2 Dern konigl. sädm. Kamrnerrnus~kerHerrn Oscar Franz freuiidlithst gewidmet

HORNKONZERTHorn-Soloslimiiae hi F

Allegro.M.MJ 112

Richard Strauss, Op. 11

~ j , —~ ——~--

i ;~ ir ~i~•’~ ir~~i~ ~ ~m r~ri~ 4 ~ —~~,p

—~~ , —.~ 5 —.—-.—-,-

~~ I - - ~I’, I - I - Iif ~ I pp

— —~ ~I, —~~ ,

~ I I ~ I r~’~i ~ r ~r iri.

~ ii -~ -~>~

~ Tutu I I,

~~rr ~i~i ir~ ~ rI~1_-_H__4j~ -~

s~1o D::..>.-5 ~ >.

~ I7I~~T~~ •ffcncigic o~, ~,I, ~ ~ ~ ~~__I ~ I ~ I~ ~,I

~_-~:_———1) dilce,

~} i~ ~ I~’J I~ F !F~ ~1.— ~~)~)

—~, ~ ‘

~r~r ~ I~ Ir’~1~J.~Ir~ “I~J~

—~ 1~A ~‘ , ,~ ~!, r L_,—~--- . —,-~ :k7~’ ~

•L__~~ ~ I~ -~

BELWIN

. I ~ I 1 I ~I ‘I nD ~ I —- 1 I II ‘I ‘ 1 I ~ ~ i~)

—

MILLS PUBLISHING CORP.PRINTED IN USA.

BerNoz: Romeo and Juliet

in hoch B (811’ alto.)Prestissimo. (~L13s)

t~’ 2 r’~

I ‘ I I~’ ~II II~ ~~II’IIF166 48 F~1 27 29 E~1 32 47 8~

L

A1!~retto. (t3s)(~.~) Prestissimo, tempo Lun poco pi~i presto.VJi~i E~1 21 25 4 12 1~1 87 8 9 40 41 12 13

~ ~I ~ +& ~p r~— r

Cor.IV. Cor.I. ~LJ’~ 14 1~ 16 22 6 8 9 10 5~ I I I I ~ ~HJ ~ I I I I I i~ JL~r~r~~ Cor.1I.

r.~ 2~ I~pI n Ir1~fI ~lr ~I I~’~I I~I l~1L p

~~L’3~ I~~I ~A _ 2

3.La Reine Mab on la Fee des Songes.

Koaigin Mab oder die Fee der Trâume. Queen Mab or the Fairy of Dreams.

Scherzo.

49

L

II

Brahms: Piano Concerto No.1

~so~ Fag. VcLK~B. ~Tutti.~-

199

~LJ~i r .1—. i3 marc. ~na dotce

208

• (Solo) ~ . . ~ ~1 ~ 3,~ ~. .~— - ~ . . ~. I — I —.~ ~.I s — P’I r’i

inF 3 Solo 18 Vcl.K-B.9I~ 1— ~ :~ ~ ~i ~ —, I — ~•, L~ ~

~ if ~-. - .i~.l,4 -~=~~-~N I~

14.44 1~ .

• Poeopi~’~ Ob~r__..~ Solo 13j~~1• I 1 ~ I I 0 ~ ~

pp-~zz ~

214

Konzert Nr. 2 in B dur ~fur Kiavierund Orchester

Horh IIIin F Johannes Brahms,Op.$3Allegronontroppo (M.MJ:92) Tutti Solo ~

Hr,I ~ Sol~ I 1 4 - ~ ti. .iUttl -~

~e ~‘‘~V~ I - I ~~If~I - I ‘ V ITh~V~ 1 ~— Hr.1)

2>•~7~ ~ __________________32 ~ ~ J ~ ~‘ F ~ -I F ~ F. ~ I~ ~ ~ r F IL i ~F I F ~r I i~ F -i

~ Viol. ___I _—_~\ I- 1.1 L.JBr. J ~ 4

- IFFFFFIFFFFFIPFFF~H ‘I~r~ I2 S3 ‘~(Solo) I _~

62~ FFF~i riFrF~I~~ I’ I ‘~ I- ~~To~-1 - I~~jmarc. Co~~ I ~ o~ ~

A ~ ~~-LcJTutti 6 Solo82 - ~ I ‘ I~ F’F~ F1F~~I ~‘ I~r FIF~IF1 ‘‘ I’ [

p ~~~-‘ 4

~ 3 Tutti Solo 4 (~]~‘u~i (Solo)104 - IF~- I ‘- I- ~ W .i~ F1F1~ rI~ ~1’ I’~F.~1

~ j~ Z~ “~ “~5P - ~LLJ

6 6 Sol~ ~~120 ~~U’~ - I ‘ I I ~ - ~ IF ~

~ i Solo FL p dolce~ ~ 1 I -I TUtti 3 22 Fg.2 Fa~J k. £

~ r I r~ Prp I~F.F F ~i~F.F ~ I ‘ — Iii ‘I L .l~:.IJ ~1~ dim.

FTuttI I 1

~ F~1~ IFF~F~I~ ~ I~F~I - V~ I~ i &I - ~ H• if-marc. • - if

(Solo) Solo Tutti —~ ~ ~-184~~r~,1 ~3f I~ - i-~~ ~pI~J ~H

195V~I~rk~w t}iL ~~J~L~:]•~ TUth~ ~ Solo 9 1~1 ~‘ 1~ ~ Tutti - Solo

~ I~ I ‘- Iø~ IIF~~r~- I 1~ - ~ / ~HI ~ I ‘fj~dim.pp if ffpdim.pp b5,~. J ~L. 3

EDWIN F. KALMUSI Publisher of Music, New York I, N. Y.

Brahms: Piano Concerto No.2, movement 2

1in.~1.Allegro appassionato (M. M. 76): ~ 2 2~fl I ~ I ~ r~r~ IF F II~ I~ I~ ~•I hIJ: ~J~ ~e ~ . mf Str.Tutti Solo /A ii. . Br. - ~c.

16 ~ I~.1 ~ ~ I ~ ~ I’ 1 V ~I ~ ~ I ~;I~ ~~ ‘ ‘ If~.. - -

V . Solo~V~o1.Ipizz. jj Ij. ~ ~12.&j. ~ ~Jff~ ~ 30 ~Viol. ~ .~ ~‘

94~ .~ I~ ~I.i~’ I ~ Ii~ ~ I I I’ ~I~~Ir ~ I& ~. V . ~~b1 ~ ;. ~ I

142 ~~iIrI# I~ I~I~H~ ~I?~ I~I~IV ~ ~• tI~ if L,~ ~,

L65~ ~r~Ir ~ i~i~~ir ~ri r~ ~ ~i~fl1m~FI~F~lFHj - I~I~”I - I~~

~ . (Solo) . V V V VV ~ V largamente . . /

issj.~~ I~. ~ I~F~I~~. .f~.. ben marc. V /V~~• . V ~

2bI~ ~ IFF~ I~ I~I~~I F~ I~ 1 ~~~ V ~ ~ ~ ~ V ~214~~ V I ~ [I~ ~ir ~‘i~

~. ~ V

Dvorak: Symphony No.9

Molto vivace J. = 804-

in EV

III ScherzoF!. Il/Ob. I ~jj ~

I I J4

212

~r.p p Pk.~34

8 F I U’ -i

~ Pk.~

~~

51

~ I~ ~—I~ ~ I~ Il ~ ~ ~

58 Poco sostenuto8 24 Hn.I

~ ~ I ~ II ~ I

935 Hn.I B intempo

~ ~ppp105 5 Hn.Imf

~ ~ J~ 1 I~ ~ I~ ~ I ~ ~ I~117

1 ~• I~~r ~~ ~—ffz

124

~ ‘~ ~ ‘F ~ i~J i r iBreitkopf 08 5198

lJ

Mahier — Symphony No. 3 in D Minora3~ Horn m F0

28

~~~~j~1~r~!frtiru.5 ~ 3 [ 29almpo ~

~ - -- ~ ~jr ~jr r i--nif fffrnifhJch8terfcrafl.~ ~-

~

~ r~ ~rj ~r I ~r r-~-~rubcdonlcht breit.30 ~ ~.. ~.~ ~-

~ r ~ I ~iL r ~r ~ I ~ ~ ~r1r r H8empreff EEE a4eho~Scbdtr.

—~ -~ ~. 31gestop~~.

~ r r~r4 j r ii ~ I I ~accel. a tempo ~ ~ if

~ ]~ ~ 2 gest. gest. 3Q -~often

~ e ~ 1 1 - I - I ~. .fff~ fff~ ff-~Jffinu h~eh~Ier Rraftentfallzsn~.

MendeI~hh~Syi~höny No.3, mvt 2 -

24 A •1~ rOL~)I~

!~ L~Ir~I~ I~L~J~ I~~ ~r !~ ~r i ~ ~p i; I ~ ~ ~pt i ~r 1

I~tr~ J~Hi I

~ i~ i~~ cresc.109

~ ~crese.

121 D fl . . . 1~:143 E 8

~~I ~T~Tr~ I ~iL!LL~ I L~L~ I~(w~*;~ f~ ~ I~ 7~t~7~ I 7~I~ I~’7~i I~I~rI~ I

, * (11111,171 8 —.~. r~E~IP7~I I4J~ I I ~ I ~ I ~ I [~~

0., CPCSC. P crese.

I~ I~~~ ~I I7~bFI

mE’.Vivace non troppo. ~‘12G.

4

- Mendelssohn: Symphony No.3, mvt. 3 -

mDAdagIo ~

A .9 A ~ ~

if I46 4 ~—. 8

~ i i r i~ti ~ I~1f dtm.ppmf ~r6~ L~t~T I ~~ ih~ ~LJ ~ I ~ ~ I

CreW. if76 ~ ~—--.. ca~ta6i1e

~~ dim.(1i71Z.

S5 —~ -

~ ~~~Crexc.

~J—~i0’ ~}JJ ~ 1 - 1~~I ~- IJE~ ~ JITJ r~pei’e:c. f

Moussorgsky: Pictures at an Exhibition(Horn in F)

VII. Limoges-Le Marché(~) Allegretto vivo, sempre scherzando

p~ h2~. _ 1110 >~_~

~3J~ ~z~z~r ~r - ~wo 1W’__P subi~o I

~ ~

~~ a2

~Z j~-~~ f -~

~ Jif

~ ~ ~4JS~ I

~ -~- ‘~

~~f~

(

ei _~J.-~-~-1 ~ ____________ j)

c~m° ~ __________ 0

Saint-Saens: Symphony No.3

(in F)

{Q~3~;. Cor~ I~J~ Ii~ __

p

Orgue

_________ ~ ~ 4—~,Aito

~L

1•~ ~ I.~ ~ pp

T ~ ‘UT 6 Orgue I~ I

~. —. ~ x4947. ~ IJJ~~rIr~I~ jH~1 1~ ~ pp

Schumann: Symphony No.3

6ScherzoSelu iii~.ssi~

~1~-~!;•

HORN Ill IN F

II4

— . 0

l,~ j~-~-4+~~ IJ”-4~

~ ~ ~r ~[E~ 112. ~1

~ -~ ~~ ~i-~ir~9

g~ ~ II.l[e.~~4

~ ~ ~i’J 1 r~r+r~ ~ ‘~ ‘ r 1r-~~J

ftwr~~:f~ 4 pocon~a.te~npo

~~~ —~f

~

~ ‘~p1i1J~,D~ 2 SOlO 4

~I )j1L~1 ~. .4~ 4IJ~4 I ~I ~• ~ 41~ P p

III tacet

I I-i 4,’poco,it. a~fe~,o r~ ~ L 112. ~

.3 p cresc.

PH ~LH A RM ON ICORCHESTRA

5 SymphonieCorHao m i~ ~.u1.OCTAKOBH~

Op.47D. ~CHOSTAKOWIT5CH

4~1 a

~.

OHH~I

ri

w p p~’res€.

. 1•

~ ~~ -

H+~~

~ U~ftt~iJ~

~ POCO ama~~~ ~ ~-~jlJ

~ ~O4

~ ~rF~ -1 ~r-~r~ - I~ ~~;ze~ronontroPPo.

f .ff~

2 Come W 1RI Lf~. ~ ~ 2

f

~J1~ 3 p~co ~trft~gend~

~Z~L4_~ I I ~ JJ-J-ltJ ~~ ,~19 I i~: ost~t — cresc.~~

~ - rn jf eSpre$~’. )iocoL~J ~GCO strh~g.

~~I~~I — - —_____________ 1~8~ J:~’i ~ ~1

r~J —~~ ~~$-~1 ~~~ i

espress. ~. dinz.

~ ~ite~toE~ ~ [~—-fr~ H~- 1~ [Z l~ [‘~ I

~ cre$c.

I~targ8mente. b

~

~‘

r~- te~ nu-to a te’m o ~ t~t4afo~za

~~;~.~ 11 -‘ r~ I it~J fernzto

Strauss: Don Juan

A mE con SON!. V0(’Otli ~‘~ ‘ - I ~ I ° ~3 I” I II~~ I ~ I ~ 1 ~°11t

-‘~, 3 PP PPmolto tranq.. Tempo I•5senza

5 C.r.TV thin.

~ i~ ~rI~i~ i i~r~°~i - i—~ -i-i -~

~ ~

~ 2,~ p1 ~ r ~ — ~ ~. - -

W 66 .—~ 836r~ r~ ~~d’~ ~‘i-~J i~i~ ~ ~ ir~- i ~

~ if ~ f

~~~ ~-1- ~~

animato—~ >- ~ :~-~ :~-

~~~r ~

~ t ~ rIi f L~ ~ fcrcsc. - - -~tr;no/to espr.

__ __ 1 ___~ —---~ ~. - - - i—g ~

~ mo/to espr~

Strauss: Em Heldenleben

A

I q(3~ ~i~r — i~ ~~

+f I~z2? 76~~~ 8 717

I—I I~ ~p tJ.~ I ~F I I I “ I r ~Jmf~f1o jy ~78

4 ~ i ~‘r ~i r r ~~~4:—~~~ -~4 ~.~r “~ r

‘ifA —~ —~ i8Opn E.)81 I 2 ~ 282

~ mp 2~II-~~h IF F’- I’ I~‘~ f

Strauss: Till Eulenspiegel

allmiIhlic4 lebhaflerA H. 1. ~

Volles Zeitinass.inD.~

9~~

—

rL~

Corno iltin Es.

rir~ ~ i~i~j. crese.

I

~r~r ~~ ~ ~ ~ ru1 i~ i~ u~~1 1 1

~ I~ I ~ Fl F~ I~ r l~ ~ r I~i~ IIIF 1F I :~cre.se. I I

I

l~ l~~ l~i~ ~ ~ rir1 ~ ~l~l -~ crese.

n_—.~ 3 ~.— 3 -~~~1id F1F~ ~‘ —~‘ ‘~ ~ i[l~ l~ I~H I’ - IH~~

. 95 C~~l;;l~ I~. ~ ~ l~l~

Alla breve. o11&

~iIlFFfl~HFHlI~ll~I g4 32if

CODA.

~ l~ I’ ‘~‘ l~ l~ l~ l~ l~t II if if12 cresc. I

Beethoven: Symphony No.3, movement 3, Trio

Franz LisztLes Preludes

Horn IIIJPoco ritenuto - - - - - .

Andante Poco nitenuto Piü nt. E ~~~ ~. ~AinC5 2 ~ ~_ -

p — =E=z:- -~—- pp —dim.

20A 2 I

- r_ r r - r~2 p ~ —~

molto riten. Andante maestoso31

~- r~ - ~if

~ >.—. ~‘~••‘~ >._—_~

~ r ~ F F~if3

41 B

~ F~. ~ ~if3

L’istesso tempo Poco rail. c45

-~‘ mutainE 6 1. 9~ F ~ ~ r’~r i ~ ‘ ‘ - ‘

—~ dim.

L’istesso tempo

67 Fag. E espressivo ma tranquillo

~ ~dim. — 4t 1 ~ Li JD~J JJThp dolce~—~’ ~~

73

~. ~ ~ ~ ~. ~~~ ‘—~ >

— —~ —~ ~ — p cresc.

79 poco a poco accelerando

~ J~~- ~J - I~j~—~ -~

p-~Poco rail.86

~J J~ F °~ - I I~fl~ -~cresc. -

f=::~.~’piI~ cresc. —

I

Semiramis. Semiramide.Ouverture.

Corno III. G. Rossini.~n D~ Revid.iert von G-. Schimidt.

Allegro vivace.24 A 2 3 4 5

~ :~ ~ ~I ~ I ~

~ ~ ~j. I Th I [~ ~FAndantino.

___ _ ~ In~~ ~i

I ~ __

N Li ~ ~ ~ ~ ~qfl_~r Ip ~ ~~===~-p ~ ~ J

p ~

~ -~ ~• __ p ~ r r ~~zZflf if

~ ~rr~p~ ~,~-____~ ç~_27~

4 I ~~—1- ‘~‘ dci~~ -~ ~— — —, -~—~ ~~ff~gro.

7 8 G 4~ II~ ~ — 1$ I ~ I ‘ ‘

26481 fOrchB. 1638.

Sinfonie Nr. 4 f-MollHorn 3 in F

Andante sostenuto3

I3 3

Pcter Tschaikowski, op. 36

I~JJ IJJJ I~~~T1

~ ~r i ~ ‘ i ~Th. f

-~ :—~-~--

()

COR en UT.

- r~ ~.t) ~~euL~

4T ~r~i~j~r~I~F ~j ri~ ~i~~riF~]I

~~~~ I~I~r ri~ r~ ~1~r rii~ ~IF~F~IF~F ~I

D

~ — :::::.. rLutes.~ •‘~I

~ fliF~ ~ ~l~l~~ ~ri~ r~’~1 ~~ —

‘~ ~l~i Hi ~~P4’ ores c

~‘ I- I -1- 1 1 ~ In ~Ii~ ~I ~ ~ir ~.~ -~

~ - ~

~ fl~”~Ii2 I~lF~1’ LI~ I I 1€~-L;I l~ I~ ~°tr -I~1Fi~~ IF ~ FrF Fj F F r F~~F~H’l~[~- rT if~-i~i- Fi~i r IF ~ -~~ F rF Ft F FF~~ FIF~FFIr F FFIFrFrI~ FIE ~4rf~1r.FrFFFFrIFrFIFrF~IF.rr1rrr~1c-I~rI ~‘]F

c. ~. ‘20. 0.

h~bin dFS Bois.

O1.iYERTURE

Ath~io.7

5 IVon Weber: Der Freischutz Overture