCPRO, XDCAM, DVD Abekas Clipstore

Maestro 40' expando HD N Triax Calrec Omega (112) 8 Sony 7 Canon, 1 Fujinon Chyron HyperX3 Senn, Sony, EV GV Kalypso, 4M/E 2 6-ch EVS XT2 LSM; DigiBeta XDCAM,

DVDGV Kalypso, Abekas

ClipStore

rAyCoM sPorts

HD1 53' expando HD/SD N Both Calrec Omega Audio Console w/Bluefin (48) 9 Sony 10 Canon Chryon HyperX3 HD/SD Senn, A-T GV Kayenne HD, 4M/E 2 6-ch EVS XT2+, 2 4-ch RO XT2+,

4-ch SpotBox, XFile GV KayenneR4 51' SD N Triax Yamaha PM 4000 (48) 8 Ikegami 8 Canon Chyron HyperX2 HD/SD Senn, Sony, Shure GV 3000-3T, 3M/E 2 4-ch. EVS XT2+, 4-ch. RO Abekas

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M

ediA

SSM 1 53' SD N Triax Yamaha PM 3500 (48) 6 Sony 4 Canon Chyron LEX, Infinit Senn, A-T, EV GV 3000, 3M/E 5 BetaSP, FFV Abekas

sdtV HDLA 40' combo/

expandable HD Y Both Calrec Zeta (56) 7 Sony 6 Canon Chyron HyperX3 Senn, Sony Sony MVS 8000, 4M/E 2 EVS XT2, XFile; 2 HDW-S2000, PDW1500 XDCAM, Fast Forward Sony

HD Link 32' combo HD/SD Y Triax Yamaha 02R96 (24) None None Chyron Max Senn, Sony Sony MFS-2000, 1.5M/E Sony BVW-75, BVW-D75, 2 PVW-2800ExpandoLink 40' combo/

expandable SD N Triax Allen & Heath ML4000 (40) 8 Sony 8 Canon Chyron Duet Senn, Sony DVS 7350, 3.5M/E EVS XT; 6 Sony BVW-D75, DVW-500, Doremi Sony

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er

Cobalt

A unit: 55'8" long x 13'8"

high x 15'9" or 21'5" or 25'7"

wide expanded depending on

configuration; B unit; 37' long x

13'6" high x 8'6" wide without

tractor



Upon request Shure, Senn GV Kayenne, 4/5M/E HD/SD options Upon request

Entourage60' wide x 13'8"

high x 15'1" wide expanded without tractor



Upon request Shure, Senn Sony MVS8000A HD/SD options Upon request

Pacific

A unit; 47' long x 13' high x 13'

wide; B unit; 40' long x 13' high x

8.5' wide

HD Fiber 2 cascaded Yamaha DM2000 Sony according to needs


Upon request Shure, Senn GV Kayak, 2.5M/E HD/SD options Upon request

Sapphire40' long x 12'

high x 12' wide expanded

HD Fiber Yamaha DM2000 Digital Audio Console

Sony according to needs


Upon request Shure, Senn Sony, 1.5M/E HD/SD options Upon request

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Hollywood 50' expando HD N Triax Yamaha PM4000 (44) 7 GV8 Ang-enieux,

2 CanonChyron HyperX EV, Shure, Senn GV Kayenne, 3M/E 6-ch EVS, 4-ch EVS, SpotBox, XFile;

2 DigiBeta/2 DVCPRO

Gear

base

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Chippewa 48' expando HD N Triax Calrec w/Bluefin (56) 8 GV 10 Ang-enieux Chyron HyperX3 Senn, A-T, Sony, Shure GV Kalypso, 4M/E

6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2, XFile2, SpotBox, NetGuard Hub; BetaSP,

DigiBeta, DVCPRO, HDCAMGV Kalypso

Varsity 53' expando HD N Triax Calrec Sigma w/Bluefin (80) 10 GV15 Ang-enieux, 1 Fujinon

Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E6-ch EVS XT2, 4-ch XT2, RO XT2, XFile2, SpotBox, Sport Hub 2; BetaSP, DigiBeta,

DVCPRO, HDCAMGV Kalypso

Hiawatha 53' SD N Triax Allen & Heath (48) 10 Sony 12 Fujinon Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2, XFile2, SpotBox, NetGuard Hub; BetaSP,


trio

Vid

eo

Aqua55' long x 13'6” high x 20' wide expanded with-

out tractorHD N Triax Calrec S Series 10 GV Thomson 5 Canon, 4

Fujinon Upon request Senn, Shure, EV, Sony GV Kalypso, 4M/E6-ch EVS XT2 LSM, 4-ch RO XT2, wiring

for one more 6-ch EVS, XT2, 4-ch SpotBox; GigE, 2 Digi, HDCAM

Upon request

Phoenix 53' expando HD N Triax Calrec Sigma 9 GV Thomson 10 Fujinon Upon request Senn, Sony GV Kalypso, 4M/E6-ch EVS XT2 LSM, 4-ch XT2 LSM, 4-ch RO XT2, 4-ch SpotBox, wired for 1 more EVS; GigE, GV KYNO, HDW, XDCAM,

DigiBetaUpon request

Rhythm 53' expando HD N Triax Calrec Sigma w/Bluefin 9 GV Thomson 10 Fujinon Upon request Senn, Sony GV Kalypso, 4M/E6-ch EVS XT2 LSM, 4-ch XT2 LSM, 4-ch RO XT2, 4-ch XT2 SpotBox, wiring for 2 more EVS; GigE, HDW, XDCAM, DVW

Upon request

Tango 53' expando HD N Triax Calrec Alpha 11 GV LDK 6000 12 Fujinon Upon request Senn, Sony GV Kalypso, 4M/E2 6-ch EVS XT2 LSM, 4-ch RO XT2, 4-ch XT2 LSM, 4-ch XT2, SpotBox, wiring for one more EVS; GigE, HDW, 2 DigiBeta

Tempo 53' expando HD N Triax Calrec Omega 9 GV LDK 8000 Elite 10 Canon Upon request Senn, Sony GV Kalypso, 4M/E

6-ch EVS XT2 LSM, 4-ch XT2 LSM, 4-ch RO XT2, 4-ch XT2, SpotBox, wiring for

1 more EVS; GigE, HDW, XDCAM, 2 DigiBeta

turn

er

stu

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s

TS1 (out of service Dec. 2012) 53' expando HD Y Both Calrec Alpha w/Bluefin (318) 12 Ikegami 13 Canon Chyron HyperX3 Senn, Sony, Neumann,

Sanken GV Kalypso, 4M/E 2 6-ch EVS XT, 2 4-ch EVS XT, 2 DigiBeta, 1 HDCAM, 2 SRW Kalypso internal

TS2 (out of service Feb. 2013) 53' expando HD Y Both Calrec Alpha w/Bluefin (318) 12 Ikegami 13 Canon Chyron HyperX3 Senn, Sony, Neumann,

Sanken GV Kalypso, 4M/E 2 6-ch EVS XT, 2 4-ch XT; 2 DigiBeta, HDCAM, 2 SRW Kalypso internal

New TS1 (launches Feb. 2013) 53' expando HD Y Both Calrec Alpha w/Bluefin (318) 12 Sony 13 Canon Chyron HyperX3 Senn, Sony, Neumann,

Sanken GV Kayenne, 4M/E 2 6-ch EVS XT, 2 4-ch XT; 2 DigiBeta, HDCAM, 2 SRW

GV Kayenne w/ClipStore

New TS2 (launches April 2013) 53' expando HD Y Both Calrec Alpha w/Bluefin (318) 12 Sony 13 Canon Chyron HyperX3 Senn, Sony, Neumann,


GV Kayenne w/Clip Store

yes

Pr

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HD1 53' expando HD N Both Calrec Sigma w/Bluefin (64) 9 Ikegami 10 Fujinon Chyron HyperX3 Standard audio GV Kalypso Duo HD6-ch EVS XT2, 4-ch XT2, 2 RO XT2, 4-ch XS SpotBox, XNet, XFile, XHub; HDCAM,

DVCPRO HD, DigiBeta, FFV GV Kalypso

HD2 53' expando HD N Both Calrec Omega w/Bluefin (56) 8 Ikegami 8 Fujinon Chyron HyperX3 Standard audio GV Kalypso Duo HD6-ch EVS XT2, 4-ch XT2, 2 RO XT2, 4-ch XS SpotBox, XNet, XFile, XHub; HDCAM,


Co

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TriAx, Fiber, or

boTHAuDio Console

(CHAnnels)number oF

CAmerAs & mAke


TAKES THE INITIATIVE!

Every association is judged by what it contributes to its industry. The following industry initiatives are being run by the members of SVG year-round, backed by the funding of our sponsors. From freelancers to the front office, we know that we must take care of our own and SVG is proud to be making this happen:

Gearbase

All information subject to change. Please contact the truck vendor’s Website for the most current information on equipment and capabilities

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Chippewa 48' expando HD N Triax Calrec w/Bluefin (56) 8 GV 10 Ang-enieux Chyron HyperX3 Senn, A-T, Sony, Shure GV Kalypso, 4M/E

6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2, XFile2, SpotBox, NetGuard Hub; BetaSP,


Varsity 53' expando HD N Triax Calrec Sigma w/Bluefin (80) 10 GV15 Ang-enieux, 1 Fujinon

Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E6-ch EVS XT2, 4-ch XT2, RO XT2, XFile2, SpotBox, Sport Hub 2; BetaSP, DigiBeta,

DVCPRO, HDCAMGV Kalypso

Hiawatha 53' SD N Triax Allen & Heath (48) 10 Sony 12 Fujinon Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E6-ch EVS XT2, 4-ch XT2, 4-ch RO XT2, XFile2, SpotBox, NetGuard Hub; BetaSP,


trio

Vid

eo

Aqua55' long x 13'6” high x 20' wide expanded with-

out tractorHD N Triax Calrec S Series 10 GV Thomson 5 Canon, 4

Fujinon Upon request Senn, Shure, EV, Sony GV Kalypso, 4M/E6-ch EVS XT2 LSM, 4-ch RO XT2, wiring

for one more 6-ch EVS, XT2, 4-ch SpotBox; GigE, 2 Digi, HDCAM

Upon request

Phoenix 53' expando HD N Triax Calrec Sigma 9 GV Thomson 10 Fujinon Upon request Senn, Sony GV Kalypso, 4M/E6-ch EVS XT2 LSM, 4-ch XT2 LSM, 4-ch RO XT2, 4-ch SpotBox, wired for 1 more EVS; GigE, GV KYNO, HDW, XDCAM,

DigiBetaUpon request

Rhythm 53' expando HD N Triax Calrec Sigma w/Bluefin 9 GV Thomson 10 Fujinon Upon request Senn, Sony GV Kalypso, 4M/E6-ch EVS XT2 LSM, 4-ch XT2 LSM, 4-ch RO XT2, 4-ch XT2 SpotBox, wiring for 2 more EVS; GigE, HDW, XDCAM, DVW

Upon request

Tango 53' expando HD N Triax Calrec Alpha 11 GV LDK 6000 12 Fujinon Upon request Senn, Sony GV Kalypso, 4M/E2 6-ch EVS XT2 LSM, 4-ch RO XT2, 4-ch XT2 LSM, 4-ch XT2, SpotBox, wiring for one more EVS; GigE, HDW, 2 DigiBeta

Tempo 53' expando HD N Triax Calrec Omega 9 GV LDK 8000 Elite 10 Canon Upon request Senn, Sony GV Kalypso, 4M/E

6-ch EVS XT2 LSM, 4-ch XT2 LSM, 4-ch RO XT2, 4-ch XT2, SpotBox, wiring for

1 more EVS; GigE, HDW, XDCAM, 2 DigiBeta

turn

er

stu

dio

s

TS1 (out of service Dec. 2012) 53' expando HD Y Both Calrec Alpha w/Bluefin (318) 12 Ikegami 13 Canon Chyron HyperX3 Senn, Sony, Neumann,

Sanken GV Kalypso, 4M/E 2 6-ch EVS XT, 2 4-ch EVS XT, 2 DigiBeta, 1 HDCAM, 2 SRW Kalypso internal

TS2 (out of service Feb. 2013) 53' expando HD Y Both Calrec Alpha w/Bluefin (318) 12 Ikegami 13 Canon Chyron HyperX3 Senn, Sony, Neumann,

Sanken GV Kalypso, 4M/E 2 6-ch EVS XT, 2 4-ch XT; 2 DigiBeta, HDCAM, 2 SRW Kalypso internal

New TS1 (launches Feb. 2013) 53' expando HD Y Both Calrec Alpha w/Bluefin (318) 12 Sony 13 Canon Chyron HyperX3 Senn, Sony, Neumann,


GV Kayenne w/ClipStore

New TS2 (launches April 2013) 53' expando HD Y Both Calrec Alpha w/Bluefin (318) 12 Sony 13 Canon Chyron HyperX3 Senn, Sony, Neumann,


GV Kayenne w/Clip Store

yes

Pr

od

uCt

ion

s

HD1 53' expando HD N Both Calrec Sigma w/Bluefin (64) 9 Ikegami 10 Fujinon Chyron HyperX3 Standard audio GV Kalypso Duo HD6-ch EVS XT2, 4-ch XT2, 2 RO XT2, 4-ch XS SpotBox, XNet, XFile, XHub; HDCAM,


HD2 53' expando HD N Both Calrec Omega w/Bluefin (56) 8 Ikegami 8 Fujinon Chyron HyperX3 Standard audio GV Kalypso Duo HD6-ch EVS XT2, 4-ch XT2, 2 RO XT2, 4-ch XS SpotBox, XNet, XFile, XHub; HDCAM,


Co

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TriAx, Fiber, or

boTHAuDio Console

(CHAnnels)number oF

CAmerAs & mAke


www.spsgonline.org

www.sportsbroadcastingfund.org

PRODUCED BY

www.sportsvideo.org/main/vip www.schubincafe.com

www.dtvaudio.com

www.sportsvideo.org/wsmi

Get involved in these or

any initiatives by contacting

Andrew Lippe at [email protected]

SVGS

poNS

orDI

rEcT

ory

/ ADI

NDEx

SVG SponSor paGe LeVeL ContaCt emaiL phone

258 REMOTE spORTs pROducTiOn YEaRbOOk 2013

3ality technica 82 Corporate Steve Schklair [email protected] 818-333-3000abekas 21 Premier Junaid Sheikh [email protected] 650-470-0903abelcine 73 Corporate Alan Rosenfeld [email protected] 212-462-0137active storage 133 Corporate Skip levens [email protected] 310-212-5248adobe systems 27 Platinum Rebecca Gerben Mehta [email protected] 408-536-4700adtec digital 38 Premier kevin Ancelin [email protected] 904-720-2003advanced mobility specialty vehicles 225 Mobile Mike Hardesty [email protected] 708-235-2800

aerial video systems 135 Mobile Argyle Nelson [email protected] 818-954-8842

aJa video systems back Cover Platinum Christina oliver [email protected] 530-271-3326

all mobile video Mobile eric Duke [email protected] 212-727-9862alliance productions 217 Mobile Craig Farrell [email protected] 501-219-2653alpha video 213 Mobile Jeffrey Volk [email protected] 952-841-3311amberFin 57 Corporate David Abel [email protected] [44] 1256 317 500arctek satellite productions 197 Mobile brian Stanley [email protected] 612-308-9079

artel video systems Corporate Richard Dellacanonica [email protected] 978-795-4914aspera 30 Premier Michelle Munson [email protected] 510-849-2386ateme 167 Corporate Nicolas Moreau [email protected] [33] 169 358 945audio-technica 164 Corporate Mike edwards [email protected] 330-686-2600

avid Cover 2 Platinum Nick Shilling [email protected] 650-731-6405

axis global logistics 118 Corporate brian Harvey [email protected] 718-906-2866axon digital 151 Corporate John Carapella [email protected] 203-948-4098azzurro system integration 199 Mobile Francis luperella [email protected] 201-784-2020

beck associates 179 Mobile Fred Wright [email protected] 512-252-7555bexel 29 Platinum Scott Nardelli [email protected] 818-565-4206blackmagic design 9 Platinum Mel Atherton [email protected] [61] 3 9682 4770brevity 10 Platinum Michael Jackman [email protected] 908-482-2727broadcast services international 177 Mobile Jim eady [email protected] 905-332-2171

broadcast sports, inc. 154 Corporate Mark Polla [email protected] 410-564-2627calrec audio 42 Premier kevin emmott [email protected] [44] 1422 842159cameron-pace group 18 Platinum Corey bridges [email protected] 818-565-0005canon broadcast 14 Platinum Rich eilers [email protected] 201-807-3342cartoni 77 Corporate elisabetta Cartoni [email protected] [39] 06 4382002cat entertainment services 205 Mobile Phil Wessels [email protected] 904-494-7550

cbc mobile productions 253 Mobile Dale Smith [email protected] 416-205-6513

cbt systems 195 Mobile Darrell Wenhardt [email protected] 858-536-2927cellular specialties, inc. Corporate kristin kohler [email protected] 603-626-6677

chyron 32 Premier Mark Gederman [email protected] 401-349-4351cinesys/oceana 175 Mobile brent Angle [email protected] 713-272-0732cisco 33 Premier Michael Caponigro [email protected] 408-527-6111clark media 104 Mobile Gary Snyder [email protected] 610-694-9800clear-com - a hme company 88 Corporate Judy Cheng [email protected] 510-337-6676

cobalt digital 34 Premier bob McAlpine [email protected] 631-651-2713comcast media center 176 Corporate Jeff Rohr [email protected] 303-486-3811communications engineering inc. 169 Mobile Phil Whitebloom [email protected] 703-550-5800

corplex 232 Mobile Scott West [email protected] 847-457-1430cp communications 223 Mobile kurt Heitmann [email protected] 914-345-9292crosscreek 240 Mobile Spruce McRee [email protected] 205-663-4411


sVG sponsor directory / ad indexSVG SponSor paGe LeVeL ContaCt emaiL phone

3ality technica 82 Corporate Steve Schklair [email protected] 818-333-3000abekas 21 Premier Junaid Sheikh [email protected] 650-470-0903abelcine 73 Corporate Alan Rosenfeld [email protected] 212-462-0137active storage 133 Corporate Skip levens [email protected] 310-212-5248adobe systems 27 Platinum Rebecca Gerben Mehta [email protected] 408-536-4700adtec digital 38 Premier kevin Ancelin [email protected] 904-720-2003advanced mobility specialty vehicles 225 Mobile Mike Hardesty [email protected] 708-235-2800

aerial video systems 135 Mobile Argyle Nelson [email protected] 818-954-8842

aJa video systems back Cover Platinum Christina oliver [email protected] 530-271-3326

all mobile video Mobile eric Duke [email protected] 212-727-9862alliance productions 217 Mobile Craig Farrell [email protected] 501-219-2653alpha video 213 Mobile Jeffrey Volk [email protected] 952-841-3311amberFin 57 Corporate David Abel [email protected] [44] 1256 317 500arctek satellite productions 197 Mobile brian Stanley [email protected] 612-308-9079

artel video systems Corporate Richard Dellacanonica [email protected] 978-795-4914aspera 30 Premier Michelle Munson [email protected] 510-849-2386ateme 167 Corporate Nicolas Moreau [email protected] [33] 169 358 945audio-technica 164 Corporate Mike edwards [email protected] 330-686-2600

avid Cover 2 Platinum Nick Shilling [email protected] 650-731-6405

axis global logistics 118 Corporate brian Harvey [email protected] 718-906-2866axon digital 151 Corporate John Carapella [email protected] 203-948-4098azzurro system integration 199 Mobile Francis luperella [email protected] 201-784-2020

beck associates 179 Mobile Fred Wright [email protected] 512-252-7555bexel 29 Platinum Scott Nardelli [email protected] 818-565-4206blackmagic design 9 Platinum Mel Atherton [email protected] [61] 3 9682 4770brevity 10 Platinum Michael Jackman [email protected] 908-482-2727broadcast services international 177 Mobile Jim eady [email protected] 905-332-2171

broadcast sports, inc. 154 Corporate Mark Polla [email protected] 410-564-2627calrec audio 42 Premier kevin emmott [email protected] [44] 1422 842159cameron-pace group 18 Platinum Corey bridges [email protected] 818-565-0005canon broadcast 14 Platinum Rich eilers [email protected] 201-807-3342cartoni 77 Corporate elisabetta Cartoni [email protected] [39] 06 4382002cat entertainment services 205 Mobile Phil Wessels [email protected] 904-494-7550

cbc mobile productions 253 Mobile Dale Smith [email protected] 416-205-6513

cbt systems 195 Mobile Darrell Wenhardt [email protected] 858-536-2927cellular specialties, inc. Corporate kristin kohler [email protected] 603-626-6677

chyron 32 Premier Mark Gederman [email protected] 401-349-4351cinesys/oceana 175 Mobile brent Angle [email protected] 713-272-0732cisco 33 Premier Michael Caponigro [email protected] 408-527-6111clark media 104 Mobile Gary Snyder [email protected] 610-694-9800clear-com - a hme company 88 Corporate Judy Cheng [email protected] 510-337-6676

cobalt digital 34 Premier bob McAlpine [email protected] 631-651-2713comcast media center 176 Corporate Jeff Rohr [email protected] 303-486-3811communications engineering inc. 169 Mobile Phil Whitebloom [email protected] 703-550-5800

corplex 232 Mobile Scott West [email protected] 847-457-1430cp communications 223 Mobile kurt Heitmann [email protected] 914-345-9292crosscreek 240 Mobile Spruce McRee [email protected] 205-663-4411

crown castle 145 Corporate Sandy deSosta [email protected] 724-416-2444csp mobile 241 Mobile len Chase [email protected] 207-282-9680daktronics 159 Corporate Jay Parker [email protected] 605-692-0200dale pro audio 123 Corporate Tim Finnegan [email protected] 212-475-1124dalet 92 Corporate Raoul Cospen [email protected] [33] 1 41 27 67 53

dell Cover 3 Corporate Tom Masson [email protected] 636-474-9128

deluxe entertainment 125 Corporate Fred Handsman [email protected] 212-444-5510digico 62 Premier Jack kelly [email protected] 516-249-1399diversiFied systems 138 Mobile Duane Yoslov [email protected] 408-969-1972dixon sports computing 163 Corporate Matt Collins [email protected] 562-439-0720

dolby 127 Corporate kenneth Hunold [email protected] 212-767-1700dome productions 233 Mobile Mary ellen Carlyle [email protected] 416-341-2022dts 1 Platinum Mark Seigle [email protected] 425-522-0709elemental technologies 28 Premier Whitney Seven [email protected] 503-222-3212

encompass digital media 67 Corporate keith kozicki [email protected] 678-421-6830

envivio 97 Corporate Sarah lum [email protected] 650-243-2710ericsson television inc. 171 Corporate ed Giovannini [email protected] 203-268-1335

eurovision 47 Premier Jim Scott [email protected] 973-650-9577evertz 37 Premier Joe Cirincione [email protected] 818-558-3910evs 66 Corporate Greg Macchia [email protected] 973-575-2111F&F productions 228 Mobile Ryan Hatch [email protected] 727-535-6776Filmwerks int’l. 215 Mobile Mike Satrazemis [email protected] 910-297-8000Fletcher sports 137 Corporate Tom Fletcher [email protected] 312-932-2703For-a 103 Corporate Pedro Silvestre [email protected] 201-944-1120Front porch digital 141 Corporate Phil Jackson [email protected] 303-926-5873Frontline communications 201 Mobile bob king [email protected] 727-573-0400

FuJiFilm/FuJinon 24 Platinum Thom Calabro [email protected] 973-686-2409game creek video 245 Mobile Pat Sullivan [email protected] 603-821-2205gearhouse broadcast 211 Mobile Marc Genin [email protected] 818-955-9449gepco international 157 Corporate Joe Zajac [email protected] 847-227-1436gerling & associates 219 Corporate Fred Gerling [email protected] 740-965-2888globecast 79 Corporate Matthew Rosenstein [email protected] 212-332-2178glowpoint 191 Corporate Stephen Vobbe [email protected] 973-855-3411grass valley 6 Platinum Dave Workman [email protected] 301-852-0676haivision 39 Corporate Anna kozel [email protected] 514-334-5445

harmonic 41 Premier Paulien Ruijssenaars [email protected] 408-490-7021

harris 35 Premier Colleen Rauscher [email protected] 303-476-4822hego 68 Corporate kevin Prince [email protected] 212-537-0158hitachi kokusai 107 Corporate Sean Moran [email protected] 516-682-4431htn 126 Corporate Joe Cohen [email protected] 212-239-3710

i-movix 5 and 147 Premier Nadia Sinigaglia [email protected] [32] 0 65 554 110

ikegami electronics 43 Premier Teri Zastrow [email protected] 201-368-9171illumination dynamics 189 Mobile Rich Williams [email protected] 818-686-6400

ims productions 248 Mobile ken Gardner [email protected] 317-492-8719inertia unlimited 46 Premier Jeff Silverman [email protected] 802-368-2591integrated media technologies 185 Mobile Tom McGowan [email protected] 818-761-9770

intelsat 8 Platinum Peter Cleary [email protected] 212-839-1812

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260 REMOTE spORTs pROducTiOn YEaRbOOk 2013

istreamplanet 20 Premier Robin Cole [email protected] 702-492-5900Joseph electronics 119 Corporate Gideon uys [email protected] 972-922-3311Jvc 143 Corporate Craig Yanagi [email protected] 973-317-5176kodiak mobile television 4 Mobile David kearnes [email protected] 918-925-9877

lawo 55 Premier Herbert lemcke [email protected] 416-292-0078level 3 23 Platinum kirsten Megahan [email protected] 720-888-4524levels beyond Corporate Art Raymond [email protected] 303-495-2424linear acoustic Premier Tim Carroll [email protected] 717-735-3611liveu 86 Corporate ken Zamkow [email protected] 201-742-5227lyon video 244 Mobile Chad Snyder [email protected] 614-319-4071mansion mobile 256 Mobile Matt Adams [email protected] 913-647-9700markertek 139 Corporate Gregory DeCelle [email protected] 845-246-2357masergy 114 Corporate Dan boland [email protected] 630-632-2062metrovision 237 Mobile Jim McGillion [email protected] 212-989-1515mira mobile 236 Mobile Frank Taylor [email protected] 503-464-0661

miranda 2 and 3 Platinum Jay Gravina [email protected] 201-995-1590

mobile tv group 257 Mobile Philip Garvin [email protected] 303-542-5555motion rocket 91 Corporate Mark Carman [email protected] 727-537-0836motorola mobility 122 Corporate Mark Schaffer [email protected] 858-404-2382mpe 142 Corporate Tim okon [email protected] 863-353-6212multidyne 51 Premier Frank Jachetta [email protected] 516-671-7278nac image technology 111 Corporate Andy Hayford [email protected] [44] 1844 290585

nep broadcasting 226 Mobile George Hoover [email protected] 800-444-0054nes communication services 221 Mobile keith Valeri [email protected] 508-842-4328

net insight Corporate Todd bayne [email protected] 860-406-1005netapp Corporate Gail Costantini [email protected] 646-497-8640neulion 87 Corporate Chris Wagner [email protected] 516-622-8357newtek 15 Platinum Philip Nelson [email protected] 210-370-8266nextcomputing 60 Premier Aaron Sherman [email protected] 603-459-2462nvidia 61 Premier Greg estes [email protected] 650-255-4282on call communications 203 Mobile erin ludden [email protected] 949-707-1985

one connxt 112 Corporate Jodi Morelli [email protected] 203-249-2839orad 25 Premier Shaun Dail [email protected] 201-332-3900origin digital 149 Corporate brittany lorincz [email protected] 201-537-8600pacsat 193 Mobile Steve Mallory [email protected] 916-446-7890panasonic 59 Premier Carter Hoskins [email protected] 770-619-1779pesa 108 Corporate Dan Holland [email protected] 256-726-9200phizzle 93 Corporate Jeff Ryznar [email protected] 216-310-6948platinum uplink services 187 Mobile Dustin Grubish [email protected] 708-792-2100

pnc equipment Finance 131 Corporate Russ Munson [email protected] 714-969-6955

polar mobile 150 Corporate Steve Van Mierlo [email protected] 416-899-6738productionhub 263 Corporate Steve Rotz [email protected] 877-629-4122proshow audio visual broadcast 229 Mobile Tim lewis [email protected] 604-293-1771

pssi/strategic tv 209 Mobile Clayton Packard [email protected] 310-575-4400quantel 134 Corporate brad Wensley [email protected] 212-812-1485reality check systems 11 Platinum Jeff Heimbold [email protected] 323-465-3900riedel communications 65 Premier kelly Fair [email protected] 818-241-4696

rimage 83 Corporate Jason evans [email protected] 301-529-1015


sVG sponsor directory / ad indexSVG SponSor paGe LeVeL ContaCt emaiL phone

istreamplanet 20 Premier Robin Cole [email protected] 702-492-5900Joseph electronics 119 Corporate Gideon uys [email protected] 972-922-3311Jvc 143 Corporate Craig Yanagi [email protected] 973-317-5176kodiak mobile television 4 Mobile David kearnes [email protected] 918-925-9877

lawo 55 Premier Herbert lemcke [email protected] 416-292-0078level 3 23 Platinum kirsten Megahan [email protected] 720-888-4524levels beyond Corporate Art Raymond [email protected] 303-495-2424linear acoustic Premier Tim Carroll [email protected] 717-735-3611liveu 86 Corporate ken Zamkow [email protected] 201-742-5227lyon video 244 Mobile Chad Snyder [email protected] 614-319-4071mansion mobile 256 Mobile Matt Adams [email protected] 913-647-9700markertek 139 Corporate Gregory DeCelle [email protected] 845-246-2357masergy 114 Corporate Dan boland [email protected] 630-632-2062metrovision 237 Mobile Jim McGillion [email protected] 212-989-1515mira mobile 236 Mobile Frank Taylor [email protected] 503-464-0661

miranda 2 and 3 Platinum Jay Gravina [email protected] 201-995-1590

mobile tv group 257 Mobile Philip Garvin [email protected] 303-542-5555motion rocket 91 Corporate Mark Carman [email protected] 727-537-0836motorola mobility 122 Corporate Mark Schaffer [email protected] 858-404-2382mpe 142 Corporate Tim okon [email protected] 863-353-6212multidyne 51 Premier Frank Jachetta [email protected] 516-671-7278nac image technology 111 Corporate Andy Hayford [email protected] [44] 1844 290585

nep broadcasting 226 Mobile George Hoover [email protected] 800-444-0054nes communication services 221 Mobile keith Valeri [email protected] 508-842-4328

net insight Corporate Todd bayne [email protected] 860-406-1005netapp Corporate Gail Costantini [email protected] 646-497-8640neulion 87 Corporate Chris Wagner [email protected] 516-622-8357newtek 15 Platinum Philip Nelson [email protected] 210-370-8266nextcomputing 60 Premier Aaron Sherman [email protected] 603-459-2462nvidia 61 Premier Greg estes [email protected] 650-255-4282on call communications 203 Mobile erin ludden [email protected] 949-707-1985

one connxt 112 Corporate Jodi Morelli [email protected] 203-249-2839orad 25 Premier Shaun Dail [email protected] 201-332-3900origin digital 149 Corporate brittany lorincz [email protected] 201-537-8600pacsat 193 Mobile Steve Mallory [email protected] 916-446-7890panasonic 59 Premier Carter Hoskins [email protected] 770-619-1779pesa 108 Corporate Dan Holland [email protected] 256-726-9200phizzle 93 Corporate Jeff Ryznar [email protected] 216-310-6948platinum uplink services 187 Mobile Dustin Grubish [email protected] 708-792-2100

pnc equipment Finance 131 Corporate Russ Munson [email protected] 714-969-6955

polar mobile 150 Corporate Steve Van Mierlo [email protected] 416-899-6738productionhub 263 Corporate Steve Rotz [email protected] 877-629-4122proshow audio visual broadcast 229 Mobile Tim lewis [email protected] 604-293-1771

pssi/strategic tv 209 Mobile Clayton Packard [email protected] 310-575-4400quantel 134 Corporate brad Wensley [email protected] 212-812-1485reality check systems 11 Platinum Jeff Heimbold [email protected] 323-465-3900riedel communications 65 Premier kelly Fair [email protected] 818-241-4696

rimage 83 Corporate Jason evans [email protected] 301-529-1015

ross video 16 Premier Steve Romain [email protected] 613-652-4886sennheiser 115 Corporate Jeff Alexander [email protected] 860-434-9190ses 48 Premier Sean Tietjen [email protected] 609-987-4465sgl broadcast 155 Corporate Doug Wynn [email protected] 608-345-1568show partners 207 Mobile Michael Mantovani [email protected] 321-257-1854shure 160 Corporate Jose Rivas [email protected] 847-600-2000signiant 121 Corporate lisa Clark [email protected] 781-221-4021skycam/cablecam 78 Mobile Nic Salomon [email protected] 817-984-6848smt 96 Corporate Don Tupper [email protected] 919-354-4799sony 13 Platinum Mark bonifacio [email protected] 201-358-4190sos global express 44 Premier Fernando Soler [email protected] 800-628-6363spectra logic 56 Corporate Hossein ZiaShakeri [email protected] 303-449-6444sportvision 146 Corporate Jeff Jonas [email protected] 414-727-2105stats inc. 130 Corporate Nick Stamm [email protected] 847-583-2110

storagedna 173 Corporate Rebecca Adler Greenwell [email protected] 303-331-0524

studer 75 Premier katy Templeman-Holmes

[email protected] 818-920-3295

t-vips 109 Corporate Steve Sloane [email protected] 516-503 3104t3media 165 Corporate Sal Siino [email protected] 720-382-2891

tata communications 72 Corporate kevin Watson [email protected] 703-547-6539

tekserve 117 Corporate Chris Payne [email protected] 212-929-3645tektronix 49 Premier Richard Duvall [email protected] 503-627-3203telestream 95 Premier barbara DeHart [email protected] 530-470-1306teradek 81 Premier Michael Gailing [email protected] 949-743-5774the studio - b&h 52 Premier The Studio Team [email protected] 800-947-9962the switch 161 Corporate Jessica Mintz [email protected] 323-645-8012the systems group 181 Mobile Chris Mehos [email protected] 201-795-4672the tiFFen company 85 Premier Rick booth [email protected] 631-609-3130tightrope media systems 53 Corporate Steve israelsky [email protected] 866-866-4118

token creek 249 Mobile John Salzwedel [email protected] 608-849-4965tse-total sports entertainment 105 Corporate Jeanette ehnerd [email protected] 608-386-8800

tvu networks 168 Corporate David Robertson [email protected] 646-510-1987utah scientiFic 71 Corporate Richard Hajdu [email protected] 330-962-6502vca 172 Mobile Dave berlin [email protected] 212-967-4400video equipment rentals (ver) 152 Corporate Howie Rosenthal [email protected] 818-956-1444

vidyocast 101 Premier Jim o’ brien [email protected] 201-289-8597vision research 76 Corporate Patrick ott de Vries [email protected] 973-692-4018vista satellite 183 Corporate Joshua liemer [email protected] 954-838-0900visualon 100 Corporate Deepak Das [email protected] 408-244-8801vizrt 19 Platinum isaac Hersly [email protected] 646-746-0010white sands engineering/seg 156 Corporate Dave lindemeyer [email protected] 623-516-4210

wohler 99 Premier Don bird [email protected] 510-870-0865xos digital 129 Corporate Marlaine Hudgins [email protected] 407-404-5633yamaha commercial audio systems 110 Corporate Paul Furtkamp [email protected] 714-522-9397

yes productions 252 Mobile Jim Moriarty [email protected] 504-840-4891zixi Corporate Alex Neihaus [email protected] 781-890-9690

Thanks to the following Truck Sponsors for making the magic of sports television happen. These leading companies and their hardworking crews deliver game action to fans throughout the year to

all corners of the world.

keeping sports tV rolling...

09_09_30Official logotype

Aerial Video SystemsAlliance

PRODUCTIONS

bsiBROADCAST SPORTS INC

an company

METROVISIONProduction Group

HD

I N T E R N A T I O N A L

PREMIER SPONSORSAbekAs • Adtec digitAl • AsperA • cAlrec Audio • chyron • cisco • cobAlt digitAl • digico • elementAl technologies • eurovision • evertz • hArmonic

• hArris • i-moviX • ikegAmi electronics • inertiA unlimited • istreAmplAnet • lAwo • lineAr Acoustic • multidyne • neXtcomputing • nvidiA • orAd • pAnAsonic • riedel communicAtions • ross video • ses • sos globAl • studer • tektroniX • telestreAm • terAdek • the studio – b&h • the tiffen compAny • vidyocAst• wohler technologies

CORPORATE SPONSORS

3Ality technicA • Abelcine • Active storAge • Amberfin • Artel video systems • Ateme • Audio-technicA • AXis globAl logistics • AXon digitAl • broAdcAst sports • cArtoni • cellulAr speciAlities inc. • cleAr-com • comcAst mediA center • crown cAstle • dAktronics • dAle pro Audio • dAlet • dell • deluXe entertAinment • diXon sports computing

• dolby • encompAss digitAl mediA • envivio • ericsson • evs • fletcher sports • for-A • front porch digitAl • gepco • gerling & AssociAtes • globecAst • glowpoint • hAivision • hego • hitAchi kokusAi • htn • Joseph electronics • Jvc • levels beyond • liveu • mArkertek • mAsergy • motion rocket • motorolA • mpe

• nAc imAge technology • netApp • net insight • neulion • one connXt • origin digitAl • pesA • phizzle • pnc equipment finAnce • polAr mobile • production hub • quAntel • rimAge • sennheiser • sgl • shure • signiAnt • smt • spectrA logic • sportvision • stAts inc. • storAgednA • tAtA communicAtions • t3mediA • tekserve • the switch

• tightrope mediA systems • tse–totAl sports entertAinment • t-vips • tvu networks • utAh scientific • ver • vision reseArch • vistA sAtellite • visuAlon • white sAnds engineering/seg • Xos digitAl • yAmAhA • ziXi

MOBILE/INTEgRATOR SPONSORSAdvAnced mobility speciAlty vehicles • AeriAl video systems • AlliAnce productions • All mobile video • AlphA video • Arctek sAtellite prods. • Azzurro system integrAtion

• beck AssociAtes • broAdcAst services int’l • cAt entertAinment services • cbc mobile productions • cbt systems • cinesys/oceAnA • clArk mediA • communicAtions engineering inc. • corpleX • cp communicAtions • crosscreek • csp mobile • diversified systems • dome productions • f&f productions • filmwerks int’l

• frontline communicAtions • gAme creek video • geArhouse broAdcAst • illuminAtion dynAmics • ims productions • integrAted mediA technologies • kodiAk mobile television • lyon video • mAnsion mobile • metrovision • mirA mobile • mobile tv group • nep • nes communicAtions services • on cAll communicAtions • pAcsAt • plAtinum

uplink services • proshow • pssi/strAtegictv • show pArtners • skycAm/cAblecAm • the systems group • token creek • vcA • yes productions

w w w.spor tsvideo.org

when it comes to technology, sports television leAds the wAy

we’re proud to represent those professionals who enrich the fan’s experience, break new barriers, and establish new standards for all forms of live television, mobile, and broadband entertainment.

svg’s advocacy, communication, education, and market development activities are made possible by the following sponsors:

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2013 Remote Sports Production Yearbook

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Transcript of 2013 Remote Sports Production Yearbook