2009music-park.cz/___files//katalogy/HOHNER_Accordions_Germany.pdf · 2 3 Passion, know-how and...

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The accordion knows no boundaries - it is a unique symbol

of musical and cultural diversity.

For us - the builders of bellows - driven instruments at

Hohner Musikinstrumente GmbH & Co. KG - this diversity is

an ever present incentive to work with the highest degree of

precision. The entire body of knowledge of our long tradition

flows into every single instrument. From the selection of

the woods used to the fine working of the steel reeds,

from polishing the casing to the precise adjustment of the

complex bass and treble mechanisms with their irresistably

logical construction. With all the love of the accordion and

dedication to excellence which has always distinguished

hand made instruments built by Hohner.

Hohner Accordions bring out the champion in you!

Six time winner of Coupe Mondial,

Trophy Mondial, International

Accordion Competition in

Klingenthal, and others, Julian

“Speedy” Gonzales plays the

Genius IV 120 Bayan model

for classical music and the Fun Flash and Fun Musette

accordion for virtuoso entertainment music.

We hope you enjoy this illustrated introduction to our world

of the accordion.

32

P a s s i o n , k n o w - h o w a n d t e c h n o l o g y

At Hohner, traditional handwork

in accordion building goes

hand in hand with research and

development and the use of the

most modern production and

analysis procedures. The results

are production methods that are especially gentle on the

materials used, that come together to create an accordion

that will meet the highest professional requirements and

guarantee the lasting value for which Hohner instruments

are renowned.

Examples of this are the pallets pictured above, which are

adjusted to within a fraction of a millimeter, and the one

piece clavis levers.

These are central elements of

the newly developed piano

keyboard, which offers a new

dimension of playing comfort.

Assembling the bass mechanism

is time consuming and expensive. During this process,

the majority of the individual parts of the accordion

are put together to create a true technical wonder. The

bass mechanism is created by fitting together a complex

assembly of bass pivot rods, pivot rod levers, clavis levers

and bass pallets, button levers and finger levers. The design

reflects the latest findings of research and development

and sets new standards in lightness of weight and noiseless

operation.

It is a particularly satisfying moment for us when an accordion

is finished, its thousands of individual components expertly

assembled and the final quality control indicates that this

instrument will give its future owner a lifetime of pleasure.

Our team for your instrument - HOHNER

We would like to take you on a

brief tour of our accordion man-

ufacturing facilities. In the follow-

ing pages we have captured the

most important steps of the pro-

duction in words and pictures.

In Trossingen, highly motivated craftsmen build accordions

which will later bear the names Gola, Morino or Ventura for

players around the world.

Every Hohner accordion is the result of over 100 years of

experience in the design, construction and manufacture

of high quality bellows-driven instruments. Painstaking

craftsmanship and the selection of the finest materi-

als guarantee a consistently high standard of production

which truly deserves the designation “Top quality made in

Germany”. The combination of skilled workmanship and

modern technology is known worldwide as the distinguishing

feature of Hohner’s high-end instruments.

Accordion production without

skilled handiwork is unthink-

able. Despite modern automa-

tion technology, a high quality

accordion will always remain a

musical instrument that owes its

soul to the precision and expertise put into its construc-

tion. Especially when putting the final touches to the reeds

and reed plates, experienced craftmanship coupled with a

feeling for music is the secret of the legendary Hohner sound.

Each individual reed plate is then waxed onto the channels

of the reed block. Swabian precision is utilized at every

stage of the production process to ensure that all parts will

later fit together perfectly and the instrument will thus be

completely airtight.

The tuner then fine tunes every

single reed. His most important

tool is his highly trained ear.

Armed with file and blade, he

ensures that each reed reaches

its correct pitch. He knows from

experience how to coordinate the intervals between the

individual steps in the tuning process in order to achieve

the highest degree of tuning reliability.

For over 100 years, the Hohner company in Trossingen has been buildingrenowned bellows-driven instruments which are played all over the world. Our book “History Unfolds” describes the ups and downsof the history of the accordion in Trossingen, its heyday in the1920s and 30s, the emergence of the orchestra movementand the technical developments during the entire period.What is so special about this book however, is the extensive and attractively presented photo section, with numerous previouslyunpublished photos of accordions from the past centuryof Hohner history, as well as a complete listing of the Hohner production.

Martin Häffner, Haik Wenzel, Petra Schramböhmer, Anselm Rössler272 pages, four color print, German/English, 29.5 X 22.5 cm, hard coverISBN: 3-932275-78-0 e 50.00

Gola 414

G o l a

54

Gola 454 C

GOLA is when playing the accordion becomes a passion,

when nothing else counts but the realization of musical

potential, inspired by the combination of the sound of a truly

great instrument and one’s own powers of imagination.

The Gola represents the premium level of accordion

building worldwide and is the instrument of choice for

soloists of the highest level of ability (including numerous

World Champions), whether on stage or in the recording

studio. The combination of top quality materials and

workmanship of the finest degree of precision results in

superlative instruments for the most discerning players.

The quality of these remarkable accordions is apparent

from the moment of ordering one. A Gola is not found lying

around in a music store; it is constructed solely according to

the wishes and requirements of the customer. In this way,

Giovanni Gola’s vision is still realized virtually unchanged

today at the Hohner works in Trossingen. Every single Gola

ordered around the world is built by a small team of master

craftsmen who work exclusively on this instrument.

Giovanni Gola (right) in conversation with Venanzio Morino Remark: Pictures show options.

G e n i u s

Genius IV 120 C Bayan

C O N V E R TO R

6 7

Genius accordions bring a new dimension to the pro-

fessional level instruments played by virtuosos in the

Champions-League. Over 100 years of accordion making,

input from technical and artistic professionals worldwide,

and modern ingenuity have been combined to produce

state of the art button-converter-accordions. In addition,

superior quality reed plates result in exceptional treble

and bass tone projection. Players will love this lighter

weight accordion that does not compromise on sound and

dynamic excellence.

Based on Computer Aided Design, the newly

developed treble keyboard includes 64 tones.

Both B-System and C-System are available.

Innovation

All treble registers can be activated by chin switches and also

an additional repeat switch. Ingenious switch mechanics

allow for two tonal colors for each button. The strong

design of this mechanism even forgives the accidental

activation of more than one switch simultaneously.

Based on research and input from professional players, the

chin switches have been positioned for optimal comfort

and minimal neck strain.

Choose between these three models:

Genius IV 20 C Bayan, Genius IV 20 C De Luxe,

and Genius IV 20 C.

Morino IV 120 C

M o r i n o I VC O N V E R TO R

98

Morino IV 120 C45 de Luxe

We use an extremely thin gauze for the Morino converter instruments,

which lends the grill an elegant aspect, while being highly permeable to the sound

and giving the entire range of musical expression a clear way out.

When it comes to instruments meeting the highest

performance requirements, we depend on a simple

philosophy: the accordion must adapt to the player, not the

other way around!

Therefore, you can choose between 41 or 45 treble keys,

2 or 3 free bass voices, or even choose from a variety of

reedplate designs, up to the noble “De Luxe” plates, which

are individually egalized by hand in upper tone range, to

achieve the highest standards in playability.

In Trossingen we customize your accordion to meet your

personal requirements!

All Morino covertor models benefit greatly from Hohner’s

collected know-how, gained over a long tradition in making

top quality Cassotto instruments.

Genius IV 120

G e n i u s

1110

Genius IV 120 de Luxe

S TA N D A R D B A S S

The Genius standard bass version comes with the bass mechanism adopted from

the Morino series years before. It features easy touch and low noise.

Discerning button chromatic players requiring high

performance choose the Genius. The standard bass version

was modelled on the Genius Convertor, widely acclaimed

by professionals.

For the Genius de Luxe we use reed plates of the highest

quality which are painstakingly finished by hand in upper

tone range to ensure the best response possible performing

with extreme sensitivity and evenness throughout the

registers.

Optically the Genius de Luxe is distinguished by the noble

gold plated trim and of course the name plate “de Luxe”.

A professional instrument “Made in Germany” which

guarantees lasting value.

M o r i n o

Morino IV 120 de Luxe

Morino V 120 de Luxe

D E L U X E

1312

To meet the needs of accordionists who are only satisfied

with the best, we have developed the Morino de Luxe. This

is based on the tried and tested Morino, the design of which

was completely reworked and improved in many details in

2001. For the Morino de Luxe we use reed plates of the

highest level of quality which are painstakingly egalised by

hand in upper tone range to ensure a response which is

hard to match - both extremely sensitive and as even as

possible in all registers.

The bass has been perfectly set up for the soloist: an

acoustically optimized bass angle reed block produces

clearly defined bass notes with a powerful fundamental.

Optically the Morino de Luxe is distinguished by the noble

gold plated trim and of course the name plate “de Luxe”.

A top quality instrument “Made in Germany” which

guarantees lasting value.

Here you have a good view of the bass angle reed block. What makes this so special is the

fact that the bass reeds are positioned at a 90° angle to the chord reeds.

Due to the larger channels the heavy bass reeds are able to resonate more freely and

produce exceptionally clearly defined bass notes with a powerful fundamental tone.

Morino V 120

M o r i n oIV & V

1514

Morino IV 96

Morino IV 120

The new register switches have been reworked from both the ergonomic and the optical point of view:

· Chorus combination indicators are angled towards the player

· Optically integrated into the treble grill

· Register switches ordered according to the results of the latest studies on playing requirements and current literature.

All shown instruments are also available as individual versions too.

Instruments in the Morino line have an excellent reputati-

on in the accordion world. An accordion orchestra without

a Morino? It’s simply not done. The characteristic sound

– especially the voices inside the Cassotto – give this

instrument a special touch and strengthen the ensemble

into one sound and voice.

In 1936 the constructing engineer Venanzio Morino

manufactured accordions of his own conception and

design. Often these instruments were custom built for a

single artist. Matth. Hohner AG supported and promoted

his ideas. Today, the Venanzio Morino legacy is still alive in

the accordions that bear his name.

Perhaps the most obvious sign of the Morino legacy is the

piano keyboard; frictionless and much more precise than

other keyboards. An unbelievable technical advancement!

With IV- or V - voices, it is always the unique sound that

appeals to your audience. The IV-voice models have a

comprehensive spectrum of 11 sound combinations.

However, if you prefer a robust three-voice tremolo, the

V-voice Morino is for you. The tutti-register profits from an

additional reed block.

Morino IV 96 Tremolo

Morino IV 96 Fun

M o r i n oT R E M O L O

16 17

Morino IV 120 Tremolo

The grill plays a considerable role in creating the sound.

The typical striking Morino grill has had a decisive influence on both

sound and appearance of this series for decades.

Morino accordions shine on stage. A special feature of

the Morino is the double tremolo, which also is known as

Musette Tuning. For the soloist, this appealing and thrilling

sound will boost your performance and stage presence.

The Tremolo models are also visually sensational. The look

of the instrument changes based on lighting and visual

perspective. The “cyan to purple” model phases from blue

to red. The “red to gold” model alternates between warm

reds and golds. On either model, the rhinestone Hohner

logo glitters under the spotlight, additionally charming

the audience. This models are also available in traditional

black.

The World Record accordion

shown here in its flashy air-

brushed version. The Morino IV

96 FUN version helped Thomas

Schmelzle set the new world

record for accordion playing,

in a marathon of 29 hours and 16 minutes. The quality

and light action of the Morino, a key to record-breaking

performance.

Morino V 120 Retro

M o r i n oS L A V K O A V S E N I K R E T R O

Morino IV 120 Retro

1918

“Lightweight accordion construction” can often be a contradiction in terms.

It can very easily have a negative effect on the sound, or lead

to unintentional side effects.

Through the use of modern manufacturing methods with individual components,

however, we have been able to achieve a considerable reduction

in weight with all Morino models.

For example, we are the only manufacturer worldwide where the clavis levers,

which connect the keys to the pallets, are punch formed out

of a single piece of lightweight aluminium alloy.

All shown instruments are also available as individual versions too.

Established folk accordion star

Slavko Avesenik sets the standard

for Oberkrainer style on his Hohner Morino

We had to think of something really special for the top

model of the series dedicated to Slavko Avsenik. Optically,

the design of the “Retro” is unmistakably based on the

Morino V M, the accordion which was Slavko Avsenik’s

constant onstage companion for decades. The register

switches in black and white and of course the logo set by

hand in semi-precious stones are particularly eye catching.

Inside, the V chorus Retro manages to combine the sound

ideal of the “V M” with the achievements of modern

technological developments in accordion building to create

an instrument which guarantees a high degree of playing

comfort and maximum reliability.

Atlantic IV 120

Atlantic IV 120 M

A t l a n t i c

20 21

HOHNER ATLANTIC Reissue

For over 50 years, the Hohner Atlantic accordion has been

the preferred instrument of choice for orchestra, jazz,

classical, and all types of modern music. Hohner’s tradition

of quality instruments continues with the reissue of the

new Atlantic accordion made in Germany.

Engineers at Hohner used state of the art technology in

developing the new Atlantic accordion to achieve a warmer

and loud sound. A wooden housing was used and current

Hohner accordion technology like the T-Keyboard and the

modular Bass-Mechanism was also incorporated. Hohner

continues to stretch the envelope by finding new innovative

ways to develop quality accordions.”

The Atlantic model is available in the following:

Atlantic IV 120 LMMH

Atlantic IV 120 M (Musette) LMMM

Both versions are available with palm switch.

This feature is named with an additional letter „P“.

For those who have experienced firsthand the traditional Atlantic accordion,

the Palm Switch has been a very popular feature. With the gentle touch of your palm,

you can activate all of the voices without interrupting the flow of your playing.

The palm switch is now available with the new Atlantic reissue.

O r c h e s t e r

Basso 372

2322

Electronium 2000

A c c e s s o r i e s

Electronium

In response to the needs of orchestral accordionists, we have

developed the Electronium 2000. The instrument is extremely light,

as much of the hardware has been incorporated into the expander,

which host an entire library of different sound choices. It includes

the already familiar Hohner Electronium features and numerous

additional options such as:

· single connection cable

· easy-to-read display with status indicator

· three registers which use left-hand operated pre-sets

· programmable memory presets

· easy to operate, while offering a wide variety

of sound choices

Basso

The newly updated Basso 372 was specially designed for orchestra

playing. Its light weight and compact size maximize playing versatility

and comfort. The sound-active- grille was designed for acoustic playing

and accents the lower range of tones preferred by Ensemble players.

The built-in microphone system is optimized for deep frequency

sounds with all types of amplifiers. Performance is best when using

special bass amplifiers, which are able to bring out the deep sound

of Helicon-Bass reeds.

In addition to modern

sounds for contemporary

compositions, it also contains many of the legendary sounds

which were part of the original Hohner Electronium. The

Electronium 2000 works with other expanders and is com-

patible with the General Midi standard, which allows easy

addition of sounds. The Electronium 2000 is available also

as a single unit, without ElecInside.

A good accordion case is indispensable for safe transport

and secure storage. It protects the accordion from dust,

dampness and external damage. For this reason, we always

deliver our accordions with high quality cases.

The new Hohner hard shell cases incorporate a detachable

trolley, making it possible to conveniently roll the instrument

on castors.

The strap system “Ergoline” (including back straps) is a

tried and tested Hohner accessory for all Genius, Morino

und Atlantic instruments. It offers maximum variability and

simple handling, is comfortable to wear and extremely

durable. This system combines the advantages of both

textile straps and high quality leather straps.

The GENIUS transport-protection-pad perfectly protects

the grill and the keyboard for Genius models. The pad pro-

ves ideal for transporting professional level instruments in

gig bags.

24 25

I love the new Hohner Genius converter-button accordion (Bayan)! The advanced mechanics allow me to forget about technical failure during per-forming. I am especially impressed with the new system of chin switches – all 15 registers on the right-hand side are available! The tone colours can be pre-selected according to the music I want to perform. With this development, performing beco-mes much more flexible and the switching is much easier. The precise mechanism and attention to de-

tail during the manufacturing process allows for a rich and unique sound. All musical styles can be expressed with this outstanding instrument.(Prof. Viktor Romanko)

As product manager for Hohner France, I have a keen understanding of what the players needs are when it comes to the musical side of the accordi-on (materials used, tuning, cassotto, etc.) and the technial side as well (weight, keyboard adjustment, ergonomics, etc). Having a close relation with artists in both the educational as well as professional level, gives me the opportunity to hone in on what the players needs when it comes to accordions. Studen-ts that I am working with take part in international

competitions: Jérôme Richard 6 time World Champion, Julien Gonzales 6 time World Champion, Fred Baldo 4 time World Champion, Phil Bouvier 2 time World Champion, Ben Nortier who is only 13 years of age and already a world champion in the history of the accordion. It is students like these that encourage me to further my research and development for new products. I thank Hohner for this incredible adventure and journey in the accordion world.(Frédéric Deschamps)

My acquaintance with Hohner accordions is quite re-cent. But during the short period I have had time to estimate advantages of these famous instruments. Morino Convertor with its rich and powerful sound, comprehensive technical abilities, and smart innova-tions is an excellent choice for any professional ac-cordionist. The Fun Flash will definately impress the audience, thanks to its colourful design and bright sound - it‘s a wonderful instrument for an entertain-ment music. I‘m happy to play Hohner!(Alexander Shirunov)

In terms of noble sound, synchronism and sensitive tone response (and also expressiveness), there is no better instrument in the world. Over the years it has grown on me -- from simple appreciation to heartfelt love.(Manfred Leuchter)

Playing the Hohner Morino accordion brings with it lots of pleasure and joy.(Slavko Avsenik)

I‘ve been playing Hohner Accordions for over 20 years with my band, the Hooters, and I‘ve become a very satisfied collector and player of these quality instruments. It all started with a „Junior“ model, a Starlet 48, which still plays very well, after hundreds of shows and thousands of miles, performing inter-nationally. The instruments stay in excellent tune, hold up to the rigors of the road, and also record beautifully. For me, Have Hohner, Will Travel!(Rob Hyman, Hooters)

Hohner accordion players in France and from all over the world who are young, dynamic, and on top of their game, really attracted me to this incredible line of accordions made by Hohner. It was during a performance of Frederic Deschamps that I disco-vered the Fun Flash accordion. The bellow pressu-re is extremely reliable, the key action is smooth, the sound is incomparable – especially the double Cassotto. The incredible modern look really fits the young generation. I’m very proud to belong to the

Hohner team that represents a new generation of players.(Julien Gonzales)

I decided to play Hohner because in France, it is the Hohner accordion to have. Besides having an incredible key action for playing complex melodies, the Hohner accordion is a cool looking like the Fun Flash. At the casting for “La Nouvelle Star” (French TV) the jury stated that the accordion is for elderly people only. After they saw me perform with the Hohner Fun Flash, they changed their minds and I went on the 2nd round of the show.” Thanks Hohner!(Benoît Nortier)

For my performances and tours with Heino, the Morino IV 120 is my first choice. The low weight, excellent response and warm, open sound greatly support my musical expression – not only in my touring with Heino, but also in my Tango and Jazz projects.(Heinz Hox, Heino Band)

The new mechanic/technique of the Morino V 120 Retro stands out. In addition to its other positive features, I especially enjoy the playing comfort.Martin Gogg, Oberkrainer Power

Right Hand Left Hand

TrebleBass

Freebass Standard Bass

Models Order-No. ColorPiano keys/

Buttons

Notes*)

ChorusChorus

inCassotto

Registers**)

ChinRegisters

***)Notes Chorus

Regis-ters**)

OctavCoupler

BassButtons

Chorus Regis-ters

Sizesin cm****)

Weightin kg

Accessoires

Gola 414 basic model(more options available)

A1400 black 4141

(F-A)

42

(16´+8´)11

(11)120 5 7 48,5x19 11,8

Hard Case with TrolleyLuxury Straps

Gola 644 basic model(more options available)

A1415 black105

5 rows64

(E-G)

42

15(15)

120 5 746,5

x23,5

12,5Hard Case with Trolley

Luxury Straps

Genius IV120 CBayan

C-System A3657black

1055 Rows

64(E-G)

42

15(15)

8(16)

58(E-C#)

3(16‘+16‘

+4‘)7 1 120 6 7

46,5x

23,514,2

Hard Case with TrolleyErgoline-StrapsB-System A3667

Genius IV120 Cde Luxe

C-System A3658black

1055 Rows

64(E-G)

42

15(15)

8(16)

58(E-C#)

2(16‘+8‘)

6 2 120 6 646,5

x23,5


Ergoline-StrapsB-System A3668

Genius IV120 C

C-System A3659black

1055 Rows

64(E-G)

42

15(15)

8(16)

58(E-C#)

2(16‘+8‘)

6 2 120 6 646,5

x23,5



Morino IV 120 CBayan

A2157 black 4545

(E-C)

42

(16´+8´)15

(15)4

(8)58

(E-C#)

3(16‘+16‘

+4‘)7 1 120 6 7 49x23 15,4

Hard Case with TrolleyErgoline-Straps

Morino IV 120 C 45de Luxe

A2158 black 4545

(E-C)

42

(16´+8´)15

(15)4

(8)58

(E-C#)2

(16‘+8‘)6 2 120 6 6 49 x 22 14,2


Morino IV 120 Cde Luxe

A2159 black 4141

(F-A)

42

(16´+8´)15

(15)4

(8)58

(E-C#)2

(16‘+8‘)6 2 120 6 6 49 x 22 13,8


Morino IV 120 C A2129 black 4141

(F-A)

42

(16´+8´)15

(15)4

(8)58

(E-C#)2

(16‘+8‘)6 2 120 6 6 49 x 22 13,8


Genius IV120de Luxe

C-System A3678black

1055 Rows

64(E-G)

42

15(15)

120 5 746,5

x23,5



Genius IV120

C-System A3679black

1055 Rows

64(E-G)

42

15(15)

120 5 746,5

x23,5



Morino IV 120de Luxe

A2152 black 4141

(F-A)

42

(16´+8´)11

(13)120

5anglebass

7 49 x 19 11,6Hard Case with Trolley

Ergoline-Straps

Morino V 120de Luxe

A2162 black 4141

(F-A)

52

(16´+8´)13

(13)120

5anglebass


Ergoline-Straps

Morino IV 96 A2112 black 3737

(F-F)

42

(16´+8´)11

(13)96 5 7 45 x 19 11,0


Morino IV 120 A2122 black 4141

(F-A)

42

(16´+8´)11

(13)120 5 7 49 x 19 11,6


Morino V 120 A2132 black 4141

(F-A)

52

(16´+8´)13

(13)120 5 7 49 x 22 12,7


Morino IV 96Tremolo

A2110 fun

3737

(F - F)

42

(16´+8´)9

(13)96 5 7 45 x 19 11,0


A2113 black

A2114 red to gold

A2118 cyan to purple

Morino IV 120Tremolo

A2123 schwarz

4141

(F - A)

42

9(13)

120 5 7 49 x 19 11,6Hard Case with Trolley

Ergoline-StrapsA2124 red to gold

A2128 cyan to purple

Morino IV 96“Slavko Avsenik- Retro”

A2115 schwarz 3737

(F - F)

42

(16´+8´)9

(13)96

5anglebass


Ergoline-Straps

Morino IV 120“Slavko Avsenik- Retro”

A2125 schwarz 4141

(F - A)

42

9(13)

1205

anglebass


Ergoline-Straps

Morino V 120“Slavko Avsenik - Retro”

A2136 black 4141

(F-A)

52

(16´+8´)13

(13)120

5anglebass


Ergoline-Straps

Atlantic IV 120 A2062 black 4141

(F-A)

4no

Cassotto11 120 4 3 48x18,5 10,0


Atlantic IV 120 P A2082 black 4141

(F-A)

4no

Cassotto

11 + 1(Palm-switch)

120 4 3 48x18,5 10,0Hard Case with Trolley

Ergoline-Straps

Atlantic IV 120 M A2066 black 4141

(F-A)

4no

Cassotto11 120 4 3 48x18,5 10,0


Atlantic IV 120 MP A2086 black 4141

(F-A)

4no

Cassotto

11 + 1(Palm-switch)

120 4 3 48x18,5 10,0Hard Case with Trolley

Ergoline-Straps

*) Notes = qty (deepest - highest key) ***) Chin Registers = qty of switches (programmable timbres)**) Registers = timbres (qty of switches) ****) Sizes in cm = measured at bellows

Because of the living and breathing nature of wood, measurements and weights may vary. Specifications subject to change without notice.

0-264.636-0000/0 WM 4636

Hohner Musikinstrumente GmbH & Co. KG

Andreas-Koch-Straße 9

D–78647 Trossingen

Germany

www.hohner.eu

Authorized Hohner Distributor:

Technische Änderungen vorbehalten | Specifications subject to change without notice.Gedruckt auf chlorfrei-gebleichtem Papier.

Made in Germany. Copyright 03/2009

2009music-park.cz/___files//katalogy/HOHNER_Accordions_Germany.pdf · 2 3 Passion, know-how and...

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