19TH CENTURY Bonhams EUROPEAN PAINTINGS … signed ‘D. Enjolras’ (lower left) oil on canvas 18 x...

International Auctioneers and Appraisers – bonhams.com

Bonhams580 Madison AvenueNew York, New York 10022

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19TH C

ENTU

RY EUR

OPEAN

PAINTIN

GS | N

ew York | W

ednesday 2 May 2018

24502

19TH CENTURY EUROPEAN PAINTINGSWednesday 2 May 2018New York

BONHAMS 580 Madison AvenueNew York, New York 10022bonhams.com

PREVIEWSaturday 28 April, 12pm – 5pmSunday 29 April, 12pm – 5pmMonday 30 April, 10am - 5pmTuesday 1 May, 10am – 5pmWednesday 2 May, 10am – 1pm

SALE NUMBER: 24502Lots 1 - 86

CATALOG: $35

BIDS+1 (212) 644 9001+1 (212) 644 9009 [email protected]

To bid via the internet please visit www.bonhams.com/24502

Please note that telephone bids must be submitted no later than 4pm on the day prior to the auction. New bidders must also provide proof of identity and address when submitting bids. Telephone bidding is only available for lots with a low estimate in excess of $1000.

Please contact client services with any bidding inquiries.

Please see pages 97 to 100 for bidder information including Conditions of Sale, after-sale collection and shipment. All items listed on page 100 and as a W lot in the catalog, will be transferred to off-site storage along with all other items purchased, if not removed by 5pm, Wednesday 2 May 2017.

INQUIRIESMark Fisher, Director +1 (323) 436 [email protected]

Madalina Lazen, Director +1 (212) 644 [email protected]

LondonCharles O’Brien+44 (0) 20 7468 [email protected]

Peter Rees+44 (0) 20 7468 [email protected]

AdministrationBailey Cardinal+1 (917) 206 [email protected]

Automated Results Service+1 (800) 223 2854

ILLUSTRATIONSFront cover: Lot 23Inside front cover: Lot 77Facing page: Lot 39Back cover: Lot 69Inside back cover: Lot 49Index ghost image: Lot 75

19TH CENTURY EUROPEAN PAINTINGSWednesday 2 May 2018 at 2pmNew York

© 2018 Bonhams & Butterfields Auctioneers Corp. All rights reserved. Principal Auctioneer: Matthew Girling, NYC License No. 1236798-DCA

1GUSTAVE JEAN JACQUET (FRENCH, 1846-1909)A portrait of a young girl with pearl necklace signed ‘G. Jacquet’ (upper left); red seal (on the reverse) oil on panel 12 1/2 x 9 1/4in (32 x 23.5cm)

US$5,000 - 7,000

Provenance Private collection, Rio de Janeiro.

4 | BONHAMS

2LÉON FRANÇOIS COMERRE (FRENCH 1850-1916)Femme a la bougie signed ‘Léon Comerre’ (lower left) oil on canvas 31 x 23 3/4in (79 x 60cm)

US$6,000 - 8,000

Provenance Private Collection, Santa Barbara, California, since circa 1965; Thence by descent to the present owner.

19TH CENTURY EUROPEAN PAINTINGS | 5

3DELPHIN ENJOLRAS (FRENCH, 1857-1945)Le Soir sur la terasse signed ‘D. Enjolras’ (lower left) oil on canvas 18 x 21 5/8in (45.8 x 55cm)

US$15,000 - 20,000

Provenance with Leon Gerard, Tableaux modernes, Paris; Sale, Bonhams, London, 22 January 2014, lot 115. Acquired at the above sale by the present owner.

6 | BONHAMS

4DELPHIN ENJOLRAS (FRENCH, 1857-1945)Jeunes femmes au bord du lac signed ‘D. Enjolras’ (lower left) oil on canvas 24 x 28 3/4in (61 x 73cm)

US$15,000 - 20,000

Provenance Sale, Artprecium, Paris, 15 March, 2012, lot 25; Acquired at the above sale by the present owner.


5 WALPHONSE PELLET (FRENCH, 19TH CENTURY)In the seraglio signed ‘A. Pellet’ (lower right) oil on canvas 59 x 39in (150 x 99cm)

US$10,000 - 15,000

Provenance Sale, Sotheby’s, New York, 9 November 1998, lot 122A.

8 | BONHAMS

6EDOUARD-MARIE-GUILLAUME DUBUFE (FRENCH, 1853-1909)La flute d’ivoire signed and dated ‘G. Dubufe fils. 1876’ (lower right) watercolor hightened with white over pencil on paper laid down on masonite 26 x 19 1/2in (66 x 49.5cm)

US$8,000 - 12,000

Provenance Sale, Christie’s, New York, 23 April 2003, lot 106.


7NARCISSE VIRGILE DIAZ DE LA PEÑA (FRENCH, 1808-1876)Nymphes en sous-bois oil on canvas 21 3/8 x 25 5/8in (54.5 x 65cm)

US$20,000 - 30,000

Provenance Sale, Sotheby’s, New York, 21 April 2003, lot 51.

10 | BONHAMS

8HENRI FANTIN-LATOUR (FRENCH, 1836-1904)Baigneuse effrayée signed ‘Fantin’ (lower right) oil on canvas 21 1/2 x 26in (54.6 x 66cm)

US$30,000 - 50,000

Provenance Sale, Auction Gallery of the Palm Beaches, 17 October 2016, lot 233.


9LOUIS ASTON KNIGHT (AMERICAN, 1873-1948)The poet’s hour signed and inscribed ‘Aston Knight/ Paris’ (lower right) oil on canvas 26 x 32in (66 x 81.5cm)

US$6,000 - 8,000

Provenance Donald W. St. Clair, Texas, circa 1960s; Thence by descent to the present owner.

12 | BONHAMS

10LOUIS ASTON KNIGHT (AMERICAN, 1873-1948)A cottage in the Risle Valley, Normandy signed and inscribed ‘Aston Knight/ Paris’ (lower right); titled (on the stretcher) oil on canvas 18 1/2 x 22in (47 x 56cm)

US$6,000 - 8,000


11JENNIE AUGUSTA BROWNSCOMBE (AMERICAN, 1850-1936)A walk in the woods signed and inscribed ‘Jennie Brownscombe/ copywright’ (lower right) oil on canvas 30 1/4 x 24 1/4in (77 x 61.5cm)

US$7,000 - 9,000

Provenance Private collection, New York, around 1960; Private collection, Dallas, Texas.

14 | BONHAMS

12JULIEN DUPRÉ (FRENCH, 1851-1910)La laitière signed ‘JULIEN DUPRE’ (lower left) oil on canvas 15 1/8 x 18 1/8in (38 x 46cm)

US$12,000 - 18,000

Provenance Roberta Macedo-Soares Prestes de Porchat, Brazil; Thence by descent to the present owner. We are grateful to Howard Rehs for confirming the authenticity of this work, which will be included in his forthcoming catalogue raisonné of the artist. A certificate of authenticity accompanies this lot.


13HIPPOLYTE CAMILLE DELPY (FRENCH, 1842-1910)Les bords de la Seine près Mantes signed ‘H.C. Delpy’ (lower right) oil on canvas 29 x 68in (73 x 173cm)

US$20,000 - 30,000

Provenance Massini Ezcurra collection, Buenos Aires.

Exhibited Buenos Aires, Zurbarán, French Art of the 19th Century, December 2016.

16 | BONHAMS

14AUGUSTE BONHEUR (FRENCH, 1824-1884)The shepherd and his flock signed and dated ‘Ate. Bonheur 1861’ (lower left) oil on canvas 27 1/4 x 40in (69 x 101.5cm)

US$4,000 - 6,000

Provenance Baron N. de Rothschild (from label on reverse); Private collection, France.


15CHARLES OLIVIER DE PENNE (FRENCH, 1831-1897)Before the hunt signed ‘Ol. de Penne’ (lower left) oil on panel 12 1/4 x 16 1/8in (31 x 41cm)

US$6,000 - 8,000

Provenance Sale, Christie’s, New York, 28 November 1995, lot 105.


18 | BONHAMS

16ROSA BONHEUR (FRENCH, 1822-1899)A bay horse in a landscape signed ‘Rosa Bonheur’ (lower left); stamped with the ‘Vente Rosa Bonheur’ sale stamp (on stretcher) oil on canvas 25 7/8 x 32 1/4in (66 x 82cm)

US$6,000 - 8,000

Provenance The artist’s estate sale; Wigton Collection, New Jersey.


17FERDINAND HEILBUTH (FRENCH, 1826-1889)La promenade du cardinal signed and dated ‘F. Heilbuth 1870’ (lower left) oil on canvas 33 x 51in (84 x 129.5cm)

US$4,000 - 6,000

Provenance Sale, Sotheby’s, New York, 23 May 1996, lot 167.

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18VICTOR MARAIS-MILTON (FRENCH, 1872-1948)Checkmate! signed V. Marais-Milton’ (lower right) oil on panel 22 x 28in (56 x 71cm)

US$3,000 - 5,000

Provenance Sale, Bonhams & Butterfields, 14 May 2003, lot 1115.


19GIUSEPPE SIGNORINI (ITALIAN, 1857-1932)A Fête champêtre signed and inscribed ‘Giuseppe Signorini/ Roma Paris’ (lower right) oil on canvas 27 3/4 x 41 3/4in (70.5 x 106 cm)

US$10,000 - 15,000

Provenance Mr. and Mrs. S.A. Thompson, St. Louis, Missouri; Acquired directly from the artist, 1925 for 50,000 Lira ($2,000); By descent into the family. Silvio Mazzoleni, Signorini’s dealer in Rome, describes the present painting in a letter to Mrs. Thompson as one of the best the artist has ever painted. He continues ‘The subject of this picture represents a private entertainment on the border of the Lake of Nemi, in the Alban Hills (Roma Country). The personages are represented seated on the lawn facing the Castle of the Princess Orsini - Costumes Louis XIV’. The Thompsons were bankers to Anheuser-Busch in St. Louis and collectors of Italian art, particularly paintings by Signorini.

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20JEAN LOUIS ERNEST MEISSONIER (FRENCH, 1815-1891)The poet signed with monogram (lower left); stamped with the vente stamp on reverse oil on panel 11 1/8 x 14 3/4in (28.5 x 37.5cm)

US$5,000 - 7,000

Provenance Artist’s studio sale, 12-20 May 1893, no. 31; Sale, Christie’s, New York, March 1, 1984, lot 56; Sale, Sotheby’s, New York, 25 April 2006, lot 244; with Hirschl & Adler Galleries, Inc., New York; with Kurt E. Schon, Ltd., New Orleans. Exhibited Paris, Galerie Georges Petit, Exposition Meissonier, March, 1893, no. 31. Odessa, Texas, Ellen Noel Museum of Art, Where Will You Travel Next?-Destinations in Paintings, November 2012-February 2013; Albany, New York, Albany Museum of Art, January-April 2014; Allentown, Pennsylvania, Allentown Museum of the Lehigh Valley, June-September 2014; Scranton, Pennsylvania, Everhart Museum of Natural History, Science & Art, February-June 2015; Lakeland, Florida, Polk Museum of Art, July-December 2015. Literature Constance Cain Hungerford, Ernest Meissonier and Art for the French Bourgeoisie: Master in His Genre, Cambridge, 1999, p. 247, no. 17. James Allen Scott, Where Will You Travel Next? Destinations in Paintings, 2011, p. 110, illustrated.


21AUGUSTE TOULMOUCHE (FRENCH, 1829-1890)A special bunch of roses signed and dated ‘A. Toulmouche 1886’ (lower left) oil on canvas 18 1/2 x 12in (47 x 30.5cm)

US$8,000 - 12,000

Provenance Sale, Christie’s, New York, 1 March 1990, lot 35.

24 | BONHAMS

22 WLOUISE ABBÉMA (FRENCH, 1853-1927)A butterfly fairy signed ‘Louise Abbema’ (lower right) oil on canvas 84 1/4 x 45in (213 x 114.5cm)

US$15,000 - 20,000


PROPERTY FROM A PRIVATE COLLECTOR, HARRISON, ARKANSAS

23EMILE MUNIER (FRENCH, 1840-1895)Her best friend signed and dated ‘E. MUNIER 1882’ (lower left) oil on canvas 21 x 25in (53.5 x 63.5cm)

US$80,000 - 120,000

Provenance Private collection, Hot Springs, Arkansas, since 1930s; Thence by descent to the present owners. Born into a modest working class family from Paris in 1840, Emile Munier and his two brothers followed into their father’s footsteps as upholsterers at the Manufacture Nationale des Gobelins, where they started their artistic training under the tutelage of Abel Lucas. Emile distinguished himself as a particularly gifted artist, exhibiting at the Salon from 1869 onwards. During the 1860s, Munier experienced tremendous challenges and joys. His new wife, Henriette bore him a son, Emile Henri, and died six weeks later. During the same time, his artistic standing rose dramatically after receiving three medals at the Ècole des Beaux-Arts. He also frequented the studio of William Bouguereau and adopted his academic teachings, which are quite apparent in his works executed after the early 1870s. A second marriage to a young painter, Sargine Augrand, produced a daughter, who became his most frequent sitter. Munier’s two children, Henri and Marie-Louise, were the artist’s primary source of inspiration beginning in the early 1880s and they appear frequently in his work. Munier established himself as the most popular painter of children and their pets among French and American collectors. The present painting is one of his most popular compositions, which he repeated several times, substituting a cat or a doll for the dog. The little girl with blond curls on a pillow trimmed with lace, appears invariably in all variants, and her posture is repeated in Munier’s popular Trois amis from 1885, a composition that was reproduced extensively in many forms. Munier continued to exhibit at the Salon many delightful compositions of children and cherubs until his death in 1895 at the age of 55. We are grateful to Howard Rehs for confirming the authenticity of this work, which will be included in his forthcoming catalogue raisonné of the artist. A certificate of authenticity accompanies this lot.

26 | BONHAMS

24EVARISTE CARPENTIER (BELGIAN, 1845-1922)Children in a meadow signed ‘Ete. Carpentier’ (Lower right) oil on canvas 33 1/2 x 39 3/8in (85 x 100cm)

US$10,000 - 15,000

28 | BONHAMS

25GUILLAUME SEIGNAC (FRENCH, 1870-1924)Vénus marine signed ‘G. SEIGNAC’ (lower right) oil on canvas 21 3/4 x 18 1/4in (55.2 x 46.5cm)

US$25,000 - 35,000

Provenance Sale, Christie’s. New York, 23 April 2003, lot 108.


26EUGENIO ZAMPIGHI (ITALIAN, 1859-1944)A happy family signed ‘E. Zampighi’ (lower left) oil on canvas 29 x 41 1/4in (73.8 x 105cm)

US$15,000 - 20,000

30 | BONHAMS

27CIPRIANO CEI (ITALIAN, 1867-1922)Stealing grapes signed and inscribed ‘C. Cei/ Firenze’ (lower right) oil on canvas 24 1/8 x 35in (61 x 89cm)

US$6,000 - 8,000

Provenance Sale, Butterfields & Butterfields, San Francisco, 20 May 1998, lot 3608.


28 WGIACOMO MANTEGAZZA (ITALIAN, 1853-1920)A token of love signed ‘GMantegazza’ (lower left) oil on canvas 26 x 35 1/2in (66 x 90cm)

US$8,000 - 12,000

32 | BONHAMS

29PIO RICCI (ITALIAN, 1850-1919)The drawing lesson signed ‘Pio Ricci’ (lower right) oil on canvas 29 1/4 x 21 3/4in (74.5 x 55.5cm)

US$6,000 - 8,000


30CESARE AUGUSTE DETTI (ITALIAN, 1847-1914)The court singer signed ‘C. Detti’ (lower right) oil on panel 10 1/4 x 16in (26 x 40.8cm)

US$4,000 - 6,000

Provenace Private collection, Los Angeles; By descent to the present owner.

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31 WPOMPEO MASSANI (ITALIAN, 1850-1920)The peep show signed, inscribed and dated ‘All’Amico e Scolaro/ A. Cocchi/ 1912/ P. Massani’ (lower right) oil on canvas 35 1/4 x 55in (89.5 x 140cm)

US$4,000 - 6,000


32GIULIO ROSATI (ITALIAN, 1858-1917)The carpet seller signed ‘Giulio Rosati’ (lower right) watercolor on paper 20 3/4 x 14 1/4in (52.8 x 36cm)

US$15,000 - 20,000

Provenance Sale, Doyle, New York, 12 November 2008, lot 1047.

36 | BONHAMS

33EDWIN LORD WEEKS (AMERICAN, 1849-1903)Merchants along a street in Bombay signed and inscribed ‘E.L. Weeks/ Bombay’ (lower left) oil on canvas 13 x 18 3/4in (33 x 47.5cm)

US$8,000 - 12,000

This work was likely painted circa 1883 on Weeks’ first expedition to India. We are grateful to Dr. Ellen K. Morris for confirming the authenticity of this work and providing additional cataloguing data. This work will be included in the forthcoming Edwin Lord Weeks catalogue raisonné.


34CONSTANT GEORGES GASTÉ (FRENCH, 1869-1910)At the oasis signed ‘C. Georges Gasté’ and inscribed ‘Algèrie’ (lower right) oil on canvas 22 1/2 x 30in (57 x 76.5cm )

US$4,000 - 6,000

38 | BONHAMS

35MARIANO BARBASÁN LAGUERUELA (SPANISH, 1864-1924)A view of Venice at sunset signed ‘MBarbasan’ (lower right) oil on canvas 24 x 39in (61 x 100cm)

US$6,000 - 8,000


PROPERTY FROM A PRIVATE COLLECTION, BEVERLY HILLS, CALIFORNIA

36FÉLIX FRANÇOIS GEORGES PHILIBERT ZIEM (FRENCH, 1821-1911)A view of Venice with St. Mark’s beyond signed ‘Ziem’ (lower left) oil on canvas 28 3/4 x 42.5in (73 x 108cm)

US$60,000 - 80,000

Provenance Sale, Butterfields, San Francisco, 9 May 1995, lot 185;with Galerie Marumo, Paris;Acquired from the above by the present owner.

40 | BONHAMS

37FÉLIX FRANÇOIS GEORGES PHILIBERT ZIEM (FRENCH, 1821-1911)A canal in Venice signed ‘Ziem’ (lower left) oil on panel 16 3/4 x 10 7/8in (42.5 x 27.7cm)

US$20,000 - 30,000

The Association Félix Ziem, represented by Mathias Ary Jan, David Pluskwa and Gérard Fabre, has confirmed the authenticity of this work, which will be reproduced in the forthcoming catalogue raisonné. A certificate of authenticity accompanies this lot.

42 | BONHAMS

38CHARLES CLÉMENT CALDERON (FRENCH, 1870-1906)A view of Piazza San Marco from across the lagoon, Venice signed ‘C. Calderon’ (lower right) oil on canvas 23 5/8 x 28 3/4in (60 x 73cm)

US$8,000 - 12,000

Exhibited Buenos Aires, Casa Foa ‘85, 1985; Buenos Aires, Zurbarán, French Art of the 19th Century, December 2016.


39 WHUGO VILFRED PEDERSEN (DANISH, 1870-1959)At the baths signed ‘Hugo VP’ (lower left) oil on canvas 35 1/2 x 47in (90 x 119.5cm)

US$30,000 - 50,000

Provenance Sale, Christie’s, London, 17 March 1995, lot 155; Sale, Christie’s, New York, 23 April 2003, lot 13.

44 | BONHAMS

40ANTOINE BOUVARD (FRENCH, 1870-1956)A view of Venice signed ‘Bouvard’ (lower right) oil on canvas 19 3/4 x 25 1/2in (50.2 x 64.8cm)

US$5,000 - 7,000

Provenance Sale, Auction Gallery of the Palm Beaches, 15 February 2010, lot 163.


41AMALIE KAERCHER (GERMAN, ACTIVE 1860-1926)A still life of flowers in a terracotta vase on a ledge oil on copper 27 1/2 x 20in (70 x 51cm)

US$20,000 - 30,000

46 | BONHAMS

42 WGERMAN SCHOOL, CIRCA 1820-1830Tobias returning sight to his father oil on canvas 42 x 63in (107 x 160cm)

US$4,000 - 6,000

The painting illustrates an episode from the Old Testament, taken from the story of Tobias and his long journey to save his family from ruin. Having faced a number of hard trials and collected a debt with the help of the Archangel Raphael – whom God had sent to earth in disguise to assist the youth – Tobias finally returns home. Upon his arrival, he restores his father’s sight with an ointment made with the gall of a fish he had caught with the angel’s help. Tobias’ return was a frequent subject for young German artists of the early 19th Century, particularly as a graduation piece at the end of their apprenticeship in history painting. The typical Nazarene composition and execution point to such artists as Eberhard Wächter or his student, Alexander Bruckmann. Both were associated with the Nazarene movement, which rejected the Neoclassicism of their time and rather sought a return to an art that embodied spiritual values and was predominantly religious in subject matter. We are grateful to Prof. Dr. Michael Thimann for contributing the above artists’ names.


43KAREL FRANS PHILIPPEAU (DUTCH, 1825-1897)Flowers for the baby signed ‘Philippeau. ft.’ (lower right) oil on panel 14 3/4 x 19 1/4in (37.5 x 48.9cm)

US$4,000 - 6,000

Provenance Sale, Christie’s, Amsterdam, 23 October 2002, lot 31.

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44WALLY (WALBURGA WILHELMINA) MOES (DUTCH, 1856-1918)A lesson in the art of knitting and sewing signed ‘Wally Moes’ (lower right) oil on canvas 20 x 25 3.4in (51 x 65.5cm)

US$4,000 - 6,000


45ANDREAS SCHELFHOUT (DUTCH, 1787-1870)Hunters in a wooded landscape signed ‘A. Schelfhout’ (lower left) oil on panel 30 x 24 3/4in (76 x 63cm)

US$30,000 - 50,000

Provenance Sale, Sotheby’s, Amsterdam, 20 April 1993, lot 55; with Richard Green, London; Acquired from the above by the present owner, 1993.

50 | BONHAMS

46EUGÈNE VERBOECKHOVEN (BELGIAN, 1798-1881)Cattle at rest in a meadow signed and dated ‘Eugene Verboeckhoven/ 1839’ (lower left) oil on canvas 34 x 49 1/4in (86.5 x 125cm)

US$25,000 - 35,000

Provenance Private collection, Bloomfield Hills, Michigan, since 1950s; Thence by descent to the present owner.


47 WFRANZ RICHARD UNTERBERGER (AUSTRIAN, 1838-1902)Die goldene Meile bei Remagen signed ‘F R Unterberger’ (lower right) oil on canvas 32 x 54in (81.5 x 137cm)

US$15,000 - 20,000

Provenance Sale, Christie’s, New York, 28 February 1991, lot 155; Sale, Christie’s, New York, 25 October 2006, lot 252, (as Rhineland); Sale, Sotheby’s, New York, 9 May 2014, lot 62. with Kurt E. Schon, Ltd., New Orleans. Exhibited Innsbruck, Franz Richard Unterberger 1837-1902, 3 June-6 September 1987, no. 13. Odessa, Texas, Ellen Noel Museum of Art, Where Will You Travel Next?-Destinations in Paintings, November 2012-February 2013; Albany, New York, Albany Museum of Art, January-April 2014; Allentown, Pennsylvania, Allentown Museum of the Lehigh Valley, June-September 2014; Scranton, Pennsylvania, Everhart Museum of Natural History, Science & Art, February-June 2015; Lakeland, Florida, Polk Museum of Art, July-December 2015.

Literature Sybille-Karin Moser, Franz Richard Unterberger und die Salonfähige Landschaftsmalerei in 19. Jahrhundert, Vienna, 1986, pp. 40, 173, illustrated. James Allen Scott, Where Will You Travel Next? Destinations in Paintings, 2011, p. 54, illustrated. Born into a large bourgeoisie family in Innsbruck, Franz Richard Unterberger studied at the Academy of Munich under Clemens von Zimmermann (1788-1869) and Julius Lange (1817-1878). Following this, he attended the Academy of Weimar, before moving to Düsseldorf to work with Oswald von Achenbach (1827-1905) at the Academy of Düsseldorf. Unterberger felt that the market might be more lucrative in Belgium, and therefore moved to Brussels in 1864, a place he would return to throughout his life. As international tourism grew during this period, Unterberger’s works, which depicted many of the popular European resorts, and included views of Italy, England, Norway, Denmark, and France, found a ready market amongst the burgeoning middle classes. Die Goldene Meile bei Remagen depicts a very fertile strip of land along the Rhein river, between the cities of Bad Breisig, Sinzig and Remagen, which earned its name due to the picturesque beauty of the landscape and the strategic economic importance of its location. Densely riddled with medieval castles and churches, the Golden Mile was the centerpiece of the Rhein tourism of the 19th Century.

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48FRANZ WENZEL SCHWARZ (GERMAN, 1842-1919)Return to the farm signed ‘Schwarz’ (lower center) oil on panel 25 1/2 x 30 1/2in (64.8 x 77.5cm)

US$6,000 - 8,000

Provenance Sale, De Vuyst, Lokeren, 6 October 2001, lot 333; Sale, Bonhams & Butterfields, 14 May 2003, lot 1082.


49 WGYULA TORNAI (HUNGARIAN, 1861-1928)The new necklace signed ‘TORNAI. GY.’ (lower left) oil on canvas 53 3/4 x 83 3/4in (136.5 x 213cm)

US$80,000 - 120,000

Provenance Sale, BAV, Budapest, 13 November 2013; Private collection, Budapest, Hungary; Acquired from the above by the present owner. One of the foremost Hungarian Orientalist painters, Gyula Tornai began his artistic education in the academies of Vienna, Munich and Budapest, where he studied under prominent artists such as Hans Makart and Gyula Benczúr. Tornai’s style was heavily influenced by Makart’s aestheticism and tonality known as Makartstil. The vibrantly colored and theatrical, large-scale paintings held a lasting effect on Tornai and are evident in the complex nature of many of his works. Tornai began his career painting numerous genre scenes, however after his travels to more exotic locales, his choice of subjects changed dramatically. His early visit to Tangier, Morocco, in 1890-91, provided him with new motifs to explore. In 1900 he exhibited to great acclaim many of the works he completed abroad at the Exposition Universelle in Paris. Their sale, along with the sale of all of his belongings, provided Tornai with the financial support for extensive travels through China, Japan and India. In a letter to the present owner, Dr Bellák writes of this painting: “Regarding the present painting, it is typically characteristic of Tornai to depict a crowded, richly furnished interior. The sensually stretched out woman, and several types of human characters are also typical of a Tornai composition. The painting is related to the picture called In the Harem, which was at auction at Sotheby’s, London, November 27th, 1991 (oil on canvas, 142 x 211 cm, lot 121). The London painting is nearly identical not only regarding its size but also regarding its composition. Nearly all the motifs and characters remind us of the present painting, although there are some variations in some details. The most characteristic difference is the posture of the central female nude. In the present painting the figure is turning backwards to look at the viewers, whereas the nude is facing the viewers in the London picture. The other difference can be observed underneath the kneeling figure in the foreground. Instead of the colorful, reddish rug of the London picture, the kneeling slave showing jewelry appears situated on the bare marble floor or on a grayish colored rug. This kind of self-repetition that can be observed in these two compositions is not entirely foreign to Tolnai’s art. We know of several compositions which have slight variations. This is mainly due to the growing demand for those paintings popular at the time, therefore the artist had to create variations, which did not differ much. It is difficult to tell which one was painted earlier but because of the similarities in their quality, it is most likely that they were created at the end of the 1890s or the beginning of the 1900s, roughly at the same time.” Despite the popularity of this composition, it cannot be found in any of the records of exhibitions held by Tornai. It can be assumed that the painting was sold right after it was executed and it remained in private hands ever since. The painting is in its original artist-designed frame. A letter of authenticity from Dr. Gábor Bellák accompanies this lot.

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50IOSIF ISER (ROMANIAN, 1881-1958)A young Turkish woman with red scarf signed and dated ‘Iser/ 45’ (lower right) pastel on paper 23 5/8 x 19 1/8in (60 x 48.5cm)

US$6,000 - 8,000

Provenance Roy Melbourne, (political attaché to the American Embassy, Bucharest), acquired directly from the artist, 1946; By descent to the present owners. The present painting is accompanied by a letter from the artist to Roy Melbourne, dated 21 October 1946, certifying the authenticity of the work.

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51LADISLAS WLADISLAW VON CZACHORSKI (POLISH, 1850-1911)The finishing touch signed ‘Czachorski’ (lower left) oil on canvas 32 x 19 1/4in (81.5 x 49cm)

US$25,000 - 35,000

Provenance Stanley Wattenberg, New Jersey, by 1958; The estate of Anne and Leon Powell, Florida.


52 WPAUL A. GROEBER (GERMAN, FL. 1880-1910)A still life with hydrangeas and lilacs on a marble ledge signed and dated ‘Paul A. Groeber/ 1890’ (lower left) oil on canvas 50 x 40cm (127 x 101.6cm)

US$4,000 - 6,000

Provenance Sale, Butterfields & Butterfields, San Francisco, 17 May 2000, lot 1092.

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53WLADYSLAW CHMIELINSKI (POLISH, 1911-1979)Views of Warsaw in winter (a pair) each signed ‘WT. Chmielinski’ (lower right) oil on canvas each 13 7/8 x 19 3/4in (35.5 x 50cm)

US$4,000 - 6,000

Provenance Sale, Christie’s, New York, 23 April 2003, lot 91 (only one).


PROPERTY FROM A PRIVATE COLLECTOR, NEW YORK

54WILLIAM HENRY HAMILTON TROOD (BRITISH, 1860-1899)Family cares signed and dated ‘W.H. Trood/ 1880’ (lower left) oil on artist’s board 13 7/8 x 18 1/2in (35 x 47cm)

US$10,000 - 15,000

Provenance Private collection, New York, since 1993.

Literature William Secord, Dog Painting 1840-1940, Suffolk, 1992, p. 170, pl. 80 (another version illustrated). Throughout his career, William Henry Hamilton Trood was well known for depictions of dogs. This work, executed in 1889, features a smooth-coated Fox Terrier, a breed which was rising in prominence during the 1880s. Given the growing popularity of the breed at this time, it is not surprising that Trood painted several works featuring this breed, perhaps even using the same dog for inspiration. This particular work, with the pups nursing from the mother, as a small kitten sits off to the side, lapping milk from the dogs’ bowl, not only demonstrates Trood’s talent for rendering the animals, but also shows a very tender and humorous side, so typical for his paintings.

60 | BONHAMS

55GEORGE C. HEZIER (BRITISH, 19TH CENTURY)A flock of fieldfares in a tree, Haddon Hall signed and inscribed ‘G. Hezier/pinxit/ from Haddon Hall’ (on the stretcher) oil on canvas 30 1/2 x 25 1/2in (77.5 x 65cm)

US$4,000 - 6,000

Provenance Los Angeles Fine Art Gallery, Los Angeles, California. Little is known of the artist George Hezier other than the fact that he lived in Matlock and was listed as a schoolmaster in the 1851 census. It is consequently quite possible that he was a private tutor at Haddon Hall teaching art studies or was simply a talented amateur artist. Nevertheless, this picture is a delightful portrayal of a flock of fieldfares, a sight rarely seen nowadays as the population of that bird is in sharp decline.


56ARTHUR JOHN ELSLEY (BRITISH, 1861-1952)In from the cold signed and dated ‘Arthur J. Elsley 1911’ (lower left) oil on canvas 42 X 31 1/2in (107 x 80cm)

US$30,000 - 50,000

Provenance with The Cooling Galleries, London, England; Robert Vose Estate, Boston, Massachusetts; with Castano Galleries, Boston, Massachusetts, 1966; with Winblad Galleries, San Francisco, California; Private collection, San Francisco, California.

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57EDWARD THOMPSON DAVIS (BRITISH, 1833-1867)Telling a tale signed with monogram and dated ‘63’ (lower left); titled and signed (on the reverse) oil on panel 12 x 16in (30.5 x 40.5cm)

US$8,000 - 12,000

Provanance with The Cooling Galleries, Ltd., London; with The Fine Art Gallery, Canada.

Exhibited London, Royal Academy, 1860, no. 103.


58 WGEORGE VICAT COLE, RA (BRITISH, 1833-1893)Richmond Hill signed with monogram and dated ‘1876’ (lower left) oil on canvas 38 x 60in (96.5 x 152.4cm)

US$80,000 - 120,000

Provenance with McCaughen & Burr Fine Arts, St. Louis, Missouri; Private Collection, Texas; Sale, Christie’s, New York, 19 February 1992, lot 168; with Richard Green, London. Acquired from the above by the present owner, 1993.

The eldest son of the artist George Cole, R.B.A., Vicat Cole received his training from his father and by studying the works of Turner and Constable. By 1860 he was considered one of the most popular landscape painter of the time, known for his views of meadows and cornfields among the Surrey hills and along the Thames. He exhibited extensively at the British Institution, the Suffolk Street Galleries and the Royal Academy, where he became associate member at the age of thirty-three and full member in 1880.

In 1881, at the suggestion of William Agnew, Cole conceived the idea of painting a series of views on the Thames, from its source to its mouth, which were to be engraved. While he never completed the project, almost all of his later works feature views of the Thames.

Judging from the date of execution, the present work was not part of Mr. Agnew’s project. An almost identical composition of Richmond Hill was painted in 1875 and exhibited at the Royal Academy that same year. A year later, he painted the present work with very minor variations, possibly commissioned by someone who saw his earlier work at the Royal Academy. It was a stark departure from Vicat Cole’s usual, romantic landscapes, devoid of figures, populated with the occasional, solitary, domestic animals. Richmond Hill skillfully bridges the two worlds that Cole inhabited - the cosmopolitan society of London, represented by elegant ladies with parasols, and their nannies pushing carriages, casually strolling the three-lined alley, on the left half of the composition, and the magnificent rolling hills along the Thames, so beloved and frequently depicted by the artist, taking up the right half of the canvas.

The scenic panorama is viewed from Terrace Walk, the promenade that was laid out at the top of the hill in the 18th century and served as motif to countless artists. A famous depiction of the same location, titled England: Richmond Hill, on the Prince Regent’s Birthday was executed by Turner in 1819. Another celebrated view of the hill was painted by the American artist Jasper Francis Cropsey during his second trip to England, titled Richmond Hill in the Summer of 1862.

The view of the Thames from Richmond Hill outside of London remains one of the most beloved and popular areas for artists, poets and sightseers alike. The city of Richmond, Virginia, received its name because the view of the James River was strikingly similar to the view of the Thames from Richmond Hill.

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59 WISAAC SNOWMAN (BRITISH, 1874-1947)Footsteps signed ‘I.Snowman’ (lower right) oil on canvas 44 1/2 x 28in (113 x 71cm)

US$30,000 - 50,000

Provenance with Christopher Wood, London; Edward G. Robinson, Los Angeles; Sale, Sotheby’s, New York, 18 April 2007, lot 57; with Kurt E. Schon, Ltd., New Orleans.

Exhibited London, Royal Academy, 1901, #30. Odessa, Texas, Ellen Noel Museum of Art, Where Will You Travel Next?-Destinations in Paintings, November 2012-February 2013; Albany, New York, Albany Museum of Art, January-April 2014; Allentown, Pennsylvania, Allentown Museum of the Lehigh Valley, June-September 2014; Scranton, Pennsylvania, Everhart Museum of Natural History, Science & Art, February-June 2015; Lakeland, Florida, Polk Museum of Art, July-December 2015.

Literature The Windsor Magazine, An Illustrated Monthly for Men and Women, vol. XX, London, June-November 1904, illustrated on the frontispiece. James Allen Scott, Where Will You Travel Next? Destinations in Paintings, 2011, p. 161, illustrated.

When Footsteps was exhibited at the Royal Academy in 1901, young Isaac Snowman had already achieved a great measure of early fame. A year-long study in Paris in the ateliers of William Bouguereau and Benjamin Constant culminated with one of his works being accepted at the 1897 Salon, after which he returned to London to complete his studies at the Royal Academy school. The young artist made a name for himself by painting society portraits and genre paintings that were well received by the public.

That same year, Snowman and friends embarked on a trip to Jerusalem that spurred the artist to create a series of paintings with Jewish subjects. Furthermore, he joined the cause of his fellow Jewish compatriots by being a founding member of the group of the Maccabaens, who sought to promote the interests of Jews and the Zionist movement.

Around the turn of the century, Snowman’s most popular paintings were of young mothers and their children, all dressed in the most fashionable outfits. In an article for The Windsor Magazine, Snowman admits to finding his sitters in the wealthy neighborhood of West Hampstead, near his studio, where local schools supplied him with an endless stream of mothers and children. The parents’ vanity is evident, as the artist’s requests to paint them were never met with objections (op. cit.).

In Footsteps, an elegantly dressed young woman is peering over her shoulder towards the approaching footsteps that visibly interrupt her reading of the letter she is holding in her hand. The comfortable setting in the sun-dappled garden with a beautifully appointed tea table under a large tree acts as an invitation to the viewer to actively engage in the unfolding scene.

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60 WRAYMOND LYNDE (BRITISH, 1854-1928)A summer afternoon signed ‘Raymond Lynde’ (lower left) oil on canvas 36 x 28in (91.5 x 71cm)

US$6,000 - 8,000

Provenance Sale, Sotheby’s, New York, 16 April 1998, lot 114; Acquired at the above sale by the present owner.


61JAMES DIGMAN WINGFIELD (BRITISH, 1800-1872)The painter’s studio signed and dated ‘J.D. Wingfield 1856’ (lower left) oil on canvas 18 x 24in (45.8 x 61cm)

US$6,000 - 8,000

Provenance Sale, Christie’s, London, 15 June 1990, lot 180; with Christopher Wood, London; Acquired from the above by the present owner, 1993. In this composition, Wingfield harmoniously included a number of masterworks from the Antiquity, possibly known to him from his trips through Italy or from published reproductions popular at the time.

On the shelves lining the studio, starting at left, one can see busts of Michelangelo by Daniele da Volterra; Pompey the Great from Palazzo Spada, Rome; Agrippina; Mars; a Laocoon group on the back shelf next to a Venus and Flora; the Dying Alexander from the Uffizi, Florence; Silenus with the infant Bacchus, Paris, Louvre, and others. The right shelf carries a bust of Socrates, a Crouching Bather and a Venus, among others. Against the back wall of the studio, Wingfield depicted Venus de Medici from Florence, Uffizi, and Cupid and Psyche from Rome, Capitoline Museum. It was not unusual for Wingfield to display his erudition in his paintings. In 1848, he executed a luminous and large composition depicting the magnificent Picture Gallery at Stafford House, St. James’, featuring paintings by Murillo, Guercino, Zurbaran and other masters.

68 | BONHAMS

62LOUIS CHARLES MOELLER (AMERICAN, 1855-1930)A heated debate oil on canvas 18 1/4 x 24in (46.5 c 61cm)

US$6,000 - 8,000

Provenance Frederick F. Huffnagel; Sale, Doyle, New York, 28 November 2007, lot 2421.

The piano featured in this picture was given to Blair Leighton and his wife as a wedding gift. Leighton was musical and was reported as having a good tenor voice. The painting was executed the year they were married, May 5, 1885, at the Church of St. Michael and All Angels, which was and is an Anglican Church in Bedford Park, the community in which they would spend the rest of their lives together. His brother-in-law, Nellie’s husband, James Lapworth, witnessed, as did Katherine’s father, William Nash, and Alfred Wilson performed the ceremony. Edmund Blair Leighton was aged 33 and Katherine Nash was 27.

Leighton painted a smaller version of this painting in 1885, which sold at Sotheby’s London on 6 June 2001. It is now clear that it was the present, larger painting that was exhibited at the Royal Academy the same year, and not the smaller work.

We are grateful to Kara Colon for contributing the catalogue note and confirming the authenticity of this work, which will be included in the forthcoming catalogue raisonné of the artist.w


63EDMUND BLAIR LEIGHTON, ROI (BRITISH, 1852-1922)Involuntary variations signed and dated ‘E. Blair Leighton 1885’ (upper right) oil on canvas 29 x 12in (73.5 x 30.5cm)

US$10,000 - 15,000

Provenance From the artist to the artist’s uncle Charles, Bickley, Southeast London; Private collection, Los Angeles, California. Exhibited London, Royal Academy, 1885, no. 948. Literature Yockney, Alfred, The Art Annual: The Art of E. Blair Leighton, London, 1913, p. 28. Supplement to The Graphic, July 10, 1886. Graves, Algernon, The Royal Academy of Arts: A Complete Dictionary of Contributors and their work from its foundation in 1769 to 1904, Vol. 5, p. 29.

70 | BONHAMS

PROPERTY FROM THE BART TRUXILLO ESTATE

64 WALFRED SACHEVEREL COKE (BRITISH, ACTIVE 1860-1900)The daughter of Herodias (Salome) signed ‘A. Sacheverel Coke’ (lower left) oil on canvas 80 x 31in (203 x 79cm)

US$15,000 - 20,000

Provenance with Thomas Agnews & Sons, Inc., London; Bart Truxillo, Houston, Texas (acquired in New York, 1969). Exhibited London, Royal Academy, 1881, no. 87.


65SIR EDWARD JOHN POYNTER PRA, RWS (1836-1919)Study of a male nude wielding a club charcoal heightened with white on paper 20 x 15 1/2in (51 x 39.5cm)

US$6,000 - 8,000

Provenance The artist; By whom gifted to Sir Alfred East; By whom gifted to Sir Alfred Brangwyn; F. Lewis collection.

72 | BONHAMS

66BRITISH SCHOOL (19TH CENTURY)A wrestling match signed with initials and indistinct signature (lower right) oil on canvas 39 x 32 1/2in (99 x 82.5cm)

US$4,000 - 6,000


67 WRICHARD ANSDELL RA (BRITISH, 1815-1885)Water carriers of the Alhambra signed and dated ‘R. Ansdell 1883’ (lower right) oil on canvas 60 x 42in (152.4 x 106.8cm)

US$10,000 - 15,000

Provenance Sale, Christie’s, London, The Ansdell Studio sale, 20 March 1886, lot 275; Acquired by Macklean at the above sale for £204. 15s; Sale, Christie’s, London, 5 November 1993, lot 207; with Kurt E. Schon, Ltd., New Orleans. Exhibited London, Royal Academy of Arts, 1883, no. 754; Manchester, Manchester City Art Gallery, Autumn Exhibition, 1883, no. 378; Mexico City, Museo Nacional de San Carlos, La Era Victoriana: Un Siglo de Pintura Britanica, December 1997-March 1998, no. 12. Odessa, Texas, Ellen Noel Museum of Art, Where Will You Travel Next?-Destinations in Paintings, November 2012-February 2013; Albany, New York, Albany Museum of Art, January-April 2014; Allentown, Pennsylvania, Allentown Museum of the Lehigh Valley, June-September 2014; Scranton, Pennsylvania, Everhart Museum of Natural History, Science & Art, February-June 2015; Lakeland, Florida, Polk Museum of Art, July-December 2015.

Literature Henry Blackburn, Royal Academy Notes, London, 1883, p. 63. John D. Champlin, Cyclopedia of Painters and Paintings, New York, 1913, Vol. I, p. 49. Thomas Cooper, Men of the Time: A Dictionary of Contemporaries, Containing Biographical Notices of Eminent Characters of Both Sexes, London, 1884, p. 36. Journal of the American Veterinary Medical Association’s Annual Report, March 1, 2000, Volume 216, Number 5, illustrated on the cover. Christopher Wright, British and Irish Paintings in Public Collections: An Index of British and Irish Oil Paintings by Artists Born before 1870 in Public and Institutional Collections in the United Kingdom and Ireland, Yale University Press, 2006, pp. 69-70. James Allen Scott, Where Will You Travel Next? Destinations in Paintings, 2011, p. 102, illustrated. We are grateful to Sarah Kellam for providing further cataloguing information for this lot which will be included in the Ansdell Catologue Raisonne, which she is at present compiling. Sarah Kellam’s website can be visited at: www.richardansdell.co.uk for further dialogue if wished.

74 | BONHAMS

68 WEDWARD ADVENO BROOKE (BRITISH, 1821-1910)Haytime in the Wye Valley oil on canvas 26 x 44in (66 x 112cm)

US$4,000 - 6,000

Provenance Sale, Butterfields & Butterfields, San Francisco, 18 November 1999, lot 3072.


69JOSEPH FARQUHARSON RA (BRITISH, 1846-1935)When the West with evening glows signed and dated ‘J. Farquharson 1910’ (lower left) oil on canvas 25 x 36in (63.5 x 91.5cm)

US$100,000 - 150,000

Provenance Private collection, Wilmington, Delaware; Donated to the Episcopal Diocese of Delaware, around 1970. The present painting is another, slightly smaller, version of When the West with Evening Glows, exhibited at the Royal Academy in 1910 and presently in the collection of the Bristol Museum & Art Gallery. A smaller, preparatory work of this composition was sold at Sotheby’s, London, on 17 May 2011. The present work may have been painted at the request of a patron who would have been unable to purchase the primary version from the walls of the Royal Academy. Farquharson often copied his own paintings in order to satisfy his clients, or to provide an original for engravers tasked with the reproduction of a successful composition. Prints of winter scenes by Farquharson were highly popular and were sold by the thousands by Frost and Reed, who printed over thirty different engravings after his works. ‘There is not one of Farquharson’s pastoral landscapes which is not treated from the contemplative or poetic point of view: the poetry of snow either in its suggestion of desolation, or of the endurance of peasantry life, or the exquisite beauty of rare tints in the sun or moon on deep snow surfaces and seen through leafless trees... and the varied voices with which Nature elevates us from the prosaic, the commonplace and the ugly in her countless moods.’ (Archdeacon William Macdonald Sinclair, D.D., The Art of Joseph Farquharson, A.R.A.’, Christmas edition of The Art Annual, 1913, pp. 1-2)

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70WALTER BLACKMAN (AMERICAN, 1847-1928)The important question signed and dated ‘Walter Blackman 80’ (lower left) oil on canvas 22 x 40in (56 x 101.5cm)

US$4,000 - 6,000

Provenance Sale, Christie’s, New York, 27 September 1996, lot 70.

78 | BONHAMS

71JAMES READ (BRITISH, 19TH CENTURY)A favourable opportunity signed ‘J. Read’ (lower left) oil on canvas 12 x 9 1/8in (30.5 x 23cm)

US$4,000 - 6,000

Provenance Sale, Sotheby’s, London, 16 December 1987, lot 143; with Christopher Wood, London; Acquired from the above by the present owner, 1993. Exhibited London, Royal Academy, 1858, no. 554.


72JULIUS LEBLANC STEWART (1855-1919)Woman with Mara Bou Boa oil on canvas 22 x 18 1/4in (56 x 46.5cm)

US$12,000 - 18,000

Provenance Private collection, Stockholm, Sweden; with Hirschl & Adler Galleries, Inc., New York; Private collection, Columbus, Ohio, acquired from the above, 1981; Sale, DuMouchelles Art Galleries, Detroit, Michigan, 24 October, 1986, lot 975; Private collection, Grosse Pointe, Michigan. Private collection, by descent from the above.

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73ROBERT SAUBER (BRITISH, 1868-1936)A portrait of a lady in red dress oil on canvas 24 x 20in (61 x 51cm)

US$4,000 - 6,000

Provenance Sale, Phillips, London, 22 September, 1998, lot 93; Acquired from the above by the present owner.


74ALBERT LYNCH (PERUVIAN, 1851-1912)A young beauty signed ‘Albert Lynch’ (lower left) oil on canvas 18 x 22in (46 x 56cm)

US$10,000 - 15,000

82 | BONHAMS

75SIR WILLIAM RUSSELL FLINT, RA, PRWS (BRITISH, 1880-1969)Three damsels signed ‘W. Russell Flint’ (lower left); titled, numbered ‘1’ and signed (on verso) watercolor on board sight: 21 1/8 x 30in (53.5 x 76cm)

US$15,000 - 20,000

Provenance Private collection, Hudson, New York.



76MONTAGUE DAWSON (BRITISH, 1890-1973)At full sail on the high seas signed ‘Montague Dawson’ (lower left) oil on canvas 24 x 36in (61 x 91.5cm)

US$50,000 - 70,000

Provenance with Galerie Marumo, Paris;Acquired from the above by the present owner.

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PROPERTY FROM THE BARKER FAMILY TRUST, NORTHERN CALIFORNIA

77EDWARD SEAGO, RWS (BRITISH, 1910-1974)The Harbour, Honfleur, France signed ‘Edward Seago’ (lower left) and titled ‘The Harbour, Honfleur - France’ (on the reverse) oil on masonite 16 x 24in (40.8 x 61cm)

US$30,000 - 50,000

Provenance with Maxwell Galleries, San Francisco, California. Acquired from the above. The Barker Family Trust, Northern California.


78EDOUARD HENRI LEON CORTÈS (FRENCH, 1882-1969)Flower stalls at La Madeleine signed ‘Edouard Cortès’ (lower left) oil on canvas 13 x 18in (33 x 46cm)

US$15,000 - 20,000

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79EDOUARD HENRI LEON CORTÈS (FRENCH, 1882-1969)Les grands boulevards signed ‘Edouard Cortes’ (lower right) oil on canvas 19 x 25 3/4in (48 x 65.5cm)

US$15,000 - 20,000



80EDOUARD HENRI LEON CORTÈS (FRENCH, 1882-1969)A flower market at La Madeleine signed ‘Edouard Cortès’ (lower left) oil on canvas 20 X 26in (51 x 66cm)

US$20,000 - 30,000

Provenance with Galerie Marumo, Paris;Acquired from the above by the present owner.

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81EDOUARD LÉON CORTÈS (FRENCH, 1882-1969)La Place de la République signed ‘Edouard Cortès’ (lower right) oil on canvas 13 x 18in (33 x 46cm)

US$15,000 - 20,000




82EDOUARD HENRI LEON CORTÈS (FRENCH, 1882-1969)La Porte St. Denis en hiver signed ‘Edouard Cortès’ (lower right) oil on canvas 20 X 26in (51 x 66cm)

US$20,000 - 30,000

90 | BONHAMS

PROPERTY FROM THE GEORGE & VIRGINIA ABLAH ESTATE

83EDOUARD HENRI LEON CORTÈS (FRENCH, 1882-1969)La Porte St Martin signed ‘Edouard Cortes’ (lower left) oil on canvas 15 x 18in (38 x 46cm)

US$15,000 - 20,000


PROPERTY FROM THE ESTATE OF ALLAN C. MAYER

84 WMICHELE CASCELLA (1892-1989)A bouquet of Zinnias and Marigolds with Portofino Harbor signed ‘Michele Cascella’ (lower right); numbered ‘5’ (on the reverse) oil on canvas 40 x 32in (101.5 x 81cm)

US$8,000 - 12,000

Provenance with Galerie Juarez, Inc., Los Angeles, California.

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85 WMICHELE CASCELLA (1892-1989)A still life at a villa at Lago Bracciano signed ‘Michele Cascella’ (lower right) oil on canvas 40 1/4 x 60in (102 x 152cm)

US$7,000 - 9,000

Provenance Galerie Juarez, Los Angeles, California.



86MICHELE CASCELLA (1892-1989)A still life of flowers and lemons signed ‘Michele Cascella’ (lower left); numbered ‘2755’ (on the reverse) oil on canvas 36 x 24in (91.5 x 61cm)

US$6,000 - 8,000

Provenance with Galerie Juarez, Inc., Los Angeles, California.

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INDEX

Abbéma, Louise ..............................................................................22Ansdell, Richard ..............................................................................67Barbasán Lagueruela, Mariano ........................................................35Blackman, Walter ............................................................................70Bonheur, Auguste ............................................................................14Bonheur, Rosa .................................................................................16Bouvard, Antoine .............................................................................40British School (19th century) ............................................................66Brooke, Edward Adveno ..................................................................68Brownscombe, Jennie Augusta .......................................................11Calderon, Charles Clément ..............................................................38Carpentier, Evariste ..........................................................................24Cascella, Michele .................................................................84, 85, 86Cei, Cipriano ....................................................................................27Chmielinski, Wladyslaw ....................................................................53Coke, Alfred Sacheverel ...................................................................64Cole, George Vicat ..........................................................................58Comerre, Léon François ....................................................................2Cortès, Edouard Henri Leon .............................78, 79, 80, 81, 82, 83Czachorski, Ladislas Wladislaw von .................................................51Davis, Edward Thompson ................................................................57de Penne, Charles Olivier .................................................................15Delpy, Hippolyte Camille ..................................................................13Detti, Cesare Auguste ......................................................................30Diaz de la Peña, Narcisse Virgile ........................................................7Dubufe, Edouard-Marie-Guillaume .....................................................6Dupré, Julien ...................................................................................12Elsley, Arthur John ...........................................................................56Enjolras, Delphin ............................................................................3, 4Fantin-Latour, Henri ...........................................................................8Farquharson, Joseph .......................................................................69Flint,, William Russell .......................................................................75Gasté, Constant Georges ................................................................34German School ...............................................................................42Groeber, Paul A. ..............................................................................52Heilbuth, Ferdinand .........................................................................17Hezier, George C. ............................................................................55Iser, Iosif ..........................................................................................50Jacquet, Gustave Jean ......................................................................1Kaercher, Amalie ..............................................................................41Knight, Louis Aston .....................................................................9, 10Leighton, Edmund Blair ...................................................................63Lynch, Albert ...................................................................................74Lynde, Raymond .............................................................................60Mantegazza, Giacomo .....................................................................28Marais-Milton, Victor ........................................................................18

Massani, Pompeo ............................................................................31Meissonier, Jean Louis Ernest ..........................................................20Moeller, Louis Charles ......................................................................62Moes, Wally (Walburga Wilhelmina) ..................................................44Munier, Emile ...................................................................................23Pedersen, Hugo Vilfred ....................................................................39Pellet, Alphonse .................................................................................5Philippeau, Karel Frans ....................................................................43Poynter, Sir Edward John ................................................................65Read, James ...................................................................................71Ricci, Pio .........................................................................................29Rosati, Giulio ...................................................................................32Sauber, Robert ................................................................................73Schelfhout, Andreas ........................................................................45Schwarz, Franz Wenzel ...................................................................48Seago, Edward ................................................................................77Seignac, Guillaume ..........................................................................25Signorini, Giuseppe .........................................................................19Snowman, Isaac ..............................................................................59Stewart, Julius LeBlanc ...................................................................72Tornai, Gyula ...................................................................................49Toulmouche, Auguste ......................................................................21Trood, William Henry Hamilton .........................................................54Unterberger, Franz Richard ..............................................................47Verboeckhoven, Eugène ..................................................................46Weeks, Edwin Lord ..........................................................................33Wingfield, James Digman ................................................................61Zampighi, Eugenio ...........................................................................26Ziem, Félix François Georges Philibert .............................................37

The following Conditions of Sale, as amended by any published or posted notices or verbal announcements during the sale, constitute the entire terms and conditions on which property listed in the catalog shall be offered for sale or sold by Bonhams & Butterfields Auctioneers Corp. and any consignor of such property for whom we act as agent. If live online bidding is available for the subject auction, additional terms and conditions of sale relating to online bidding will apply; see www.bonhams.com/WebTerms for the supplemental terms. As used herein, “Bonhams,” “we” and “us” refer to Bonhams & Butterfields Auctioneers Corp.

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To the fullest extent permitted by applicable law: The purchaser grants us a security interest in the property, and we may retain as collateral security for the purchaser’s obligations to us, any property and all monies held or received by us for the account of the purchaser, in our possession. We also retain all rights of a secured party under the California Commercial Code. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to all other remedies available to us and the consignor by law, we may at our election: (a) hold the purchaser liable for the full purchase price and any late charges, collection costs, attorneys’ fees and costs, expenses and incidental damages incurred by us or the consignor arising out of the purchaser’s breach; (b) cancel the sale, retaining as liquidated damages all payments made by the purchaser; and/or (c) cancel the sale and/or resell the purchased property, at public auction and/or by private

sale, and in such event the purchaser shall be liable for the payment of all consequential damages, including any deficiencies or monetary losses, and all costs and expenses of such sale or sales, our commissions at our standard rates, all other charges due hereunder, all late charges, collection costs, attorneys’ fees and costs, expenses and incidental damages. In addition, where two or more amounts are owed in respect of different transactions by the purchaser to us, to Bonhams 1793 Limited and/or to any of our other affiliates, subsidiaries or parent companies worldwide within the Bonhams Group, we reserve the right to apply any monies paid in respect of a transaction to discharge any amount owed by the purchaser. If all fees, commissions, premiums, bid prices and other sums due to us from the purchaser are not paid promptly as provided in these Conditions of Sale, we reserve the right to impose a finance charge equal to 1.5% per month (or, if lower, the maximum nonusurious rate of interest permitted by applicable law), on all amounts due to us beginning on the 31st day following the sale until payment is received, in addition to other remedies available to us by law.

3. We reserve the right to withdraw any property and to divide and combine lots at any time before such property’s auction. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalog and no lots shall be divided or combined for sale.

4. We reserve the right to reject a bid from any bidder, to split any bidding increment, and to advance the bidding in any manner the auctioneer may decide. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects.

5. If we are prevented by fire, theft or any other reason whatsoever from delivering any property to the purchaser or a sale otherwise cannot be completed, our liability shall be limited to the sum actually paid therefor by the purchaser and shall in no event include any compensatory, incidental or consequential damages.

6. If a lot is offered subject to a reserve, we may implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If we have an interest in an offered lot and the proceeds therefrom other than our commissions, we may bid therefor to protect such interest. CONSIGNORS ARE NOT ALLOWED TO BID ON THEIR OWN ITEMS.

7. All statements contained in the catalog or in any bill of sale, condition report, invoice or elsewhere as to authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition and literature of historical relevance, or physical condition ARE QUALIFIED STATEMENTS OF OPINION AND NOT REPRESENTATIONS OR WARRANTIES. No employee or agent of Bonhams is authorized to make on our behalf or on that of the consignor any representation or warranty, oral or written, with respect to any property.

8. All purchased property shall be removed from the premises at which the sale is conducted by the date(s) and time(s) set forth in the “Buyer’s Guide” portion of the catalog. If not so removed, daily storage fees will be payable to us by the purchaser as set forth therein. We reserve the right to transfer property not so removed to an offsite warehouse at the purchaser’s risk and expense, as set forth in more detail in the “Buyer’s Guide.” Accounts must be settled in full before property will be released. Packing and handling of purchased lots are the responsibility of the purchaser. Bonhams can provide packing and shipping services for certain items as noted in the “Buyer’s Guide” section of the catalog.

9. The copyright in the text of the catalog and the photographs, digital images and illustrations of lots in the catalog belong to Bonhams or its licensors. You will not reproduce or permit anyone else to reproduce such text, photographs, digital images or illustrations without our prior written consent.

10. These Conditions of Sale shall bind the successors and assigns of all bidders and purchasers and inure to the benefit of our successors and assigns. No waiver, amendment or modification of the terms hereof (other than posted notices or oral announcements during the sale) shall bind us unless specifically stated in writing and signed by us. If any part of these Conditions of Sale is for any reason invalid or unenforceable, the rest shall remain valid and enforceable.

11. These Conditions of Sale and the purchaser’s and our respective rights and obligations hereunder are governed by the laws of the State of California. By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy or claim arising out of or relating to this agreement, or the breach, termination or validity thereof, brought by or against Bonhams (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the procedures set forth below.

SALES AND USE TAX

New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property collected or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Purchasers who make direct arrangements for collection by a shipper who is considered a “private” or “contract” carrier by the New York Department of Taxation and Finance will be charged New York sales tax, regardless of the destination of the property. Property collected for delivery to a destination outside of New York by a shipper who is considered a “common carrier” by the New York Department of Taxation and Finance (e.g. United States Postal Service, United Parcel Service, and FedEx) is not subject to New York sales tax, but if it is delivered into any state in which Bonhams is registered or otherwise conducts business sufficient to establish a nexus, Bonhams may be required by law to collect and remit the appropriate sales tax in effect in such state. Property collected for delivery outside of the United States by a freight-forwarder who is registered with the Transportation Security Administration (“TSA”) is not subject to New York sales tax.

MEDIATION AND ARBITRATION PROCEDURES

(a) Within 30 days of written notice that there is a dispute, the parties or their authorized and empowered representatives shall meet by telephone and/or in person to mediate their differences. If the parties agree, a mutually acceptable mediator shall be selected and the parties will equally share such mediator’s fees. The mediator shall be a retired judge or an attorney familiar with commercial law and trained in or qualified by experience in handling mediations. Any communications made during the mediation process shall not be admissible in any subsequent arbitration, mediation or judicial proceeding. All proceedings and any resolutions thereof shall be confidential, and the terms governing arbitration set forth in paragraph (c) below shall govern.

(b) If mediation does not resolve all disputes between the parties, or in any event no longer than 60 days after receipt of the written notice of dispute referred to above, the parties shall submit the dispute for binding arbitration before a single neutral arbitrator. Such arbitrator shall be a retired judge or an attorney familiar with commercial law and trained in or qualified by experience in handling arbitrations. Such arbitrator shall make all appropriate disclosures required by law. The arbitrator shall be drawn from a panel of a national arbitration service agreed to by the parties, and shall be selected as follows: (i) If the national arbitration service has specific rules or procedures, those rules or procedures shall be followed; (ii) If the national arbitration service does not

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have rules or procedures for the selection of an arbitrator, the arbitrator shall be an individual jointly agreed to by the parties. If the parties cannot agree on a national arbitration service, the arbitration shall be conducted by the American Arbitration Association, and the arbitrator shall be selected in accordance with the Rules of the American Arbitration Association. The arbitrator’s award shall be in writing and shall set forth findings of fact and legal conclusions.

(c) Unless otherwise agreed to by the parties or provided by the published rules of the national arbitration service:

(i) the arbitration shall occur within 60 days following the selection of the arbitrator;

(ii) the arbitration shall be conducted in the designated location, as follows: (A) in any case in which the subject auction by Bonhams took place or was scheduled to take place in the State of New York or Connecticut or the Commonwealth of Massachusetts, the arbitration shall take place in New York City, New York; (B) in all other cases, the arbitration shall take place in the city of San Francisco, California; and

(iii) discovery and the procedure for the arbitration shall be as follows:

(A) All arbitration proceedings shall be confidential;

(B) The parties shall submit written briefs to the arbitrator no later than 15 days before the arbitration commences;

(C) Discovery, if any, shall be limited as follows: (I) Requests for no more than 10 categories of documents, to be provided to the requesting party within 14 days of written request therefor; (II) No more than two (2) depositions per party, provided however, the deposition(s) are to be completed within one (1) day; (III) Compliance with the above shall be enforced by the arbitrator in accordance with California law;

(D) Each party shall have no longer than eight (8) hours to present its position. The entire hearing before the arbitrator shall not take longer than three (3) consecutive days;

(E) The award shall be made in writing no more than 30 days following the end of the proceeding. Judgment upon the award rendered by the arbitrator may be entered by any court having jurisdiction thereof.

To the fullest extent permitted by law, and except as

required by applicable arbitration rules, each party shall bear its own attorneys’ fees and costs in connection with the proceedings and shall share equally the fees and expenses of the arbitrator.

LIMITED RIGHT OF RESCISSION

If within one (1) year from the date of sale, the original purchaser (a) gives written notice to us alleging that the identification of Authorship (as defined below) of such lot as set forth in the BOLD TYPE heading of the catalog description of such lot (as amended by any saleroom notices or verbal announcements during the sale) is not substantially correct based on a fair reading of the catalog (including the terms of any glossary contained therein), and (b) within 10 days after such notice returns the lot to us in the same condition as at the time of sale, and (c) establishes the allegation in the notice to our satisfaction (including by providing one or more written opinions by recognized experts in the field, as we may reasonably require), then the sale of such lot will be rescinded and, unless we have already paid to the consignor monies owed him in connection with the sale, the original purchase price will be refunded.

If, prior to receiving such notice from the original purchaser alleging such defect, we have paid the consignor monies owed him in connection with the sale, we shall pay the original purchaser the amount of our commissions, any other sale proceeds to which we are entitled and applicable taxes received from the purchaser on the sale and make demand on the consignor to pay the balance of the original purchase price to the original purchaser. Should the consignor fail to pay such amount promptly, we may disclose the identity of the consignor and assign to the original purchaser our rights against the consignor with respect to the lot the sale of which is sought to be rescinded. Upon such disclosure and assignment, any liability of Bonhams as consignor’s agent with respect to said lot shall automatically terminate.

The foregoing limited right of rescission is available to the original purchaser only and may not be assigned to or relied upon by any subsequent transferee of the property sold. The purchaser hereby accepts the benefit of the consignor’s warranty of title and other representations and warranties made by the consignor for the purchaser’s benefit. Nothing in this section shall be construed as an admission by us of any representation of fact, express or implied, obligation or responsibility with respect to any lot. THE PURCHASER’S SOLE AND

EXCLUSIVE REMEDY AGAINST BONHAMS FOR ANY REASON WHATSOEVER IS THE LIMITED RIGHT OF RESCISSION DESCRIBED IN THIS SECTION.

“Authorship” means only the identity of the creator, the period, culture and source or origin of the lot, as the case may be, as set forth in the BOLD TYPE heading of the print catalog entry. The right of rescission does not extend to: (a) works of art executed before 1870 (unless these works are determined to be counterfeits created since 1870), as this is a matter of current scholarly opinion which can change; (b) titles, descriptions, or other identification of offered lots, which information normally appears in lower case type below the BOLD TYPE heading identifying the Authorship; (c) Authorship of any lot where it was specifically mentioned that there exists a conflict of specialist or scholarly opinion regarding the Authorship of the lot at the time of sale; (d) Authorship of any lot which as of the date of sale was in accordance with the then generally-accepted opinion of scholars and specialists regarding the same; or (e) the identification of periods or dates of creation in catalog descriptions which may be proven inaccurate by means of scientific processes that are not generally accepted for use until after publication of the catalog in which the property is offered or that were unreasonably expensive or impractical to use at the time of such publication.

LIMITATION OF LIABILITY

EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL PROPERTY IS SOLD “AS IS.” NEITHER BONHAMS NOR THE CONSIGNOR MAKES ANY REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIED, AS TO THE MERCHANTABILITY, FITNESS OR CONDITION OF THE PROPERTY OR AS TO THE CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE OR PERIOD OF THE PROPERTY OR AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS OR OTHER RESIDUAL RIGHTS OF THE ARTIST. THE PURCHASER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL BONHAMS BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY COMPENSATORY, INCIDENTAL OR CONSEQUENTIAL DAMAGES.

as “photo auction estimate”. Alternatively, you can submit your request using our online form at www.bonhams.com/us. Digital images may be attached to the form. Please limit your images to no more than five (5) per item.

CONSIGNING YOUR PROPERTY

After you receive an estimate, you may consign your property to us for sale in the next appropriate auction. Our staff assists you throughout the process, arranging transportation of your items to our galleries (at the consignor’s expense), providing a detailed inventory of your consignment, and reporting the prices realized for each lot. We provide secure storage for your property in our warehouses and all items are insured throughout the auction process. You will receive payment for your property approximately 35 days after completion of sale.

Sales commissions vary with the potential auction value of the property and the particular auction in which the property is offered. Please call us for commission rates.

PROFESSIONAL APPRAISAL SERVICES

Bonhams’ specialists conduct insurance and fair market value appraisals for private collectors, corporations, museums, fiduciaries and government entities on a daily basis. Insurance appraisals, used for insurance purposes, reflect the cost of replacing property in today’s retail market. Fair market value appraisals are used for estate,

tax and family division purposes and reflect prices paid by a willing buyer to a willing seller.

When we conduct a private appraisal, our specialists will prepare a thorough inventory listing of all your appraised property by category. Valuations, complete descriptions and locations of items are included in the documentation.

Appraisal fees vary according to the nature of the collection, the amount of work involved, the travel distance, and whether the property is subsequently consigned for auction.

Our appraisers are available to help you anywhere and at any time. Please call our Client Services Department to schedule an appraisal.

ESTATE SERVICES

Since 1865, Bonhams has been serving the needs of fiduciaries – lawyers, trust officers, accountants and executors – in the disposition of large and small estates. Our services are specially designed to aid in the efficient appraisal and disposition of fine art, antiques, jewelry, and collectibles. We offer a full range of estate services, ranging from flexible financial terms to tailored accounting for heirs and their agents to world-class marketing and sales support.

For more information or to obtain a detailed Trust and Estates package, please visit our website at www.bonhams.com/us or contact our Client Services Department.

SELLING AT AUCTION

Bonhams can help you every step of the way when you are ready to sell art, antiques and collectible items at auction. Our regional offices and representatives throughout the US are available to service all of your needs. Should you have any further questions, please visit our website at www.bonhams.com/us for more information or call our Client Services Department at +1 (212) 644 9001.

AUCTION ESTIMATES

The first step in the auction process is to determine the auction value of your property. Bonhams’ world-renowned specialists will evaluate your special items at no charge and in complete confidence. You can obtain an auction estimate in many ways:

• Attend one of our Auction Appraisal Events held regularly at our galleries and in other major metropolitan areas. The updated schedule for Bonhams Auction Appraisal Events is available at www.bonhams.com/us.

• Call our Client Services Department to schedule a private appointment at one of our galleries. If you have a large collection, our specialists can travel, by appointment, to evaluate your property on site.

• Send clear photographs to us of each individual item, including item dimensions and other pertinent information with each picture. Photos should be sent to Bonhams’ address in envelopes marked

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BIDDING & BUYING AT AUCTIONWhether you are an experienced bidder or an enthusiastic novice, auctions provide a stimulating atmosphere unlike any other. Bonhams previews and sales are free and open to the public. As you will find in these directions, bidding and buying at auction is easy and exciting. Should you have any further questions, please visit our website at www.bonhams.com or call our Client Services Department at +1 (212) 644 9001.

CatalogsBefore each auction we publish illustrated catalogs. Our catalogs provide descriptions and estimated values for each “lot.” A lot may refer to a single item or to a group of items auctioned together. The catalogs also include the dates and the times for the previews and auctions. We offer our catalogs by subscription or by single copy. For information on subscribing to our catalogs, you may refer to the subscription form in this catalog, call our Client Services Department, or visit our website at www.bonhams.com/us.

PreviewsAuction previews are your chance to inspect each lot prior to the auction. We encourage you to look closely and examine each object on which you may want to bid so that you will know as much as possible about it. Except as expressly set forth in the Conditions of Sale, items are sold “as is” and with all faults; illustrations in our catalogs, website and other materials are provided for identification only. At the previews, our staff is always available to answer your questions and guide you through the auction process. Condition reports may be available upon request.

EstimatesBonhams catalogs include low and high value estimates for each lot, exclusive of the buyer’s premium and tax. The estimates are provided as an approximate guide to current market value based primarily on previous auction results for comparable pieces, and should not be interpreted as a representation or prediction of actual selling prices. They are determined well in advance of a sale and are subject to revision. Please contact us should you have any questions about value estimates.

ReservesUnless indicated by the ¤ symbol next to the lot number, which denotes no reserve, all lots in the catalog are subject to a reserve. The reserve is the minimum auction price that the consignor is willing to accept for a lot. This amount is confidential and does not exceed the low estimate value.

Auction House’s Interest in Property Offered at AuctionOn occasion, Bonhams may offer property in which it has an ownership interest in whole or in part or otherwise has an economic interest. Such property, if any, is identified in the catalog with a symbol next to the lot number(s).

Bonhams may also offer property for a consignor that has been guaranteed a minimum price for its property by Bonhams or jointly by Bonhams and a third party. Bonhams and any third parties providing a guarantee may benefit financially if the guaranteed property is sold successfully and may incur a financial loss if its sale is not successful. Such property, if any, is identified in the catalog with a symbol next to the lot number(s).

Bidding at AuctionAt Bonhams, you can bid in many ways: in person, via absentee bid, over the phone, or via Bonhams’ live online bidding facility. Absentee bids can be submitted in person, online, via fax or via email.

Valid Bonhams client accounts are required to participate in bidding activity. You can obtain registration information online, at the reception desk or by calling our Client Services Department.

By bidding at auction, whether in person or by agent, by absentee bid, telephone, online or other means, the buyer or bidder agrees to be bound by the Conditions of Sale.

Lots are auctioned in consecutive numerical order as they appear in the catalog. Bidding normally begins below the low estimate. The auctioneer will accept bids from interested parties present in the saleroom, from telephone bidders, and

from absentee bidders who have left written bids in advance of the sale. The auctioneer may also execute bids on behalf of the consignor by placing responsive or consecutive bids for a lot up to the amount of the reserve, but never above it.

We assume no responsibility for failure to execute bids for any reason whatsoever.

In PersonIf you are planning to bid at auction for the first time, you will need to register at the reception desk in order to receive a numbered bid card. To place a bid, hold up your card so that the auctioneer can clearly see it. Decide on the maximum auction price that you wish to pay, exclusive of buyer’s premium and tax, and continue bidding until your bid prevails or you reach your limit. If you are the successful bidder on a lot, the auctioneer will acknowledge your paddle number and bid amount.

Absentee BidsAs a service to those wishing to place bids, we may at our discretion accept bids without charge in advance of auction online or in writing on bidding forms available from us. “Buy” bids will not be accepted; all bids must state the highest bid price the bidder is willing to pay. Our auction staff will try to bid just as you would, with the goal of obtaining the item at the lowest bid price possible. In the event identical bids are submitted, the earliest bid submitted will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve, and bids from other auction participants. A friend or agent may place bids on your behalf, provided that we have received your written authorization prior to the sale. Absentee bid forms are available in our catalogs, online at www.bonhams.com/us, at offsite auction locations, and at our San Francisco, Los Angeles and New York galleries.

By Telephone Under special circumstances, we can arrange for you to bid by telephone. To arrange for a telephone bid, please contact our Client Services Department a minimum of 24 hours prior to the sale.

OnlineWe offer live online bidding for most auctions and accept absentee bids online for all our auctions. Please visit www.bonhams.com/us for details.

Bid IncrementsBonhams generally uses the following increment multiples as bidding progresses:$50-200 .............................................by $10s $200-500 ...........................................by $20/50/80s $500-1,000 ........................................by $50s $1,000-2,000.....................................by $100s $2,000-5,000.....................................by $200/500/800s $5,000-10,000… ...............................by $500s $10,000-20,000 ................................by $1,000s $20,000-50,000 ................................by $2,000/5,000/8,000s $50,000-100,000 ..............................by $5,000s $100,000-200,000 ............................by $10,000s above $200,000 ................................at auctioneer’s discretion

The auctioneer may split or reject any bid at any time at his or her discretion as outlined in the Conditions of Sale.

Currency Converter Solely for the convenience of bidders, a currency converter may be provided at Bonhams’ auctions. The rates quoted for conversion of other currencies to U.S. Dollars are indications only and should not be relied upon by a bidder, and neither Bonhams nor its agents shall be responsible for any errors or omissions in the operation or accuracy of the currency converter.

Buyer’s Premium A buyer’s premium is added to the winning bid price of each individual lot purchased, at the rates set forth in the Conditions of Sale. The winning bid price plus the premium constitute the purchase price for the lot. Applicable sales taxes are computed based on this figure, and the total becomes your final purchase price.

Unless specifically illustrated and noted, fine art frames are not included in the estimate or purchase price. Bonhams accepts no liability for damage or loss to frames during storage or shipment.

All sales are final and subject to the Conditions of Sale found in our catalogs, on our website, and available at the reception desk.

Payment All buyers are asked to pay and pick up by 3pm on the business day following the auction. Payment may be made to Bonhams by cash, checks drawn on a U.S. bank, money order, wire transfer, or by Visa, MasterCard, American Express or Discover credit or charge card or debit card. All items must be paid for within 5 business days of the sale. Please note that payment by personal or business check may result in property not being released until purchase funds clear our bank. For payments sent by mail, please remit to Cashier Department, 220 San Bruno Avenue, San Francisco, CA 94103.

Sales TaxResidents of states listed in Paragraph 1 of the Conditions of Sale must pay applicable sales tax. Other state or local taxes (or compensation use taxes) may apply. Sales tax will be automatically added to the invoice unless a valid resale number has been furnished or the property is shipped via common carrier to destinations outside the states listed in the Conditions of Sale. If you wish to use your resale license please contact Cashiers for our form.

Shipping & RemovalBonhams can accommodate shipping for certain items. Please contact our Cashiers Department for more information or to obtain a quote. Carriers are not permitted to deliver to PO boxes. International buyers are responsible for all import/export customs duties and taxes. An invoice stating the actual purchase price will accompany all international purchases.

Collection of PurchasesPlease arrange for the packing and transport of your purchases prior to collection at our office. If you are sending a third party shipper, please request a release form from us and return it to +1 (212) 644 9009 prior to your scheduled pickup. To schedule collection of purchases, please call +1 (212) 644 9001.

Handling and Storage ChargesPlease not that our office has requirement for freight elevator usage. please contact us to schedule an elevator appointment for pickup of any large or awkward items. Bonhams will hold all purchased lots in our galleries until 5pm Wednesday 2 May without penalty. After Wednesday 2 May oversized lots (noted as W next to the lot number and/or listed on page 100) will be sent to Door To Door Services where transfer and full value protection fees will be immediately applicable. Storage charges will begin accruing for any lots not collected within 5 business days of the date of auction. All other sold lot will be retained in Bonhams Gallery until Wednesday 23 May without penalty provided however that if buyers of oversized lots also buy other non listed lots these other lots will also be sent to Door To Door where Transfer and full value protection fees will be immediately applicable. Collection of lots will be by appointment only. Please call +1 (212) 644 9001 at least 24 hours in advance to make an appointment.

Storage charges of $5 per lot, per day will begin accruing for any lots not collected within 14 calendar days. Bonhams Reserve the right to remove uncollected sold lots to the warehouse of our choice at the buyer’s risk and expense. further transfer handling, storage and full value protection fees will apply if move to a warehouse of our choice.

Auction ResultsAll you need is a touch-tone telephone and the lot number. Auction results are usually available on the next business day following the sale or online at www.bonhams.com/us.

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IMPORTANT NOTICE TO BUYERS

COLLECTION & STORAGE AFTER SALE

Please note that all oversized lots listed below, that are not collected by BY 5PM WEDNESDAY 2 MAY will be removed to the warehouse of Door To Door Services herein referred to as Door To Door. Lots not so listed will remain at Bonhams; provided, however, THAT IF BUYERS OF LISTED LOTS ALSO BUY OTHER NON-LISTED ITEMS, THESE OTHER LOTS WILL ALSO BE REMOVED TO THE WAREHOUSE OF DOOR TO DOOR, so that all lots remain together and buyers can collect their entire purchases from one location. For any questions please refer to the Bonhams department.

LOTS WILL BE AVAILABLE FOR COLLEC-TION FROM DOOR TO DOOR BEGINNING AT 9AM ET ON FRIDAY 4 MAY

AddressDoor To Door Services 50 Tannery Rd Somerville, NJ 08876

Lots will be available for collection 24hrs following transfer to Door To Door every business day from 9.30am to 4.30pm ET.

Collections appointments must be booked 24 hours in advance (subject to full payment of all outstanding amounts due to Bonhams and Door To Door) by contacting Door To Door at1-908-707-0077 ext 2070.

HANDLING & STORAGE CHARGES

Please note: For sold lots removed to Door To Door there will be transfer and insurance charges but no storage charge due for lots collected by Wednes-day 9 May. For sold lots that remain at Bonhams, there will be no storage charge for lots collected within 21 days of the sale date.

The per-lot charges levied by Door To Door Services are as follows (plus any applicable sales tax):

FURNITURE/LARGE OBJECTSTransfer .................. $75Daily storage ........... $10Insurance (on Hammer + Premium + tax) 0.3%

SMALL OBJECTSTransfer ................. $37.50Daily storage ........... $5Insurance (on Hammer + Premium + tax) 0.3%

Please contact contact Michael Van Dyke at Door To Door +1 908 707 0077 ext 2070+1 908 707 0011 (fax)[email protected]

For more information and estimates on domestic and International shipping Please contact Michael Van Dyke at Door To Door +1 908 707 0077 ext 2070+1 908 707 0011 (fax)[email protected]

PAYMENT

All amounts due to Bonhams and all charges due to Door To Door Services must be paid by the time of collection of the property from their warehouse.

TO MAKE PAYMENT IN ADVANCETelephone +1 (908) 707 0077 ext 2070 to ascertain the amount due, payable by cash, check, or credit card.

PAYMENT AT TIME OF COLLECTIONMay be made by cash, check, or credit card.

Lots will only be released from Door To Door’s warehouse upon production of the “Collection Slip” obtained from the Cashier’s office at Bonhams.

The removal and/or storage by Door To Door of any lots will be subject to their standard Condi-tions of Business, copies of which are available at Bonhams.

PLEASE NOTE Door To Door does not accept liability for damage or loss, due to negligence or otherwise, exceeding the sale price of such goods, or at their option the cost of repairing or replacing the damaged or missing goods.

Door To Door reserves a lien over all goods in their possession for payment of storage and all other charges due them.

GLOSSARY

TYPICAL HEADINGS USED IN THE CATALOGThe following are examples of the terminology used in the catalog. While every reasonable effort has been made to ensure that the statements made in the catalog are correct, all statements and terms in this catalog are subject to the provisions of the Conditions of Sale and the Galleries and Consignors make no warranties or representations with respect to any lot.

Unless specifically illustrated and noted, fine art frames are not included in the estimate or purchase price. Bonhams accepts no liability for damage or loss to frames during storage or shipment.

AUTHORSHIP(ARTIST)This is our highest category of authenticity and, as such, indicates that the work, in our best judgment, is by the named artist. (No unqualified statement as to authorship is made or intended.)

ATTRIBUTED TO (ARTIST)In our best judgment a work of the period and in the style of the artist; may be the work of the artist, in whole or in part, but less certainty of authorship than in the preceding category.

STUDIO OF (ARTIST)In our best judgment a work by an unknown hand working in the artist’s studio.

CIRCLE OF (ARTIST)In our best judgment a work of the period of the artist and closely related to the artist’s style.

FOLLOWER OF (ARTIST)In our best judgment a work by an artist working in the artist’s style, in his lifetime or shortly thereafter.

MANNER OF (ARTIST)In our best judgment a work in the style of the artist, possibly of a later date.

AFTER (ARTIST)In our best judgment a copy of the known work by the artist.

TITLEIf there is a generally accepted title of the lot, that title is given at the beginning of the description. If the work does not have a title or the title is not known to us, a descriptive title is given.

SIGNATURESIGNEDThe signature is, in our opinion, the signature of the artist.

BEARS SIGNATUREHas a signature which, in our opinion, might be the signature of the artist.The signature, inscriptions and dates are transcribed in print as they appear.

CONDITIONSNo statement is implied or intended regarding the imperfections or general condition of a work. If you have questions on the condition of a work, the appropriate department would be glad to provide its opinion, but all works are sold as viewed.

Bonhams and the Seller assume no risk or responsibility for the authenticity of authorship of lots executed before 1870.

Unless specifically illustrated and noted, fine art frames are not included in the estimate or purchase price. Bonhams accepts no liability for damage or loss to frames during storage or shipment. Pictures are framed unless otherwise stated.

Dimensions are given height before width.

ailable

OFFICERSMalcolm Barber Co-Chairman

Matthew Girling Chief Executive Officer

Laura King Pfaff • Chairman Emeritus

Leslie Wright Vice President, Trusts and Estates

Jon King Vice President, Business Development

Vice Presidents, Specialists Rupert Banner Mark Fisher Dessa Goddard Jakob Greisen Bruce MacLaren Scot Levitt Mark Osborne Brooke Sivo Catherine Williamson

REPRESENTATIVES Arizona Terri Adrian-Hardy, (602) 859 1843

California David Daniel (916) 364 1645, Central Valley

California Brooke Sivo (760) 350 4255, Palm Springs (323) 436 5420, San Diego

ColoradoLance Vigil(720) 355 3737, [email protected]

Florida Jon King (561) 651 7876, Palm Beach (305) 228 6600, Miami (954) 566 1630, Ft. Lauderdale

Georgia Mary Moore Bethea, (470) 393 7322 •

Illinois Ricki Harris (773) 267 3300, (773) 680 2881

Massachusetts/New England Amy Corcoran, (617) 742 0909

Nevada David Daniel, (775) 831 0330

Oregon and Idaho Sheryl Acheson, (971) 727 7797

Texas, Oklahoma and Louisiana Amy Lawch, (713) 621 5988 •

Virginia and Washington DC Gertraud Hechl, (202) 422 2733 •

Washington Heather O’Mahony, (206) 566 3913

Canada, Toronto, Ontario Kristin Hayashi, (416) 462 3741 •

Montreal, Quebec David Kelsey, (514) 894 1138 •

BONHAMS *LOS ANGELES DEPARTMENTS7601 W. Sunset BoulevardLos Angeles California 90046(323) 850 7500

20th Century Decorative Arts Angela Past, (323) 436 5422Jason Stein, (323) 436 5466

20th Century Fine Art Alexis Chompaisal, (323) 436 5469

African, Oceanic & Pre-Columbian Art Fredric W. Backlar, (323) 436 5416 •

Books & Manuscripts Catherine Williamson, (323) 436 5442

Coins & Banknotes Paul Song, (323) 436 5455

Contemporary Art Dane Jensen, (323) 436 5451

Entertainment Memorabilia Catherine Williamson, (323) 436 5442 Dana Hawkes, (978) 283 1518

Furniture, Decorative Arts & Ceramics Andrew Jones, (323) 436 5432Jennifer Kurtz, (323) 436 5478

Jewelry & Watches Dana Ehrman, (323) 436 5407Alexis Vourvoulis, (323) 436 5483

Collectors’ Motorcars & Motorcycles Andrew Barrett, (323) 436 5450

Photographs & Prints Morisa Rosenberg, (323) 436 5435

Natural History Thomas E. Lindgren, (310) 469 8567 •Claudia Florian, G.J.G., (323) 436 5437 •

California & Western Paintings & Sculpture Scot Levitt, (323) 436 5425Kathy Wong, (323) 436 5415

European Paintings Mark Fisher, (323) 436 5488

Silver Aileen Ward, (323) 436 5463

Trusts & Estates Leslie Wright, (323) 436 5408 Joseph Francaviglia, (323) 436 5443

CONTACTSBONHAMS *SAN FRANCISCO DEPARTMENTS220 San Bruno AvenueSan Francisco California 94103(415) 861 7500

20th Century Fine ArtDane Jensen, (323) 436 5451

Arms & ArmorPaul Carella, (415) 503 3360

Asian Works of ArtDessa Goddard, (415) 503 3333

Books & ManuscriptsAdam Stackhouse, (415) 503 3266

Chinese Works of ArtDaniel Herskee, (415) 503 3271

Jewelry & WatchesShannon Beck, (415) 503 3306

Collectors’ Motorcars & MotorcyclesMark Osborne, (415) 503 3353Jakob Greisen, (415) 503 3284

Museum ServicesLaura King Pfaff, (415) 503 3210

Native American ArtIngmars Lindbergs, (415) 503 3393

California & Western Paintings & Sculpture Aaron Bastian, (415) 503 3241Christine Skinner, (415) 503 3400

Photographs & PrintsMorisa Rosenberg, (323) 436 5435

Space HistoryAdam Stackhouse, (415) 503 3266

Trusts & EstatesVictoria Richardson, (415) 503 3207Celeste Smith, (415) 503 3214

WineErin McGrath, (415) 503 3319

BONHAMS *NEW YORK DEPARTMENTS 580 Madison Avenue New York, New York 10022 (212) 644 9001

Books & Manuscripts Ian Ehling, (212) 644 9094Darren Sutherland, (212) 461 6531

Chinese Works of Art & Paintings Bruce MacLaren, (917) 206 1677 Ming Hua, (646) 837 8132

Collectors’ Motorcars & Motorcycles Rupert Banner, (212) 461 6515 Eric Minoff, (917) 206 1630Evan Ide, (917) 340 4657Michael Caimano, (917) 206 1615

Fine Art

American Jennifer Jacobsen, (917) 206 1699 Elizabeth Goodridge, (917) 206 1621

Contemporary Jeremy Goldsmith, (917) 206 1656 Megan Murphy, (212) 644 9020 European Paintings Madalina Lazen, (212) 644 9108

Impressionist & Modern Nathania Nisonson, (917) 206 1617

Himalayan Art Mark Rasmussen, (917) 206 1688

Japanese Works of Art Jeff Olson, (212) 461 6516

Jewelry Caroline Morrissey, (212) 644 9046Camille Barbier, (212) 644 9035

Modern Decorative Arts & Design Benjamin Walker, (212) 710 1306Dan Tolson, (917) 206 1611

Photographs & PrintsDeborah Ripley, (212) 644 9059Laura Paterson, (917) 206 1653

Russian Fine & Decorative Arts Yelena Harbick, (212) 644 9136

Trusts & Estates Sherri Cohen, (917) 206 1671

Watches & Clocks Jonathan Snellenburg, (212) 461 6530

CLIENT SERVICES DEPARTMENTSan Francisco (415) 861 7500 (415) 861 8951 faxMonday - Friday, 9am to 5pm Los Angeles (323) 850 7500 (323) 850 6090 faxMonday - Friday, 9am to 5pm

New York (212) 644 9001 (212) 644 9009 faxMonday - Friday, 9am to 5pmToll Free (800) 223 2854

The following information is recorded and available 24 hours a day, 7 days a week, through our telephone system: - Auction and Preview Information - Directions to Bonhams’s salesrooms - Automated Auction Results

* Indicates saleroom • Indicates independent contractor

CON/04/18

Caitlin Pickens, (917) 206 1617

General Notice: This sale will be conducted in accordance with Bonhams Conditions of Sale, and your bidding and buying at the sale will be governed by such terms and conditions. Please read the Conditions of Sale in conjunction with the Buyer’s Guide relating to this sale and other published notices and terms relating to bidding.Payment by personal or business check may result in your property not being released until purchase funds clear our bank. Checks must be drawn on a U.S. bank.

Notice to Absentee Bidders: In the table below, please provide details of the lots on which you wish to place bids at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Buyer’s Guide in the catalog for further information relating to instructions to Bonhams to execute absentee bids on your behalf. Bonhams will endeavor to execute bids on your behalf but will not be liable for any errors or non-executed bids.

Notice to First Time Bidders: New clients are requested to provide photographic proof of ID - passport, driving license, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorizing the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bankers reference.

Notice to online bidders; If you have forgotten your username and password for www.bonhams.com, please contact Client Services.

If successfulI will collect the purchases myselfPlease contact me with a shipping quote (if applicable)I will arrange a third party to collect my purchase(s)

Please email or fax the completed Registration Form and requested information to:Bonhams Client Services Department580 Madison AvenueNew York, New York 10022Tel +1 (212) 644 9001Fax +1 (212) 644 [email protected]

Auction Registration Form (Attendee / Absentee / Online / Telephone Bidding)Please circle your bidding method above.

Paddle number (for office use only)

Type of bid(A-Absentee, T-Telephone) Lot no.

Brief description(In the event of any discrepancy, lot number and not lot description will govern.)If you are bidding online there is no need to complete this section.

MAX bid in US$ (excluding premium and applicable tax)Emergency bid for telephone bidders only*

* Emergency Bid: A maximum bid (exclusive of Buyer’s Premium and tax) to be executed by Bonhams only if we are unable to contact you by telephone or should the connectionbe lost during bidding.

You instruct us to execute each absentee bid up to the corresponding bid amount indicated above.

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND SHALL BE LEGALLY BOUND BY THEM, AND YOU AGREE TO PAY THE BUYER’S PREMIUM, ANY APPLICABLE TAXES, AND ANY OTHER CHARGES MENTIONED IN THE BUYER’S GUIDE OR CONDITIONS OF SALE. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Shipping Address (if different than above):

Address: _____________________________________

City: _________________________________________

Country: _____________________________________

Post/ZIP code: _________________________________

Please note that all telephone calls are recorded.

SHIPPING

Sale title: Sale date:

Sale no. Sale venue:

Customer Number Title

First Name Last Name

Company name (to be invoiced if applicable)

Address

City County / State

Post / Zip code Country

Telephone mobile Telephone daytime

Telephone evening Fax

Telephone bidders: indicate primary and secondary contact numbers by writing 1 or 2 next to the telephone number.E-mail (in capitals) By providing your email address above, you authorize Bonhams to send you marketing materials and news concerning Bonhams and partner organizations. Bonhams does not sell or trade email addresses.

I am registering to bid as a private client I am registering to bid as a trade client

Resale: please enter your resale license number here We may contact you for additional information.

General Bid Increments:$10 - 200 .....................by 10s$200 - 500 ...................by 20 / 50 / 80s$500 - 1,000 ................by 50s$1,000 - 2,000 .............by 100s$2,000 - 5,000 .............by 200 / 500 / 800s$5,000 - 10,000 ...........by 500s

$10,000 - 20,000 .........by 1,000s$20,000 - 50,000 .........by 2,000 / 5,000 / 8,000s$50,000 - 100,000 .......by 5,000s$100,000 - 200,000 .....by 10,000sabove $200,000 ...........at the auctioneer’s discretionThe auctioneer has discretion to split any bid at any time.

NY/MAIN/07.17

19th Century European Paintings 2 May, 2018

24502 New York

International Auctioneers and Appraisers – bonhams.com

Bonhams580 Madison AvenueNew York, New York 10022

+1 212 644 9001+1 212 644 9009 fax

19TH C

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24502

19TH CENTURYEUROPEAN PAINTINGSWednesday 2 May 2018New York

19TH CENTURY Bonhams EUROPEAN PAINTINGS … signed ‘D. Enjolras’ (lower left) oil on canvas 18 x...

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Transcript of 19TH CENTURY Bonhams EUROPEAN PAINTINGS … signed ‘D. Enjolras’ (lower left) oil on canvas 18 x...