19th Century European Paintings and Sculpture Paintings and Sculpture New York | Wednesday 8 July...

19th Century European Paintings and SculptureNew York | July 8, 2020

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19th Century European Paintings and Sculpture New York | Wednesday 8 July 2020, 1pm

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AUCTIONEER:Rupert Banner - 1325532-DCAGiles Peppiatt - 2083801-DCA

Bonhams & ButterfieldsAuctioneers Corp.2077070-DCA

SALE NUMBER: 25777Lots 1 - 89

BIDS+1 (212) 644 9001+1 (212) 644 9009 [email protected]

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Please see pages 108 - 114 for bidder information including Conditions of Sale, after-sale

collection and shipment.

INQUIRIESMadalina Lazen, Director +1 (212) 644 [email protected]

Rocco Rich, Specialist+1 (323) 436 [email protected]

Aaron Anderson+1 (917) 206 [email protected]

LondonCharles O’Brien+44 (0) 20 7468 [email protected]

Peter Rees+44 (0) 20 7468 [email protected]

ILLUSTRATIONSFront cover: Lot 22Inside front cover: Lot 73Facing page: Lot 49Back cover: Lot 19Inside back cover: Lot 52Index ghost image: Lot 7

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1 ¤GIUSEPPE MAGNI (ITALIAN, 1869-1956)Playing with the baby signed ‘G Magni’ (lower right) oil on canvas 29 1/2 x 35 1/2in (74.9 x 90.2cm)

US$3,000 - 5,000

Provenance Florence Art Gallery, Florence, Italy.

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2EUGENIO ZAMPIGHI (ITALIAN, 1859-1944)The happy family signed ‘E. Zampighi’ (lower left) oil on canvas 22 x 30 1/2in (55.9 x 77.5cm)

US$15,000 - 20,000

Provenance Private collection, Buffalo, New York, since circa 1960s; Thence by descent to the present owner.

19TH CENTURY EUROPEAN PAINTINGS | 5

3 WSALVADOR CLEMENTE Y PEREZ (SPANISH, 1859-1909)The turkey farmers signed in ligature and inscribed ‘SClemente / Sevilla’ (lower left) oil on canvas 29 1/4 x 63 1/2in (74.3 x 161.3cm)

US$12,000 - 18,000

Provenance Private Collection, Malibu, California (acquired in Los Angeles circa 1990).

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4ITALIAN SCHOOL, 19TH CENTURYThe Bay of Naples with Mount Vesuvius erupting; and a companion painting (a pair) both gouache on paper each 12 x 20in (30.5 x 50.8cm)

US$3,000 - 5,000


5 WSANTI CORSI (ITALIAN, ACTIVE CIRCA 1870-CIRCA 1900)The interior of the Pitti Palace signed ‘S. Corsi’ (lower right) oil on canvas 44 1/4 x 33 3/4in (112.4 x 85.7cm)

US$8,000 - 12,000

Provenance Private collection, Coronado, California (acquired in Europe circa 1972).

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6EUGEN VON RENAZZI (ITALIAN, BORN 1863)The engagement toast signed, inscribed and dated ‘E. Renazzi / Roma 94’ (lower left); signed and indistinctly inscribed (on the reverse) oil on canvas 20 3/8 x 35 3/4in (51.8 x 91cm)

US$4,000 - 6,000

Provenance Westerham House Antiques, The Green, Westerham, Kent; Waterhouse & Dodd, London, acquired from the above on 24 April 1996; Private US collection, acquired from the above in February 2000; Thence by descent to the present owner.


7VITTORIO REGGIANINI (ITALIAN, 1858-1939)Two elegant young ladies in an interior perusing a magazine signed ‘VReggianini’ (lower left) oil on canvas 33 1/4 x 25 1/2in (84.5 x 64.8cm)

US$20,000 - 30,000

Provenance Private collection, Berkeley, California (before 1940); William Hart, Napa Valley, California (by descent); Thence by descent to the present owner.

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8LUIS RICARDO FALERO (SPANISH, 1851-1896)A scene from The Tempest signed and dated ‘Falero / 1889’ (lower right) oil on canvas 29 x 16in (73.8 x 40.6cm)

US$5,000 - 7,000

Provenance Private collection, Montreal; Thence by descent to the present owner. Luis Ricardo Falero was born to a wealthy family in Grenada, Spain, in the mid-19th century. At a young age, Falero went against his family’s wish that he enroll in the military service, and instead sought to study arts. As his style developed, Falero became known for his representations of the female nude, particularly those of mythical origin, such as angels, nymphs, etc.

In this particular work, Falero depicts a powerful scene from William Shakespeare’s The Tempest. Here, the artist depicts the character of Prospero, adorned by a vibrant red robe with delicate accent, towering over a figure that lays draped in the middle of a tree, which appears to have been split apart. This scene references Prospero freeing the spirit Ariel from the tree she was imprisoned in by the witch Sycorax, who previously inhabited the island. Given his known preference for the female form, the artist has cast the character of Ariel as female, while other painters have interpreted it as either sex. The vivid and lush yellows and greens in the forest background provide a wonderful contrast to the dark wood of the tree trunk. Additionally, Ariel’s delicate skin and garment appear to emanate a warm glow, adding to the magical element of the work.

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9CESARE AUGUSTE DETTI (ITALIAN, 1847-1914)Showing off his prize signed ‘C. Detti’ (lower left) oil on panel 15 3/8 x 19 7/8in (39.1 x 50.5cm)

US$5,000 - 7,000

Provenance Private collection, Chicago.


10 WFABIO FABBI (ITALIAN, 1861-1946)Danseuses dans le souk signed ‘F. Fabbi’ (lower left) oil on canvas 32 x 47 1/4in (81.3 x 120cm)

US$20,000 - 30,000

Provenance Pearl Pathe Perry, Beverly Hills, California, since 1966; Thence by descent to the present owner.

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PROPERTY FROM A PRIVATE COLLECTION, NEW YORK

11FEDERICO ANDREOTTI (ITALIAN, 1847-1930)The young model signed ‘F Andreotti’ (upper left) oil on canvas 14 1/8 x 9 3/4in (35.9 x 24.8cm)

US$4,000 - 6,000

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12 WGASTON GERARD (FRENCH, BORN 1859)Une femme au parasol signed and dated ‘Gaston Gerard / 1914’ (lower right) gouache on paper laid down on canvas 47 x 72 1/2in (119.4 x 184.2cm)

US$7,000 - 10,000

Provenance Sale, Christie’s East, New York, 10 February 1998, lot 230; Acquired from the above by the present owner.


PROPERTY FROM THE ESTATE OF BARRON HILTON

13 WPAUL-EMILE BECAT (FRENCH, 1885-1960)A reclining nude with an attendant signed and dated ‘Paul-Emile Bécat 1939’ (lower right) oil on canvas 38 1/8 x 51 1/4in (96.8 x 130.2cm)

US$4,000 - 6,000

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14LOUIS ERNEST BARRIAS (FRENCH, 1841-1905)Jeune Fille de bou Saada inscribed with signature ‘L. Barrias’ and founder’s mark ‘Susse frs. / Edt. a Paris’ (on the base) bronze with gold-brown patina Height: 12in (30.5cm), on a 2in (5cm) red marble base

US$10,000 - 15,000

The model for this bronze was initially conceived by Barrias in 1890 as a life-size sculpture for the grave of the Orientalist painter Gustave Guillaumet, who died in 1887. For this work, Barrias found inspiration in Guillaumet’s painting The Weavers of Bou Saada, but the delicate hand movement with which the girl spreads flowers onto Guillaumet’s tomb was a typical motif occurring in Barrias’ gracious Belle-Epoque works.


15 WCHARLES ARTHUR BOURGEOIS (FRENCH, 1838-1886)Le charmeur du serpent (Ou danseur nubien) inscribed with signature ‘A BOURGEOiS. Sculptr.’ (on the base) bronze with brown patina Height: 32 1/2in (82.6cm)

US$10,000 - 15,000

Provenance Private collection, Palm Beach, Florida.

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16CHARLES EDOUARD BOUTIBONNE (FRENCH, 1816-1897)A Grecian beauty signed ‘E. Boutibonne’ (lower right) oil on canvas 46 3/4 x 28 3/4in (118.8 x 73cm)

US$8,000 - 12,000

Provenance Sale, Christie’s, New York, 16 June 2009, lot 158; Acquired from the above by the present owner.


17 WBASILE LEMEUNIER (FRENCH, 1852-1922)Parisienne en promenade à la campagne signed and dated ‘B.LEMEUNIER.1895.’ (lower right) oil on canvas 88 1/2 x 43 1/2in (224.8 x 110.5cm)

US$12,000 - 18,000

Provenance Sale, Sotheby’s, New York, 23 May 1996, lot 369; Acquired from the above by the present owner.

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18 WMARIE FÉLIX HIPPOLYTE-LUCAS (FRENCH, 1854-1925)A stroll in the park signed ‘Hippolyte-Lucas’ (lower right) oil on canvas 70 x 35 1/2in (177.8 x 90.2cm)

US$15,000 - 20,000

Provenance Patricia Dixon Irrevocable Trust, Marquette, Michigan: Sold, Weschler’s, Washington, D.C., 13 May 2016, lot 269; Acquired from the above by the present owner.


COLLECTION OF ARTHUR WARREN KINCADE

19JULES CYRILLE CAVÉ (FRENCH, 1859-1940)Meditation signed ‘- J. CAVE -’ (lower left) oil on canvas 47 1/2 x 35 1/4in (120.7 x 89.5cm)

US$50,000 - 70,000

Provenance Collection of Arthur Warren Kincade, Wichita, Kansas; Thence by descent to the present owner. Jules-Cyrille Cavé was born in Paris in 1859. He studied under Tony Robert-Fleury (1837-1912), a painter of historical genre and Professor of the Académie Julian, joining the ranks of a generation of European and American artists influenced by its teachers, most notably the great Salon painter William-Adolphe Bouguereau (1825-1905). It was Bouguereau’s distinctive style that Cavé adopted and became a significant influence both stylistically and in terms of subject and treatment, throughout his artistic career. Cavé’s work gently lessened the concerns of modern life allowing his models to represent the simplicity of country life. There is a timelessness to Cavé’s compositions, the smooth brushwork removing the presence of the painter, creating a balance between the static form of the model and composition, combined with rich surface details, textures, and color. At the same time, the artist carefully models his figures, detailing the rough cloth of their costumes and their natural complexions. All of these aspects of the artist’s intentions, treatments and influences are clearly exemplified in the magnificent work Meditation. As such, Cavé’s work celebrates the real and the idealized, connected yet apart from the daily life of the nineteenth century. Cave found early success in 1886, being awarded a medal and becoming a member of the ‘Sociétaires des Artistes Français’ in 1887, winning further accolades, and bronze medals in 1889 and 1900. He painted portrait commissions, religious and allegorical subjects in the Salon tradition, young girls, genre scenes and still lives. Cave’s portraits of young girls and allegorical subjects were his most favored and desired and these compositions brought him great financial success. Through the early twentieth century, Cavé’s work was collected beyond his motherland, and his paintings could be found in collections throughout Europe, South America, and in prominent American collections.

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20JULIEN DUPRÉ (FRENCH, 1851-1910)A cow at pasture with a milkmaid in the distance signed ‘JULIEN DUPRE’ (lower right) oil on panel 9 1/4 x 13 5/8in (23.5 x 34.7cm)

US$4,000 - 6,000

Provenance Private collection, Northern California; Sale, Butterfield & Butterfield, San Francisco, 18 November 1999, lot 3253; Acquired from the above by the present owner.

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21HENRI JOSEPH HARPIGNIES (FRENCH, 1819-1916)Le ruisseau sous coucher du soleil signed and dated ‘hjharpignies. 79’ (lower left) oil on canvas 21 1/4 x 14 3/4in (54 x 37.5cm)

US$5,000 - 7,000

Provenance Sale, Bonhams, London, 22 September 2015, lot 146; Acquired from the above by the present owner.


22JEAN-FRANÇOIS MILLET (FRENCH, 1814-1875)Laitière normande (Norman milkmaid) signed ‘J.F. Millet’ (lower right) oil on canvas 13 x 10 1/8in (33 x 25.7cm)

US$250,000 - 350,000

Painted 1853-54. Provenance J. C. Runkle, New York by 1883; his sale, Chickering Hall, New York, 8 March 1883, lot 65 as A Water Carrier; John T. Martin, Brooklyn by 1887; his sale, American Art Association, New York, 15-16 April 1909, lot 82 as A Water Carrier; M. Knoedler & Co., New York; Edwin E. Jackson, New York, by 1913, thence by descent to Caroline Mather Jackson (Mrs. E. Jackson) and thence bequeathed to Jesse Boorum Bingham, 1922, thence by descent to Arthur W. Bingham Jr., New York, thence by descent to Mary D. Bingham, New York. Her estate sale, Christie’s, New York, 30 October 2002, lot 22. Acquired from the above by the present owner. Literature Private Collection of Mr. John T. Martin, New York, 1887, no. 90; A. Hoeber, The Barbizon Painters, New York, 1915, opp. p. 7 (illustrated); R. Herbert, “La laitière normande á Gréville de J.-F. Millet,” La Revue du Louvre et des Musées de France, February 1980, p. 20, (several references to Norman Milkmaid under discussion of Barber Institute version of painting). Exhibited New York, Wildenstein, Paintings from St. James’ Collectors, 1955. Passed down for generations into a New York family, the present work has not been seen by the public at large for nearly 90 years. A photograph of it published in 1915 was assumed to be of the almost identical version currently in the Barber Museum of Art (Birmingham, England) which caused confusion and conflation of the two works.

In her catalogue note from the 2002 sale, Alexandra Murphy suggested that Millet may have worked on both works simultaneously, as their similarity indicates. This work is one of the first in a long series of milkmaids, a subject that had fascinated Millet throughout his life and which offered him plenty of opportunities to pay homage to his beloved native Normandy. Lit from behind by a low moon that is casting a warm light over the entire scene, the milkmaid fills up the composition with her monumental figure, reminiscent of Greek caryatids. Balancing on her shoulder is a copper milk jug that is closed by a bunch of grasses, a custom typical for that region. The rising moon is suggestive of the long work day and the solitary return home after the chores of the day have been completed. Millet’s realist depiction of the Norman Milkmaid contrasts dramatically with the previous century’s whimsical representations of elegant milkmaids partaking in fête champêtres, unaware of the hardships of country living. By the 1840s, Millet sought to represent the true nature of hard country labor and that translated into several sketches of milkmaids that he eventually worked into finished oils over the following two decades. In 1874, Millet painted his last milkmaid, now in the Musée d’Orsay, in which he repeated the same posture and the same position of the outstretched arm, balancing the milk jug by a rope. In this work, the moon is missing and the light of day bathes the composition with a milky glow. Professor Robert Herbert, who wrote extensively on Millet’s milkmaid imagery, seems to have discovered the genesis of the theme in a watercolor from 1840. Unfortunately, he was unaware of the present work that was instrumental in starting an almost obsessive preoccupation with the imagery of the solitary female figure in a country landscape. Alexandra R. Murphy had confirmed the authenticity of this work for the 2002 sale.

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23JULES ALEXANDRE DUVAL-LECAMUS (FRENCH, 1814-1878)The evening ballad signed ‘Jles. Duval. L.C’ (lower left) oil on canvas 39 1/2 x 32in (100.3 x 81.3cm)

US$4,000 - 6,000

Provenance Sale, Christie’s, New York, 3 April 2002, lot 119; Acquired from the above by the present owner.

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24EUGENE-MARIE SALANSON (FRENCH, 1864-1892)Returning from the fish market signed and dated ‘E. Salanson. 1895’ (lower left) oil on canvas 40 1/8 x 28 1/8in (101.9 x 71.4cm)

US$5,000 - 7,000


25 WJEAN-LÉON GÉRÔME (FRENCH, 1824-1904)Sélène inscribed ‘GÉROME’ (on the base); stamped ‘Siot-Decauville Fondeur Paris’ and numbered ‘7399’ (on the base); inscribed with title in Greek (on the front) bronze with brown, black, and gold patina Height: 28in (71cm)

US$6,000 - 8,000

Executed circa 1890.

Literature Gerald M. Ackerman, Jean-Léon Gérôme, Paris, 2000, No. S.32, pp. 392-393, illustrated. This bust of the Moon Goddess Selene rarely appears at auction, with the last sale recorded in 1997. Gérôme featured the bronze in his 1892 painting Le travail du marbre, where it is seen sitting on a cabinet at center left of the composition.

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26ALFRED BOUCHER (FRENCH, 1850-1934)Au but signed ‘A. BOUCHER’ in the maquette and impressed with Siot Decauville foundry seal; numbered 145L bronze with dark brown patina 17 x 28in (43 x 71cm) on a 2 1/4in (6.5cm) black marble base

US$5,000 - 7,000

Alfred Boucher was a successful and influential sculptor during his lifetime. A mentor to Camille Claudel and a friend to Auguste Rodin, he was the connecting link between these two titans of French sculpture and their resulting tumultuous romance.

Au but was first exhibited at the Salon of 1886 where it won a first class medal and general acclaim. The state commissioned a life-size version, which Boucher exhibited at the 1887 Salon before placing it in the Luxembourg Gardens. The work was subsequently destroyed during the German occupation. The popularity of the work can be attributed to the fact that it was completed at a time when German archaeologists discovered Olympia and the thought of the recreation of the Olympic games was conceived. Due to its high popularity, Au but has been cast in various sizes by different foundries, such as Siot-Decauvile, Barbedienne and Susse.


27JEAN-BAPTISTE-CAMILLE COROT (FRENCH, 1796-1875)Environs d’Arras, borde de la Scarpe stamped with ‘Vente Corot’ red stamp (Lugt 460; lower right); stamped with ‘Vente Corot’ red wax seal (on reverse) oil on panel 12 1/2 x 16in (31.8 x 40.7cm)

US$80,000 - 120,000

Executed circa 1860-65. Provenance The artist’s studio; sale, Hôtel Drouout, Paris, 26-28 May 1875, lot. 125 (FF500); Galerie Durand-Ruel, Paris, by whom acquired at the above sale; John Levy Galleries, New York; Gertrude B. Oresman, New York; Sale, Christie’s, New York, 24 October 1990, lot 36; Sale, Christie’s, London, 27 June 2000, lot 126. Literature Alfred Robaut, L’Oeuvre de Corot, Paris, 1965, Vol. III, pp. 124-125, No. 1592, illustrated. Corot traveled frequently to Arras from 1851 on, often in the company of friends and fellow artists, such as his close friend Constant Dutilleux, who had family in Arras (Dutilleux would die of a stroke in 1865). Initially preferring solitude, Corot had taken up the habit of working in a group since his time in Italy. Records show that Corot had stayed in Arras in October 1859 but did not return for several years, indicating that he may have completed the present work from the many plein-air sketches he penned before.

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PROPERTY FROM A PRIVATE COLLECTION, SOUTHERN CALIFORNIA

28PAUL SEIGNAC (FRENCH, 1826-1904)Feeding the bird some berries signed ‘Seignac.’ (lower right) oil on canvas 22 x 18 1/2in (55.9 x 47cm)

US$3,000 - 5,000

Provenance Private collection, Southern California.

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29JULES-ALEX PATROUILLARD DEGRAVE (FRENCH, 1844-1932)First day of school signed ‘Degrave’ (lower left) oil on panel 15 7/8 x 12 1/2in (40.3 x 31.8cm)

US$3,000 - 5,000


30ADOLPHE WEISZ (FRENCH, 1838-CIRCA 1910)Watching the kittens signed and dated ‘Ad. Weisz 1868’ (lower left) oil on panel 16 1/2 x 11 1/2in (42 x 29cm)

US$4,000 - 6,000

Provenance Sale, Christie’s London, 17 March 1995, lot 36.

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31EMILE LEVY (FRENCH, 1826-1890)Children decorating garden statuary with garland signed and dated ‘Emile Lévy / 1869’ (lower left) oil on canvas 24 1/2 x 15 3/4in (62.2 x 40cm)

US$6,000 - 8,000

Provenance Jones Gallery, La Jolla, California; Private collection, Southern California.


32JEAN-BAPTISTE-CAMILLE COROT (FRENCH, 1796-1875)Luzancy, le chemin des bois signed ‘Corot’ (lower left) oil on canvas 13 1/2 x 9 1/2in (34.3 x 24cm)

US$50,000 - 70,000

Provenance M. Ferret, Paris; Allard et Noel, Paris, 1882; Aubin, Paris, 1882; Hollander at Cremetti, London, circa 1895; Galerie Le Roy, Brussels (no. 767); Mr. and Mrs. John Warner; Wildenstein and Co., Inc., New York; Salander-O’Reilly Galleries, Inc., New York; Sale, Sotheby’s, New York, 2 November 2001, lot 91; Acquired from the above by the present owner. Literature Alfred Robaut, L’Oeuvre de Corot, Paris, 1905, Vol. III, pp. 274-275, No. 2087 (illustrated). Painted in August 1872, the house depicted in the present work was known as La maison Petre, which belonged to Louis-Jean Marie Rémy, Corot’s old friend from his days in Jean-Victor Bertin’s studio. Corot visited the house frequently, even after his friend’s death in 1869. Despite his seventy-six years, Corot maintained a vigorous travel schedule, covering his usual routes during the summer of 1872, spending only only nine days in Luzancy, before heading to Argenteuil. Martin Dieterle confirmed the authenticity of this work in 1997.

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33 WAFTER WILLIAM ADOLPHE BOUGUEREAUL’amour au papillon alabaster Height: 35in (88.9cm)

US$10,000 - 15,000

Provenance Private collection, New York; Acquired from the above by the present owner, circa 2010. The present work is inspired by Bouguereau’s eponymous oil painting from 1883. Two other versions of this sculpture have been sold at auction in 2007, one in marble and the other in alabaster, each with differently styled bases.

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34 WDUCHOISELLE (FRENCH, 19TH CENTURY)Allegory of Fishing - A Native American Indian inscribed ‘Duchoiselle’ (on the canoe) bronze with brown patina Height: 24 1/2in (62.2cm); Width: 37in (94cm)

US$12,000 - 18,000

The present work was conceived as part of a set of sculptures depicting Native Americans as allegories of Fishing and Hunting, where the female figure is accompanied by a male figure wearing a head dress and carrying a bow. Duchoiselle’s life is largely unknown, except for his work on the ceilings of the Paris Opera Garnier and the Louvre, and his idealized figures of Native Americans, a subject that captivated the imagination of European artists at the end of the 19th century.


35 WALBERT BETTANNIER (FRENCH, 1851-1923)An auction at the Hôtel Drouot, Paris signed and dated ‘Alb. Bettannier. / 1921.’ (lower left) oil on canvas 32 x 39 1/2in (81.3 x 100.3cm)

US$12,000 - 18,000

Provenance Sale, Heritage Auctions, 10 December 2014, lot 69039; Acquired from the above by the present owner.

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36CHARLES GUSTAVE HOUSEZ (FRENCH, 1822-1880)La petite fille perdue dans Paris signed and dated ‘G. Housez / 1877’ (upper right) oil on canvas 23 x 18 1/2in (58.4 x 47cm)

US$6,000 - 8,000

Provenance Sale, Sotheby’s, New York, 1 November 1995, lot 304; Acquired from the above by the present owner.


37EDOUARD LOUIS DUBUFE (FRENCH, 1820-1883)Le denier de la veuve signed ‘Edouard Dubufe’ (lower left) oil on canvas laid down on masonite 22 1/4 x 17in (56.5 x 43.2cm)

US$8,000 - 12,000

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38JEHAN GEORGES VIBERT (FRENCH, 1840-1902)A visit to Figaro signed ‘J.G. Vibert’ (lower left) oil on panel 10 5/8 x 8 3/8in (27 x 21.3cm)

US$5,000 - 7,000

Provenance Peter A. Schemm, Philadelphia; Sale, American Art Association, “The Public Sale of the Peter A. Schemm Collection”, New York, 16 March 1911, lot 169; Caroline H. Sullivan, 1938; George D. Horst, Philadelphia; Sale, Freeman’s, Philadelphia, “the George D. Horst Collection of Fine Art”, 30 March 2014, lot 10.


39DELPHIN ENJOLRAS (FRENCH, 1857-1945)In the reading room signed ‘D Enjolras’ (lower right) oil on canvas 28 3/4 x 24in (73 x 61cm)

US$6,000 - 8,000

Provenance Private collection, Vienna, before 1969; Thence by descent to the present owner.

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40JULES BASTIEN-LEPAGE (FRENCH, 1848-1884)Sarah Bernhardt inscribed, signed and dated ‘A Sarah Bernhardt / J Bastien-Lepage 1879’ (upper left) watercolor and colored pencil on paper 11 x 8 1/2in (27.9 x 21.6cm)

US$6,000 - 8,000

Provenance Lillian Le Page, Jefferson City, Missouri (a relative of the artist); Thence by descent to the present owner. The present work is a study of the oil painting that Bastien-Lepage executed of the famous actress in 1879 and for which he won the Cross of the Legion of Honor. The painting is currently in the collection of the Legion of Honor Museum, San Francisco.


PROPERTY FROM THE JOYCE E. CURRAN TRUST

41 WCARL HERPFER (GERMAN, 1836-1897)The first born signed and inscribed ‘Carl Herpfer / Munchen’ (lower right) oil on canvas 51 x 36 1/4in (129.5 x 92.1cm)

US$15,000 - 20,000

Provenance Sigvald Thoresen, Chicago (since 1930); Thence by descent to the present owner. Born in 1836 in a town near Munich, Carl Herpfer studied at the Royal Academy of Art in Munich with Johann von Schraudolph and Karl von Piloty, among others. Despite being steeped in academic history painting through his teachers, Herpfer made a name for himself with elaborate genre scenes revolving around domestic events of the bourgeois society. Highly accurate in its depiction of the 19th century interior, Herpfer’s paintings are replete with silky fabrics in different colors, offering the viewer a feast for the eyes. In The first born, the viewer’s attention moves from the happy young couple and their baby to the charming still life on the small side table at left, to the luscious draperies of the bed, trying to absorb as much as possible the many details masterly conveyed by the artist. Every fabric fold and every reflection on a shiny surface is an artistic tour-de-force that Herpfer effortlessly executed. His facility with the medium and the charm of his subject matter earned Herpfer well-deserved fame throughout Germany and as far as New York.

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42CHARLES LOUIS BAUGNIET (BELGIAN, 1814-1886)The garland of flowers signed ‘L. Baugniet’ (lower right) oil on panel 31 3/8 x 41 7/8in (71.7 x 106.4cm)

US$25,000 - 35,000

Provenance Sale, Bonhams & Butterfields, 14 May 2003, lot 1068; Acquired from the above by the present owner.

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43 WJOHAN FRIEDRICH NAGEL (GERMAN, 1765-1825)Figures skating on a frozen lake signed ‘J Nagel’ (lower left) oil on canvas 36 1/4 x 48in (92.1 x 121.9cm)

US$8,000 - 12,000

Provenance Sale, Christie’s, New York, 22 April 2004, lot 23; Acquired from the above by the present owner.

54 | BONHAMS

44HENDRIK PIETER KOEKKOEK (DUTCH, 1843-1927)A landscape with a traveler on a path; and a companion painting (a pair) the first signed ‘H. P. Koekkoek’ (lower left); and the second signed ‘H. P. Koekkoek’ (lower center) both oil on canvas each 16 x 12in (40.7 x 30.5cm)

US$4,000 - 6,000


PROPERTY FROM THE JOHN PATRICK GARRETT COLLECTION

45BERNARD DE HOOG (DUTCH, 1867-1943)Dinner time signed ‘Bernard. De Hoog’ (lower right) oil on canvas 29 5/8 x 23 3/4in (75.3 x 60.3cm)

US$5,000 - 7,000

Provenance Nicholson’s Antiques, Laguna Beach, California; Private collection, Highland Park, Texas (acquired from the above, 1982); Thence by descent to the present owner.

56 | BONHAMS

COLLECTION OF ARTHUR WARREN KINCADE

46JOSSE IMPENS (BELGIAN, 1840-1905)Mother’s helper signed and dated ‘J. Impens 73’ (lower left) oil on panel 30 x 24in (76.2 x 61cm)

US$4,000 - 6,000

Provenance Collection of Arthur Warren Kincade, Wichita, Kansas; Thence by descent to the present owner.


47WILLEM KOEKKOEK (DUTCH, 1839-1895)A winter’s day signed ‘W Koekkoek’ (lower right) oil on canvas 17 1/4 x 23 1/2in (44 x 60cm)

US$6,000 - 8,000

Provenance Acquired in Amsterdam, circa 1930s; Thence by descent to the present owner.

58 | BONHAMS

48VILHELM KARL FERDINAND ARNESEN (DANISH, 1865-1948)Copenhagen Harbor signed and dated ‘Vilh Arnesen 1895’ (lower left) oil on canvas 19 x 28 1/4in (48.3 x 71.8cm)

US$4,000 - 6,000


PROPERTY FROM THE ESTATE OF DR. LILIAN MARCUS

49CARL VILHELM HOLSØE (DANISH, 1863-1935)A lady seated before a mirror in an interior signed ‘C. Holsöe’ (lower right) oil on panel 22 7/8 x 21 1/4in (58.2 x 54cm)

US$30,000 - 50,000

Provenance Private collection, Denmark circa 1950, Thence by descent to the present owner. Carl Vilhelm Holsøe, a talented Danish interior painter, was born in western Denmark and began his formal training in Copenhagen in 1882. It was during this time that he became acquainted with Vilhelm Hammershøi, a contemporary fellow artist and countryman. Their life-long friendship and association is evident in their influence on each other’s work. Holsøe painted landscapes and still lives but became known for realistic interior scenes, mainly of his own household and quite often using his wife, Emile Heise, as the sitter. The artist developed a genre of painting faithful to the tranquility and quiet beauty of the domestic home. The minimally furnished interior compositions often include a figure which is typically turned away from the viewer, with strategically placed objects that reflect Danish modernism of the time. These interior compositions evoked the sensibility of the Dutch masters of the 17th century which reveal a strong structural sense, precise vision and first-hand observation of the room and the light. In the present work, the focal point is an interior wherein a woman wearing a dark dress is seated before a table in front of a rectangular wall-hung trumeau mirror with two symmetrically hung framed works of art and a few placed tabletop objects which are reflected in the mirrored glass. The woman seems to be glancing through the white open doorway to her right into a sun-dappled tiled floor in an attached subdued pale hall. The solitary figure appears immersed in thoughtful contemplation demonstrating Holsøe’s mastery of timeless serenity created with sparse staging of beautiful mahogany furniture and simple decorations, studying the fall of light on all the objects, including the female figure who has become merely another decorative element within the security and peacefulness of the Danish home.

60 | BONHAMS

50HERMANUS WILLEM KOEKKOEK (DUTCH, 1867-1929)Hussars scouting on a forest path signed ‘HWKoekkoek.’ (lower left) oil on canvas 17 x 21in (43.2 x 53.4cm)

US$6,000 - 8,000

Provenance Eddie Quillan, Santa Barbara circa 1927 (possibly acquired directly from the artist); Thence by descent to the present owner.

62 | BONHAMS

51ADOLF SCHREYER (GERMAN, 1828-1899)The wool buyer signed ‘Ad. Schreyer’ (lower right) oil on canvas 18 x 21 1/2in (45.7 x 54.6cm)

US$5,000 - 7,000

Provenance Collection of John R. Thompson, Chicago, Illinois; Thence by descent to his great grandson, Tucson, Arizona. We are grateful to Dr. Christoph Andreas for confirming the authenticity of this work based on a photograph.

52No lot


53 WADOLF ALEXANDER DILLENS (BELGIAN, 1821-1877)The proposal signed ‘Adolf Dillens’ (lower right) oil on canvas 51 1/2 x 42 1/2in (130.8 x 108cm)

US$15,000 - 20,000

Provenance Private Collection, Malibu, California (acquired in Los Angeles circa 1990).

64 | BONHAMS

54CONRAD KIESEL (GERMAN, 1846-1921)In the study signed and indistinctly inscribed ‘C. Kiesel...’ (lower right) oil on canvas 18 x 14 1/2in (45.7 x 36.8cm)

US$4,000 - 6,000


55HANS AM ENDE (GERMAN, 1864-1918)Flusslandschaft signed ‘H. am Ende’ (lower left); titled (on the reverse) oil on board 15 1/4 x 21 1/4in (38.75 x 53.97cm)

US$5,000 - 7,000

Provenance Estate of Dr. W Bruhn; Private collection, California. Coming of age in the years after the 1870 Franco-Prussian war, Hans am Ende grew up in Trier as the son of a Pastor. With the help of a local benefactor he enrolled at the Munich Academy of Art, where he studied painting and printmaking. His first breakthrough as an artist occurred at the 1895 Munich exhibition, where he showed several large etchings. At that time he had founded an artist’s colony in Worpswede, near Bremen, together with Fritz Overbeck, Otto Modersohn and Heinrich Vogeler. The small, remote village offered abundant subject matter for Hans am Ende’s moody landscapes with low-hanging sky over verdant tree lines. The poet Reiner Maria Rilke befriended the group around 1900 and wrote short biographical essays on each of the colony’s members.

56No lot

66 | BONHAMS


57 WIMRE REVESZ (HUNGARIAN, 1859-1945)A family gathered to husk the harvest signed and dated ‘Revesz. I. Paris 1886’ (lower right) oil on panel 32 x 48 3/4in (81.3 x 123.8cm)

US$12,000 - 18,000

Provenance Private collection, Southern California.

68 | BONHAMS

58ISIDOR KAUFMANN (AUSTRIAN, 1854-1921)A portrait of a distinguished gentleman signed ‘Isidor Kaufmann’ (lower right) oil on canvas 13 1/2 x 11 1/8in (34.3 x 30.8cm)

US$4,000 - 6,000

Provenance Private collection, Vienna, 1954; Thence by descent to the present owner, Southern California.


59 WGEZA VASTAGH (HUNGARIAN, 1866-1919)A portrait of two children with their favorite dog in a flowering landscape signed and dated ‘Vastagh Geza / 1898’ (lower left) oil on canvas 56 x 75in (142.3 x 190.5cm)

US$30,000 - 50,000

Géza Vastagh was born on October 4th, 1866 into a family of artists and revolutionaries. His father, György Vastagh (1834-1922), was raised in the Hungarian city of Szeged, today known as the home of paprika, but better known in the nineteenth century as a key center for nationalist revolutionary action. Géza and his brother György the younger received their first art education from their father, but were sent to Munich in their mid-teens to study at the Academy of Fine Arts. Géza made his debut at the annual exhibition there in 1883 at the young age of seventeen. His debut painting was called Invitation to Fight (Aufforderung zum Kampf). That same year, he painted a traditional but sophisticated portrait of a girl, entitled Young Girl in a White Dress with a Blue Sash and a Rose. The carefully composed setting and props suggest that this was a commissioned portrait from a comfortable middle-class family. The above portrait of the children in a landscape was most likely and similarly a commissioned portrait of a family’s two children and their

favorite pet. In this large scale painting the siblings are composed in a landscape with the young lady seated in a white dress with a pink sash with a straw hat and parasol resting on the ground before her and her arm lovingly draped over the family dog. Her younger brother stands dressed in a mariner costume, holding a favorite toy and horse whip in a flowering meadow. Vastagh’s depiction of everyday life portraits were received with favorable notice and marked by a distinctive sentiment unlike other Hungarian artist’s more cold depictions in painting portraiture. Geza Vastagh traveled to Paris and exhibited portraiture. He returned again to Hungary and joined his father’s studio in Budapest in 1886 where he developed his sophisticated genre subjects influenced by his time in Paris. In 1890, after returning to Paris again, the artist began traveling to North Africa where he encountered an environment that was radically different both culturally and physically from Europe. It was there that he started to paint lions, an image that would come to dominate his oeuvre for the rest of his artistic life. Vastagh continued to develop in several areas, including genre painting, portraiture and wildlife. His work was popular in a variety of international art markets. Today, works of Vastagh are in the collections of the Hungarian National Gallery and the Museum of Hungarian Agriculture in Budapest.

70 | BONHAMS

60 WKORNEL SPANYIK (HUNGARIAN, BORN 1858)Orient Express (Honeymoon) signed and dated ‘Spanyik. C. M. 1904.’ (lower left) oil on canvas 41 3/4 x 49 1/2in (106.1 x 125.8cm)

US$5,000 - 7,000

Provenance Sale, Kieselbach Gallery and Auction House, 6 December 2002; lot 120.


61CHARLES WYNNE NICHOLLS (IRISH, 1831-1903)The soldier’s return signed ‘C. W. Nicholls’ (lower right) oil on canvas 28 x 36in (71.1 x 91.4cm)

US$10,000 - 15,000

Provenance Private collection, Madison, Wisconsin.

72 | BONHAMS

62FRANCIS SYDNEY MUSCHAMP (BRITISH, 1851-1929)A musical interlude signed ‘Sydney Muschamp’ (lower right) oil on canvas 16 x 24in (40 1/2 x 61cm)

US$3,000 - 5,000


63 WGEORGE GOODWIN KILBURNE, RI, RBA (BRITISH, 1839-1924)Her first ball signed ‘G.G.Kilburne’ (lower right) watercolor on paper 23 1/2 x 35 1/2in (59.7 x 90.2cm)

US$4,000 - 6,000

Provenance Waterhouse & Dodd, London; Private collection, Los Angeles, since 1998.

74 | BONHAMS

64LOUISE J. RAYNER (BRITISH, 1832-1924)High Street, Salisbury; and a companion work (a pair) one signed ‘Louise Rayner.’ (lower right) and inscribed as titled (on the reverse); the second signed ‘Louise Rayner’ (lower left) both watercolor on paper the first 12 1/2 x 8 3/4in (31.8 x 22.3cm); the second 11 1/4 x 6 3/4in (28.6 x 17.2cm)

US$4,000 - 6,000

Provenance Private collection, Santee, California.


65SIR EDWARD COLEY BURNE-JONES, BT., ARA, RWS (BRITISH, 1833-1898)A study for The Call of Perseus pencil, red crayon and white chalk on red paper 15.3/8 x 12.5/8in (39.00 x 32.00cm)

US$10,000 - 15,000

Provenance Sale, Christie’s, London, ‘Remaining Works of Sir Edward Burne-Jones, Bart., deceased’, 16-18 July 1898, lot 140; Michael Inchbald Ross; Sale, Sotheby’s, London, 19 October 1989, lot 427, where purchased by Maas Gallery, London; Thomas Williams Fine Art, London; Private collection. Exhibitited London, New Gallery, Works of Sir Edward Burne-Jones, 1888, no.51. Literature Newnes, Sir Edward Burne-Jones, n.d., illustrated, plate 32. The present work is a preparatory sketch for the first painting in the Perseus Series, commissioned in 1875 for the home of the British statesman, Arthur Balfour. Entitled The Call of Perseus, the painting depicts Perseus meeting the goddess Minerva who presents him with a sword and a mirror with which to defeat the gorgon Medusa. The series of ten cartoons were executed in gouache but never finished in oil due to the artist’s poor health. The complete series is currently hanging in the Baring Room at Southampton City Art Gallery.

76 | BONHAMS

66FREDERICK GOODALL, RA (BRITISH, 1822-1904)Goat herders in the Egyptian desert signed with monogram and dated ‘1884’ (lower right) oil on canvas 15 1/8 x 36 1/8in (38.4 x 91.8cm)

US$4,000 - 6,000

Provenance Sale, Christie’s East, New York, 30 April 2001, lot 20; Acquired from the above by the present owner.

78 | BONHAMS

67ALBERT LUDOVICI, JNR. (BRITISH, 1852-1932)The bad loser signed and dated ‘A. Ludovici. Jnr / 1876’ (lower left) oil on canvas 30 1/4 x 40 1/4in (76.8 x 102.3cm)

US$3,000 - 5,000


68 WWILLIAM DUFFIELD (BRITISH, 1816-1863)A still life of game signed and dated ‘W. Duffield. 1862’ (lower left) oil on canvas 32 x 50 1/4in (81.3 x 127.7cm)

US$5,000 - 7,000

Provenance Private collection, Coronado, California (acquired in Europe circa 1972).

80 | BONHAMS

69JOHN RATTENBURY SKEAPING R.A. (BRITISH, 1901-1980)Fighting stallions numbered, signed and dated ‘9/15 JOHN SKEAPING 99’ (on the base) bronze with brown patina Height: 13in (33cm); Width: 20in (50.8cm)

US$5,000 - 7,000

Provenance Private collection, Massachusetts (acquired in London, late 1970s). The son of artist parents, Skeaping was a precocious student, drawing assiduously from the age of seven. He completed his studies at the Royal Academy Schools with the gold medal and a travel scholarship to Italy. In 1925 he married the sculptor Barbara Hepworth, a marriage that produced one son and lasted until 1931. During the 1950s, Skeaping became a member of the Royal Academy and a professor at the Royal College of Art.

No animal was more central to Skeaping’s output than the horse. Perhaps his most celebrated work is the to-scale mahogany and pyinkado wood carving Horse (1933-34, Tate Gallery, London) which met with a rash of publicity upon its unveiling (dubbed by one paper as ‘The Beast of Bond Street’). His later race horse commissions display sheer mastery of the equine form. A keen rider, Skeaping was familiar with the various horse breeds and used to break horses and round up cattle in the Camargue, where he settled after 1959.


70MONTAGUE DAWSON (BRITISH, 1890-1973)Nelson’s last operation oil on panel (en grisaille) 12 1/2 x 17 3/4in (31.8 x 45.1cm)

US$4,000 - 6,000

Provenance Frost and Reed, Ltd., London; Tolford Galleries, Hubbard Woods, Illinois; Private collection of Eugene Heytow (acquired from the above circa 1975); Thence by descent to the present owner. A photo-certificate signed by Nyria M. Dawson, the artist’s daughter, confirming the authenticity of the work, is affixed to the reverse.

82 | BONHAMS

71MONTAGUE DAWSON (BRITISH, 1890-1973)A Merchant Navy incident; a ship goes down oil on canvasboard (en grisaille) 12 x 18 1/2in (30.5 x 47cm)

US$4,000 - 6,000

Provenance Frost and Reed, Ltd., London; Tolford Galleries, Hubbard Woods, Illinois; Private collection of Eugene Heytow (acquired from the above circa 1975); Thence by descent to the present owner. A photo-certificate signed by Nyria M. Dawson, the artist’s daughter, confirming the authenticity of the work, is affixed to the reverse.


We are honored to be offering the following eleven paintings from the Kelton Foundation of Santa Monica, California. Richard Kelton (1929-2019) spent over

forty years collecting nautical paintings by a variety of artists, such as Thomas Luny, Richard Paton and Peter Monamy.

In 1982, Mr. Kelton established the Kelton Foundation, whose primary activities involved ethnographic, scientific and artistic investigations of culture and the sea.

Since its inception, The Kelton Foundation sponsored over 30 expeditions to remote places in the world in support of scientific research and exploration. In addition, The Kelton Foundation promoted the stewardship, enhancement and understanding of maritime history through its collections of of maritime art, navigational instruments, China Trade goods, and Pacific tribal ethnographic materials. The Foundation used its collection to mount exhibits, extend objects and loan art to other institutions, and assist scholars in active research regarding topics pertinent to the collection themes.

The Foundation also has a virtual web museum called the The Blue World Web Museum at www.BlueWorldWebMuseum.org.

Property from the collection of the Kelton Foundation

PROPERTY FROM THE COLLECTION OF THE KELTON FOUNDATION

72 WTHOMAS WHITCOMBE (BRITISH, CIRCA 1752-1824)Action between Aigle & Sirene oil on canvas 24 x 36in (61 x 91.5cm) Painted circa 1808

US$12,000 - 18,000

Provenance Estate of Walter Beebe, Ireland; Sale, Christie’s, London, 1969, lot 120; Vallejo Gallery, Newport Beach, California; Acquired from the above 1992.

This painting is unusual in depicting ships engaged in battle while carrying full sails, including their studded sails. It was difficult to man the guns and set the full complement of sails. Full sail was needed here because the ships were engaged in a chase. Aigle (a 5th rate ship with 36 guns; under the command of Captain George Wolf) was part of a 5 ship British squadron blockading Lovient on March 22, 1808. They sighted two French frigates, Sirene (38 guns, Captain Duperre) and Italienne (40 guns, Captain H. Mequet) returning to Larient, France having landed troops in Martinique. The Aigle braved the French shore batteries on the Basse des Bretons to lead off the French frigates. She came close enough to the French ships to open fire. The Italienne abandoned her attempt to reach Lorient and bore up under the guns of Groix. The Aigle chased the Sirene and forced her to run aground on the Pointe des Chats, on the east corner of Ile de Groix. Since Sirene was protected by powerful shore batteries, the British squadron had to withdraw. The Aigle had 22 killed or wounded including severely wounded Captain Wolf. The Sirene was subsequently re-floated and reached Lorient safely. In 1853 the Aigle was connected to a coal hulk and finally sold to be broken up in 1870. The artist Thomas Whitcombe is known for documenting the naval actions of the French Revolutionary wars.



73 WTHOMAS LUNY (BRITISH, 1759-1837)The East Indiaman General Goddard with the Dutch fleet signed and dated ‘T. Luny. 1800.’ (lower right) oil on canvas 46 1/4 x 72 1/2in (117.5 x 184.2cm)

US$40,000 - 60,000

Provenance Presented to Robert Brooke, Governor of St. Helena, for his assistance during this action; Sale, Sotheby’s, London, 3 November 1987; Acquired from the above by the present owner. The East Indiaman General Goddard, commanded by Captain Money, passing along the Dutch Commodore’s line, June 14th 1795. This action took place south of St. Helena when Captain Money, who was returning in his ship from India, heard of a Dutch squadron approaching. Napoleon’s invasion of Holland made the squadron fair game. He outfitted his ship and others in St. Helena as warships and captured the rich prizes. In the endeavor he was assisted by the Governor of St. Helena, Robert Brooke, to whom this painting was given, and who had a distinguished career in India with the East India Company. Thomas Luny was born in Cornwall and raised in London. At the age of 11 he became apprenticed to marine painter Francis Holman (fl. 1729-1784) for whom he remained as apprentice to for nearly 10 years. The artist began traveling in 1777 and his first exhibited painting that year at the Royal Academy was titled A distant view of Maideira and Porto Santo. Luny exhibited 29 paintings at the Royal Academy between 1780-1802.

86 | BONHAMS


74 WPETER MONAMY (LONDON 1681-1749) The English Royal Yacht Mary II off Shepley Isle signed ‘P. Monamy pnx’ (lower left) oil on canvas 28 x 36in (71.2 x 91.4cm) Painted circa 1720

US$10,000 - 15,000

Provenance Sale, Phillips, London, Early British and Victorian Paintings, 18 June 1996; Acquired from the above by the present owner.

88 | BONHAMS


75THOMAS LUNY (BRITISH, 1759-1837)The H.M.S. Pearl off the Faro Beacon, Messina signed and dated ‘Luny 1828’ (lower left) oil on panel 11 3/4 x 16in (29.9 x 40.7cm)

US$3,000 - 5,000

Provenance Sale, Skinner Auctioneers, Boston, 24 February 2002; Acquired from the above by the present owner.



76 WRICHARD PATON (LONDON 1717-1791)The battle off Lagos, August 18, 1759 oil on canvas 29 3/4 x 46 1/4in (75.6 x 117.5cm) Painted circa 1760

US$20,000 - 30,000

Provenance Sale, Sotheby’s, London, 3 December 1986; Acquired from the above by the present owner. Admiral Sir Edward Boscawen’s defeat of the French fleet under Jean-François de La Clue-Sabran off Lagos on August 18th, 1759. La Clue was attempting to evade Boscawen and bring the French Mediterranean fleet into the Atlantic, avoiding battle if possible; he was then under orders to sail for the West Indies. Boscawen was under orders to prevent a French breakout into the Atlantic, and to pursue and fight the French if they did. During the evening of August 17th the French fleet successfully passed through the Strait of Gibraltar, but was sighted by a British ship shortly after it entered the Atlantic. The British fleet was in nearby Gibraltar, undergoing a major refit. It left port amidst great confusion, most ships not having their refurbishments completed, with many delayed and sailing in a second squadron. Aware that he was being pursued, La Clue altered his plan and changed course; half of his ships failed to follow him in the dark, but the British followed. The British caught up with the French on the 18th and fierce fighting ensued, during which several ships were badly damaged and one French ship was captured. The British, who greatly outnumbered the remaining six French ships, pursued them through the night of August 18th and 19th; during which a further two French ships made their escape. On the 19th the remnants of the French fleet attempted to shelter in neutral Portuguese waters near Lagos, but Boscawen violated that neutrality, capturing a further two French ships and destroying the other two.

90 | BONHAMS


77 WROBERT DODD (BRITISH, 1748-1816)The battle of Malacca Straits oil on canvas 32 3/4 x 57in (83.2 x 144.9cm) Painted in 1804

US$12,000 - 18,000

Provenance Sale, Sotheby’s, London, Marine Paintings, 6 March 1986; Acquired from the above by the present owner.

The painting depicts the Commodore Dance’s action with the Comte de Linois in the straits of Malacca, February 15, 1804. Rear Admiral Linois’s squadron, consisting of the 74 gun Marengo, 40 gun frigate Belle poule, 36 gun frigate Semillante, the corvette Beceau and the brig Aventurier, were discovered off Pulo Auro on the 14th of February. Captain Dance, who was a senior captain, hoisted a commander’s broad pennant, directed the Alfred, Royal George, Bombay Castle and Hope to confront the French, who had sailed from Batavia to intercept the richly laden China Fleet. The two commanders sized each other up for the best part of a day before the British outmaneuvered the French and engaged them. After the action had lasted about 43 minutes, the Marengo and consorts ceased firing, hauled to the wind and made away. Although Dance ordered the chase without much prospect of success, the action successfully scared the French admiral away from potentially rich prize, which he might otherwise have captured.

92 | BONHAMS


78JOHN LYNN (BRITISH, FL. 1826-1845)The Royal Yacht visiting the Isle of Wright signed and dated ‘J. Lynn. / 1845’ (lower left) oil on canvas 18 3/4 x 27 1/2in (47.6 x 69.8cm)

US$5,000 - 7,000

Provenance Sale, Phillips, London, Early British and Victorian Paintings, 18 June 1986; Acquired from the above by the present owner.



79WILLIAM HOWARD YORKE (BRITISH/AMERICAN, 1847-1921)Bark Shenandoah at sea signed and dated ‘W. H. YORKE / 1894’ (lower left) oil on canvas 20 1/4 x 30in (51.4 x 76.2cm)

US$4,000 - 6,000

Provenance Sale, Christie’s, New York, Maritime Sale, 31 July 01, lot 157; Acquired from the above by the present owner.

94 | BONHAMS


80ATTRIBUTED TO TOMMASO DE SIMONE (ITALIAN, 19TH CENTURY)Brig Ephratah of Port Madoc entering Naples inscribed and dated ‘BRIG “EPHRATAH” Pt MADOC ENTERING BAY OF NAPLES 22 JUNE 1875 GRIFFITH JONES MASTER’ (lower center) oil on canvas 19 1/2 x 30in (49.5 x 76.2cm)

US$3,000 - 5,000

Provenance Possible sale, Sotheby’s, London, 6 March 1986; Acquired from the above by the present owner.



81WILLIAM HOWARD YORKE (BRITISH/AMERICAN, 1847-1921)Zephyr in a gale signed and dated ‘W. H. YORKE. / Lpool 1877.’ (lower left) oil on canvas 20 1/4 x 30in (51.4 x 76.2cm)

US$3,000 - 5,000

Provenance Sale, Christie’s East, Maritime Sale, 17 February 1999, lot 315; Acquired from the above by the present owner.

96 | BONHAMS


82NICHOLAS CHEVALIER (RUSSIAN/SWISS, 1828-1902)The paddle steamer Honam off the coast of China signed with initials and dated ‘N.C. / CANTON. / 1890’ (lower left) oil on canvas 18 x 23in (45.7 x 58.4cm)

US$4,000 - 6,000



83EDOUARD LÉON CORTÈS (FRENCH, 1882-1969)Place de la République signed ‘Edouard Cortés.’ (lower right); inscribed with Arnot number ‘7738’ and stamped with copyright statement (on the reverse) oil on canvas 13 x 18in (33 x 45.7cm)

US$15,000 - 20,000

98 | BONHAMS


84EDOUARD LÉON CORTÈS (FRENCH, 1882-1969)Notre Dame signed ‘Edouard Cortés.’ (lower left); stamped with Arnot number ‘7394’ and with copyright statement (on the reverse) oil on canvas 13 x 18in (33 x 45.7cm)

US$15,000 - 20,000


PROPERTY FROM A PRIVATE COLLECTION, PEBBLE BEACH, CALIFORNIA

85EUGÈNE GALIEN-LALOUE (FRENCH, 1854-1941)Marché aux fleurs à la Madeleine signed ‘E Galien-Laloue’ (lower left) watercolor and gouache on board 6 1/2 x 9 1/2in (16.5 x 24.1cm)

US$4,000 - 6,000

Executed circa 1930. Provenance New Renaissance Gallery, Inc., La Jolla, California; Acquired by the present owner, 19 May 1989. We are grateful to Noé Willer for confirming the authenticity of this work based on a high resolution photograph.

100 | BONHAMS


86ANTOINE BLANCHARD (FRENCH, 1910-1988)Porte St. Denis signed ‘Antoine. Blanchard.’ (lower right); inscribed and titled ‘A. Blanchard. / Paris / PORTE ST MARTIN’ (on the reverse) oil on canvas 13 x 18in (33 x 45.7cm)

US$4,000 - 6,000

Provenance Catchpenny Art Gallery, Tarzana, California; Acquired from the above by the present owner, 25 September 1987.

The work has been erroneously titled on the reverse as Porte St. Martin in another hand. We are grateful to Rehs Galleries for confirming the authenticity of the present work, which will be included in the Antoine Blanchard Virtual Checklist (www.antoineblanchard.org) under the number PSDBBN1318.0008. A certificate of authenticity is accompanying the work.



87ANTOINE BLANCHARD (FRENCH, 1910-1988)Rue Royale signed ‘Antoine. Blanchard.’ (lower right); inscribed and titled ‘A. Blanchard / Paris / RUE ROYALE.’ (on the reverse) oil on canvas 13 x 18in (33 x 45.7cm)

US$4,000 - 6,000

Provenance Lars Laine Gallery, Palm Springs, California; Acquired from the above by the present owner, 10 November 1984. We are grateful to Rehs Galleries for confirming the authenticity of the present work, which will be included in the Antoine Blanchard Virtual Checklist (www.antoineblanchard.org) under the number MDRR1318.0015. A certificate of authenticity is accompanying the work.

102 | BONHAMS

88MARCEL DYF (1899-1985)Au bord de la rivière de Beynes, Ile de France signed ‘Dyf’ (lower right) oil on canvas 23 5/8 x 28 5/8 in (60 x 72.7 cm)

US$6,000 - 8,000

Painted circa 1977. Provenance Frost & Reed, London; Private collection, New York (acquired from the above, 1980s); Thence by descent to the present owner. We are grateful to Claudine Dyf for kindly confirming the authenticity of this work based on a high resolution photograph.


89CONSTANTINE KLUGE (FRENCH, 1912-2003)Boulevard Haussmann signed ‘C. Kluge-’ (lower right) oil on canvas 21 1/2 x 28 3/4in (54.6 x 73.1cm)

US$4,000 - 6,000

Provenance Frost & Reed, London; Private collection, Southern California, acquired from the above circa 1985; Thence by descent to the present owner.

104 | BONHAMS

Index

am Ende, Hans ................................................................................55Andreotti, Federico ..........................................................................11Arnesen, Vilhelm Karl Ferdinand ......................................................48Barrias, Louis Ernest ........................................................................14Bastien-Lepage, Jules .....................................................................40Baugniet, Charles Louis ...................................................................42Becat, Paul-Emile ............................................................................13Bettannier, Albert .............................................................................35Blanchard, Antoine ....................................................................86, 87Boucher, Alfred ................................................................................26Bouguereau, After William Adolphe ..................................................33Bourgeois, Charles Arthur ................................................................15Boutibonne, Charles Edouard ..........................................................16Burne-Jones, Bt.,, Sir Edward Coley ...............................................65Cavé, Jules Cyrille ...........................................................................19Chevalier, Nicholas ..........................................................................82Clemente y Perez, Salvador ...............................................................3Corot, Jean-Baptiste-Camille .....................................................27, 32Corsi, Santi ........................................................................................5Cortès, Edouard Léon ...............................................................83, 84Dawson, Montague ...................................................................70, 71De Hoog, Bernard ...........................................................................45de Simone, Attributed to Tommaso .................................................80Degrave, Jules-Alex Patrouillard .......................................................29Detti, Cesare Auguste ........................................................................9Dillens, Adolf Alexander ...................................................................53Dodd, Robert ..................................................................................77Dubufe, Edouard Louis ....................................................................37Duchoiselle ......................................................................................34Duffield, William ...............................................................................68Dupré, Julien ...................................................................................20Duval-Lecamus, Jules Alexandre .....................................................23Dyf, Marcel ......................................................................................88Enjolras, Delphin ..............................................................................39Fabbi, Fabio ....................................................................................10Falero, Luis Ricardo ...........................................................................8Galien-Laloue, Eugène .....................................................................85Gerard, Gaston ................................................................................12Gérôme, Jean-Léon ........................................................................25Goodall, Frederick ...........................................................................66Harpignies, Henri Joseph .................................................................21Herpfer, Carl ....................................................................................41

Hippolyte-Lucas, Marie Félix ............................................................18Holsøe, Carl Vilhelm .........................................................................49Housez, Charles Gustave ................................................................36Impens, Josse .................................................................................46Italian School .....................................................................................4Jongkind, Johan Barthold ................................................................56Kaufmann, Isidor .............................................................................58Kiesel, Conrad .................................................................................54Kilburne, George Goodwin ..............................................................63Kluge, Constantine ..........................................................................89Koekkoek, Hendrik Pieter ................................................................44Koekkoek, Hermanus Willem ...........................................................50Koekkoek, Willem ............................................................................47Kruseman, Fredrik Marinus ..............................................................52Lemeunier, Basile ............................................................................17Levy, Emile ......................................................................................31Ludovici, Jnr., Albert ........................................................................67Luny, Thomas ............................................................................73, 75Lynn, John .......................................................................................78Magni, Giuseppe ...............................................................................1Millet, Jean-François ........................................................................22Monamy, Peter ................................................................................74Muschamp, Francis Sydney .............................................................62Nagel, Johan Friedrich .....................................................................43Nicholls, Charles Wynne ..................................................................61Paton, Richard .................................................................................76Rayner, Louise J. .............................................................................64Reggianini, Vittorio .............................................................................7Renazzi, Eugen von ...........................................................................6Revesz, Imre ....................................................................................57Salanson, Eugene-Marie ..................................................................24Schreyer, Adolf ................................................................................51Seignac, Paul ..................................................................................28Skeaping, John Rattenbury .............................................................69Spanyik, Kornel ...............................................................................60Vastagh, Geza .................................................................................59Vibert, Jehan Georges .....................................................................38Weisz, Adolphe ................................................................................30Whitcombe, Thomas .......................................................................72Yorke, William Howard ...............................................................79, 81Zampighi, Eugenio .............................................................................2

GLOSSARY

TYPICAL HEADINGS USED IN THE CATALOGThe following are examples of the terminology used in the catalog. While every reasonable effort has been made to ensure that the statements made in the catalog are correct, all statements and terms in this catalog are subject to the provisions of the Conditions of Sale and the Galleries and Consignors make no warranties or representations with respect to any lot.

Unless specifically illustrated and noted, fine art frames are not included in the estimate or purchase price. Bonhams accepts no liability for damage or loss to frames during storage or shipment.

AUTHORSHIP(ARTIST)This is our highest category of authenticity and, as such, indicates that the work, in our best judgment, is by the named artist. (No unqualified statement as to authorship is made or intended.)

ATTRIBUTED TO (ARTIST)In our best judgment a work of the period and in the style of the artist; may be the work of the artist, in whole or in part, but less certainty of authorship than in the preceding category.

STUDIO OF (ARTIST)In our best judgment a work by an unknown hand working in the artist’s studio.

CIRCLE OF (ARTIST)In our best judgment a work of the period of the artist and closely related to the artist’s style.

FOLLOWER OF (ARTIST)In our best judgment a work by an artist working in the artist’s style, in his lifetime or shortly thereafter.

MANNER OF (ARTIST)In our best judgment a work in the style of the artist, possibly of a later date.

AFTER (ARTIST)In our best judgment a copy of the known work by the artist.

TITLEIf there is a generally accepted title of the lot, that title is given at the beginning of the description. If the work does not have a title or the title is not known to us, a descriptive title is given.

SIGNATURESIGNEDThe signature is, in our opinion, the signature of the artist.

BEARS SIGNATUREHas a signature which, in our opinion, might be the signature of the artist.The signature, inscriptions and dates are transcribed in print as they appear.

CONDITIONSNo statement is implied or intended regarding the imperfections or general condition of a work. If you have questions on the condition of a work, the appropriate department would be glad to provide its opinion, but all works are sold as viewed.

Bonhams and the Seller assume no risk or responsibility for the authenticity of authorship of lots executed before 1870.

Unless specifically illustrated and noted, fine art frames are not included in the estimate or purchase price. Bonhams accepts no liability for damage or loss to frames during storage or shipment. Pictures are framed unless otherwise stated.

Dimensions are given height before width.

The following Conditions of Sale, as amended by any published or posted notices or verbal announcements during the sale, constitute the entire terms and conditions on which property listed in the catalog shall be offered for sale or sold by Bonhams & Butterfields Auctioneers Corp. and any consignor of such property for whom Bonhams acts as agent. By participating in this sale, you agree to be bound by these terms and conditions.

If live online bidding is available for the subject auction, additional terms and conditions of sale relating to online bidding will apply; see www.bonhams.com/WebTerms for the supplemental terms. As used herein, “Bonhams,” “we” and “us” refer to Bonhams & Butterfields Auctioneers Corp.

1. As used herein, the term “bid price” means the price at which a lot is successfully knocked down to the buyer. The term “purchase price” means the aggregate of (a) the bid price, (b) a PREMIUM retained by us and payable by the buyer (the “buyer’s premium”), EQUAL TO 27.5% OF THE FIRST $3,000 OF THE BID PRICE, 25% OF THE AMOUNT OF THE BID PRICE ABOVE $3,000 UP TO AND INCLUDING $400,000, 20% OF THE AMOUNT OF THE BID PRICE ABOVE $400,000 UP TO AND INCLUDING $4,000,000, AND 13.9% OF THE AMOUNT OF THE BID PRICE OVER $4,000,000, and (c) unless the buyer is exempt by law from the payment thereof, any Alabama, Arizona, California, Colorado, Connecticut, Florida, Georgia, Hawaii, Idaho, Illinois, Iowa, Indiana, Kentucky, Louisiana, Maine, Massachusetts, Michigan, Minnesota, Nevada, New Jersey, New York, North Carolina, Ohio, Pennsylvania, Rhode Island, Texas, Utah, Virginia, Washington, D.C., Washington , Wisconsin, Wyoming or other state or local sales tax (or compensating use tax) and other applicable taxes. With regard to New York sales tax, please refer to the “Sales and Use Tax” section of these Conditions of Sale.

2. In order to bid at the sale, prospective bidders must submit to Bonhams a completed bidder registration form (appearing at the end of this catalog) and any other requested information or references. New bidders and bidders who have not recently updated their registration information must pre-register to bid at least two business days before the sale. Individuals will be required to provide government-issued proof of identity and proof of address. Entity clients will be required to provide documentation including confirmation of entity registration showing the registered name, confirmation of registered address, documentary proof of officers and beneficial owners, proof of authority to transact on behalf of the entity and government-issued proof of identity for the individual who is transacting on the entity’s behalf.

We may also request a financial reference and /or deposit from bidders before approving the bidder registration. In the event a deposit is submitted and you are not the successful bidder, your deposit will be returned to you. If you are the successful bidder, any such deposit will be credited to offset the appropriate portion of the purchase price.

We reserve the right to request further information, including regarding the source of funds, in order to complete bidder identification and registration procedures (including completing any anti-money laundering and/or anti-terrorism financing checks we may require) to our satisfaction. If our bidder identification and registration procedures are not satisfied, we may, in our sole discretion, decline to register any bidder or reject any bid or cancel any sale to such bidder.

Every bidder shall be deemed to act as a principal unless prior to the commencement of the sale there is a written acceptance by Bonhams of a bidder registration form completed and signed by the principal which clearly states that the authorized bidding agent is acting on behalf of the named principal. Absent such written acceptance by Bonhams, any person placing a bid as agent on behalf of another (whether or not such person has disclosed that fact or the identity of the principal) may be jointly and severally liable with the principal under any contract resulting from the acceptance of a bid. Every bidder shall be responsible for

any use of its assigned paddle or bidding account, regardless of the circumstances.

3. You represent and warrant that: (i) you have provided us with true and correct copies of valid identification and proof of residence and, if applicable, financial and/or corporate documents; (ii) neither you, your principal (if applicable, and subject to Bonhams’ prior written acceptance pursuant to paragraph 2 above), nor any individual or entity with a beneficial or ownership interest in either or in the purchase transaction is on the Specially Designated Nationals List maintained by the Office of Foreign Assets Control of the U.S. Department of the Treasury nor subject to any other sanctions or embargo program or regulation in effect in the United States, European Union, England and Wales, or other applicable jurisdictions; (iii) if you are acting as an agent for a principal, you have conducted appropriate due diligence into such principal, and agree that Bonhams shall be entitled to rely upon such due diligence, you will retain adequate records evidencing such due diligence for a period of five (5) years following the consummation of the sale, and will make these records available for inspection upon Bonhams’ request; (vi) neither the purchase transaction (including your bidding activity) nor the purchase funds are connected with nor derive from any criminal activity, and they are not designed to nor have they or shall they, violate the banking, anti-money laundering, or currency transfer laws or other regulations (including without limitation, import-export laws) of any country or jurisdiction, or further any other unlawful purpose, including without limitation collusion, anti-competitive activity, tax evasion or tax fraud.

You acknowledge and agree that we may rely upon the accuracy and completeness of the foregoing warranties.

4. On the fall of the auctioneer’s hammer, the highest bidder shall have purchased the offered lot in accordance and subject to compliance with all of the conditions set forth herein and (a) assumes full risk and responsibility therefor, (b) if requested will sign a confirmation of purchase, and (c) will pay the purchase price in full or such part as we may require for all lots purchased. No lot may be transferred.

Unless otherwise agreed, payment in good, cleared funds is due and payable within five (5) business days following the auction sale. Whenever the buyer pays only a part of the total purchase price for one or more lots purchased, we may apply such payments, in our sole discretion, to the lot or lots we choose. Payment will not be deemed made in full until we have received good, cleared funds for all amounts due. Title in any purchased property will not pass until full and final payment has been received by Bonhams. Accounts must be settled in full before property is released to the buyer. In the event property is released earlier, such release will not affect the passing of title or the buyer’s obligation to timely remit full payment.

We reserve the right to refuse to accept payment from a source other than the registered bidder or buyer of record. Once an invoice is issued, we cannot change the buyer’s name on an invoice.

Payment for purchases must be made in the currency in which the sale is conducted and may be made in or by (a) cash, up to the amount of US $5,000 (whether by single or multiple related payments), or the equivalent in the currency in which the sale is conducted, (b) cashier’s check or money order, (c) personal check with approved credit drawn on a U.S. bank, (d) wire transfer or other immediate bank transfer, or (e) Visa, MasterCard, American Express or Discover credit, charge or debit card, provided that the registered bidder or buyer’s name is printed on the card. A processing fee will be assessed on any returned checks.

To the fullest extent permitted by applicable law, the buyer grants us a security interest in the property, and we may retain as collateral security for the buyer’s obligations to us, any property and all monies held or received by us for the account of the buyer, in our possession. We also retain all rights of a secured party under the California Commercial

Code, and you agree that we may file financing statements without your signature. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to all other remedies available to us and the consignor by law, we may at our election: (a) hold the buyer liable for the full purchase price and any late charges, collection costs, attorneys’ fees and costs, expenses and incidental damages incurred by us or the consignor arising out of the buyer’s breach; (b) cancel the sale, retaining as liquidated damages all payments made by the buyer; and/or (c) cancel the sale and/or resell the purchased property, at public auction and/or by private sale, and in such event the buyer shall be liable for the payment of all consequential damages, including any deficiencies or monetary losses, and all costs and expenses of such sale or sales, our commissions at our standard rates, all other charges due hereunder, all late charges, collection costs, attorneys’ fees and costs, expenses and incidental damages. In addition, where two or more amounts are owed in respect of different transactions by the buyer to us, to Bonhams 1793 Limited and/or to any of our other affiliates, subsidiaries or parent companies worldwide within the Bonhams Group, we reserve the right to apply any monies paid in respect of a transaction to discharge any amount owed by the buyer. If all fees, commissions, premiums, bid prices and other sums due to us from the buyer are not paid promptly as provided in these Conditions of Sale, we reserve the right to impose a finance charge equal to 1.5% per month (or, if lower, the maximum nonusurious rate of interest permitted by applicable law), on all amounts due to us beginning on the 31st day following the sale until payment is received, in addition to other remedies available to us by law.

5. We reserve the right to withdraw any property and to divide and combine lots at any time before such property’s auction. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalog and no lots shall be divided or combined for sale.

6. We reserve the right to reject a bid from any bidder, to split any bidding increment, and to advance the bidding in any manner the auctioneer may decide. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder, re-open the bidding, or to cancel the sale and re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects.

We further reserve the right to cancel the sale of any property if (i) you are in breach of your representations and warranties as set forth in paragraph 3 above; (ii) we, in our sole discretion, determine that such transaction might be unlawful or might subject Bonhams or the consignor to any liability to any third party; or (iii) there are any other grounds for cancellation under these Conditions of Sale.

7. If we are prevented by fire, theft or any other reason whatsoever from delivering any property to the buyer or a sale otherwise cannot be completed, our liability shall be limited to the sum actually paid therefor by the buyer and shall in no event include any compensatory, incidental or consequential damages.

8. All lots in the catalog are offered subject to a reserve unless otherwise indicated in the catalog. The reserve is the confidential minimum bid price at which such lot will be sold and it does not to exceed the low estimate value for the lot. If a lot is offered subject to a reserve, we may implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If we have an interest in an offered lot and the proceeds therefrom other than our commissions, we may bid up to the reserve to protect such interest. If the auctioneer determines that any opening or subsequent bid is below the reserve for a lot, (s)he may reject such opening bid and withdraw the item from sale. CONSIGNORS ARE NOT ALLOWED TO BID ON THEIR OWN ITEMS.

Conditions of sale

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Conditions of sale - continued9. Other than as provided in the Limited Right of Rescission with respect to identification of authorship, all property is sold “AS IS” and any statements contained in the catalog or in any advertisement, bill of sale, announcement, condition report, invoice or elsewhere as to period, culture, source, origin, media, measurements, size, quality, rarity, provenance, importance, exhibition and literature of historical relevance, merchantability, fitness for a particular purpose, or physical condition ARE QUALIFIED STATEMENTS OF OPINION AND NOT REPRESENTATIONS, WARRANTIES, OR ASSUMPTION OF LIABILITY. Neither Bonhams nor the consignor shall be responsible for any error or omission in the catalog description of any property. No employee or agent of Bonhams is authorized to make on our behalf or on that of the consignor any representation or warranty, oral or written, with respect to any property.

10. All purchased property shall be removed from the premises at which the sale is conducted by the date(s) and time(s) set forth in the “Buyer’s Guide” portion of this catalog. If not so removed, daily storage fees will be payable to us by the buyer as set forth therein. We reserve the right to transfer property not so removed to an offsite warehouse at the buyer’s risk and expense, as set forth in more detail in the “Buyer’s Guide.” Packing and handling of purchased lots are the responsibility of the buyer and at the buyer’s entire risk, as are the identification, application for, and cost(s) of obtaining of any necessary export, import, restricted material (e.g. endangered species) or other permit for such lots.

For an additional fee, Bonhams may provide packing and shipping services for certain items as noted in the “Buyer’s Guide” section of the catalog.

11. The copyright in the text of the catalog and the photographs, digital images and illustrations of lots in the catalog belong to Bonhams or our licensors. You will not reproduce or permit anyone else to reproduce such text, photographs, digital images or illustrations without our prior written consent. Bonhams and the consignor make no representation or warranty as to whether the buyer acquires any copyrights on the purchase of an item of Property.

12. Bonhams may, in our discretion, as a courtesy and free of charge, execute bids on your behalf if so instructed by you, provided that neither Bonhams nor our employees or agents will be liable for any error or default (whether human or otherwise) in doing so or for failing to do so. Without limiting the foregoing, Bonhams (including our agents and employees) shall not be responsible for any problem relating to telephone, online, or other bids submitted remotely through any means, including without limitation, any telecommunications or internet fault or failure, or breakdown or problems with any devices or online platforms, including third-party online platforms, regardless of whether such issue arises with our, your, or such third-party’s technology, equipment, or connection. By participating at auction by telephone or online, bidders expressly consent to the recording of their bidding sessions and related communications with Bonhams and our employees and agents, and acknowledge their acceptance of these Conditions of Sale as well as any additional terms and conditions applicable to any such bidding platform or technology.

13. These Conditions of Sale shall bind the successors and assigns of all bidders and buyers and inure to the benefit of our successors and assigns. No waiver, amendment or modification of the terms hereof (other than posted notices or oral announcements during the sale) shall bind us unless specifically stated in writing and signed by us. No act or omission of Bonhams, its employees or agents, nor any failure thereof to exercise any remedy hereunder, shall operate or be deemed to operate as a waiver of Bonhams’ rights under these Conditions of Sale. If any part of these Conditions of Sale is for any reason invalid or unenforceable, the rest shall remain valid and enforceable.

14. These Conditions of Sale and the buyer’s and our respective rights and obligations hereunder shall be governed

by and construed and enforced in accordance with the laws of the State of California. Any dispute, controversy or claim arising out of or relating to this agreement, or the breach, termination or validity thereof, brought by or against Bonhams (but not including claims brought against the consignor by the buyer of lots consigned hereunder) shall be resolved by the procedures set forth below.

15. You accept and agree that Bonhams will hold and process your personal information and may share and use it as required by law and as described in, and in line with Bonhams’ Privacy Policy, available at website at www.bonhams.com/legals/. If you desire access, update, or restriction to the use of your personal information, please email [email protected].

SALES AND USE TAX

New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property collected or delivered in New York State, regardless of the state or country in which the buyer resides or does business. Buyers who make direct arrangements for collection by a shipper who is considered a “private” or “contract” carrier by the New York Department of Taxation and Finance will be charged New York sales tax, regardless of the destination of the property. Property collected for delivery to a destination outside of New York by a shipper who is considered a “common carrier” by the New York Department of Taxation and Finance (e.g. United States Postal Service, United Parcel Service, and FedEx) is not subject to New York sales tax, but if it is delivered into any state in which Bonhams is registered or otherwise conducts business sufficient to establish a nexus, Bonhams may be required by law to collect and remit the appropriate sales tax in effect in such state. Property collected for delivery outside of the United States by a freight-forwarder who is registered with the Transportation Security Administration (“TSA”) is not subject to New York sales tax.

MEDIATION AND ARBITRATION PROCEDURES

(a) Within 30 days of written notice that there is a dispute, the parties or their authorized and empowered representatives shall meet by telephone and/or in person to mediate their differences. If the parties agree, a mutually acceptable mediator shall be selected and the parties will equally share such mediator’s fees. The mediator shall be a retired judge or an attorney familiar with commercial law and trained in or qualified by experience in handling mediations. Any communications made during the mediation process shall not be admissible in any subsequent arbitration, mediation or judicial proceeding. All proceedings and any resolutions thereof shall be confidential, and the terms governing arbitration set forth in paragraph (c) below shall govern.

(b) If mediation does not resolve all disputes between the parties, or in any event no longer than 60 days after receipt of the written notice of dispute referred to above, the parties shall submit the dispute for binding arbitration before a single neutral arbitrator. Such arbitrator shall be a retired judge or an attorney familiar with commercial law and trained in or qualified by experience in handling arbitrations. Such arbitrator shall make all appropriate disclosures required by law. The arbitrator shall be drawn from a panel of a national arbitration service agreed to by the parties, and shall be selected as follows: (i) If the national arbitration service has specific rules or procedures, those rules or procedures shall be followed; (ii) If the national arbitration service does not have rules or procedures for the selection of an arbitrator, the arbitrator shall be an individual jointly agreed to by the parties. If the parties cannot agree on a national arbitration service, the arbitration shall be conducted by the American Arbitration Association, and the arbitrator shall be selected in accordance with the Rules of the American Arbitration Association. The arbitrator’s award shall be in writing and shall set forth findings of fact and legal conclusions.

(c) Unless otherwise agreed to by the parties or provided by the published rules of the national arbitration service:

(i) the arbitration shall occur within 60 days following the selection of the arbitrator;

(ii) the arbitration shall be conducted in the designated location, as follows: (A) in any case in which the subject auction by Bonhams took place or was scheduled to take place in the State of New York or Connecticut or the Commonwealth of Massachusetts, the arbitration shall take place in New York City, New York; (B) in all other cases, the arbitration shall take place in the city of San Francisco, California; and

(iii) discovery and the procedure for the arbitration shall be as follows:

(A) All arbitration proceedings shall be confidential;

(B) The parties shall submit written briefs to the arbitrator no later than 15 days before the arbitration commences;

(C) Discovery, if any, shall be limited as follows: (I) Requests for no more than 10 categories of documents, to be provided to the requesting party within 14 days of written request therefor; (II) No more than two (2) depositions per party, provided however, the deposition(s) are to be completed within one (1) day; (III) Compliance with the above shall be enforced by the arbitrator in accordance with California law;

(D) Each party shall have no longer than eight (8) hours to present its position. The entire hearing before the arbitrator shall not take longer than three (3) consecutive days;

(E) The award shall be made in writing no more than 30 days following the end of the proceeding. Judgment upon the award rendered by the arbitrator may be entered by any court having jurisdiction thereof.

To the fullest extent permitted by law, and except as required by applicable arbitration rules, each party shall bear its own attorneys’ fees and costs in connection with the proceedings and shall share equally the fees and expenses of the arbitrator.

LIMITED RIGHT OF RESCISSION

If within one (1) year from the date of sale, the original buyer (a) gives written notice to us alleging that the identification of Authorship (as defined below) of such lot as set forth in the BOLD TYPE heading of the catalog description of such lot (as amended by any saleroom notices or verbal announcements during the sale) is not substantially correct based on a fair reading of the catalog (including the terms of any glossary contained therein), and (b) within 10 days after such notice returns the lot to us in the same condition as at the time of sale, and (c) establishes the allegation in the notice to our satisfaction (including by providing one or more written opinions by recognized experts in the field, as we may reasonably require), then the sale of such lot will be rescinded and, unless we have already paid to the consignor monies owed him in connection with the sale, the original purchase price will be refunded.

If, prior to receiving such notice from the original buyer alleging such defect, we have paid the consignor monies owed him in connection with the sale, we shall pay the original buyer the amount of our commissions, any other sale proceeds to which we are entitled and applicable taxes received from the buyer on the sale and make demand on the consignor to pay the balance of the original purchase price to the original buyer. Should the consignor fail to pay such amount promptly, we may disclose the identity of the consignor and assign to the original buyer our rights against the consignor with respect to the lot the sale of which is sought to be rescinded. Upon such disclosure and assignment, any liability of Bonhams as consignor’s agent with respect to said lot shall automatically terminate.

The foregoing limited right of rescission is available to the original buyer only and may not be assigned to or relied

NY/MAIN/8.2019

NY/MAIN/8.2019

upon by any subsequent transferee of the property sold. The buyer hereby accepts the benefit of the consignor’s warranty of title and other representations and warranties made by the consignor for the buyer’s benefit. Nothing in this section shall be construed as an admission by us of any representation of fact, express or implied, obligation or responsibility with respect to any lot. THE BUYER’S SOLE AND EXCLUSIVE REMEDY AGAINST BONHAMS FOR ANY REASON WHATSOEVER IS THE LIMITED RIGHT OF RESCISSION DESCRIBED IN THIS SECTION.

“Authorship” means only the identity of the creator, the period, culture and source or origin of the lot, as the case may be, as set forth in the BOLD TYPE heading of the print catalog entry. The right of rescission does not extend to: (a) works of art executed before 1870 (unless these works are determined to be counterfeits created since 1870), as this is a matter of current scholarly opinion which can change; (b) titles, descriptions, or other identification of offered lots, which information normally appears in lower case type below the BOLD TYPE heading identifying the Authorship; (c) Authorship of any lot where it was specifically mentioned that there exists a conflict of specialist or scholarly opinion regarding the Authorship of the lot at the time of sale; (d) Authorship of any lot which as of the date of sale was in accordance with the then generally-accepted opinion of scholars and specialists regarding the same; or (e) the identification of periods or dates of creation in catalog descriptions which may be proven inaccurate by means of scientific processes that are not generally accepted for use until after publication of the catalog in which the property is offered or that were unreasonably expensive or impractical to use at the time of such publication.

LIMITATION OF LIABILITY

EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL PROPERTY IS SOLD “AS IS.” NEITHER BONHAMS NOR THE CONSIGNOR MAKES ANY REPRESENTATION

OR WARRANTY, EXPRESS OR IMPLIED, AS TO THE MERCHANTABILITY, FITNESS OR CONDITION OF THE PROPERTY OR AS TO THE CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE OR PERIOD OF THE PROPERTY OR AS TO WHETHER THE BUYER ACQUIRES ANY COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS OR OTHER RESIDUAL RIGHTS OF THE ARTIST. THE BUYER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL BONHAMS BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY COMPENSATORY, INCIDENTAL OR CONSEQUENTIAL DAMAGES. IN NO EVENT SHALL THE AGGREGATE LIABILITY OF BONHAMS AND ITS CONSIGNOR TO A PURCHASER EXCEED THE PURCHASE PRICE ACTUALLY PAID FOR A DISPUTED ITEM OF PROPERTY.

Conditions of sale - continued

CONSIGNING YOUR PROPERTY

After you receive an estimate, you may consign your property to us for sale in the next appropriate auction. Our staff assists you throughout the process, arranging transportation of your items to our galleries (at the consignor’s expense), providing a detailed inventory of your consignment, and reporting the prices realized for each lot. We provide secure storage for your property in our warehouses and all items are insured throughout the auction process. You will receive payment for your property approximately 35 days after completion of sale.

Sales commissions vary with the potential auction value of the property and the particular auction in which the property is offered. Please call us for commission rates.

PROFESSIONAL APPRAISAL SERVICES

Bonhams’ specialists conduct insurance and fair market value appraisals for private collectors, corporations, museums, fiduciaries and government entities on a daily basis. Insurance appraisals, used for insurance purposes, reflect the cost of replacing property in today’s retail market. Fair market value appraisals are used for estate, tax and family division purposes and reflect prices paid by a willing buyer to a willing seller.

When we conduct a private appraisal, our specialists will prepare a thorough inventory listing of all your appraised property by category. Valuations, complete descriptions and locations of items are included in the documentation.

Appraisal fees vary according to the nature of the collection, the amount of work involved, the travel distance, and whether the property is subsequently consigned for auction.

Our appraisers are available to help you anywhere and at any time. Please call our Client Services Department to schedule an appraisal.

ESTATE SERVICES

Since 1865, Bonhams has been serving the needs of fiduciaries – lawyers, trust officers, accountants and executors – in the disposition of large and small estates. Our services are specially designed to aid in the efficient appraisal and disposition of fine art, antiques, jewelry, and collectibles. We offer a full range of estate services, ranging from flexible financial terms to tailored accounting for heirs and their agents to world-class marketing and sales support.

For more information or to obtain a detailed Trust and Estates package, please visit our website at www.bonhams.com/us or contact our Client Services Department.

SELLING AT AUCTION

Bonhams can help you every step of the way when you are ready to sell art, antiques and collectible items at auction. Our regional offices and representatives throughout the US are available to service all of your needs. Should you have any further questions, please visit our website at www.bonhams.com/us for more information or call our Client Services Department at +1 (212) 644 9001.

AUCTION ESTIMATES

The first step in the auction process is to determine the auction value of your property. Bonhams’ world-renowned specialists will evaluate your special items at no charge and in complete confidence. You can obtain an auction estimate in many ways:

• Attend one of our Auction Evaluation Events held regularly at our galleries and in other major metropolitan areas. The updated schedule for Bonhams Auction Evaluation Events is available at www.bonhams.com/us.

• Call our Client Services Department to schedule a private appointment at one of our galleries. If you have a large collection, our specialists can travel, by appointment, to evaluate your property on site.

• Send clear photographs to us of each individual item, including item dimensions and other pertinent information with each picture. Photos should be sent to Bonhams’ address in envelopes marked as “photo auction estimate”. Alternatively, you can submit your request using our online form at www.bonhams.com/us. Digital images may be attached to the form. Please limit your images to no more than five (5) per item.

Seller’s guide

NY/MAIN/8.2019

BIDDING & BUYING AT AUCTIONWhether you are an experienced bidder or an enthusiastic novice, auctions provide a stimulating atmosphere unlike any other. Bonhams previews and sales are free and open to the public. As you will find in these directions, bidding and buying at auction is easy and exciting. Should you have any further questions, please visit our website at www.bonhams.com or call our Client Services Department at +1 (212) 644 9001.

CatalogsBefore each auction we publish illustrated catalogs. Our catalogs provide descriptions and estimated values for each “lot.” A lot may refer to a single item or to a group of items auctioned together. The catalogs also include the dates and the times for the previews and auctions. We offer our catalogs by subscription or by single copy. For information on subscribing to our catalogs, you may refer to the subscription form in this catalog, call our Client Services Department, or visit our website at www.bonhams.com/us.

PreviewsAuction previews are your chance to inspect each lot prior to the auction. We encourage you to look closely and examine each object on which you may want to bid so that you will know as much as possible about it. Except as expressly set forth in the Conditions of Sale, items are sold “as is” and with all faults; illustrations in our catalogs, website and other materials are provided for identification only. At the previews, our staff is always available to answer your questions and guide you through the auction process. Condition reports may be available upon request.

EstimatesBonhams catalogs include low and high value estimates for each lot, exclusive of the buyer’s premium and tax. The estimates are provided as an approximate guide to current market value based primarily on previous auction results for comparable pieces, and should not be interpreted as a representation or prediction of actual selling prices. They are determined well in advance of a sale and are subject to revision. Please contact us should you have any questions about value estimates.

ReservesUnless indicated by the ¤ symbol next to the lot number, which denotes no reserve, all lots in the catalog are subject to a reserve. The reserve is the minimum auction price that the consignor is willing to accept for a lot. This amount is confidential and does not exceed the low estimate value.

Auction House’s Interest in Property Offered at AuctionOn occasion, Bonhams may offer property in which it has an ownership interest in whole or in part or otherwise has an economic interest. Such property, if any, is identified in the catalog with a symbol next to the lot number(s).

Bonhams may also offer property for a consignor that has been guaranteed a minimum price for its property by Bonhams or jointly by Bonhams and a third party. Bonhams and any third parties providing a guarantee may benefit financially if the guaranteed property is sold successfully and may incur a financial loss if its sale is not successful. Such property, if any, is identified in the catalog with a symbol next to the lot number(s).

Bidding at AuctionAt Bonhams, you can bid in many ways: in person, via absentee bid, over the phone, or via Bonhams’ live online bidding facility. Absentee bids can be submitted in person, online, via fax or via email.

Valid Bonhams client accounts are required to participate in bidding activity. You can obtain registration information online, at the reception desk or by calling our Client Services Department.

By bidding at auction, whether in person or by agent, by absentee bid, telephone, online or other means, the buyer or bidder agrees to be bound by the Conditions of Sale.

Lots are auctioned in consecutive numerical order as they appear in the catalog. Bidding normally begins below the low estimate. The auctioneer will accept bids from interested

parties present in the saleroom, from telephone bidders, and from absentee bidders who have left written bids in advance of the sale. The auctioneer may also execute bids on behalf of the consignor by placing responsive or consecutive bids for a lot up to the amount of the reserve, but never above it.

We assume no responsibility for failure to execute bids for any reason whatsoever.

In PersonIf you are planning to bid at auction for the first time, you will need to register at the reception desk in order to receive a numbered bid card. To place a bid, hold up your card so that the auctioneer can clearly see it. Decide on the maximum auction price that you wish to pay, exclusive of buyer’s premium and tax, and continue bidding until your bid prevails or you reach your limit. If you are the successful bidder on a lot, the auctioneer will acknowledge your paddle number and bid amount.

Absentee BidsAs a service to those wishing to place bids, we may at our discretion accept bids without charge in advance of auction online or in writing on bidding forms available from us. “Buy” bids will not be accepted; all bids must state the highest bid price the bidder is willing to pay. Our auction staff will try to bid just as you would, with the goal of obtaining the item at the lowest bid price possible. In the event identical bids are submitted, the earliest bid submitted will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve, and bids from other auction participants. A friend or agent may place bids on your behalf, provided that we have received your written authorization prior to the sale. Absentee bid forms are available in our catalogs, online at www.bonhams.com/us, at offsite auction locations, and at our San Francisco, Los Angeles and New York galleries.

By Telephone Under special circumstances, we can arrange for you to bid by telephone. To arrange for a telephone bid, please contact our Client Services Department a minimum of 24 hours prior to the sale.

OnlineWe offer live online bidding for most auctions and accept absentee bids online for all our auctions. Please visit www.bonhams.com/us for details.

Bid IncrementsBonhams generally uses the following increment multiples as bidding progresses:$50-200 .............................................by $10s $200-500 ...........................................by $20/50/80s $500-1,000 ........................................by $50s $1,000-2,000.....................................by $100s $2,000-5,000.....................................by $200/500/800s $5,000-10,000… ...............................by $500s $10,000-20,000 ................................by $1,000s $20,000-50,000 ................................by $2,000/5,000/8,000s $50,000-100,000 ..............................by $5,000s $100,000-200,000 ............................by $10,000s above $200,000 ................................at auctioneer’s discretion

The auctioneer may split or reject any bid at any time at his or her discretion as outlined in the Conditions of Sale.

Currency Converter Solely for the convenience of bidders, a currency converter may be provided at Bonhams’ auctions. The rates quoted for conversion of other currencies to U.S. Dollars are indications only and should not be relied upon by a bidder, and neither Bonhams nor its agents shall be responsible for any errors or omissions in the operation or accuracy of the currency converter.

Buyer’s Premium A buyer’s premium is added to the winning bid price of each individual lot purchased, at the rates set forth in the Conditions of Sale. The winning bid price plus the premium constitute the purchase price for the lot. Applicable sales taxes are computed based on this figure, and the total becomes your final purchase price.

Unless specifically illustrated and noted, fine art frames are not included in the estimate or purchase price. Bonhams accepts no liability for damage or loss to frames during storage or shipment.

All sales are final and subject to the Conditions of Sale found in our catalogs, on our website, and available at the reception desk.

Payment All buyers are asked to pay and pick up by 3pm on the business day following the auction. Payment may be made to Bonhams by cash, checks drawn on a U.S. bank, money order, wire transfer, or by Visa, MasterCard, American Express or Discover credit or charge card or debit card. All items must be paid for within 5 business days of the sale. Please note that payment by personal or business check may result in property not being released until purchase funds clear our bank. For payments sent by mail, please remit to Cashier Department, 220 San Bruno Avenue, San Francisco, CA 94103.

Sales TaxResidents of states listed in Paragraph 1 of the Conditions of Sale must pay applicable sales tax. Other state or local taxes (or compensation use taxes) may apply. Sales tax will be automatically added to the invoice unless a valid resale number has been furnished or the property is shipped via common carrier to destinations outside the states listed in the Conditions of Sale. If you wish to use your resale license please contact Cashiers for our form.

Shipping & RemovalBonhams can accommodate shipping for certain items. Please contact our Cashiers Department for more information or to obtain a quote. Carriers are not permitted to deliver to PO boxes. International buyers are responsible for all import/export customs duties and taxes. An invoice stating the actual purchase price will accompany all international purchases.

Collection of PurchasesPlease arrange for the packing and transport of your purchases prior to collection at our office. If you are sending a third party shipper, please request a release form from us and return it to +1 (212) 644 9009 prior to your scheduled pickup. To schedule collection of purchases, please call +1 (212) 644 9001.

Handling and Storage ChargesPlease note that our office has requirement for freight elevatorusage. Please contact us to schedule an elevator appointmentfor pickup of any large or awkward items. Due to the mandated closures of nonessential businesses in New York and California, Bonhams are unable to release propertyfor collection or shipping until such mandates are lifted and our physical offices reopen. 5 business days following the lifting of these mandates oversized lots (noted as W next to the lot number and/or listed on page 113) will be sent to Door to Door Services where transfer and full value protection fees will be immediately applicable and storage fees will begin 5 business days following the transfer. All other lots which havebeen paid for in full will be held in our storage facilities free of charge until our premises re-open and for a thirty (30) day period after we notify you that lots are available for collection.Storage charges of $5 per lot, per day will apply after this30-day period for any lots which have not been collected. After we notify you that lots are available for collection, we ask that you make an appointment for the retrieval of your purchases by calling our main telephone number (212) 644 9001. Please also inform us of any special instructions regarding the retrieval, shipping and/or transportation of anypurchases.Bonhams Reserve the right to remove uncollected sold lots to the warehouse of our choice at the buyer’s risk and expense. Further transfer, handling, storage and full value protection fees will apply if move to a warehouse of our choice. Auction ResultsAll you need is a touch-tone telephone and the lot number. Auction results are usually available on the next business day following the sale or online at www.bonhams.com/us.

Buyer’s guide

COLLECTION & STORAGE AFTER SALE

Please note that all oversized lots listed below andmarked with a W in the catalogue will be removedto the warehouse of Door to Door Services hereinreferred to as Door To Door 5 business days following the lifting of the mandated closures of nonessential businesses in New York Lots not so listed will remain at Bonhams.

W LOTS WILL BE AVAILABLE FOR COLLECTION FROM DOOR TO DOOR BEGINNING AT 9AM ET THE NEXT BUSINESS DAY FOLLOWING THE TRANSFER.

AddressDoor To Door Services 50 Tannery Rd #8ASomerville, NJ 08876

Lots will be available for collection 24hrs following transfer to Door to Door every business day from 9am to 5pm ET.

Collections appointments must be booked 24 hours in advance (subject to full payment of all outstanding amounts due to Bonhams and Door To Door) by contacting Door To Door at1-908-707-0077 ext 2070

HANDLING & STORAGE CHARGES

Please note: For sold lots removed to Door ToDoor there will be transfer and Full value protectioncharges but no storage charge due for lots collected within 5 calendar days of the transfer . For sold lots that remain at Bonhams, there will be no storage charge for lots collected within the 30 days following the lifting of the mandated closures of nonessential businesses in New York

The per-lot charges levied by Door To DoorServices are as follows (plus any applicable sales tax):

FURNITURE/LARGE OBJECTSTransfer .................. $75Daily storage........... $10Insurance (on Hammer + Premium + tax) 0.3%

SMALL OBJECTSTransfer ................. $37.50Daily storage........... $5Insurance (on Hammer + Premium + tax) 0.3%

Please contact Michael Van Dyke at Door To Door +1 908 707 0077 ext 2070+1 908 707 0011 (fax)[email protected]

For more information and estimates on domestic and International shipping Please contact Michael Van Dyke at Door To Door +1 908 707 0077 ext 2070+1 908 707 0011 (fax)[email protected]

PAYMENT

All amounts due to Bonhams and all charges due to Door To Door Services must be paid by the time of collection of the property from their warehouse.

TO MAKE PAYMENT IN ADVANCETelephone +1 (908) 707 0077 ext 2070 to ascertain the amount due, payable by cash, check, or credit card.

PAYMENT AT TIME OF COLLECTIONMay be made by cash, check, or credit card.

Lots will only be released from Door To Door’s warehouse upon production of the “Collection Slip” obtained from the Cashier’s office at Bonhams.

The removal and/or storage by Door To Door of any lots will be subject to their standard Condi-tions of Business, copies of which are available at Bonhams.

PLEASE NOTE Door To Door does not accept liability for damage or loss, due to negligence or otherwise, exceeding the sale price of such goods, or at their option the cost of repairing or replacing the damaged or missing goods.

Door To Door reserves a lien over all goods in their possession for payment of storage and all other charges due them.

Important notice to buyers

NY/MAIN/8.2019

310 12 13

17 18 41 43

53 57 59 68

73 77

Oversized lots

General Notice: This sale will be conducted in accordance with Bonhams Conditions of Sale, and your bidding and buying at the sale will be governed by such terms and conditions. Please read the Conditions of Sale in conjunction with the Buyer’s Guide relating to this sale and other published notices and terms relating to bidding.Payment by personal or business check may result in your property not being released until purchase funds clear our bank. Checks must be drawn on a U.S. bank.

Notice to Absentee Bidders: In the table below, please provide details of the lots on which you wish to place bids at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Buyer’s Guide in the catalog for further information relating to instructions to Bonhams to execute absentee bids on your behalf. Bonhams will endeavor to execute bids on your behalf but will not be liable for any errors or non-executed bids.

Notice to First Time Bidders: New clients are requested to provide photographic proof of ID - passport, driving license, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorizing the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bankers reference.

Notice to online bidders; If you have forgotten your username and password for www.bonhams.com, please contact Client Services.

If successfulI will collect the purchases myselfPlease contact me with a shipping quote (if applicable)I will arrange a third party to collect my purchase(s)

Please email or fax the completed Registration Form and requested information to:Bonhams Client Services Department580 Madison AvenueNew York, New York 10022Tel +1 (212) 644 9001Fax +1 (212) 644 [email protected]

Auction Registration Form (Attendee / Absentee / Online / Telephone Bidding)Please circle your bidding method above.

Paddle number (for office use only)

Type of bid(A-Absentee, T-Telephone) Lot no.

Brief description(In the event of any discrepancy, lot number and not lot description will govern.)If you are bidding online there is no need to complete this section.

MAX bid in US$ (excluding premium and applicable tax)Emergency bid for telephone bidders only*

* Emergency Bid: A maximum bid (exclusive of Buyer’s Premium and tax) to be executed by Bonhams only if we are unable to contact you by telephone or should the connection be lost during bidding.

You instruct us to execute each absentee bid up to the corresponding bid amount indicated above.

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND SHALL BE LEGALLY BOUND BY THEM, AND YOU AGREE TO PAY THE BUYER’S PREMIUM, ANY APPLICABLE TAXES, AND ANY OTHER CHARGES MENTIONED IN THE BUYER’S GUIDE OR CONDITIONS OF SALE. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Shipping Address (if different than above):

Address: _____________________________________

City: _________________________________________

Country: _____________________________________

Post/ZIP code: _________________________________

Please note that all telephone calls are recorded.

SHIPPING

Sale title: Sale date:

Sale no. Sale venue:

Customer Number Title

First Name Last Name

Company name (to be invoiced if applicable)

Address

City County / State

Post / Zip code Country

Telephone mobile Telephone daytime

Telephone evening Fax

Telephone bidders: indicate primary and secondary contact numbers by writing 1 or 2 next to the telephone number.E-mail (in capitals) By providing your email address above, you authorize Bonhams to send you marketing materials and news concerning Bonhams and partner organizations. Bonhams does not sell or trade email addresses.

I am registering to bid as a private client I am registering to bid as a trade client

Resale: please enter your resale license number here We may contact you for additional information.

General Bid Increments:$10 - 200 .....................by 10s$200 - 500 ...................by 20 / 50 / 80s$500 - 1,000 ................by 50s$1,000 - 2,000 .............by 100s$2,000 - 5,000 .............by 200 / 500 / 800s$5,000 - 10,000 ...........by 500s

$10,000 - 20,000 .........by 1,000s$20,000 - 50,000 .........by 2,000 / 5,000 / 8,000s$50,000 - 100,000 .......by 5,000s$100,000 - 200,000 .....by 10,000sabove $200,000 ...........at the auctioneer’s discretionThe auctioneer has discretion to split any bid at any time.

NY/MAIN/07.17

19th Century European Paintings

25777

8 July 2020

New York

Bonhams580 Madison Avenue New York, NY 10022

+1 212 644 9001 bonhams.com

AUCTIONEERS SINCE 1793

19th Century European Paintings and Sculpture Paintings and Sculpture New York | Wednesday 8 July...

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