2009 Kindel Furniture Company Kindel Furniture is finely · PDF file ·...

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Transcript of 2009 Kindel Furniture Company Kindel Furniture is finely · PDF file ·...

Page 1: 2009 Kindel Furniture Company Kindel Furniture is finely · PDF file · 2014-03-30As is true for so many storied, long-standing companies, Kindel navigated economic fluctuations,

© 2009 Kindel Furniture Company

Kindel Furniture is finely crafted in America.

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Page 3: 2009 Kindel Furniture Company Kindel Furniture is finely · PDF file · 2014-03-30As is true for so many storied, long-standing companies, Kindel navigated economic fluctuations,

It is with enormous pride that we build our furniture every day, using time-honored techniques. Our commitment to hand

craftsmanship, hand carving, bench assembly, and hand finishing is what makes Kindel a true American luxury brand.

Quality Craftsmanship

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As is true for so many storied, long-standing companies, Kindel navigated economic fluctuations, world

wars, social changes, and a variety of lifestyle trends with energy and grace. For over 100 years, the company

has preserved a stalwart commitment to traditional styles, and the hand-carving, bench-assembly, and

hand-finishing that makes Kindel furniture truly distinctive. Owned by the Fisher family from Muncie, Indiana

since 1964, the company has always maintained family ownership along with dedication and integrity for

quality American made furniture.

Kindel furniture is 100% made in Grand Rapids, Michigan, and has operated continually in the factory

pictured above since 1912. Kindel is proud to be the “leading American luxury brand” in furniture.

“Our lives are enriched by the artistic achievements of the past. This is especially apparent in the areas of

art, music, architecture, and furniture design.” Kindel Furniture, from its beginnings in 1901 through today,

embodies this thought.

Kindel history

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Table of Contents

About Kindel

Collection Descriptions

Product Portfolio

Index

Finishes

2

4

156

160

Dining

Occasional

Bedroom

Upholstery

11

46

94

112

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Winterthur offers a rare combination of beauty, history, art, and learning. Nestled in the scenic Brandywine Valley of Delaware, Winterthur is the former home of Henry Francis du Pont, a scion of the family whose industrial achievements played a significant role in American history.

The estate was home to the three generations of the du Pont family from 1839 to 1969. Opened to the public in 1951, Winterthur now provides guests a magnificent mansion, working farms, naturalistic gardens, priceless antiques, and a view of what a country farm and estate were like in America’s past. Winterthur is home to more than 89,000 American period objects found in over 175 period rooms spanning in time from 1640 to 1840.

Mr. du Pont’s goal of educating a nation about its remarkable heritage through its objects and lifestyles continues today. The museum holds over 500,000 books and printed materials on the subject of American decorative arts. Its degree program in American Material Culture is universally acclaimed, and many of the top scholars in the field are Winterthur graduates.

Kindel selected the best-of-kind examples of Queen Anne, Chippendale, Federal and Empire furniture to be included in this collection. The complexities and details of these examples must be executed by a company whose skill and craftsmanship match those of the original artisans. Kindel, with its Grand Rapids craftsmen and women, embodies that company.

Winterthur Museum Collection

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Mount Vernon is one of the best documented historic homes in America. Mount Vernon is owned and maintained in trust for the people of the United States by the Mount Vernon Ladies’ Association, a private, non-profit organization founded in 1853 by Ann Pamela Cunningham. The estate, gardens, and farm of Mount Vernon totaled some 8,000 acres in the 18th century. Today roughly 500 acres of this historic estate have been preserved 16 miles south of Washington, D.C., on the banks of the Potomac River. The Mount Vernon collection also includes a collaboration of pieces from Tudor Place. The Tudor Place, built by Martha Washington’s granddaughter, Martha Custis Peter and her husband Thomas Peter in 1816, remained under ownership of the Peter family for six succeeding generations until 1983. Located in Georgetown’s historic district, this National Historic Landmark is a house museum distinguished for its neoclassical architecture, decorative arts collection including over 100 objects from George and Martha Washington’s Mount Vernon, and 5 1/2 acres of gardens.

The Mount Vernon Collection from Kindel is inspired by the family of America’s most famous general and president, George Washington. In association with the Mount Vernon Ladies’ Association, Kindel has created a collection of reproductions and adaptations of furnishings owned by the Washington family.

Mount Vernon Collection

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Dorothy Draper is America’s original interior decorator, establishing the first interior design firm in the United States in 1923. She pursued public commissions that brought her acclaim. Her work on behalf of such institutions as New York’s Hampshire House, San Francisco’s Mark Hopkins Hotel, Hollywood’s Arrowhead Springs Hotel and West Virginia’s Greenbrier Hotel exemplified her as a pioneering businesswoman and the most famous decorator of the 1930s and 40s.

Draper’s style was big and bold. She invented Modern Baroque and is known for her oversized plasterwork and dramatic use of vibrant color. Many of the pieces in this collection are designs from her corporate work as well as her own apartment at The Carlyle in New York.

Today the design firm of Dorothy Draper and Co. in New York exists under the direction of President and Owner, Carleton Varney. Carleton Varney was a protégé of Mrs. Draper and infused the Dorothy Draper Collection with his own style and vision. Varney maintains Draper’s archives and espouses her design philosophy: “the use of bright colors and the rejection of all that is impractical, uncomfortable and drab.”

DOROTHY DRAPER COLLECTION

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Kindel Furniture Company has been creating exceptional furniture design since 1901. We have a substantial archive of classic forms from which we can draw. Our Classic Additions incorporate new and old, from archives to adaptations all within the framework of classic design. Our goal is to bring the classics to today’s lifestyle to live with tradition in an updated way. We offer today’s consumer generations of style and design from our past.

We continue to add new styles, finishes, exotic veneers and wood species to complement our other furniture collections. Whether it is a reissue from the 1950s or an adaptation of an existing pattern, Kindel has earned a reputation for being the source for classic design.

Classic additions Collection

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The Knowledge Collection from Kindel evokes a more relaxed and simple feeling. The design is elegant, but understated. Classical elements are visible in the shield back of the dining chairs and the graceful sweep of the table legs.

While the design reflects simplicity and elegance, the craftsmanship is still bench made with hand-crafted details including pin striping, and hand-painted decoration. The woods are American Cherry and Cherry veneers, Poplar and Sycamore.

Knowledge COLLECTION

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The Neoclassic style is one which has endured in America since the late 1780s. Intellectually, Neoclassicism was symptomatic of a desire to return to the perceived “purity” of the arts, and the more vague perception “ideal” of Ancient Greek arts. Neoclassic furniture reflects refined designs often based on classical architecture. Design elements include, the American eagle, the ellipse, swags, scrolls, urns and columns. The style reflects the nationalist aspirations of the time.

The Neoclassic Collection from Kindel draws inspiration from the founders of this style in America: Thomas Jefferson, Samuel McIntire, Thomas Seymour, George Hepplewhite, Thomas Sheraton and Duncan Phyfe. This Collection from Kindel includes sleigh back chairs, lyre back chairs, pedestal dining tables with hand-carved paw feet, hand-painted decoration, gold accents, solid brass ormolu and gilded carvings.

Neoclassic Collection

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The 18th century showcased a range of classic style and design in opposition to the extravagances of 17th century baroque. Design of this period foretold elegance in life, yet exuded simplicity, balance, and harmony. Beauty was essential and quality was imperative, the introduction of Mahogany from the West Indies provided the perfect material for furniture craftsmanship.

Kindel’s 18th Century Collection ranges in styles from Queen Anne (cabriole legs and urn-shaped splats) to Chippendale (ball-and-claw feet, pierced slats, and bow-shaped crest rails) to Federal (tapered legs, swags, and inlays). These styles have the power to turn the most ordinary room into the center of civilized sociability and peaceful grace.

The 18th Century Collection is made with the finest Mahogany solids and veneers enhanced by bench-made details such as hand carving and flushing of joints. The finishes are all hand rubbed in the tradition of the 18th and late 19th centuries, and will age to develop the rich patina seen on many of today’s finest antiques. The designs are timeless and the 18th Century as a design category is one for which Kindel has been known for decades. Kindel continues to represent this category with superior aesthetic and unmatched workmanship.

18th century COLLECTION

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Dining

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PHYFE-STYLE DINING TABLE83-015

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W Open ���" (��0 cm) Four ��" (�0 cm) self-storing leaves

This Mahogany dining table has been adapted from a card table on display in the Phyfe Room. An urn-shaped central shaft is carved with acanthus leaves that lead to four sweeping legs, each carved with more leaves and flutes. Legs like these were popularized by Duncan Phyfe in the early 19th century and were copied by other New York cabinetmakers. The solid brass casters became popular at this time as well to prevent sharp corners from snagging woven carpets. There are several versions of this table, but shown here is the Phyfe-Style Dining Table with Satinwood Border. This table is also available with a Rosewood border, 83-018 or without a border, 83-016.

As Shown: Finished in Winterthur (27)

SEYMOUR DINING CHAIRS 83-082 Side Chair

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These chairs have been adapted from the original chair and settee made circa 1800 in Boston by the Seymours. The originals are on display in the Montmorenci Stair Hall. Kindel has applied upholstery to the front of the chair back for added comfort and has remained faithful to the overall design. The top rail features complex construction with contrasting Satinwood veneer on the solid Mahogany crest rail. This treatment is also applied to the flaring legs and seat rails. Hand-carved reeding, rosettes, and leaf carving adorn this chair. The back features the pierced splat that was typical of the Seymours’ work.

As Shown: Finished in Winterthur (27) and Fabric not available

83-083 Armchair

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83-083 Armchair

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NEW YORK SIDEBOARD 83-028

W ��.�" (��� cm) D ��.�" (�� cm) H ��.��" (�00 cm)

The original sideboard is a superlative example of New York craftsmanship between 1795 and 1805. This masterpiece resides in the du Pont Dining Room of the Winterthur Museum where Mr. du Pont entertained and dined. As complex as the exterior, the interior features two sectioned drawers for storing bottles. All of the larger cupboards and drawers lock for safekeeping. The contrasting woods and complex inlay are exemplary of exquisite 19th century design and cabinetry.

As Shown: Finished in Winterthur (27)

PHYFE-STYLE DINING TABLE83-018

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This Phyfe-Style Dining Table is the same as the 83-015 table, but has a Swirl Mahogany field and Rosewood border.

As Shown: Finished in Northampton (43)

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NEW YORK CHINA CABINET 83-054

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This china cabinet has been reproduced from an original desk-and-bookcase that was made in New York, circa 1796. It is displayed in the Lake Erie Hall at the Winterthur Museum. Made from crotch and figured Mahogany veneers and Satinwood and Walnut inlay, this elegant cabinet features four doors and three drawers for ample storage. The top cabinet has four glass doors with Federal tracery that is also veneered. The adjustable glass shelves are framed in Mahogany. The pediment, adorned by brass ball finials, is standard and typical of the Federal period.

As Shown: Finished in Winterthur (27)

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LANNUIER DINING TABLE83-010

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W Open ���" (��0 cm) Three ��" (�� cm) leaves with aprons

The original of this magnificent dining table was made between 1815 and 1819 by one of New York’s premier Neoclassical cabinet-makers, Charles-Honoré Lannuier. The original table is displayed in the Georgia Dining Room at the Winterthur Museum. The large top of highly figured veneer is supported by two pedestals that consist of four hand-carved, solid Mahogany columns. The S-shaped legs feature leaf-carving on the knees and hand-carved paw feet. Crotch Mahogany veneer graces the deep apron rails.

As Shown: Finished in Winterthur (27)

PHILADELPHIA CHIPPENDALE CHAIRS 83-070 Side Chair

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Kindel craftsmen have adapted the graceful armchair from a set of four matching side chairs that were made in Philadelphia for Thomas and Elizabeth Edwards. Although the total number of chairs in the original set is unknown, two identical chairs are in a private collection, and a seventh was sold at Christie’s in 1985 for $104,000, a record price. This chair typifies the genius of Thomas Chippendale who combined many styles to form his own which can be seen in the Chinese bow-shaped crest rail, gothic tracery of the splat, ancient acanthus leaves on the ears, and the French bell flowers. The details on each chair represent sixteen hours of hand carving.

As Shown: Finished in Winterthur (27) and Fabric not available

83-071 Armchair

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EMPIRE SIDEBOARD 83-025

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The Winterthur Museum purchased the original sideboard at Sotheby’s 1988 auction of decorative arts and fine arts from the estate of pop artist, Andy Warhol. The majestic sideboard was probably first owned by Rebecca Gratz (1781-1869) of Philadelphia and is attributed to cabinetmaker Joseph B. Barry. Kindel has adapted this sideboard from the massive original in The Empire Dining Room at Winterthur. The classical motifs of the reeded columns with acanthus leaf capitals, the lion’s paw feet and inset foliated panels are all hand carved. The unusual lion’s head drawer pulls are solid brass reproductions. Beneath the center drawer that is fitted with a silver tray, is a mirrored back panel. The gothic-arched doors lock.

As Shown: Finished in Winterthur (27)

PHILADELPHIA QUEEN ANNE CHAIRS83-072 Side Chair

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Crafted in Philadelphia around 1760, these Queen Anne-style dining chairs were originally part of a larger set. The side chairs are solid Cherry, and the armchairs are Mahogany. Kindel has reproduced them in the same materials. The side chair features additional egg-and-dart ornamentation at the bottom of the splat and is considered by many scholars and collectors to be one of the finest examples of the Queen Anne- style in Philadelphia. Its mate sold at Christie’s in 2002 for $666,000, a world record for a single wooden side chair. The hand-carved elements (shells, volutes, acanthus leaves, and ball-and-claw feet) of Kindel’s reproduction have faithfully captured the appearance of the originals.

As Shown: Finished in Winterthur (27) and Fabric not available

83-073 Armchair

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��Tudor Place Demi Lune Table (86-709), Aitken Armchair (86-071), and Double Pedestal Table (76-010)

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TUDOR PLACE CURIO CABINET 86-052

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Two Hepplewhite style display cabinets, circa 1770, grace theparlor at Tudor Place. Kindel has adapted the original to create a beautiful multi-purpose cabinet. The lower section features inlaid ovals of crotch Mahogany veneers. Kindel’s adaptation is crafted of Mahogany solids and veneers.

As Shown: Finished in Preservation (25)

TUDOR PLACE SERVING SIDEBOARD 86-004

W ��" (�0� cm) D �0.�" (�� cm) H ��.��" (�� cm)

The original of this refined, circa 1900, Georgian revival sideboard resides in the parlor of Tudor Place. The curved front has two inlaid, frieze drawers flanked by two deeper drawers. Below the drawers are doors faced in highly figured swirled Mahogany that open to reveal an ample interior with one adjustable shelf. The legs, typical of this great period in American design, taper gracefully into spade feet. Kindel has crafted this adaptation of Mahogany solids and veneers with the finest brass hardware.

As Shown: Finished in Southampton (44)

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AITKEN SIDEBOARD86-023

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George Washington purchased a pair of this original sideboard from cabinetmaker John Aitken, in 1797. They are in the large dining room at Mount Vernon. Kindel’s reproduction captures the understated elegance of the Hepplewhite style original. Crafted of Mahogany solids and veneers, this masterpiece sideboard features subtle, yet elaborate, inlay work on the front of the doors and drawers and at the top of each leg.

As Shown: Finished in Preservation (25)

AITKEN DINING CHAIRS 86-070 Side Chair

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Crafted circa 1797, the 24 Mahogany originals of these masterpiece dining chairs were purchased by George Washington from cabinetmaker John Aitken for use in the large dining room at Mount Vernon. The back splat’s classical urn is hand carved, and the overall simple and refined lines of the chair are typical of the Federal period. Kindel’s adaptations are crafted of solid Mahogany. Nail trim, as shown, is not standard.

As Shown: Finished in Preservation (25) and Fabric S1230-50

86-071 Armchair

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DRAPER CAFÉ CHAIRS88-084 Side Chair

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Dorothy Draper designed the original of these chairs in 1945 for the café and rooms at The Greenbrier Hotel in West Virginia. The swirling lines of the back splat, the French inspired cabriole legs and curved lines of the side rails evoke the glamour of the times. These chairs are made of Cherry and are available in wood or painted finishes.

As Shown: Finished in White (70) and Fabric F870-16

88-085 Armchair

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MARK ROUND DINING TABLE 88-012

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This round Cherry dining table features a slip-matched, veneered top with a solid Cherry rim. The pedestal base with four curved legs is based on the Mark Round Lamp table, 88-720 that Dorothy Draper designed for the Mark Hopkins Hotel in San Francisco. Also available with a 54 inch diameter, 88-013.

As Shown: Finished in Bark (61)

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88-085 Armchair

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Draper Café Side Chair (88-084), Mark Round Dining Table (88-012) and Espana Bunching Chests (88-007)

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EMPIRE CHAIRS38-074 Side Chair

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From our archives, this chair was originally made by Kindel in the 1950's. The simplistic lines can be traced to the finest shops of Paris during the turn of the 19th Century. A slender baluster splat flows into the curved top rail. The down-turned back supports seamlessly connect the top rail to the front rail. Grecian saber front legs support the chair frame making this a truly timeless design.

As Shown: Finished in Bark (61) and Fabric R185-22

38-075 Armchair

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UPHOLSTERED KLISMOS CHAIRS38-086 Side Chair

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A fully upholstered back defines this Klismos style dining chair. These chairs have Mahogany saber legs.

As Shown: Finished in Preservation (25) and Fabric R150-22

38-087 Armchair

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38-075 Armchair

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38-087 Armchair

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Knowledge Dining Table (71-018), Empire Side Chair (38-074) Empire Armchair (38-075) and Knowledge Bar Cabinet (71-832)

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KNOWLEDGE DINING TABLE71-018

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The dining table for Knowledge presents style and function combined. The graceful sweeping legs create a very classic look. Hand-painted Champagne striping is available as an option (05). The table and leaves are crafted of Cherry solids and veneers.

As Shown: Finished in Current (35)

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KNOWLEDGE CHAIRS71-082 Side Chair

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The slender kicked legs and soft curve of the back of these chairs add a beautiful repetition of line to this dining presentation. The stylized shield back hints at a more classic design. The frame is crafted of Cherry hardwoods.

As Shown: Finished in Current (35) and Fabric F871-16 / Back F880-38

71-083 Armchair

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UPHOLSTERED BACK CHAIRS 71-090 Side Chair

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The fully upholstered back of these chairs provides informal comfort for dining. The frame is made of Cherry hardwoods and features dowel construction and spring seats.

As Shown: Finished in Bark (61) and Fabric F870-16

71-091 Armchair

W ��.��" (�� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�0 cm)

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Knowledge Dining Table (71-018), Side Chair (71-090), Armchair (71-091) and Knowledge Sideboard (71-024)

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KNOWLEDGE SIDEBOARD 71-023

W ��.��" (��� cm) D ��.��" (�� cm) H ��.��" (�� cm)

The top of this sideboard is fitted with Avonite (a recycled solid surface product). The doors are hand decorated with a Champagne painted stripe in a repeated geometric line while the bale pulls and door plates are made to coordinate in a brushed bronze finish. The case is crafted of Cherry hardwoods and straight grain veneers.

As Shown: Finished in Current (35)

KNOWLEDGE SIDEBOARD 71-024

W ��.��" (��� cm) D ��.��" (�� cm) H ��.��" (�� cm)

This sideboard is the same as the 71-023 sideboard but has ring pull hardware and no striping. The top has two inset limestone panels. Made of Cherry.

As Shown: Finished in Bark (61)

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��Round Dining Table - Plank Top (75-014), Shield Back Side Chair (76-082), Bergére Chair (470), and Demi Lune Table (77-711)

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ROUND DINING TABLE 75-014

H �0" (�� cm) Diameter ��" (��0 cm)

Diameter with Leaves ��" (��� cm) Five ��" (�0 cm) leaves

This table is made of Cherry and rests on a plinth base with tapered feet. The Cherry veneers on the top surface form a planked look. There are five leaves that attach easily to the perimeter of the table to accommodate eight to ten chairs.

As Shown: Finished in Southampton (44)

RECTANGULAR DINING TABLE 75-019

W ��" (��� cm) D ��" (��� cm) H �0.��" (�� cm)

W Open ���" (��0 cm) Three ��" (�0 cm) leaves with aprons

This table is based on many popular turn-of-the-century desk forms which featured fluted legs and swags. The center of this table and the cross-banded border are of figured Mahogany and Satinwood. The inlays of the border are black, Maple, and Tulipwood. The fluted legs are topped off by solid brass rosettes. The swag carvings and feet are available with gilt leaf as an option (07).

As Shown: Finished in Kent (21)

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LIBRARY TABLE76-012

H �0" (�� cm) Diameter ��" (��� cm)

This type of table was popular in America around 1820. The tabletop features a flat-cut Mahogany center with a wide border of select crotch Mahogany. A black and white inlay line separates the center top from the border. The hand-carved stylized leaves at the base of the shaft, the hand-carved hairy-paw feet, and the shaped line around the perimeter of the plinth base can be gilded as an option.

As Shown: Finished in South Haven (33)

SLEIGH BACK CHAIRS 75-070 Side Chair

W �0" (�� cm) D ��.��" (�� cm) H ��.��" (�� cm)

SH ��.��" (�� cm)

These classic sleigh chairs are made of Mahogany but can be finished in both wood and painted finishes. They are standard with gold pin striping. Gold painted rosettes adorn the scroll of the arms and the graceful flair of the back posts at the crest rail. Double welt trim is standard.

As Shown: Finished in Preservation (25) and Fabric L550-42

75-071 Armchair

W ��.�" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

AH ��.�" (�� cm) SH ��.��" (�� cm)

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75-071 Armchair

W ��.�" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

AH ��.�" (�� cm) SH ��.��" (�� cm)

Sleigh Back Side Chair (75-070), Sleigh Back Armchair (75-071), Library Table (76-012), and the Breakfront Display Cabinet (76-091)

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PEDESTAL DINING TABLE76-019

W �0" (�0� cm) D ��" (��� cm) H �0" (�� cm)

W Open ���" (��� cm) Three ��" (�� cm) leaves with aprons

The tabletop features a figured Mahogany center with a wide border of select crotch Mahogany. A black and white inlay line separates the center top from the border. The edge of the top is banded in crotch Mahogany. The hand-carved stylized leaves at the base of the shaft, the hand-carved hairy-paw feet, and the shaped line around the perimeter of the plinth base can be gilded (as shown) as an option.

As Shown: Finished in Kent (21)

LYRE BACK CHAIRS 76-086 Side Chair

W �0" (�� cm) D ��.��" (�� cm) H ��.��" (�� cm)

SH ��.��" (�0 cm)

These Neoclassic chairs are crafted from solid Mahogany. The top rail features a standard gold stripe. The hand-carved back splat is in the form of a lyre, with flowing leaves and inset rosettes. On the armchair, the graceful scroll arm terminates with a hand carved stump. The splat can be accented in gold and black paint as an option, which includes gold on the carved arm stamps also.

As Shown: Finished in Preservation (25) and Fabric E176-16

76-087 Armchair

W ��.��" (�� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�0 cm)

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NEOCLASSIC SIDEBOARD 76-028

W ��" (��� cm) D �0.��" (�� cm) H ��.��" (�� cm)

The top of this sideboard features a border of crotch Mahogany and three inlaid lines of black and white which separate the border from the faux swirl Mahogany center top. Of the three drawers, the center drawer locks and includes a silver storage tray. The four crotch Mahogany doors lock. There is an adjustable shelf behind each door. Gilt leaf is standard at the top and base of the columns, but gilded paw feet are also available as an option.

As Shown: Finished in Southampton (44)

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76-087 Armchair

W ��.��" (�� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�0 cm)

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�� Neoclassic China Cabinet (76-094), Pedestal Dining Table (76-019), Sleigh Back Side Chair (75-070), and Sleigh Back Armchair (75-071)

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�� Neoclassic China Cabinet (76-094), Pedestal Dining Table (76-019), Sleigh Back Side Chair (75-070), and Sleigh Back Armchair (75-071)

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NEOCLASSIC CHINA CABINET 76-094

W ��.��" (��� cm) D ��" (�� cm) H ��.��" (��� cm)

This distinguished china cabinet is surrounded by a substantial crown molding inset with a carved egg-and-dart molding. The four half-round columns are topped by hand carved capitals. The Gothic-style door frets frame the lighted interior which features glass shelves. A touch sensor on the right door center hinge controls the dimmer lighting. The doors below have overlaid diamond patterns. Behind the two center doors are two tray drawers with a silver tray in the top drawer. All shelves are adjustable, and all doors lock. Gilt leaf accents are optional at the top and base of the columns and outlining the diamonds (07). The escutcheons, ormolu mounts, and rosettes are solid brass. The pediment is standard but may be omitted. All brass and gilt leaf are optional as well.

As Shown: Finished in Kent (21)

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��China Cabinet without Pediment (76-094), Armchair (240), Settee (1140), and Elliptical Window Cocktail Table with Glass Top (86-860)

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SIDEBOARD76-023

W ��" (��� cm) D ��.��" (�� cm) H ��" (�� cm)

This sideboard is a great complement to any Kindel dining room. Behind the two simulated drawer fronts on the left, is a cupboard with a shelf for storage. The top center drawer locks. This sideboard also features a silver liner for flatware. Maple inlay lines are designed in each post.

As Shown: Finished in Oxford (26)

BOW FRONT SIDEBOARD 76-027

W ��.��" (��� cm) D �0.��" (�� cm) H ��" (�� cm)

This Kindel sideboard features a figured Mahogany veneer top, edged in vertical Mahogany veneers. There are three drawers with a silver tray in the top right-hand drawer. A cupboard with a shelf is behind the two simulated drawer fronts on the left. All drawer fronts are figured Mahogany veneers with Satinwood borders. The legs are solid Mahogany with black and white Maple inlays.

As Shown: Finished in Preservation (25)

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CROTCH MAHOGANY DOUBLE PEDESTAL TABLE76-010

W ��" (��� cm) D ��" (��� cm) H �0" (�� cm)

W Open ��0" (�0� cm) Four ��" (�0 cm) self-storing leaves

The top of this dining table is veneered with fiery-crotch Mahogany in a book matched pattern. The table edge has a three beaded profile, and the pedestal is in the Phyfe style with solid brass casters and toe caps.

As Shown: Finished in Kent (21)

PEDESTAL TABLE 76-016

W ��" (��� cm) D ��" (��� cm) H �0" (�� cm)

W Open ���" (��� cm) Four ��" (�0 cm) self-storing leaves

A Kindel classic, this double pedestal dining table continues to be one of our best selling dining tables. The tabletop is made of figured Mahogany veneers with a cross-banded ribbon Mahogany border and a Maple inlaid line. The casters are solid brass.

As Shown: Finished in Preservation (25)

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OVAL TABLE76-018

W ��.��" (�� cm) D ��" (��� cm) H ��.��" (�� cm)

W Open ��.��" (��� cm) Three ��" (�� cm) leaves with aprons

This versatile table is Federal in style with its simple oval shape and tapered legs. The top is figured Mahogany with a cross-banded border of ribbon Mahogany. A Maple inlaid line separates the center top from the border. This table is perfect for accommodating large and small dining rooms. It has three 16 inch (41 cm) leaves with aprons. Shown above closed and below with three leaves.

As Shown: Finished in Oxford (26)

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MOBILE SERVER 76-005

W �0.��" (�0� cm) D ��.��" (�� cm) H ��.��" (�� cm)

W Open ��" (�0� cm)

Kindel’s mobile server sits atop recessed casters and features two fold-out tops that are supported by two pull-out slides. The center top is standard with heat-resistant black laminate. Behind the right-hand door are two tray drawers. Behind the left-hand door is a cupboard with an adjustable shelf. Both doors lock and feature solid brass hardware.

As Shown: Finished in Oxford (26)

QUEEN ANNE CHAIRS 76-072 Side Chair

W �0.�" (�� cm) D ��.�" (�� cm) H ��.��" (�00 cm)

SH ��" (�� cm)

These chairs typify the Queen Anne-style with urn-shaped splats, cabriole legs with pad feet, and slip seats.

As Shown: Finished in Aged Black Lacquer - Crackled (181) with hand painted Chinoiserie decoration (04).

76-073 Armchair

W ��.�" (�� cm) D ��.��" (�0 cm) H ��.��" (�00 cm)

AH ��.��" (�� cm) SH ��" (�� cm)

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Oval Dining Table (76-018), Hepplewhite Side Chair (76-074), and Hepplewhite Armchair (76-075)

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SHIELD BACK CHAIRS 76-082 Side Chair

W �0.�" (�� cm) D ��.�" (�� cm) H ��.��" (�� cm)

SH ��.��" (�0 cm)

These shield back dining chairs feature hand-carved swags, rosettes, and a Prince of Wales plume which represent the best of the Federal period shield-back chairs. The nail trim detail is optional. These dining chairs are also available with an upholstered back, 76-088 and 76-089.

As Shown: Finished in Preservation (25) and Fabric H550-22

76-083 Armchair

W ��" (�� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��.��" (�� cm) SH ��.��" (�0 cm)

HEPPLEWHITE CHAIRS 76-074 Side Chair

W �0.�" (�� cm) D ��.�" (�� cm) H ��.��" (�� cm)

SH ��.��" (�0 cm)

Based on Hepplewhite’s ribbon or spider backed chairs, these chairs feature elegant crossing straps of Mahogany and tapered legs which terminate in stump feet. Also available with an upholstered back, 76-066 and 76-067.

As Shown: Finished in Preservation (25) and Fabric E176-16

76-075 Armchair

W ��.��" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

AH ��.�" (�� cm) SH ��.��" (�0 cm)

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CHIPPENDALE CHAIRS 76-070 Side Chair

W �0" (�� cm) D ��.��" (�� cm) H ��" (�� cm)

SH ��.��" (�0 cm) These Chippendale chairs have always been a Kindel classic. The hand-carved crest rail, pierced splat, over-the-rail upholstery, and H stretcher create a beautiful dining room setting. These sturdy chairs are also an appropriate choice for commercial use. Also available in a taller version, 40.25 inches (102 cm), 76-068 and 76-069.

As Shown: Finished in Southampton (44)

76-071 Armchair

W ��.��" (�� cm) D ��.�" (�� cm) H ��" (�� cm)

AH ��" (�� cm) SH ��.��" (�0 cm)

TALL CHIPPENDALE CHAIRS - BALL & CLAW 76-060 Side Chair

W ��.��" (�� cm) D ��.��" (�� cm) H �0.��" (�0� cm)

SH ��" (�� cm)

These Chippendale chairs have always been a Kindel classic. This is the more formal ball-and-claw foot version of the, 76-068 and 76-069 chairs. The hand carved crest rail, pierced splat, and over-the-rail upholstery create a beautiful traditional chair for any dining room setting. Also available in the original heights, 37 inches (94 cm), 76-076 and 76-077.

As Shown: Finished in Southampton (44)

76-061 Armchair

W ��.��" (�� cm) D �0" (�� cm) H �0.��" (�0� cm)

AH ��.�" (�� cm) SH ��" (�� cm)

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76-071 Armchair

W ��.��" (�� cm) D ��.�" (�� cm) H ��" (�� cm)

AH ��" (�� cm) SH ��.��" (�0 cm)

76-061 Armchair

W ��.��" (�� cm) D �0" (�� cm) H �0.��" (�0� cm)

AH ��.�" (�� cm) SH ��" (�� cm)

BREAKFRONT DISPLAY CABINET 76-091

W ��" (��� cm) D ��.��" (�� cm) H ��.��" (��� cm)

The upper doors are made of 84 individual panes of hand glazed glass. The doors are framed with hand-carved egg-and-dart molding, and the blind fretwork architrave is topped by dentil molding. The intricate swan neck pediment features pierced fretwork, hand-carved rosettes, and basket cartouche. The top section also features adjustable, wood-framed glass shelves and four canister spotlights. The base section has two tray drawers behind the left-hand door, one adjustable shelf behind the two center doors, and one shelf behind the right-hand door. All doors lock.

As Shown: Finished in Kent (21) and painted back panel in White (70)

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TOWNSEND TEA TABLE83-807

W ��.��" (�� cm) D �0.�" (�� cm) H ��.�" (�0 cm)

The original of this tea table, displayed in the Chinese Parlor, was made between 1785 and 1800 in the shop of John Townsend, one of America’s premier shops in Rhode Island. Kindel’s reproduction is crafted of Mahogany solids and figured veneers and features an elegant pierced fretwork gallery on the top, cross-hatching along the bottom of the apron, straight legs with stop-fluting, pierced brackets, and pierced stretchers.

As Shown: Finished in Kent (21)

SEYMOUR OCCASIONAL TABLE 83-815

W �0.��" (�� cm) D ��.��" (�� cm) H �0" (�� cm)

The original of this beautiful table is a sewing table made by the Seymours in Boston circa 1800 and is displayed in the McIntire Room. The rectangular top with canted corners is of Satinwood veneer and has an elaborate inlay around the border. The long tapered legs are reeded and turned and terminate with dainty solid brass casters. There is one drawer. The apron rails feature a Satinwood field and Mahogany borders.

As Shown: Finished in Kent (21)

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PHILADELPHIA WRITING DESK83-840

W ��.��" (��� cm) D ��.�" (�� cm) H �0.��" (�� cm)

This desk is adapted from the original sewing table, made in Philadelphia circa 1805, and displayed in the Blue Room. The kidney-shaped top features elaborate Satinwood with contrasting Mahogany. The desk also features Walnut and Santos Rosewood veneers. The center section comes standard with a leather surface for writing. There is a center drawer which conforms to the aprons that are surrounded by a geometric inlay. The elegant legs are reeded, turned, and hand carved at the top.

As Shown: Finished in Great Lakes (72)

MASSACHUSETTS KETTLE STAND 83-816

W ��.��" (�� cm) D �0.��" (�� cm) H ��" (�� cm)

The or ig ina l o f th is da inty ket t le s tand was made in Massachusetts around 1800. Kindel’s reproduction features hand inlays with contrasting patterns on the top and leg surfaces. A small sliding tray on the apron is designed to provide rest for a teacup while water is being poured from an urn.

As Shown: Finished in Winterthur (27)

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UPDYKE RHODE ISLAND DESK & BOOKCASE 83-844

W ��.��" (��� cm) D ��" (�� cm) H ��" (��� cm)

The original of this Mahogany desk and bookcase, made for the Updyke family in the 1770s, is one of ten block-fronted examples drafted by members of the Townsend and Goddard families of Kingston and Newport, Rhode Island. Block fronting, or the raised-recessed-raised triad of panels with the shell as an integral part of each, is considered to be uniquely American. The last one remaining in private hands was sold at Christie’s on June 3, 1989 for $12.1 million, a world record-breaking price. The hand carving represents 37 hours by meticulous Kindel craftsmen to achieve the beautiful and precise look of the original. Seventeen drawers and six compartments line the desk, and the ten separate sections in the bookcase are channeled to allow numerous subdivisions.

As Shown: Finished in Winterthur (27)

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MASSACHUSETTS BOMBÉ DESK 83-842

W ��" (�� cm) D ��.��" (�0 cm) H ��.��" (��0 cm)

Circa 1790, this Bombé, or swelled, shaped desk is an outstanding example of this unique Massachusetts form. Crafted of Mahogany solids and veneers, it contains elaborately shaped drawers with partitions and hidden compartments. The solid brasses show detailed Chinese influence as do the superbly crafted ball-and-claw feet.

As Shown: Finished in Winterthur (27)

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CONNECTICUT CHEST OF DRAWERS 83-002

W �0.��" (�0� cm) D �0" (�� cm) H ��.��" (�� cm)

Fluted pilasters, dentils and hand carved shells enhance the architectural feeling of this Cherry block front chest. Chinese influence is suggested by the hand carved, ogee-bracket feet with fillet molding. The fillet molding also outlines the three drawer fronts. The original of this chest was made in Connecticut circa 1760 and is on display in the Essex Room of the Winterthur Museum.

As Shown: Finished in Northampton (43)

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Channel Back Chair (461), Connecticut Chest of Drawers (83-002), and Queen Anne Armchair (76-073)

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NEW YORK PEMBROKE TABLE 83-801

W ��.�" (�� cm) D ��" (�� cm) H ��.�" (�0 cm)

Width Open ��.�" (�� cm)

The New York Pembroke Table is exceptional because of the light and dark inlays, hand crafted wooden hinges and the oval shape created when both leaves are extended. A long drawer is designed on one end with a sham drawer on the other for classical symmetry. Reproduced from a pair of tables on display in the Blue Room at the Winterthur Museum, the originals were made in New York between 1795 and 1810.

As Shown: Finished in Northampton (43)

CONNECTICUT SIDE TABLE 83-811

W ��" (�� cm) D ��.��" (�� cm) H ��.�" (�� cm)

Fluid lines accentuate the Mahogany top of this reproduction from the Winterthur Museum. One functional drawer with three simulated drawers on the other sides. The rim of the top is accentuated with a black and white, dart patterned inlay line. A dot-dash inlay line defines the rectangular shape of the real and mock drawers.

As Shown: Finished in Northampton (43)

PHILADELPHIA PIECRUST TEA TABLE 83-814

H ��.��" (�� cm) Diameter ��.��" (�� cm)

This table features the uniquely American birdcage mechanism which joins the piecrust top to the shaft and allows the tabletop to either rotate freely, or be tilted up for easy and attractive storage against the wall. The legs represent the perfect S-curve of the times. Between 1985 and 1989, two closely related objects sold at Christie’s for prices in excess of $1,045,000 and again in 1995 for $1.6 million. Kindel’s reproduction is faithful to the original and requires 23 hours of hand carving to achieve the high level of ornamentation.

As Shown: Finished in Americana (19)

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FEDERAL COCKTAIL TABLE83-865

H �0" (�� cm) Diameter ��" (��� cm)

This table has been adapted from the original card table made in Baltimore between 1800 and 1810 and is displayed in the Baltimore Drawing Room of the Winterthur Museum. The top features figured Mahogany veneer with an inlaid foliate medallion. The apron rails are veneered with crotch Mahogany and a geometric inlaid band at the base of the apron.

As Shown: Finished in Oxford (26)

PHILADELPHIA DRESSING TABLE83-850

W ��" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

This solid Mahogany Chippendale-style dressing table was originally made in Philadelphia in 1769 as a companion to a high chest of drawers. Kindel’s reproduction from the Winterthur Museum is made of Mahogany and reflects 43 hours of precise hand carving to achieve the look of the original. This stunning example of rococo carving justifies the recognition of this dressing table as one of the great objects from Philadelphia’s Chippendale school of cabinetmakers.

As Shown: Finished in Winterthur (27)

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ELLIPTICAL WINDOW COCKTAIL TABLE WITH GLASS TOP86-860

W ��" (��� cm) D ��" (�� cm) H ��" (�� cm)

The inspiration for this unique cocktail table is drawn from the famous elliptical window over the main entrance of Mount Vernon. From the inside, this window provides spectacular panoramic views that were enjoyed by the Washingtons. It was copied from Plate LIV in Batty Langley’s, The City and Country Builder’s and Workman’s Treasury of Designs. This table is crafted of Mahogany solids and veneers.

As Shown: Finished in Aged Ice (153)

PLATEAU COCKTAIL TABLE WITH GLASS TOP86-863

W ��" (��� cm) D ��" (�� cm) H ��" (�� cm)

This unique cocktail table is inspired by a Tudor Place plateau, circa 1790, once used by the Washingtons while entertaining guests at Mount Vernon. More typical in Europe than in the United States, plateaus were placed down the center of the dining table. Kindel’s inspiration is crafted of Mahogany solids and hand-cut beveled glass. Gold painted accents are optional.

As Shown: Finished in Preservation (25)

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TUDOR PLACE DEMI LUNE TABLE86-709

W ��" (��� cm) D ��" (�� cm) H ��.��" (�� cm)

This George III English demi lune table, circa 1785 graces the Tudor Place East Hall. The apron, features a hand-carved classical urn and swags. The square legs are tapered and terminate in spade feet. This refined table is crafted of Mahogany solids and veneers with Maple inlay.

As Shown: Finished in Preservation (25)

ROUND LAMP TABLE 86-810

H ��" (�� cm) Diameter ��" (�� cm)

This unusual lamp table was inspired by the oval-shaped footstool in the little parlor at Mount Vernon. The unique inlay design around the apron is taken directly from the stool that, according to family tradition, was used by Martha Washington and later by her granddaughter, Eleanor Parke Custis Lewis. Kindel’s table is crafted of Mahogany solids and veneers, Satinwood veneers and Maple inlay. There is one concealed drawer on the apron.

As Shown: Finished in Preservation (25)

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ESPANA BUNCHING CHEST88-007

W ��.��" (�0� cm) D ��" (�� cm) H ��.��" (�� cm)

The Espana Bunching Chest was designed by Dorothy Draper by invitation of the Spanish government to design a collection to raise the profile of Spanish design in the international market. The bunching rectangular chest which is made of Cherry, features three drawers decorated with a repeated routed pattern. Solid brass ring pulls adorn the centers of the nine shapes. Available in wood or painted finishes. See photo of Bunching Chests grouped together page 21.

As Shown: Finished in Robin’s Egg Blue (51) and White (70)

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DOROTHY DRAPER’S CONSOLE WITH TWO DRAWERS 88-022

W ��.��" (��� cm) D �0" (�� cm) H ��.��" (�� cm)

This console from the Dorothy Draper Collection features curved front legs inspired by the Chinese Chippendale tradition. The piece is made of Cherry and features two drawers. Also available with a curio top 88-052. This version is the same as the 88-021 but with two drawers.

As Shown: Finished in Southampton (44)

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BRAZILIANCE COMMODE88-004

W ��.��" (��� cm) D ��" (�� cm) H ��.��" (�� cm)

The Braziliance commode is a two-drawer cabinet designed by Dorothy Draper in 1939 for The Quitandinha, a resort near Sao Paulo, Brazil. The classic oversized acanthus leaves, carved serpentine molding across the doors, and a shell carving on the center of the doors clearly exhibits Kindel’s ability to execute complex designs. It is crafted of Cherry with one adjustable shelf behind the doors. Available in wood or painted finishes.

As Shown: Finished in Putty (52) and Cream (54)

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��Dorothy Draper’s Console & Curio (88-051), Draper Café Armchair (88-085),

Cocktail Table (88-862), Bar Stools (88-184), and Dorotheum Sofa with Flounce (8889)

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DOROTHY DRAPER’S CONSOLE & CURIO 88-051

W ��.��" (��� cm) D ��.��" (�� cm) H ��.��" (��� cm)

The original of this curio cabinet and console was designed by Dorothy Draper for The Greenbrier Hotel and Kindel has adapted the scale for today’s environments. The Chinese Chippendale inspired top features shelves for books or display items and the back panel can be painted a variety of colors or covered in fabric. The console base features curved legs and can be used alone. The console and curio are made of Cherry and can be finished in wood or painted finishes. The console is also available with two drawers, 88-052, with an increased depth of 20 inches.

As Shown: Finished in Black Lacquer (80) with Gold Paint Accents and Fabric Back Panel

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DEMI LUNE TABLE 88-709

W �0.��" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

This demi lune table is a sophisticated addition to the Dorothy Draper Collection with the lovely oval shape and Chippendale- inspired style. This table is based on a design from Dorothy Draper’s archives. Available in wood or painted finishes with a faux marble top as an option. It has one drawer that disappears into the apron.

As Shown: Finished in White (70)

GARLAND LAMP TABLE 88-715

H ��.��" (�� cm) Diameter ��.��" (�� cm)

Dorothy Draper used this table originally in black lacquer with a gold garland in 1939 when designing the lobby of the Arrowhead Springs Hotel near San Bernadino, California. The table is made of Cherry solids and veneers so that it can be finished in wood or paint finishes.

As Shown: Finished in Bark (61) and Gilt Leaf (07)

5TH AVENUE LAMP TABLE 88-714

H ��.��" (�� cm) Diameter ��.��" (�� cm)

The Fifth Avenue round lamp table was designed by Dorothy Draper for The Greenbrier Hotel in White Sulphur Springs, West Virginia. It is supported by four legs following the popular designs of the 1940s. It features a round shelf at the bottom and is made of Cherry.

As Shown: Finished in Bark (61)

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CHAIRSIDE SPOOL TABLE 88-716

H ��" (�� cm) Diameter �0" (�� cm)

The Chairside Spool Table has a unique look reminiscent of stacked sewing spools in a column, with a round base. It is also offered with a marbleized top. Made of Cherry and available in wood or painted finishes.

As Shown: Finished in Cream (54)

MARK ROUND LAMP TABLE 88-720

H ��" (�� cm) Diameter ��" (�� cm)

Four gracefully curved legs support a thick round top. The legs are joined at the center by a wooden bracelet. The lamp table is made of Cherry, similar to the original designed by Dorothy Draper for the lobby of the Mark Hopkins Hotel in San Francisco. Also available as a dining table, 88-012 (48 inch diameter) and 88-013 (54 inch diameter).

As Shown: Finished in Bark (61)

HAMPSHIRE HOUSE LAMP TABLE 88-718

H ��" (�� cm) Diameter ��" (�� cm)

Originally made of wrought iron, this table was used in Dorothy Draper’s design of the Garden Lounge at the Hampshire House, a residential hotel in New York City. The Hampshire House table features three highly stylized carved supports of a leaf design that is reminiscent of the 1940s, with carved scroll ends on each side of a three-sided stepped base. Made of Cherry.

As Shown: Finished in Southampton (44)

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BAR STOOLS 88-184 Side

W �0.�" (�� cm) D ��.�" (�� cm) H ��" (��� cm)

SH �0.��" (�� cm)

The design of our bar stool is based on the successful Draper café chair. Made of Cherry, Kindel offers the bar stool in wood or painted finishes. Welt trim is standard. Nail trim and an upholstered back are both options.

Side As Shown: Finished in Preservation (25) and Fabric not available

Arm As Shown: Finished in Black Lacquer (80) and Fabric not available

88-185 Arm

W ��.��” (�� cm) D ��.�” (�� cm) H ��.��” (��� cm)

AH ��.�” (�� cm) SH �0.��” (�� cm)

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88-185 Arm

W ��.��” (�� cm) D ��.�” (�� cm) H ��.��” (��� cm)

AH ��.�” (�� cm) SH �0.��” (�� cm)

AMERICAN BAROQUE MIRROR 88-165

W ��.��" (�� cm) D �.��" (� cm) H ��.��" (�0� cm)

Diameter �0.��" (�� cm)

This mirror features a broken pediment and elaborate sculptural swags. Originally designed by Dorothy Draper in a much larger scale as a clock for The Greenbrier Hotel in White Sulphur Springs, West Virginia, the Neo Baroque style was very typical of her taste in design. Made of Cherry.

As Shown: Finished in White (70)

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Semi-Curricular Commode (77-830) and Arrowhead Chinoi Chair (350)

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SCALLOPED LAMP TABLE 88-818

H ��.��" (�� cm) Diameter ��" (�� cm)

The scalloped edge of this round lamp table was a signature Dorothy Draper design element. The top is inset with a leather panel with standard blind tooling. The turned pedestal sits on a round plinth base. The table is made of solid Maple and is available in painted finishes. Painted accents and gold tooling on the leather top are optional.

As Shown: Finished in Black Lacquer (80) with Gold Accents

SQUARE TRELLIS LAMP TABLE 88-808

W �0" (�� cm) D �0" (�� cm) H ��.�" (�� cm)

The pierced fretwork is inspired by Mrs. Draper’s love for the Chinese Chippendale style. This lamp table is made of Maple and is available in painted finishes. Gold pinstripes are available as an option.

As Shown: Finished in Black Lacquer (80)

RECTANGULAR TRELLIS COCKTAIL TABLE 88-860

W ��" (��� cm) D �0" (�� cm) H ��.��" (�� cm)

This table was inspired by Mrs. Draper’s use of the Chinese Chippendale style. Kindel has adapted these elements into this glamorous cocktail table for today’s use. The table is of solid Maple and is available in any of Kindel’s painted finishes. The glass panel in the middle lends a contemporary feeling to this table.

As Shown: Finished in Aged Putty (152)

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CARLYLE COFFEE TABLE 88-804

W ��" (��� cm) D ��" (�� cm) H ��" (�� cm)

Made from Santos Rosewood, the rectangular cocktail table features a clean, simplistic design with two chevron-shaped bases supporting the top. The original of this table was in Dorothy Draper’s own apartment at The Carlyle in New York City.

As Shown: Finished in Aged Rosewood (45)

PENELOPE COFFEE TABLE 88-809

H ��.��" (�� cm) Diameter ��.��" (�0� cm)

The Penelope Coffee Table features a wood top supported by four panels with decorative sculptured cutouts at the center in each panel. This coffee table, named after Dorothy Draper’s daughter, was used at The Greenbrier Hotel in White Sulpher Springs, West Virginia. Made of Cherry.

As Shown: Finished in Bark (61)

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~ Espana Bunching Chests (88 - 007), Lily Chair (450), Square-Arm Sofa (7199), Lounge Chair (269), Garland Lamp Table (88 - 715), and Yumi Cocktail Table (88 - 863)

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�� Espana Bunching Chests (88 - 007), Lily Chair (450), Square-Arm Sofa (7199), Lounge Chair (269), Garland Lamp Table (88 - 715), and Yumi Cocktail Table (88 - 863)

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REVOLVING BAR 88-830

H ��.��" (�0� cm) Diameter ��" (�� cm)

Always the cheerful hostess, Dorothy Draper’s ideas for combating the “will to be dreary” are captured in this revolving bar. This object is based on an original table design in the archives of Dorothy Draper. The revolving bar is made of solid Cherry and comes standard with a mirrored top. Available in wood or painted finishes.

As Shown: Finished in Preservation (25)

COCKTAIL TABLE 88-862

W ��" (��� cm) D ��" (�� cm) H ��" (�� cm)

This cocktail table beautifully fits the curve of the Dorotheum Sofa. The original was designed for The Mark Hopkins Hotel in San Francisco. Wood base available in any standard finish. Standard with black granite or white marble top.

As Shown: Base finished in White (70) and Black Granite top

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PAGODA VITRINE 88-820

W ��.�" (�� cm) D ��.�" (�0 cm) H ��.�" (��0 cm)

The Pagoda Vitrine is made of Mahogany and is laboriously hand carved totalling over 111 hours. Various details cannot be preliminarily carved by machine. The entire top of the pagoda is completely hand carved from raw mahogany. The complexity of the Pagoda Vitrine is a magnificent example of Kindel craftsmanship at its best.

As Shown: Finished in Preservation (25)

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ARROWHEAD SPRINGS COCKTAIL TABLE 88-805

W ��.��" (�� cm) D �0" (�� cm) H ��" (�� cm)

The Arrowhead Springs rectangular cocktail table features a Walnut top panel with a painted base. Dorothy Draper designed this table for use at the Arrowhead Springs Hotel in Southern California. Optional gilt leaf accents can be applied to the molding that rims the apron and the straight legs.

As Shown: Finished in Aged Cream (154) and Southampton (44)

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YUMI COCKTAIL TABLE88-863, 88-864

W ��.��" (��� cm) D �0" (�� cm) H ��.�" (�� cm)

This Dorothy Draper oriental cocktail table is a classic that fits any furnishing style. The Yumi Cocktail Table, as named by Carleton Varney, is made of Maple and all gold accents are optional. It is available in two versions: 1) Painted top, 88-863 or 2) Walnut Burl inset top, 88-864.

As Shown: 1) Finished in Black Lacquer (80) and Gold Paint (79) 2) Finished in Black Lacquer (80) and Clear Coat

SOFA TABLE 88-839

W ��.��" (��� cm) D ��" (�� cm) H ��" (�� cm)

The graceful curve of this table matches the back line of the Dorotheum Sofa, 8888 and 8889. Dorothy Draper’s use of the Chippendale style is markedly evident in the patterns of this glass top table. Painted accents are optional. Made of Maple and available in painted finishes only.

As Shown: Finished in Black Lacquer (80)

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��Occasional Chair (462) and Marquetry Pedestal Table (38-814)

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TIER TABLE 38-705

W ��" (�� cm) D �0" (�� cm) H ��.��" (�� cm)

This tiered rectangular table features a swirled Mahogany top, quartered Mahogany border, and graceful sweeping legs with socket and caster feet.

As Shown: Finished in Southampton (44)

BAMBOO DRINKS TABLE 38-807

H ��.��" (�� cm) Diameter ��" (�� cm)

The design of this table is taken from the Italian Classic revival period. This table is available in wood finishes or the specialty decorated finish: Faux Bamboo. The Faux Bamboo finish features hand painted olive leaves and swags of pearls painted in Burnt Sienna, like the natural soil pigment found in Siena, the heart of Tuscany long known for its painted and gilded furniture. The legs sweep outward from a faux bamboo column, and end with a delicate cloven foot.

As Shown: Finished in Faux Bamboo

GLASS-TOP STAND 38-816

H ��.�" (�0 cm) Diameter ��.�" (�� cm)

This occasional table of curly Maple solids is topped with a round piece of glass, perfect for any room in a home.

As Shown: Finished in Flax (60)

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MARQUETRY PEDESTAL TABLE 38-814

H ��.��" (�� cm) Diameter ��" (�� cm)

The top of this round lamp table features five veneers: Satinwood, Cherry, Walnut, Rosewood, and Maple. The beautiful inlaid marquetry creates a striking starburst design. The base is made of solid Cherry.

As Shown: Finished in Southampton (44)

BRITISH ARTS & CRAFTS LAMP TABLE 39-802

W ��" (�� cm) D ��" (�� cm) H ��" (�� cm)

A checkerboard geometric veneer pattern characterizes the top of this Walnut lamp table from the British arts and crafts period. There are unique bobbin style turnings on the four posts. Decorative Walnut grills form the end panels. There are two open shelves.

As Shown: Finished in Southampton (44)

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BRITISH ARTS & CRAFTS RECTANGULAR LAMP TABLE 39-803

W ��" (�� cm) D ��.��" (�� cm) H ��" (�� cm)

Distinctive features of this Walnut rectangular lamp table include chamfered stretchers and posts with concave hand carved hollows at the top of each leg. There is a slat shelf below. The single drawer with antiqued iron hardware features an Oak herringbone inlay line, which is repeated on the top surface.

As Shown: Finished in Leland (47)

BRITISH ARTS & CRAFTS ROUND LAMP TABLE 39-810

H ��" (�� cm) Diameter ��" (�� cm)

The round lamp table made of Walnut reflects the designer’s choice of wood during the British arts and crafts period. The top features a holly and bog oak hyphenated inlay line. The stretcher supports an arched pedestal and the three, simple, straight legs terminate in a flared foot.

As Shown: Finished in Leland (47)

BRITISH ARTS & CRAFTS CARVED CHAIRSIDE TABLE 39-811

H �0.��" (�� cm) Diameter ��.��" (�� cm)

Design elements of the British arts and crafts period are evident in the Walnut veneers and solids, the single holly inlay line on the top and the stylized floral vine carvings on the legs. Simple chamfered stretchers connect to the angular legs.

As Shown: Finished in Leland (47)

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BRITISH ARTS & CRAFTS COFFEE TABLE 39-865

W ��" (��� cm) D ��" (�� cm) H ��" (�� cm)

The walnut coffee table features a Walnut and Maple inlay line around the perimeter, slip-matched veneered top and hand carved hollows at the top of the legs. Chamfered details accentuate the top, legs and the stretcher. The hayrake stretcher, as it was known, was borrowed from rural life circa 1900.

As Shown: Finished in Leland (47)

BRITISH ARTS & CRAFTS CHAIRSIDE TABLE 39-816

H ��.�" (�� cm) Diameter ��.��" (�0 cm)

The Walnut chairside table with a simple turned foot is enhanced by a decorative hand painted black stripe on the legs. A ceramic tile with antiqued copper finish is inset in the top. The chamfered legs terminate in a simple turned foot and are connected by a chamfered stretcher.

As Shown: Finished in Leland (47)

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HALL CUPBOARD 38-051

W ��.�" (�� cm) D ��.��" (�� cm) H �0.��" (��0 cm)

This tall cabinet features two crotch Mahogany door panels, three adjustable shelves and one fixed shelf. Made of Mahogany solids and veneers.

As Shown: Finished in Southampton (44)

IRISH PUB TABLE 38-706

H ��" (�� cm) Diameter �0" (�� cm)

The Irish round flip-top table features an antique metal support that pivots, enabling the top to flip to a vertical position for storage. Made of Cherry solids and veneer.

As Shown: Finished in Southampton (44)

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TRAY TOP COCKTAIL TABLE 38-863

W �0.��" (�0� cm) D ��" (�� cm) H ��.��" (�� cm)

The Tray Top Cocktail Table features legs with slight turning in a bamboo-like style and a set of double stretchers connecting the legs. The tray top is removable. Made of Cherry.

As Shown: Finished in Southampton (44)

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DEMI LUNE TABLE 77-711

W ��.��" (��0 cm) D ��" (�� cm) H ��.��" (�� cm)

A remarkable example of marquetry, the semi-elliptical table is made of flat cut and quarter cut Satinwood with a Santos Rosewood border. The table displays a fan of Maple with sand burned edging for depth, as well as an inlay field of white Mahogany and hand-selected green Poplar inlay.

As Shown: Finished in Clare (69)

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DIRECTOIRE LOW TABLE 38-708

W ��" (��� cm) D ��" (�� cm) H ��" (�� cm)

This metal rectangular coffee table is patterned after 18th century designs with an antique hammered bronze finish, glass top and bow-shaped stretcher.

As Shown: Finished in Gilt Leaf (07)

ENGLISH DROP LEAF WRITING DESK 38-846

W ��.�" (��� cm) D ��" (�� cm) H �0" (�� cm)

The use of exotic veneers and inlays typical of the Georgian period are all included in this piece. Santos Rosewood and quartered Walnut banding are accented by Satinwood and other rare species of inlay to add exceptional interest. Special details include hinged butterfly brackets to support the extended leaves and two fully functional drawers for holding supplies. The graceful swept legs ending in reeded feet are capped with solid brass rosettes making this a superb example of this late 18th century English design.

As Shown: Finished in Aged Rosewood (45)

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Knowledge Curio Cabinet (71-962 & 71-963), Rectangular Trellis Cocktail Table (88-860), Lounge Chair (270), and Lily Chair (450)

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KNOWLEDGE CURIO CABINET 71-960

W ��" (�� cm) D �0" (�� cm) H ��.��" (��0 cm)

Fitted with engraved glass door panels, this curio has two adjustable glass shelves, one fixed shelf (center) and lighting on two levels. The case is crafted of Cherry hardwoods and veneers. This cabinet features a right-hinged door, but is also available with a left-hinged door, 71-961.

As Shown: Finished in Current (35)

ENTERTAINMENT CREDENZA71-020

W �0.��" (��� cm) D �0.��" (�� cm) H ��" (�� cm)

This lean and low design of this case will accommodate flat screen televisions up to 54 inches in size. It is well equipped with two adjustable shelves behind each set of doors. The console is standard with a power strip and an infrared sensor for hidden CD/DVD components. The doors are hand striped in Champagne. The case is crafted of Cherry hardwoods and veneers.

As Shown: Finished in Current (35)

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ENTERTAINMENT CREDENZA71-021

W �0.��" (��� cm) D �0.��" (�� cm) H ��" (�� cm)

The entertainment credenza features ring pull hardware and no striping. There are four doors with two adjustable shelves behind each set of doors. An infrared sensor is standard for hidden CD/DVD components. The case is crafted of Cherry hardwoods and veneers.

As Shown: Finished in Bark (61)

KNOWLEDGE CURIO CABINET 71-963

W ��" (�� cm) D �0" (�� cm) H ��.��" (��0 cm)

The same dimensions as the 71-960 curio, this curio features ring pull hardware and clear, non-etched glass. There are two adjustable glass shelves, one fixed shelf (center) and lighting on two levels. Right-hinged door is 71-962 and left-hinged door is 71-963. Made of Cherry.

As Shown: Finished in Bark (61)

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PIER TABLE 71-833

W ��" (��� cm) D ��.��" (�� cm) H ��" (�� cm)

Whether behind a sofa or in a hallway, the strong architecture of the Pier Table is a foundation for display. The table is crafted of Cherry hardwoods and straight grain veneers.

As Shown: Finished in Current (35)

TWO DRAWER SIDE TABLE 71-831

W ��" (�� cm) D ��" (�� cm) H ��" (�� cm)

The Two Drawer Side Table is accented with brass ring pulls and made of Cherry veneers and solids.

As Shown: Finished in Southampton (44)

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ROUND LAMP TABLE 71-810

H ��.��" (�� cm) Diameter ��.��" (�� cm)

This Round Lamp Table for Knowledge features a single shelf for open storage, round top, and a drawer. The table is crafted of Cherry hardwoods and straight grain veneers.

As Shown: Finished in Bark (61)

SLIM SIDE TABLE 71-821

W �0" (�� cm) D ��.��" (�� cm) H ��" (�� cm)

The Slim Side Table features a lower shelf and is made of Cherry.

As Shown: Finished in Bark (61)

SPEAR TABLE 71-816

W ��.��" (�� cm) D ��.��" (�� cm) H ��" (�� cm)

The graceful sweeping lines of the top and arched stretcher make this eye catching table appealing in any setting. This petite table is crafted of Cherry solids and veneers.

As Shown: Finished in Current (35)

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SWEPT LINE COCKTAIL TABLE 71-860

W �0" (��� cm) D ��.��" (�� cm) H ��" (�� cm)

The Swept Line Cocktail Table features a Champagne hand painted stripe and is crafted of Cherry hardwoods and straight grain veneers. Also available without striping.

As Shown: Finished in Current (35)

COCKTAIL TABLE WITH SHELVES 71-863

W ��.��" (��� cm) D ��" (�� cm) H ��" (�� cm)

Designed with an offset kicked leg, and equipped with two large shelves and a pass-through in the center, this table presents functional style. The table is crafted of Cherry hardwoods and straight grain veneers.

As Shown: Finished in Current (35)

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BAR CABINET 71-832

W ��" (�� cm) D ��" (�� cm) H �0" (��� cm)

The Knowledge Bar Cabinet features two specially designed shelves that hold six highball glasses and six pieces of stemware behind the door, and is also equipped with an interior light. Above the single drawer, a shelf is fitted with black glass, providing a great mixing/storage area. The Champagne, hand painted, geometric line is standard. This bar is crafted of Cherry hardwoods and straight grain veneers.

The top is available in wood or painted finishes, and the base is available in painted finishes. This bar is also available with hand painted decoration in two versions: Bird and Branch or Oriental Chinoiserie (see below). The decorated bar requires 12-18 hours for hand decoration alone and upon completion is signed by our artisans. It is truly a work of art.

As Shown: Finished in Current (35) and Champagne (78)

Alternate Version: Black Lacquer (80) with Bird and Branch Decoration

Alternate Version: Red Lacquer (86) with Oriental Chinoiserie Decoration

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LAMP TABLE WITH DRAWER 77-705

W ��" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

This Neoclassic octagonal lamp table is made of Mahogany and features elegantly tapered saber legs, a figured mahogany veneered top with several inlaid lines of black, Maple, and Tulipwood. There is a single drawer and a low shelf.

As Shown: Finished in Southampton (44)

LAMP TABLE 77-811

H ��.�" (�� cm) Diameter ��" (�� cm)

This elegant lamp table features curved legs with hand-carved paw feet and waterleaf motif. The top has a wide border of Satinwood with a two-piece inlaid line in black and white. A Maple inlay line rims the apron. The top and plinth base are faux-swirl Mahogany veneer. All hand-carved details are standard in wood finish, but also available gilded or in black lacquer.

As Shown: Finished in Kent (21)

SEMI CIRCULAR COMMODE 77-830

W ��" (�� cm) D ��.��" (�� cm) H ��.��" (�� cm)

Kindel’s semi-circular Mahogany commode features one door that is framed with lamb’s-tongue molding. The carved waterleaf design on the lower legs and the ball at the base of the legs can be gilded as an option. There is one locking center door with an adjustable shelf. The escutcheons and rosettes are solid brass. A one-piece inlaid line separates the center top from the cross-banded Mahogany border.

As Shown: Finished in Northampton (43)

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COCKTAIL TABLE77-877

H �0.��" (�� cm) Diameter ��" (��� cm)

This beautifully crafted cocktail table is of Mahogany solids and veneers. The top features a flat-cut Mahogany center with a wide border of select crotch Mahogany. A black and white inlay line separates the center top from the border. The hand-carved stylized leaves at the base of the column, the hand-carved hairy-paw feet, and the shaped line around the perimeter of the plinth base can be accented with gilt leaf, 22 K gold, or black lacquer as an option.

As Shown: Finished in Kent (21)

CURIO CABINET 77-961

W ��.�" (�0� cm) D ��.��" (�� cm) H ��" (��� cm)

This Curio Cabinet is handcrafted from Cherry solids and standard with Neoclassic hand decoration. The two fixed shelves are wood framed with glass centers. The three adjustable shelves are glass. All shelves have plate grooves. High intensity lighting is included. The knobs and escutcheons are solid brass. Available in wood and painted finishes. Also available with alternate hand painted motif, floral dec-oration, 77-962 (see page 88).

As Shown: Finished in Black Lacquer (80) and Neoclassic Decoration (04)

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Curio Cabinet (77-962), English Drop Leaf Writing Desk (38-846), Traditional Lounge Chair (258) and Queen Anne Armchair (76-073)

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COCKTAIL TABLE WITH GLASS TOP 66-862

W ��" (��� cm) D ��.��" (�� cm) H ��" (�� cm)

This table is made of solid Maple and comes with a 5/8 inches thick glass top with an ogee-shaped edge reminiscent of the Chinese influence in the 18th century. Available in wood or painted finishes. Gold painted accents standard.

As Shown: Finished in Black Lacquer (80) and Gold Paint (79)

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DECORATED TRAY TOP COCKTAIL TABLE 66-863

W ��" (��� cm) D ��" (�� cm) H ��" (�� cm)

The hand painted removable tray displays a beautifully detailed Chinoiserie scene of ancient Chinese life on the top surface. Faux bamboo legs are joined by double stretchers. Made of Cherry and available in any wood or painted finishes.

As Shown: Finished in Aged Black Lacquer - Crackled (181) and Southampton (44)

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OCTAGONAL LAMP TABLE 77-818

W �0" (�� cm) D �0" (�� cm) H ��.�" (�0 cm)

This late 18th century lamp table features an eight-piece matched veneer top with ebonized Maple and Tulipwood inlay and hand-painted floral motif adorning the edge. The base and cabriole legs are solid Mahogany. Also available without hand-painted decoration.

As Shown: Finished in Kent (21)

OCTAGONAL COCKTAIL TABLE 77-860

W ��" (��� cm) D ��" (�� cm) H ��.��" (�0 cm)

The top of this handsome cocktail table is book-matched faux-swirl Mahogany bordered with inlaid lines of Maple, Tulipwood, Satinwood, and Blackwood. The outer border and edge-banding are figured Mahogany. The top of each leg is hand carved in a Corinthian design. The legs are joined by solid Mahogany stretchers.

As Shown: Finished in Kent (21)

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ELLIPTICAL COCKTAIL TABLE 77-865

W ��" (��� cm) D �0" (�� cm) H ��.�" (�� cm)

From the Duncan Phyfe school, this cocktail table features an elliptical shape with hand-carved leaves on the legs and solid brass casters of the Federal style. The figured Mahogany veneer of the tabletop is framed with cross-banded Satinwood veneer. A triple black and white inlaid line separates the Mahogany from the Satinwood.

As Shown: Finished in Oxford (26)

FEDERAL PEMBROKE TABLE 77-702

W ��" (�� cm) D �0" (�� cm) H ��" (�� cm)

W Open ��.��" (�� cm)

Inspired by the Federal style, this exquisite and versatile Pembroke table is made of Mahogany and features fine inlaid stringing and bands of Maple and Tulipwood. The drawer is framed in a Satinwood with a black and Maple inlay line. The top features beautiful inlay lines of black, Maple, and Tulipwood. Pulls are solid brass.

As Shown: Finished in Kent (21)

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GUN CABINET 76-092

W ��.��" (��� cm) D ��.��" (�� cm) H ��.��" (��� cm)

This Chippendale designed curio is a smaller version of our 76-091 cabinet and includes the same features, but with single panes of glass in each door. There is an adjustable shelf behind the lower doors. The top features four adjustable glass shelves. Two pieces; top and base, pediment is standard.

As Shown: Finished in Preservation (25)

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��Crescent Sofa (9389), Pagoda Vitrine (88-820), Regency Chair (257), and Cocktail Table with Glass Top (66-862)

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Bedroom

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NIGHT STAND 188-043

W ��.��" (�� cm) D �0" (�� cm) H �0" (�� cm)

This night stand is the perfect side companion to the Draper inspired bed. The case features one drawer, turned columns, and solid brass hardware. Available in wood or painted finishes with painted accents optional.

As Shown: Finished in Southampton (44)

PINWHEEL CHEST 88-008

W ��" (��� cm) D ��.��" (�0 cm) H ��.��" (�� cm)

Large pinwheel drawer pulls made of cast brass in the shape of a flower, characterize this chest of drawers designed by Dorothy Draper. She featured this chest in her work at the Arrowhead Springs Hotel in the San Bernadino Mountains of Southern California. In the basic style of Chinese Chippendale, the Pinwheel Chest features four drawers with split bamboo molding around each drawer. Made of Cherry and is available in wood or painted finishes. Painted accents on moldings are optional.

As Shown: Finished in Bark (61)

PINWHEEL NIGHT TABLE 188-044

W ��" (�� cm) D ��.��" (�� cm) H �0" (�� cm)

The Pinwheel Night Table features an enclosed box on a simple bracket foot base. The night table is adapted from the Pinwheel Chest, 88-008, which was designed by Dorothy Draper for the Arrowhead Springs Hotel in the San Bernadino Mountains of Southern California. Made of Cherry and available in wood or painted finishes.

As Shown: Finished in Putty (52) with Cream (54) Accents

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DOUBLE BUREAU 188-022

W �0" (��� cm) D �0.�" (�� cm) H ��.��" (�� cm)

The double bureau captures Dorothy Draper’s love of Chinese Chippendale. The bureau is constructed of Cherry solid veneers with solid brass hardware. It is pictured in Dorothy’s signature black and gold but is also available in all wood and painted finishes. Painted accents, as shown here, are optional.

As Shown: Finished in Black Lacquer (80) and Gold Paint (79)

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BENCH 1175

W ��" (��� cm) D ��" (�� cm) H ��.�" (�0 cm)

SW �0.��" (�0� cm) SD ��" (�� cm)

Perfect for a foyer or bedroom, this versatile bench features an elegant attached cushion and upholstered sides. Available in wood or painted finishes. Painted accents are optional.

As Shown: Finished in Current (35) and Fabric B550-44

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SINGLE BUREAU 188-002

W ��.��" (�� cm) D �0.�" (�� cm) H ��.��" (�� cm)

This handsome single bureau has two top drawers followed by three ample drawers. This case features turned columns, solid brass hardware, and is made of Cherry solids and veneers. Available in wood or painted finishes with painted accents (as shown) optional.

As Shown: Finished in Black Lacquer (80) and Gold Paint (79)

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DRESSING TABLE 188-840

W ��.��" (��0 cm) D ��.��" (�� cm) H �0" (�� cm)

Reminiscent of old Hollywood glamour, this Draper inspired dressing table features an exquisite fold down mirror and two drawers with solid brass pulls. Available in wood or painted finishes with painted accents optional.

As Shown: Finished in Preservation (25)

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VARNEY UPHOLSTERED BED - QUEEN 188-750

W ��.��" (��� cm) D ��.�" (��� cm) H ��" (��� cm)

The simple Cherry frame is accented by upholstered headboard and footboard panels. The footboard is upholstered both inside and outside. All upholstery is trimmed with spaced, nail head trim. Antique gold paint accents are standard and compliment the wood finish. Other Available Sizes: Twin 188-730, King 188-766, and California King 188-760.

As Shown: Finished in Southampton (44), with Antique Gold Paint Accents and Fabric F921-20

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VARNEY LATTICE BED - QUEEN 188-500

W ��.��" (��� cm) D ��.�" (��� cm) H ��" (��� cm)

Chinese Chippendale was one of Dorothy Draper’s favorite furniture styles. The Kindel bed is true to Dorothy’s love of solid construction, geometric patterns, and Asian influences. The head and footboard are made of Cherry veneers and solids and are available in wood or painted finishes. Painted accents are an option. Other Available Sizes: Twin 188-330, King 188-660, and California King 188-600. Headboard only: Twin 188-335, Queen 188-505, King 188-665, and California King 188-605.

As Shown: Finished in White (70)

Draper Chair (403), Bench (1175), and Demi Lune Table (88-709)

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SERPENTINE CHEST 166-009

W �0.�" (�0� cm) D ��.�" (�� cm) H ��.�" (�� cm)

The serpentine chest features a beautiful shaped and hand carved top. Each of the four graduated doors lock. The canted front corner posts are fluted and supported by carved ogee-bracket feet in the Chippendale style. Made of Mahogany veneers and solids.

As Shown: Finished in Winterthur (27)

REGENCY BOW FRONT SIDE TABLE 138-043

W ��" (�� cm) D �0" (�� cm) H ��.��" (�� cm)

Based on designs of the late 18th and early 19th centuries, the bow front rectangular side table features one large drawer with a lock. One low shelf is designed for storage. Made of Yewood with Cherry solids.

As Shown: Finished in Aged Yew (46)

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REGENCY BOW FRONT CHEST OF DRAWERS 138-003

W ��.��" (�� cm) D �0" (�� cm) H ��.��" (�� cm)

This small bow front chest features three drawers, with a lock on the top drawer, and graceful sweeping legs at the base. Made of Yewood with Cherry solids.

As Shown: Finished in Aged Yew (46)

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LOUIS XVI UPHOLSTERED BED WITH CANOPY - QUEEN 138-501

W ��.��" (��� cm) D ��.�" (��� cm) H ��" (��0 cm)

The simple forms of this poster bed are characteristic of the Louis XVI time period. The headboard is refined by elliptical segments on both sides. Both the headboard and footboard are upholstered. Shown here with tall posts and a canopy, this bed is also available with low posts and finials, 138-500 and with tall posts and finials, 138-502. Height with low posts is 55 inches (140 cm). Made of Cherry, gilt accents are standard. Available sizes in all versions: Twin, Queen, King, and California King.

As Shown: Finished in Southampton (44) and Fabric B510-26

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Louis XVI Upholstered Bed (138-500) and Settee (1138)

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BEDSIDE TABLE 171-045

W ��.��" (�� cm) D ��" (�� cm) H �0" (�� cm)

The Bedside Table for Knowledge features a limestone top and ring pull hardware. The case is crafted of Cherry solids and straight-grain veneers. Also available with an Avonite top and alternative bronze hardware, 171-044.

As Shown: Finished in Bark (61)

BUNCHING STOOL 75

W �0.��" (�� cm) D ��.�" (�� cm) H ��.��" (�0 cm)

The bunching stools for Knowledge, with impeccable tailoring and a kicked leg, are as versatile as they are attractive. Bunch three at the end of a bed or four along either side of a cocktail table. The frame is Maple and all exposed posts are crafted of Cherry hardwoods.

As Shown: Finished in Current (35) and Fabric F890-12

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DOUBLE CHEST 171-023

W ��.�" (��� cm) D ��.��" (�� cm) H ��.��" (�� cm)

Fitted with eight generous drawers, the storage volume is maximized by the clean and steady flow of planar surfaces in place of bulky posts and moldings. Understated hardware adds a touch of elegance with brass ring pulls. The case is crafted of Cherry hardwoods and straight grain veneers. Also available with alternative hardware, rectangular bronze knobs, 171-022.

As Shown: Finished in Bark (61)

SINGLE CHEST 171-001

W ��.�" (�� cm) D ��.�" (�� cm) H ��.��" (�� cm)

The shallow depth of this case will accommodate a great deal without becoming intrusive. The case is crafted of Cherry hardwoods and straight grain veneers.

As Shown: Finished in Bark (61)

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KNOWLEDGE UPHOLSTERED BED - QUEEN 171-750

W ��.��" (��� cm) D ��.��" (��� cm) H ��" (��� cm)

From the Knowledge Collection, this bed features an upholstered headboard and a sandbox frame. The upholstery on the headboard is buttoned. The posts are wrapped with fabric and the back is covered as well. Made of Cherry. Other Available Sizes: Twin 171-730, King 171-766 and California King 171-760.

As Shown: Finished in Bark (61) and Fabric B650-66

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SANDBOX BED - QUEEN 171-500

W ��.��" (��� cm) D ��.�" (��0 cm) H ��.��" (��� cm)

The sandbox bed headboard is dressed with a Champagne hand-painted swept-line stripe. The bed is crafted of Cherry hardwoods and straight grain veneers. Other Available Sizes: Twin 171-330, King 171-660, and California King 171-600. Headboard only: Twin 171-335, Queen 171-505, King 171-665, and California King 171-605.

As Shown: Finished in Current (35)

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English Poster Bed (183-500), Single Bureau (188-002), and Bench (1175)

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SINGLE BUREAU 182-002

W ��.��" (�� cm) D �0" (�� cm) H ��.�" (�� cm)

This beautiful and versatile single bureau has three drawers veneered with highly figured crotch Mahogany. Other features include fluted columns, fretwork overlay, gadrooned moulding, bracket feet, solid brass pulls, and escutcheons. This case is crafted in Mahogany solids and veneers.

As Shown: Finished in Kent (21)

NIGHT TABLE 182-044

W ��" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

This table features delicate fretwork overlays, gadrooned moulding, and one drawer with highly figured crotch Mahogany. There is an open shelf below for storage. This case is crafted in Mahogany solids and veneers. The hardware is solid brass.

As Shown: Finished in Kent (21)

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DOUBLE BUREAU 182-022

W �0" (��� cm) D �0" (�� cm) H ��" (�� cm)

Characteristic of the 18th century, this double bureau features delicate fretwork overlay, bracket feet, gadrooned moulding, highly figured crotch Mahogany drawer fronts, and fluted columns. This bureau is made of Mahogany solids and veneers. All hardware is made of solid brass.

As Shown: Finished in Kent (21)

TALL CHEST 182-011

W ��" (�0� cm) D �0" (�� cm) H ��.��" (��� cm)

This handsome 18th Century tall chest has six drawers veneered with highly figured crotch Mahogany. Other features include fretwork overlay, bracket feet, gadrooned moulding, and fluted columns. The top drawer is divided into three compartments with a sliding jewelry tray on the right. This drawer also locks. The second drawer features two removable shirt dividers. All hardware is solid brass.

As Shown: Finished in Kent (21)

Bed

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ENGLISH POSTER BED - QUEEN 183-500

W ��.��" (��� cm) D ��.��" (��� cm) H ��" (�0� cm)

The decorative Mahogany posts, accentuated with hand carved urns, gracefully end in a mushroom cap finial. The headboard and footboard feature swirl Mahogany veneer. There is blind fretwork on the lower posts which terminate with block feet. Other Available Sizes: Twin 183-330, King 183-660, and California King 183-600.

As Shown: Finished in Northampton (43)

Bed

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18TH CENTURY BED - QUEEN 182-500

W ��.��" (��� cm) D ��.��" (��� cm) H ��.��" (��� cm)

This bed draws on the style of the 18th century craftsmen for its inspiration. The hand-carved center crest of the headboard, carved caps on each post, elaborate fretwork overlay, corner brackets, and shaped cornice rails are all typical of this period. This bed features wooden side rails and is crafted in Mahogany solids and figured veneers. Other Available Sizes: Twin 182-330, King 182-660, and California King 182-600. Headboard Only: Twin 182-335, Queen 182-505, King 182-665, and California King 182-605.

As Shown: Finished in Northampton (43)

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Upholstery

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SETTEE 1138

W ��.��" (��� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��.��" (�� cm) SH �0.�" (�� cm)

SW ��.��" (��� cm) SD ��.��" (�� cm)

This Kindel original is an Empire inspired Maple bench featuring Greek key inlay, gold striping, brass toe caps and casters and comes standard with two bolster pillows. Gilt leaf accents are optional.

As Shown: Finished in Bark (61) with Gilt Leaf Accents (07) and Fabric not available

SETTEE 1140

W ��" (��� cm) D ��" (�� cm) H ��" (�� cm)

AH ��.��" (�� cm) SH ��" (�� cm)

SW ��" (��� cm) SD ��.��" (�0 cm)

The simple exposed wood frame, stylized after the popular salon suites of the late 19th century, reflects a distinctive Scandinavian flair. The graceful curve of the crest rail flows into a tapered leg, and ends with delicate casters on the front legs. A solid Cherry frame surrounding the upholstered tight seat and buttoned back offers a clean, well tailored look for today. Throw pillows not included.

As Shown: Finished in Aged Black (180) and Fabric not available

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BALTIMORE SETTEE 1189

W ��" (��� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��.��" (�� cm) SH ��" (�� cm)

SW ��.�" (��� cm) SD �0.��" (�� cm)

Circa 1815, this Grecian-style sofa is similar to those attributed to the Finley Shop of Baltimore. The classical shape features graceful hand-painted decorations with acanthus leaves, flowers, and rosettes as standard decorative motifs. The superbly detailed sockets and brass casters finish the legs in grand style. Standard with two arm bolsters.

As Shown: Finished in Black Lacquer (80) with hand decoration (04) and Fabric not available

SOFA BY-THE-INCH 1288

D 37" (94 cm) H 32" (81 cm)

AH 28.25" (72 cm) SH 21.75" (55 cm) SD 20" (51 cm)

This graceful sofa is distinguished by its unusual shaped back and gently curving arms, and therefore makes it the perfect choice to float in the middle of a room. All sizes are available on this sofa “by-the-inch” from 60-99 inches wide. Cushion options vary depending on size. Shown here 1288-90 inches with three seat cushions and three back pillows. Bullion fringe not standard. Two throw pillows are standard.

As Shown: Fabric not available

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SOFA BY-THE-INCH 1289

D ��" (�� cm) H ��" (�� cm)

AH ��.��" (�� cm) SH ��.��" (�� cm) SD �0" (�� cm)

This sofa is similar to the 1288 sofa, but with boxed back pillows instead of knife edge pillows. It is standard with two 20 inch throw pillows, and 8 inch kick pleat flounce. All sizes are available on this sofa “by-the-inch” from 60-99 inches wide. Cushion options vary depending on size.

As Shown: Fabric R181-22

SOFA BY-THE-INCH 1290

D ��" (�� cm) H ��" (�� cm)

AH ��.��" (�� cm) SH ��.��" (�� cm) SD �0" (�� cm)

This graceful sofa is distinguished by its unusual shaped back and gently curving arms, and therefore makes it the perfect choice to float in the middle of a room. Solid Maple exposed legs and welt base are standard. It is standard with two 20 inch throw pillows. Same as our 1289 sofa without a flounce. All sizes are available on this sofa “by-the-inch” from 60-99 inches wide. Cushion options vary depending on size.

As Shown: Finished in Northampton (43) and Fabric B510-26

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SQUARE-ARM SOFA BY-THE-INCH 7199

D ��.��" (�� cm) H ��" (�� cm)

AH ��" (�� cm) SH �0.�" (�� cm) SD ��" (�� cm)

Contemporary styling is evident with this sharply angled square-arm sofa. The 90 inch version pictured here is finished with two Spring Down seat cushions and two loose pillow backs. All sizes are available on this sofa “by-the-inch” from 60-99 inches wide. Two throw pillows are standard.

As Shown: Fabric F922-20

KNOWLEDGE SOFA BY-THE-INCH 7198

D 34.75" (88 cm) H 34.75" (88 cm)

AH 26" (66 cm) SH 20.5" (52 cm) SD �0" (�� cm)

The exposed frame is crafted of Cherry hardwoods. The 88 inch version pictured here is finished with two Spring Down seat cushions and five loose pillow backs. The number of pillows varies according to length. All sizes are available on this sofa “by-the-inch” from 60-99 inches wide.

As Shown: Finished in Current (35) and Fabric F922-20

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���Square-Arm Sofa By-the-Inch (7199), Square-Arm Lounge Chair (520), Carlyle Coffee Table (88-804) and Mark Round Lamp Table (88-720)

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Philadelphia Marlboro Sofa (8398), New York Lolling Chair (831), Townsend Tea Table (83-807), and New York Pembroke Table (83-801)

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PHILADELPHIA MARLBORO SOFA 8398

W ��" (��� cm) D ��" (�� cm) H ��" (�0� cm)

AH ��.��" (�� cm) SH �0.��" (�� cm)

SW ��.��" (��� cm) SD ��.��" (�� cm)

The original of this sofa, displayed in the Marlboro Room of the Winterthur Museum, was made in Philadelphia circa 1790. The dramatic curve of the top line along with the high scroll arms and serpentine front combine to make this sofa an American masterpiece. The solid Mahogany tapered front legs are joined by stretchers to the rear legs that rake backward sharply and add to the strength of the design. Nail head trim is standard on the scroll arms and the base. Standard with two throw pillows (not shown). Also available in a 74 inch love seat, 8396.

As Shown: Finished in Winterthur (27) and Fabric R120-36

CRESCENT SOFA 9389

W ��.�" (��� cm) D ��" (�0� cm) H ��.��" (�� cm)

AH �0" (�� cm) SH ��" (�� cm) SD �0.�" (�� cm)

Kindel’s elegant crescent sofa with channelled backs is one of the best selling forms. This sofa is standard with three seat cushions, two throw pillows and an 8 inch kick pleat flounce. This sofa is also available in 67 inches, 9367 and 83 inches, 9378.

As Shown: Fabric H560-36 / Pillows F1000-16

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HEPPLEWHITE SOFA WITH FLOUNCE8699

W ��.��" (��� cm) D ��.��" (�� cm) H ��.�" (�� cm)

AH ��.��" (�� cm) SH ��" (�� cm)

SW ��" (��� cm) SD ��" (�� cm)

This graceful sofa was adapted from the Hepplewhite sofa 8698 from the Mount Vernon collection. The arms are fully upholstered. The tailoring features a waterfall flounce. Two throw pillows are standard.

As Shown: Fabric S1250-46

HEPPLEWHITE SOFA 8698

W ��" (��� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��.��" (�� cm) SH ��" (�� cm)

SW ��" (��� cm) SD ��" (�� cm)

Crafted circa 1785-1800, the original of this elegant sofa is displayed in Mount Vernon’s front parlor. Kindel’s adaptation captures the simple elegance of the original with the graceful, curved back and tapered, spade feet. The sofa is crafted of Mahogany solids with traditional, hand-sprung construction. Standard with two throw pillows only.

As Shown: Finished in Preservation (25) and Fabric F940-32 / Pillows F970-14

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TUFTED LOVE SEAT 8867

W ��" (��0 cm) D ��.��" (�� cm) H ��" (�� cm)

AH ��" (�� cm) SH �0.��" (�� cm)

SW ��.��" (��� cm) SD �0.��" (�� cm)

Elegant tufting created by Kindel’s experienced upholsterers make this love seat a refined design for a small space. The inside back and arms are tufted. Also available in a 75 inch width, 8868 and a 83 inch width, 8869. Standard with two throw pillows (not shown).

As Shown: Fabric not available

SLEIGH ARM SOFA BY-THE-INCH 8878

D ��.�" (�� cm) H ��" (�� cm)

AH ��" (�� cm) SH ��.��" (�0 cm) SD �0.��" (�� cm)

Wide rolled arms, loose seat cushions, and Ultra Down back cushions create plush seating and elegance all at once. The classically styled sofa was a design created by Dorothy Draper for use in the lobby of The Greenbrier Hotel in White Sulphur Springs, West Virginia. All sizes are available for this sofa “by-the-inch” from 60-99 inches wide. Two throw pillows are standard.

As Shown: Fabric F922-20

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VARNEY SOFA BY-THE-INCH 8892

D ��.��" (�� cm) H ��" (�� cm)

AH ��.�" (�� cm) SH ��" (�� cm) SD ��.�" (�� cm)

This sofa is a companion to the Varney Club Chair, 480. The tight back is divided by welt lines that define each seat cushion. The saddle arms are very ample to give this sofa a strong presence in any room. Two throw pillows are standard (not shown). Standard with a waterfall flounce. Kick pleat flounce, as shown, is not standard. All sizes are available on this sofa “by-the-inch” from 60-99 inches wide.

As Shown: Fabric not available

VARNEY SOFA BY-THE-INCH 8893

D ��.��" (�� cm) H ��" (�� cm)

AH ��.�" (�� cm) SH ��" (�� cm) SD ��.�" (�� cm) This sofa is the same as the Varney sofa 8892 but is featured without a flounce. The legs are solid Maple. Welt base is standard. All sizes are available on this sofa “by-the-inch” from 60-99 inches wide. Two throw pillows are standard.

As Shown: Finished in Northampton (43) and Fabric R110-20

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Dorotheum Sofa with Flounce (8889), 5th Avenue Lamp Table (88-714), and Penelope Coffee Table (88-809)

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DOROTHEUM SOFA 8888

W ��.��" (��� cm) D ��" (��� cm) H ��.�" (�0 cm)

SH �0" (�� cm) SW ��.��" (��� cm) SD ��" (�� cm)

Dorothy Draper designed the original of this sofa for use in the café at the Metropolitan Museum of Art. (The café was later renamed the Dorotheum Café in her honor.) Kindel’s reproduction sofa is faithful to the original and adapted to fit in private spaces. Two throw pillows are standard (not shown).

As Shown: Fabric S440-30 / Welt K120

DOROTHEUM SOFA WITH FLOUNCE 8889

W ��.��" (��� cm) D ��" (��� cm) H ��.�" (�0 cm)

SH �0" (�� cm) SW �0" (�0� cm) SD ��" (�� cm)

This sofa was inspired by one that Dorothy Draper designed for use in the café at the Metropolitan Museum of Art. (The café was later renamed the Dorotheum Café in her honor.) This sofa features Lawson arms, bench seat cushion and a 9.5 inch kick pleat flounce. Standard with two throw pillows (not shown).

As Shown: Fabric R210-10

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SOFA 9489

W ��" (��� cm) D ��.��" (�� cm) H ��.�" (�0 cm)

AH ��.�" (�� cm) SH �0" (�� cm)

SW ��.�" (��� cm) SD ��" (�� cm)

The scrolling arms and unique crest rail combine to make this sofa an elegant addition to our upholstery program. One seat cushion and an 11 inch kick pleat flounce are standard.

As Shown: Fabric not available

LOVE SEAT 9567

W 67" (170 cm) D 41" (104 cm) H 31" (79 cm)

AH 29.25" (74 cm) SH 18" (46 cm)

SW 50" (127 cm) SD 22" (56 cm)

This crescent shaped love seat features a shaped rolled back which makes it perfect for the middle of a room. There is one seat cushion, two back cushions, and two arm pillows. The 8 inch kick pleat flounce is standard.

As Shown: Fabric not available

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SCROLL ARM SOFA 9689

W ��" (��� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.�" (�� cm)

SW ��.��" (��� cm) SD ��.��" (�� cm)

This scroll arm sofa features a graceful camel back and scroll arms. One loose seat cushion, two 18 inch and two 20 inch throw pillows, and 11.25 inch kick pleat flounce are standard.

As Shown: Fabric not available

SOFA 9993

W 93.25" (237 cm) D 38.5" (98 cm) H 37" (94 cm)

AH 28" (71 cm) SH 21.25" (54 cm)

SW 74.75" (190 cm) SD 22.75" (58 cm)

This sofa features three Spring Down seat cushions and a tight back. Solid Maple bracket feet are standard accompanied by standard nail trim at the base. Two 20 inch (50 cm) throw pillows standard.

As Shown: Finished in Southampton (44) and Fabric B610-66

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Sofa (9993), Channel Back Chair (461), Cocktail Table with Shelves (71-863), and Single Chest (171-001)

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LOLLING CHAIR 254

W ��.�" (�� cm) D ��.��" (�� cm) H ��" (�0� cm)

AH ��.��" (�� cm) SH ��" (�� cm)

SW ��" (�� cm) SD ��.��" (�0 cm)

Often called a lolling or a Martha Washington chair, this solid Mahogany armchair is a reproduction of the original made around 1795 in Massachusetts. The arms and front legs are ornamented with string hand inlay characteristic of late-18th century Federal-style furniture.

As Shown: Finished in Preservation (25) and Fabric not available

PHILADELPHIA BERGÉRE CHAIR 470

W ��.��" (�� cm) D ��.��" (�� cm) H ��" (��� cm)

AH ��" (�� cm) SH ��" (�� cm)

SW ��" (�� cm) SD ��.��" (�� cm)

The original of this Bergére easy chair was made between 1805 and 1815 in Philadelphia and is displayed in the Sheraton Room of the Winterthur Museum. The high curved barrel back is surrounded by exposed Mahogany rails that lead to the solid curved arms terminating in acanthus leaf carving and rosettes. The front legs are turned and reeded, and the rear legs rake backward adding support and drama to this magnificent design. The seat has a loose cushion.

As Shown: Finished in Winterthur (27) and Fabric F920-20

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WINTERTHUR WING CHAIR 353

W ��.��" (�� cm) D ��.�" (�� cm) H ��" (��� cm)

AH ��.�" (�� cm) SH ��" (�� cm)

SW ��.��" (�� cm) SD ��.��" (�0 cm)

The original circular easy chair from the Winterthur Museum was made between 1804 and 1815 in Philadelphia. The reeded front legs with bulb-turned feet and hand carving at the top, and the turned rear legs that match the front have long been accepted as hallmarks of Philadelphia workman-ship. Welt base standard.

As Shown: Finished in Northampton (43) and Fabric F875-16

GEORGE BRIGHT CHAIR 143

W ��.�" (�� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��.�" (�� cm) SH �0.��" (�� cm)

SW �0" (�� cm) SD �0" (�� cm)

The armchair is a reproduction from one of 30 made for the Boston State House by George Bright in 1797. The Winterthur Museum owns the original which Kindel has faithful ly reproduced in Mahogany with many sculpted flush joints. The complexity of the joinery and upholstery are clear examples of Kindel craftsmanship at its best.

As Shown: Finished in Southampton (44) and Fabric B550-44

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OCCASIONAL CHAIRS252 Side Chair

W ��.��" (�� cm) D ��.�" (�0 cm) H ��.��" (�� cm)

SH ��.��" (�0 cm) SW ��.�" (�� cm) SD ��.�" (��cm)

These occasional chairs for Knowledge are sleek and stable. They feature exposed, Cherry veneered seat rails and Cherry solids.

As Shown: Finished in Current (35) and Fabric not available

253 Armchair

W ��.��" (�� cm) D ��.�" (�0 cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�0 cm)

SW ��.�" (�� cm) SD ��.�" (�� cm)

HOST & HOSTESS CHAIR 149

W ��.��" (�� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH �0" (�� cm)

SW �0" (�� cm) SD ��" (�� cm)

The host and hostess chair for Knowledge provides a pleasing alternative to a matched dining set and is a wonderful addition as a pull-up chair in an occasional setting. Legs are solid Cherry.

As Shown: Finished in Current (35) and Fabric F871-16

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253 Armchair

W ��.��" (�� cm) D ��.�" (�0 cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�0 cm)

SW ��.�" (�� cm) SD ��.�" (�� cm)

ARMCHAIR 240

W ��.�" (�� cm) D ��" (�� cm) H ��.�" (�� cm)

AH ��.�" (�� cm) SH ��" (�� cm)

SW ��.��" (�� cm) SD �0" (�� cm)

The simple exposed wood frame stylized after the popular salon suites of the late 19th century, reflect a distinctive Scandinavian flair. The graceful curve of the crest rail flows into a tapered leg and ends with delicate casters on the front legs. A solid Cherry frame surrounding the upholstered tight seat and buttoned back offers a clean, well tailored look for today.

As Shown: Finished in Aged Black (180) and Fabric not available

FIRESIDE CHAIR 242

W ��.��" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

AH ��.��" (�0 cm) SH ��"(�� cm)

SW ��" (�� cm) SD ��.��" (�� cm)

The Fireside Chair is a dimunitive example of the perfect pull-up chair. Its size is an advantage for small spaces. Made of Cherry solids.

As Shown: Finished in Aged Black (180) and Fabric not available

OCCASIONAL CHAIR 462

W ��" (�� cm) D ��" (�� cm) H ��" (�� cm)

AH ��.�" (�� cm) SH ��.��" (�0 cm)

A cosmopolitan Mahogany framed armchair features a comfortable upholstered back. Its simplicity is balanced by the fluted front legs.

As Shown: Finished in Northampton (43) and Fabric F921-20

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���Rhode Island Desk & Bookcase (83-844), Decorated Tray Top Cocktail Table (66-863),

Chippendale Library Chair (354), and Varney Sofa By-the-Inch (8893)

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���

IRISH LOUNGE CHAIR 259

W ��.��" (�� cm) D ��" (�� cm) H ��" (�0� cm)

AH ��.�" (�� cm) SH ��" (�� cm)

SW ��.��" (�� cm) SD �0.��" (�� cm)

The Irish Lounge chair features straight legs with ball and claw feet which are turned outward, a very Irish design element. The arms are fully upholstered and the chair features a turned stretcher in Mahogany. Nail trim is standard at base.

As Shown: Finished in Southampton (44) and H581-30

IRISH LOUNGE CHAIR 464

W ��.�" (�0 cm) D �0.��" (�� cm) H �0.��" (�0� cm)

AH ��.�" (�� cm) SH ��" (�� cm)

SW ��.��" (�� cm) SD ��" (�� cm) The Irish Lounge chair is characterized by the unique pierced stretcher made of solid Mahogany. The chair also features upholstered arms with blind fretwork on the front stump, which is also repeated on the front legs. Loose Premium Down cushion provides true comfort.

As Shown: Finished in Southampton (44) and R150-22

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���

TUDOR PLACE LOUNGE CHAIR 355

W ��.��" (�� cm) D ��" (�� cm) H ��.��" (�00 cm)

AH ��.��" (�� cm) SH ��.��" (�� cm)

SW �0" (�� cm) SD ��" (�� cm)

This beautiful lounge chair has been adapted from a graceful Italian Directoire settee in an upstairs bedroom at Tudor Place. The square back, scrolling arms, hand carved details and tapered legs are all characteristic of the early 19th century. Kindel has crafted this adaptation from Mahogany solids.

As Shown: Finished in Preservation (25) and Fabric F960-26

LOLLING CHAIR 255

W ��.��" (�� cm) D ��.�" (�� cm) H ��.��" (��� cm)

AH ��.�" (�� cm) SH ��" (�� cm)

SW ��.��" (�� cm)

The original of this reproduction lolling chair is on exhibit in the Lafayette bedchamber at Mount Vernon and is considered to be one of the more unusual forms of the period. The curved, barrel-shaped back is uncommon, yet comfortable, and the clean lines are typical of the Federal period. The chair is crafted of Mahogany solids with traditional, hand-sprung construction.

As Shown: Finished in Preservation (25) and Fabric F970-14

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���Tudor Place Lounge Chair (355) and Round Lamp Table (86-810)

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���

ARMCHAIR 120

W ��.�" (�0 cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�0 cm)

SW ��.��" (�0 cm) SD �0.��" (�� cm)

This elegant armchair is a perfect companion to the 1288 sofa by-the-inch. Like the sofa, it has a beautifully shaped back which allows it to be viewed from all sides. One loose seat cushion, loose-pillow back, and an 8 inch kick pleat flounce are standard.

As Shown: Fabric M131-18

CAMEL-BACK LOUNGE CHAIR 235

W ��" (�� cm) D ��" (�� cm) H ��.�" (�� cm)

AH ��" (�� cm) SH �0" (�� cm)

SW ��.��" (�� cm) SD ��.��" (�� cm)

This camel-back lounge chair features sloping arms and a loose-pillow back which echoes the graceful shape of the back. This chair can be accompanied by a matching ottoman, 23. Both available with a waterfall flounce the chair, 236 and ottoman, 24.

As Shown: Fabric not available

LOUNGE CHAIR 405

W ��" (�� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��.�" (�� cm) SH �0.��" (�� cm)

SW ��" (�� cm) SD ��.��" (�� cm)

This tufted-back chair is standard with a spring cushion as well as a 9 inch kick pleat flounce.

As Shown: Fabric F921-20

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���

LOUNGE CHAIR 352

W ��.�" (�� cm) D ��.��" (�� cm) H ��" (�� cm)

AH ��.��" (�� cm) SH ��.��" (�0 cm)

SW ��.��" (�� cm) SD ��" (�� cm)

Circa 1815, this Neoclassic lounge chair features a sleigh back and scroll arms. The rear legs continue the design of the back post, and the turned front legs are reeded in the center. There is a carved shell where the arm joins the back post. Hand painted gold pin striping is standard on the back posts, the scroll arms and on the top of the legs. The turned legs and arm details are standard in gold paint. The ormolu mounts are solid brass.

As Shown: Finished in Bark (61) and Fabric B561-70

REGENCY CHAIR 257

W ��.��" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

AH ��.�" (�0 cm) SH ��" (�� cm)

SW ��" (�� cm) SD ��" (�� cm)

This chair is typical of the Regency style and has been a classic Kindel model since the 1950s. Hand decoration and pin striping are standard on this solid Cherry chair.

As Shown: Finished in Black Lacquer (80) with hand decoration (04) and Fabric not available U

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���Sleigh Arm Sofa By-the-Inch (8878), Channel Back Lounge Chair (460), Bamboo Drinks Table (38-807),

Dorothy Drapers Console with drawers (88-022), and Directoire Low Table (38-708)

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���

CHAIR 710

W ��.��" (�� cm) D ��" (�� cm) H ��" (�� cm)

AH ��.��" (�� cm) SH ��.��" (�0 cm)

SW �0" (�� cm) SD ��.�" (�� cm)

This comfortable chair is one of our most popular upholstered chairs for the living room or bedroom. Standard features include a tufted back and a 10.5 inch kick pleat flounce. We also offer this chair without tufting, 707. The matching ottoman is 71.

As Shown: Fabric not available

CHIPPENDALE LIBRARY CHAIR 354

W ��" (�� cm) D ��.��" (�� cm) H ��.��" (�00 cm)

AH ��" (�� cm) SH ��" (�� cm)

SW ��.�" (�0 cm) SD ��.��" (�� cm)

The Chippendale-style engendered many forms of beautiful and comfortable seating including this outstanding Mahogany library chair with hand-carved acanthus leaves, ball-and-claw front legs, carved leaves and rosettes on the arm rests, shaped rear legs, and bow-shaped crest rail.

As Shown: Finished in Winterthur (27) and Fabric L550-42

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��0

TRADITIONAL LOUNGE CHAIR 258

W ��.��" (�� cm) D ��.��" (�� cm) H ��" (�� cm)

AH ��" (�� cm) SH ��.�" (�� cm)

SW �0.��" (�� cm) SD ��.��" (�0 cm)

This is a classic Mahogany lolling chair, typically known as a Martha Washington chair. Nail trim is standard on the back, arms and base.

As Shown: Finished in Northampton (43) and Fabric R100-30

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CHAIR 707

W ��" (�� cm) D ��.��" (�� cm) H ��" (�� cm)

AH ��.��" (�� cm) SH ��.��" (�� cm)

SW �0" (�� cm) SD �0.��" (�� cm)

Same as the 710 chair, but features a tight back instead of tufting. Kick pleat flounce is standard. Matching ottoman is available, 71.

As Shown: Fabric R180-22

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CHANNEL BACK LOUNGE CHAIR 460

W ��.��" (�� cm) D ��.��" (�� cm) H ��" (�� cm)

AH ��.��" (�� cm) SH �0" (�� cm)

SW ��.��" (�� cm) SD ��" (�� cm)

Throughout her career, Dorothy Draper was awarded many large scale interior design projects. The original of this chair was designed for the Mark Hopkins Hotel in San Francisco. Kindel’s reproduction captures the sophisticated channel back, delicate lines of the arms and back, and kick pleat flounce.

As Shown: Fabric S1250-52

CHANNEL BACK LOUNGE CHAIR 461

W ��.��" (�� cm) D ��.��" (�� cm) H ��" (�� cm)

AH ��.��" (�� cm) SH �0" (�� cm)

SW ��.��" (�� cm) SD ��" (�� cm)

Same as 460 chair but with exposed solid Maple legs. Note the graceful curve of the arm and back. Welt base is standard. Nail trim is not standard but is available as an option on the base and arms. This chair was originally designed by Dorothy Draper for The Mark Hopkins Hotel in San Francisco.

As Shown: Finished in Bark (61) and Fabric L600-30

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���

ARROWHEAD CHINOI CHAIR 350

W ��.��" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

AH ��.�" (�� cm) SH ��" (�� cm)

SW ��.��" (�0 cm) SD ��.��" (�� cm)

This lounge chair was originally designed by Dorothy Draper for the Arrowhead Springs Hotel in Arrowhead Springs, California. The chair is reproduced in Cherry which may be painted or finished in all wood finishes. The open fret design of the arm creates a bold, geometric look which was very typical of Draper’s style.

As Shown: Finished in Bark (61) and Fabric B630-66

DRAPER SLIPPER CHAIR 403

W ��.�" (�0 cm) D ��" (�� cm) H ��.�" (�0 cm)

SH ��.��" (�0 cm) SW ��.�" (�0 cm) SD ��" (�� cm)

Dorothy Draper originally designed this chair for the Fairmont Hotel in San Francisco in 1944. This classic, stylish chair is right in chintz, plaid, or damask and can be at home in any room. The chair is standard with a kick pleat flounce. Bullion fringe is not standard.

As Shown: Fabric B510-26

VANITY CHAIR 404

W ��.��" (�� cm) D �0" (�� cm) H ��.�" (�0 cm)

SH ��.��" (�� cm) SW ��.��" (�� cm) SD ��" (�� cm)

Designed by Dorothy Draper, the original of this chair was made for the great operatic diva, Maria Callas. Very petite and stylish, this chair adds elegance to any bedroom or dressing area.

As Shown: Fabric B500-56

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���

SLEIGH ARM LOUNGE CHAIR 440

W ��" (�� cm) D ��.�" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�0 cm)

SW ��" (�� cm) SD �0.��" (�� cm)

Classic styling is offered with this gracefully rolled arm, lounge chair. The frames are made of solid Maple and finished with the finest of upholstery materials. The chair features a loose seat cushion and Ultra Down back pillow. For the Sleigh Arm Sofa, see 8878.

As Shown: Fabric F870-16

LILY CHAIR 450

W �0.��" (�� cm) D ��" (�� cm) H ��" (�� cm)

AH ��.��" (�� cm) SH �0.�" (�� cm)

SW �0.��" (�� cm) SD ��.��" (�� cm)

Dorothy Draper referred to the Lily Chair as one of her favorites. She used this form in many design projects and included it in her own apartment at The Carlyle in New York. The chair has a petite, round form with flared arms creating a very inviting place to sit. It is shown here with a standard kick pleat flounce.

As Shown: Fabric R290-42

LILY CHAIR 451

W �0.��" (�� cm) D ��" (�� cm) H ��" (�� cm)

AH ��.��" (�� cm) SH �0.�" (�� cm)

SW �0.��" (�� cm) SD ��.��" (�� cm)

Same as the 450 chair but with exposed solid Maple legs. Designed by Dorothy Draper. A graceful flair to the arms make it an inviting place to sit. Welt base is standard.

As Shown: Finished in Bark (61) and Fabric F921-20

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���

VARNEY CLUB CHAIR 480

W ��" (�� cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��.�" (�� cm) SH �0.�" (�� cm)

SW �0" (�� cm) SD ��.�" (�� cm)

This very English club chair is a Varney favorite because it is comfortably proportioned and lends itself to relaxation for long periods of time. The saddle arms, tight back, and loose cushion are all classic design elements. A waterfall flounce is standard. Carlton Varney continues to use this chair for many of his residential design projects as well as corporate ones.

As Shown: Fabric H550-22

SQUARE ARM LOUNGE CHAIR 520

W ��.��" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

AH ��.�" (�� cm) SH ��.�" (�� cm)

SW ��.��" (�� cm) SD ��" (�� cm)

Modern styling accompanies pure comfort in this design from Dorothy Draper’s notebook of work from the Arrowhead Springs Hotel in the San Bernadino Mountains of Southern California. Fully upholstered frame supported by inset feet.

As Shown: Fabric S1250-52

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SPLIT BACK CHAIR 456

W ��.��" (�� cm) D ��" (�� cm) H ��.��" (�� cm)

AH ��.��" (�� cm) SH �0.��" (�� cm)

SW ��.��" (�� cm) SD ��.�" (�� cm)

This elegant lounge chair is standard with a waterfall flounce. It features a clean line in the back and tight scrolling arms. The split back chair is a favorite of Carlton Varney’s and is specified by him for many residential design projects.

As Shown: Fabric not available

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���

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Louis XVI Upholstered Bed (138-502), Scalloped Lamp Table (88-818), Tufted Love Seat (8867), Directoire Low Table (38-708), and Regency Chair (257)

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���

LOUNGE CHAIR 269

W ��" (�� cm) D ��.�" (�0 cm) H ��.�" (�� cm)

AH �0.�" (�� cm) SH ��.�" (�� cm)

SW ��" (�� cm) SD ��.��" (�� cm)

This chair is fully upholstered with a double-welted band around the top and arms. The standard kick pleat flounce is 11 inches long.

As Shown: Fabric R200-32

LOUNGE CHAIR 270

W ��" (�� cm) D ��.�" (�0 cm) H ��.�" (�� cm)

AH �0.�" (�� cm) SH ��.�" (�� cm)

SW ��" (�� cm) SD ��.��" (�� cm)

Same as the 269 chair but with exposed solid Maple legs. Welt base.

As Shown: Finished in Bark (61) and Fabric H581-30

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TUFTED CHAIR 807

W ��.��" (�� cm) D ��.�" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�� cm)

SW �0.��" (�� cm) SD ��" (�� cm)

Kindel’s Tufted Chair combines impeccable tailoring with the proper scale for smaller spaces. Both the seat and back are tufted. The front legs are turned and have brass casters. Welt base with nail trim is standard.

As Shown: Fabric not available

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���

TUFTED CHAIR 810

W ��.��" (�� cm) D ��.�" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�� cm)

SW �0.��" (�� cm) SD ��" (�� cm)

Same as the 807, but with a kick pleat flounce. Tufted seat and back creates impeccable tailoring and the scale is perfect for smaller spaces.

As Shown: Fabric not available

TUFTED CHAIR 808

W ��.��" (�� cm) D ��.�" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�� cm)

SW �0.��" (�� cm) SD ��" (�� cm)

Same chair as the 807, but with a loose seat cushion in place of the tufted seat. Tufted back. Exposed Maple turned legs with brass casters. Welt base with nail trim is standard.

As Shown: Finished in Northampton (43) and Fabric R100-30

TUFTED CHAIR 811

W ��.��" (�� cm) D ��.�" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�� cm)

SW �0.��" (�� cm) SD ��" (�� cm)

Same as the 810, but with a loose seat cushion in place of the tufted seat. Tufted back and kick pleat flounce.

As Shown: Fabric F870-16

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���

PETROPOLIS CHAIR 510

W ��" (�� cm) D ��" (�� cm) H ��.�" (�� cm)

AH ��.��" (�� cm) SH ��" (�� cm)

SW �0" (�� cm) SD ��.��" (�� cm)

The Petropolis Chair was designed by Dorothy Draper in 1942 for the main entrance hall of the Quitandinha Hotel in Petropolis, Brazil. The chair has an elegant, clean line and creates comfort with a tight back and loose seat cushion. A lumbar pillow is standard. Standard with a kick pleat flounce.

As Shown: Fabric F894-12

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SADDLE-ARM CLUB CHAIR 479

W ��" (�� cm) D ��.�" (�� cm) H ��.��" (�� cm)

AH ��.��" (�� cm) SH �0.�" (�� cm)

SW ��" (�� cm) SD �0.��" (�� cm)

This club chair is the same as 475, but features solid Mahogany hairy-paw feet. Nail trim is standard at base. Available with bracket feet made of solid Maple, 477.

As Shown: Finished in Winterthur (27) and Fabric F923-20

SADDLE-ARM CLUB CHAIR 475

W ��" (�� cm) D ��.�" (�� cm) H ��.�" (�� cm)

AH ��.��" (�� cm) SH �0" (�� cm)

SW �0.��" (�� cm) SD ��.�" (�� cm)

Kindel’s saddle-arm chair is a basic for any living room. This chair is standard with a tight back, loose seat cushion and an 11 inch kick pleat flounce.

As Shown: Fabric F1020-16

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SADDLE-ARM CLUB CHAIR 477

W ��" (�� cm) D ��.�" (�� cm) H ��.��" (�� cm)

AH ��.��" (��cm) SH �0.�" (�� cm)

SW ��" (�� cm) SD �0.��" (�� cm)

Same as the 475 chair, but with solid Maple bracket feet. Nail trim on base is standard. Available with hairy paw feet, 479. Accompanying ottoman available, 52.

As Shown: Finished in Light Walnut (66) and Fabric R610-22

OTTOMAN 52

W ��.��" (�� cm) D �0.��" (�� cm) H ��.�" (�� cm)

This ottoman is a perfect companion to the 477 chair. Standard features are nail head trim, attached cushion top, and solid Maple bracket feet.

As Shown: Finished in Preservation (25) and Fabric R150-22

OTTOMAN 23

W ��" (�� cm) D �0" (�� cm) H ��" (�� cm)

This 23 ottoman features an attached cushion top and 10.5 inch kick pleat flounce. Available with a waterfall flounce, 24. Also available in a 16 inch height, 46.

As Shown: Fabric not available

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��0George Bright Chair (143), Hall Cupboard (38-051), Carlyle Coffee Table (88-804),

Marquetry Pedestal Table (38-814), and Varney Sofa (8892)

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LOUNGE CHAIR 144

W ��.�" (�0 cm) D ��.��" (�� cm) H ��.��" (�� cm)

AH ��" (�� cm) SH ��.��" (�� cm)

SW ��.�" (�� cm) SD �0" (�� cm)

This lounge chair from the Knowledge Collection matches sofa 7198. The exposed frame is solid Cherry. Welt base is standard. Matching ottoman available, 45.

As Shown: Finished in Current (35) and Fabric R150-22

OTTOMAN 45

W ��.�" (�0 cm) D ��" (�� cm) H ��" (�� cm)

This ottoman is a companion to the 144 Lounge Chair. The exposed posts are crafted of Cherry.

As Shown: Finished in Current (35) and Fabric R150-22

OTTOMAN 71

W ��.��" (�� cm) D ��.��" (�� cm) H ��" (�� cm)

This ottoman is designed to accompany our curved front chairs, 707 and 710. Standard features are a 10.5 inch kick pleat flounce and attached cushion.

As Shown: Fabric F921-20

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���

PHILADELPHIA EASY CHAIR 412

W ��.�" (�� cm) D ��.��" (�� cm) H ��.�" (��� cm)

AH ��" (�� cm) SH ��.��" (�� cm)

SW ��.��" (�� cm) SD �0.�" (�� cm)

The Philadelphia Easy Chair with hand-carved solid Mahogany legs is a reproduction, circa 1750, from the Winterthur Museum. Like many of the finest Queen Anne-style chairs made in Philadelphia in the mid-18th century, this one features backward-raked stump rear legs, and arms made of two scrolls, one vertical and one horizontal, which meet to outline a flat C-shaped scroll. The arm must be hand carved by Kindel craftsmen to accurately reproduce this C scroll. A closely related chair was sold at Sotheby’s in 1986 for $1,175,000.

As Shown: Finished in Winterthur (27) and Fabric R120-36

OTTOMAN 42

W ��" (�� cm) D �0.�" (�� cm) H ��" (�� cm)

The Queen Anne-style ottoman is a companion to the 412 Philadelphia Easy Chair. It features hand-carved solid Mahogany legs and a tight upholstered top.

As Shown: Finished in Winterthur (27) and Fabric F894-12

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���

NEW YORK LOLLING CHAIR & OTTOMAN

831 Chair

W ��.�" (�� cm) D ��" (�� cm) H �0.�" (�0� cm)

AH ��.�" (�� cm) SH ��.��" (�� cm)

SW ��.�" (�0 cm) SD ��" (�� cm)

This Kindel reproduction from the Winterthur Museum is hand-crafted of solid Mahogany and is faithful to the original made in New York between 1810 and 1820 by Duncan Phyfe. The fine reeding on the scroll back, the seat, padded arm and arm supports duplicate the superb reeding found on the original. The curvilinear shape of this chair was inspired by the Stella Curulis or folding stool with “X” shaped base, found on ancient Roman magistrates’ chairs. The ottoman, 83 is an interpretation specifically designed to compliment the chair.

As Shown: Finished in Winterthur (27) and Fabric F920-20

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83 Ottoman

W �0" (�� cm) D ��.�" (�0 cm) H ��.��" (�� cm)

ROUND OTTOMAN 36

H ��" (�� cm) Diameter ��.��" (�� cm)

This round ottoman features a tufted top. Standard with a kick pleat flounce.

As Shown: Fabric F921-20

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BUNCHING STOOL 38

W ��" (�� cm) D �0 " (�� cm) H ��" (�� cm)

The same high style bench, 37 is available in a bunching stool size to be grouped together. The hand carved cabriole legs are made of Cherry. Welt base is standard. Nail trim is optional. Wood and paint finishes available.

As Shown: Finished in Aged Cream (154) and Fabric B540-86

BENCH 37

W ��.��" (�� cm) D �0" (�� cm) H ��" (�� cm)

Reeded cabriole legs ending in a scroll foot define this elegant bench. Welt base is standard. Nail trim is optional. Wood and paint finishes available. Made of Cherry.

As Shown: Finished in Southampton (44) and Fabric L550-42

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���Varney Sofa By-the-Inch (8892), Irish Lounge Chair (259), and Decorated Tray Top Table (66-863)

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Pattern # Description Page Room Scene

23 Ottoman 149

24 Ottoman* 149

36 Round Ottoman 153

37 Bench 154

38 Bunching Stool 154

42 Ottoman 152

45 Ottoman 151

46 Ottoman* 149

52 Ottoman 149

71 Ottoman 151

75 Bunching Stool 103

83 New York Ottoman 153

120 Armchair 136

143 George Bright Chair 129 150

144 Lounge Chair 151

149 Host & Hostess Chair 130

235 Camel-Back Lounge Chair 136

236 Camel-Back Lounge Chair* 136

240 Armchair 131 37

242 Fireside Chair 131

252 Occasional Side Chair 130

253 Occasional Armchair 130

254 Lolling Chair 128

255 Lolling Chair 134 94

257 Regency Chair 137 93, 145

258 Traditional Lounge Chair 140 88

259 Irish Lounge Chair 133 155

269 Lounge Chair 146 66-67

270 Lounge Chair 146 46, 79

350 Arrowhead Chinoi Chair 142 63

352 Lounge Chair 137

353 Winterthur Wing Chair 129

354 Chippendale Library Chair 139 132

355 Tudor Place Lounge Chair 134 135

403 Draper Slipper Chair 142 99

404 Vanity Chair 142

405 Lounge Chair 136

412 Philadelphia Easy Chair 152

440 Sleigh Arm Lounge Chair 143

450 Lily Chair 143 66-67, 79

451 Lily Chair 143

456 Split Back Chair 144

460 Channel Back Lounge Chair 141 138

461 Channel Back Lounge Chair 141 51, 127

462 Occasional Chair 131 71

464 Irish Lounge Chair 133

470 Philadelphia Bergére Chair 128 28

Index by Pattern Number

475 Saddle-Arm Club Chair 148

477 Saddle-Arm Club Chair 149

479 Saddle-Arm Club Chair 148

480 Varney Club Chair 144 112

510 Petropolis Chair 148

520 Square-Arm Lounge Chair 144 117

707 Chair 140

710 Chair 139

807 Tufted Chair 146

808 Tufted Chair 147

810 Tufted Chair 147

811 Tufted Chair 147

831 New York Lolling Chair 153 118

1138 Settee 113 102

1140 Settee 113 37

1175 Bench 96 99, 107

1189 Baltimore Settee 114

1288 Sofa By-the-Inch 114

1289 Sofa By-the-Inch 115 112

1290 Sofa By-the-Inch 115

7198 Knowledge Sofa 116

7199 Square-Arm Sofa By-the-Inch 116 67, 117

8396 Philadelphia Marlboro Love Seat* 119

8398 Philadelphia Marlboro Sofa 119 118

8698 Hepplewhite Sofa 120

8699 Hepplewhite Sofa 120

8867 Tufted Love Seat 121 145

8868 Tufted Sofa* 121

8869 Tufted Sofa* 121

8878 Sleigh Arm Sofa By-the-Inch 121 138

8888 Dorotheum Sofa 124

8889 Dorotheum Sofa with Flounce 124 58, 123

8892 Varney Sofa By-the-Inch 122 150, 155

8893 Varney Sofa By-the-Inch 122 46, 132

9367 Crescent Love Seat* 119

9378 Crescent Sofa* 119

9389 Crescent Sofa 119 93

9489 Sofa 125

9567 Love Seat 125

9689 Scroll Arm Sofa 126

9993 Sofa 126 127

38-051 Hall Cupboard 76 112, 150

38-074 Empire Side Chair 22 23

38-075 Empire Armchair 22 23

38-086 Upholstered Klismos Side Chair 22

38-087 Upholstered Klismos Armchair 22

���

Pattern # Description Page Room Scene

* Not pictured, see page listed for more information.

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Index by Pattern Number

���

38-705 Tier Table 72

38-706 Irish Pub Table 76

38-708 Directoire Low Table 78 138, 145

38-807 Bamboo Drinks Table 72 138

38-814 Marquetry Pedestal Table 73 71, 150

38-816 Glass-Top Stand 72

38-846 English Drop Leaf Writing Desk 78 88

38-863 Tray Top Cocktail Table 77 112

39-802 British Arts & Crafts Lamp Table 73 46

39-803 British Arts & Crafts Rectangular

Lamp Table

74

39-810 British Arts & Crafts Round Lamp

Table

74

39-811 British Arts & Crafts Carved

Chairside Table

74

39-816 British Arts & Crafts Chairside Table 75

39-865 British Arts & Crafts Coffee Table 75 46

66-862 Cocktail Table with Glass Top 89 93

66-863 Decorated Tray Top Cocktail Table 89 132, 155

71-018 Dining Table 24 23, 26

71-020 Entertainment Credenza 80

71-021 Entertainment Credenza 81

71-023 Sideboard 27

71-024 Sideboard 27 26

71-082 Knowledge Side Chair 25

71-083 Knowledge Armchair 25

71-090 Side Chair - Upholstered Back 25 26

71-091 Armchair - Upholstered Back 25 26

71-810 Round Lamp Table 83

71-816 Spear Table 83

71-821 Slim Side Table 83

71-831 Two Drawer Side Table 82

71-832 Bar Cabinet 85 23

71-833 Pier Table 82

71-860 Swept Line Cocktail Table 84

71-863 Cocktail Table with Shelves 84 127

71-960 Curio Cabinet 80

71-961 Curio Cabinet* 80

71-962 Curio Cabinet* 81 79

71-963 Curio Cabinet 81 79

75-014 Round Dining Table - Plank Top 29 28

75-019 Rectangular Dining Table 29

75-070 Sleigh Back Side Chair 30 31, 34

75-071 Sleigh Back Armchair 30 31, 34

76-005 Mobile Server 41

76-010 Crotch Mahogany Double

Pedestal Table

39 17

76-012 Library Table 30 31

76-016 Pedestal Table 39

76-018 Oval Table 40 42

76-019 Double Pedestal Dining Table 32 34

76-023 Sideboard 38

76-027 Bow Front Sideboard 38

76-028 Neoclassic Sideboard 33 33

76-060 Tall Chippendale Side Chair

- Ball & Claw

44

76-061 Tall Chippendale Armchair

- Ball and Claw

44

76-066 Hepplewhite Side Chair -

Upholstered Back*

43

76-067 Hepplewhite Armchair -

Upholstered Back*

43

76-068 Tall Chippendale Side Chair* 44

76-069 Tall Chippendale Armchair* 44

76-070 Chippendale Side Chair 44

76-071 Chippendale Armchair 44

76-072 Queen Anne Side Chair 41

76-073 Queen Anne Armchair 41 51, 88

76-074 Hepplewhite Side Chair 43 42

76-075 Hepplewhite Armchair 43 42

76-076 Chippendale Side Chair

- Ball and Claw*

44

76-077 Chippendale Armchair

- Ball and Claw*

44

76-082 Shield Back Side Chair 43 28

76-083 Shield Back Armchair 43

76-086 Lyre Back Side Chair 32

76-087 Lyre Back Armchair 32

76-088 Shield Back Side Chair -

Upholstered Back*

43

76-089 Shield Back Armchair -

Upholstered Back*

43

76-091 Break Front Display Cabinet 45 31

76-092 Gun Cabinet 92

76-094 Neoclassic China Cabinet 36 34, 37

77-702 Federal Pembroke Table 91

77-705 Lamp Table with Drawer 86

77-711 Demi Lune Table 77 28

77-811 Lamp Table 86

77-818 Octagonal Lamp Table 90

77-830 Semi-Circular Commode 86 63

77-860 Octagonal Cocktail Table 90

77-865 Elliptical Cocktail Table 91

77-877 Cocktail Table 87

77-961 Curio Cabinet 87

77-962 Curio Cabinet* 87 88

83-002 Connecticut Chest of Drawers 50 51

Pattern # Description Page Room Scene Pattern # Description Page Room Scene

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���

83-010 Lannuier Dining Table 15

83-015 Phyfe-Style Dining Table 12

83-016 Phyfe-Style Dining Table* 12

83-018 Phyfe-Style Dining Table 13 11

83-025 Empire Sideboard 16

83-028 New York Sideboard 13 11

83-054 New York China Cabinet 14

83-070 Philadelphia Chippendale Side Chair 15

83-071 Philadelphia Chippendale Armchair 15

83-072 Philadelphia Queen Anne Side Chair 16

83-073 Philadelphia Queen Anne Armchair 16

83-082 Seymour Side Chair 12 11

83-083 Seymour Armchair 12 11

83-801 New York Pembroke Table 52 118

83-807 Townsend Tea Table 47 118

83-811 Connecticut Side Table 52

83-814 Philadelphia Piecrust Tea Table 52

83-815 Seymour Occasional Table 47

83-816 Massachusetts Kettle Stand 48

83-840 Philadelphia Writing Desk 48

83-842 Massachusetts Bombe Desk 50

83-844 Updyke Rhode Island Desk and

Bookcase

49 132

83-850 Philadelphia Dressing Table 53

83-865 Federal Cocktail Table 53

86-004 Tudor Place Serving Sideboard 18

86-023 Aitken Sideboard 19

86-052 Tudor Place Curio Cabinet 18

86-070 Aitken Side Chair 19

86-071 Aitken Armchair 19 17

86-709 Tudor Place Demi Lune Table 55 17

86-810 Round Lamp Table 55 135

86-860 Elliptical Window Cocktail Table

with Glass Top

54 37

86-863 Plateau Cocktail Table with Glass

Top

54

88-004 Braziliance Commode 57 57

88-007 España Bunching Chest 56 21, 66-67

88-008 Pinwheel Chest 95

88-012 Mark Round Dining Table 20 21

88-013 Mark Round Dining Table* 20

88-021 Dorothy Draper's Console* 56

88-022 Dorothy Draper's Console with

Two Drawers

56 138

88-051 Dorothy Draper's Console and Curio 59 58

88-052 Dorothy Draper's Console and Curio* 59

88-084 Draper Café Side Chair 20 21

88-085 Draper Café Armchair 20 58

88-165 American Baroque Mirror 63 63

88-184 Bar Stool- Side 62 58

88-185 Bar Stool- Arm 62

88-709 Demi Lune Table 60 99

88-714 5th Avenue Lamp Table 60 123

88-715 Garland Lamp Table 60 66-67

88-716 Chairside Spool Table 61

88-718 Hampshire House Lamp Table 61

88-720 Mark Round Lamp Table 61 117

88-804 Carlyle Coffee Table 65 117, 150

88-805 Arrowhead Springs Cocktail Table 69

88-808 Square Trellis Lamp Table 64

88-809 Penelope Coffee Table 65 123

88-818 Scalloped Lamp Table 64 145

88-820 Pagoda Vitrine 69 93

88-830 Revolving Bar 68

88-839 Sofa Table 70

88-860 Rectangular Trellis Cocktail Table 64 79

88-862 Cocktail Table 68 58

88-863 Yumi Cocktail Table 70 66-67

88-864 Yumi Cocktail Table 70

138-003 Regency Bow Front Chest of

Drawers

100

138-043 Regency Bow Front Side Table 100

138-330 Louis XVI Upholstered Bed (T) -

Low Posts*

101

138-331 Louis XVI Upholstered Bed (T) -

Canopy*

101

138-332 Louis XVI Upholstered Bed (T) -

Tall Posts*

101

138-500 Louis XVI Upholstered Bed (Q) -

Low Posts*

101 102

138-501 Louis XVI Upholstered Bed (Q) -

Canopy

101

138-502 Louis XVI Upholstered Bed (Q) -

Tall Posts*

101 145

138-600 Louis XVI Upholstered Bed (CK) -

Low Posts*

101

138-601 Louis XVI Upholstered Bed (CK) -

Canopy*

101

138-602 Louis XVI Upholstered Bed (CK) -

Tall Posts*

101

138-660 Louis XVI Upholstered Bed (K) -

Low Posts*

101

138-661 Louis XVI Upholstered Bed (K) -

Canopy*

101

138-662 Louis XVI Upholstered Bed (K) -

Tall Posts*

101

166-009 Serpentine Chest 100

171-001 Single Chest 104 94, 127

171-022 Single Chest* 104

Index by Pattern Number

Pattern # Description Page Room Scene Pattern # Description Page Room Scene

* Not pictured, see page listed for more information.

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���

Index by Pattern Number

Pattern # Description Page Room Scene

171-023 Double Chest 104

171-044 Bedside Table* 103

171-045 Bedside Table 103

171-330 Sandbox Bed (T)* 106

171-335 Sandbox Bed (T) - Headboard* 106

171-500 Sandbox Bed (Q) 106

171-505 Sandbox Bed (Q) - Headboard* 106

171-600 Sandbox Bed (CK)* 106

171-605 Sandbox Bed (CK) - Headboard* 106

171-660 Sandbox Bed (K)* 106

171-665 Sandbox Bed (K) - Headboard* 106

171-730 Knowledge Upholstered Bed (T)* 105

171-750 Knowledge Upholstered Bed (Q) 105 94

171-760 Knowledge Upholstered Bed (CK)* 105

171-766 Knowledge Upholstered Bed (K)* 105

182-002 Single Bureau 108

182-011 Tall Chest 109

182-022 Double Bureau 109

182-044 Night Table 108

182-330 18th Century Bed (T)* 111

182-335 18th Century Bed (T) - Headboard* 111

182-500 18th Century Bed (Q) 111

182-505 18th Century Bed (Q) - Headboard* 111

182-600 18th Century Bed (CK)* 111

182-605 18th Century Bed (CK) - Headboard* 111

182-660 18th Century Bed (K)* 111

182-665 18th Century Bed (K) - Headboard* 111

183-330 English Poster Bed (T)* 110

183-500 English Poster Bed (Q) 110 107

183-600 English Poster Bed (CK)* 110

183-660 English Poster Bed (K)* 110

188-002 Single Bureau 97 107

188-022 Double Bureau 96

188-043 Night Stand 95

188-044 Pinwheel Night Table 95

188-330 Varney Lattice Bed (T)* 99

188-335 Varney Lattice Bed (T) - Headboard* 99

188-500 Varney Lattice Bed (Q) 99 99

188-505 Varney Lattice Bed (Q) - Headboard* 99

188-600 Varney Lattice Bed (CK)* 99

188-605 Varney Lattice Bed (CK) - Headboard* 99

188-660 Varney Lattice Bed (K)* 99

188-665 Varney Lattice Bed (K) - Headboard* 99

188-730 Varney Upholstered Bed (T)* 98

188-750 Varney Upholstered Bed (Q) 98

188-760 Varney Upholstered Bed (CK)* 98

188-766 Varney Upholstered Bed (K)* 98

188-840 Dressing Table 97

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��0

Furniture Care

PRESERVING YOUR FURNITURE

Wood is a natural product. Sun bleaching will occur when

wood furniture is exposed to sunlight. This will cause darker

finishes to lighten and sometimes cause lighter finishes

to darken. For this reason, try to avoid placing furniture

in direct sunlight and rearrange accessories from time to

time to prevent spot bleaching. Some bleaching will occur

under both incandescent and fluorescent lighting. Arrange

your furniture so that it does not sit near heat registers, air

conditioning units or radiators. Close contact with any of

these will adversely affect the finish.

At Kindel we have always believed that “less is better” when

caring for furniture. Do not use silicone waxes, lemon oil,

or other oily polishes. Silicon can damage the lacquers and

make future refinishing very difficult. Lemon oil and other

oil based polishes attract dust and grit, causing scratches

in the finish. Our finishing technique is the most refined

in the industry and does more to protect the wood than

any wax can.

For general cleaning, use a mild soap and water. Then dry

the piece furniture immediately with a clean, soft cloth.

Wood furniture requires dusting with a soft, lint free cloth.

Dusting should occur frequently, using a clean dusting

cloth that will attract dust without scratching the finish.

Kindel Furniture Company has long been known for beautiful finishes. The steps involved in finishing furniture at Kindel requires various hand operations: filling the pores of the wood, glazing the surface to add color, hand padding to reveal grain patterns, highlighting to accentuate the veneer’s beauty, and rubbing finishes to create sheen. All of these steps are accomplished by experienced craftsmen and women at Kindel, however, some variations in these processes may occur. As well wood grains and veneer patterns vary.

SUGGESTED PRODUCTS

For general cleaning the Guardsman One-Wipe is perfect

for dusting and does not require the use of any polishes. If

you choose to use a furniture polish, we recommend that

you use Guardsman’s products. We have a long standing

relationship with Guardsman, and as a result we share a

common philosophy on furniture care.

For information on purchasing Guardsman products,

consumers may call their Consumer Products Division at

800.822.7359 or visit www.guardsman.com. Guardsman

products are available through many hardware stores and

furniture retailers nationwide.

Hand Finishing

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WOOD FINISHES

PAINTED FINISHES

- 33 South Haven - 35 Current - 36 Saugatuck - 61 Bark - 43 Northampton

- 44 Southampton - 19 Americana - 21 Kent - 25 Preservation - 26 Oxford

- 52 Putty - 53 Ice - 54 Cream - 51 Robin’s Egg Blue - 55 Coral

- 56 Ocean - 70 White - 80 Black - 86 Lacquer Red

- 27 Winterthur

- 152 Aged Putty - 153 Aged Ice - 154 Aged Cream - 151 Aged Robin’s Egg Blue -155 Aged Coral

- 156 Aged Ocean - 170 Aged White - 180 Aged Black - 186 Aged Lacquer Red Gold accents and hand painted decoration

The samples you see presented here are as close to a reproduction of the actual finish as is possible within the context of photographic and printing limitations.

-181 Aged Black Lacquer (Crackled)

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100 Garden Street SEGrand Rapids, MI 495071.877.KINDEL.1

www.kindelfurniture.com

This catalog, including the information, photographs, and other intellectual property contained therein, is and shall remain the property of Kindel Furniture Company. Kindel reserves the right to demand the return of this catalog at any time; and, you agree to immediately return this catalog to Kindel upon such request. If at any time you determine not to use this catalog, please do not destroy this catalog, but return it to Kindel.

This catalog shall be used for the purpose of marketing the products of Kindel Furniture Company and no others. Reproduction in any manner is expressly prohibited without the express written consent of Kindel.

© 2009 Kindel Furniture Company

Kindel Furniture is finely crafted in America.