18th century - artist's book about colours
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Transcript of 18th century - artist's book about colours
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iiA
yery
proper
treatife
^
r^
herein
is
breefely Tet forth the
art
ofLimming,tvhich
ceachcth
the order
in
drawing and
tracing
of
letters, Vi-
ncts,
iriotoct?,^rmes,atttt
31«i«5erp,ano
t^e
mancr
IjoUi
tQ
make foRD^pe
fpCeaio^
g^rotmDe0
to lap
Qluero^
golD
Up«
on,^
\)o\33
filuec
o^
golti
(baH
be
lapeo
a-^
ItmmeD
upon
tye
Qfe,
an0
c^
luap to
temper
o;oiD
&m
Hluer
ano
ocljer
met<
tal0
anu
otuecre
kiit^ee
of
colour?
,
to U)^tce
o^
to
Itmme
tP(t^aUbponQeIpm,parc^mene
,o^
ipapet:.
anoi
|)otue(o
iaptljemtjpont^etDo^ke
U)^tcb
t^ou
eHtenoeStomahes
anoi}oU0
to
DetntQ)
tt
\si^tn
tljou
{jad
9one,
Mt^
otuette
oebet
tljingg
uerp
meeee
ano neceCfatie to
be
hnciune
to
all
fuci)
^entlemen,90tber
pertons: ais
oo
oeltglic
tn
tm-
mmg,papntt»s
^^^
i^
tricitmo;
of
arme0,in
t^etc
colours,
an)
tjiecefo^e
«
too^Ke
berpe
weete
to
be
aoiopneo to
tde
boo{iejiiof3rme9»
^frnprintedat
LondonhjfTho*
QiasPuribot»
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TheartofLimmfng,
z
The
order
of
drawing:
or
tracing:.
FJIcffcbotiQjalttmc^
apftiCllafljIachleaft,
o?tuit(j
a
coale
maoe djarp
at
ttje
popnt,tracc
nl
tW
le^cer0,
ann
fee
t jp
aiacts
o^
flouiers,
ano
tijen tijp
imager?
iftl)ouuiilc mahcanp*
anDCtjeit
fl)alttl;ou
toitb
a
CmaU perU)?atoaU
t^ou^altpojtreD,c|jcnmakctI;pr?re
ont[)i5\uife.
if
To
make
a
double
fyfe
orbottometolaye
or
fettle filucr
or
golde
vpon,called
an
emboffed ground*
-tT^heOemsCmufe,
toljicclcau,
tljepIatffecefanolDc
•t
inia^c
0?
cljalke,
aupof
ctjefemaDe
in
fine
pouuer,
ana
t^engromiDe
U)itl)tljcglap?e
ofanegge
ano
a
little
uj
a*
ter
on
a
pat^ntetjs
done
maketb
a
gooo
botcome
to
lap
t)n«
oer
filuer*
15ut
Uiljc
r
pou
Qjall
Ofe
aup
of
tUem
to lape bn*
oer goloe,
I
ooe
to it
a
little ^afron tljccliJitlj
to make
it
fomeiDbat
^ealot^,
but
betoate
pe
put
not
coomuc^e
Mm^
ter
tljereto,fo^
tljen
tuil
it
be ouec
toeafee, ano ifpou
oo
o-
uctmucb
glap^e
ts
it,
tljen totll
it
be ouer
Qtfife,
t^erefo^e
mingle it
after
oifcretion,
ano looke
tbp
fpfe
be
tljick
0an=:
oing,
ano fet
tljp
fpfe
t^us
tempereo ano
couereo
in
a ^o?ii
0^
a
Ojell in
fome
feller
o^
n^aootoeo plate ,
t}
buoer
tlie
rartl;
Ulcere
it
map
Uam
moplt
bp
tbe
fpace ofbtt«
oape?,
Until
it
be
perfite
clammp,
ano rotten, ano
euerp
oap
once
(tint
it
about,
$
pou
QjaliijellUnoerltanDtbac
alltlje Ofeiai
f
be
eloer
tljcp be
^
tlje
mo?e.
clammp,
f^
rotten
tljep
be,
tlje
better tljep
be,
fo?
al tlje
craft
10
in
icell
making ano
tcm*
paring
of
tbe
fife,anoif
tiiere
0ano anpe
bcllcjB
bppon
t^e
fife,
put in
eare toa]ce,fo?
it
10
aremeop
tberefoje,
ano be«
fo^e
pou
lap
it on pour
loo^ke,
firft
lap
tlje
fpfe on
a
fcroto,
ano
o^peit^ano
Ui^cn
it
i$
o^pe,beno
it^ano
ifitbcno,
and
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The
att
ofLymming.
l^eakenoCjtljen
it
(0
gooD
ano
perf£ct,anr
if
it
O^cakeput
tljmo
a
little
Vuatei;
to
make
ttlBcakcr,anD
p?oue
if
it
cle-
mt\) faft
to
t^e
b03ke,airD
if
it do
not,tl)en
put
glap^c
tl;tr«
to,anD make it
mo}z
UeDfaft.dje
like fpfe map
)^cu make
lyul)6ppOum,bople
^i:momake,reti
o}
yclo)ii
©kcr
o?pi*
ment
0?
Spailicot
luitfj
b^ouin
of
•§)papn
0^
luitl)
rcD
kao,
if
euerp
of
tijem be
grotmii
bp
()i«tfelfe
auu
temperco,
ano
cjD^eu
in
mamtcr
ano
foutmc
aboue
tu^ittcn.
To
make
a thin
fyfe
crbottomc
tolayc
or
fettle
filueror
gold
vpon,caIleci
a
fingle ground,
CT^U
^
uM)
(l)}m
of
gloiiers leatljer,
0^
ofnebi
patc^-
^
ment,
fo?
tbat
is
beft,
^
feetb
tbf
m in
fatce
toatec
from
a
mmt
to
a
pinte
t^at
tl;e
Itquo^
bee
fomeu^ljanbicke
aim
clammpbetvueenj^out
finget:0,t
ben
lirainetbeliquo?
from
tbe
(J)?ei«0»anu
put
it being bote
in
fome
ftoue
vclTell,
ano
Co
Uio^ke
it
fo^tb
before
it
be
c
oloe
,
ano
\3)\)t\\
pou
lapc
on
pout
niuer
0}
golo, fee
tbat
pour
fife
be
neitbcr
toomopff,
no?
too
\}}Vy\nit in
a
meane betlueenc
botb,fo?
ojean
of
ap«
papains
pout
luojke*
'5Db«
like
fpfc map
pou
make
(toitb*
out
beating
tbem
at
tbc
fier)of
glue toatcr
maoe
of
pattb'-
mentgluefo;i
tbatisbeUjOi^witbtoater
prnmeofome^
Ubattbick \JDitb
gum
arabec
0?
of
gocD
olo
glair,o?
toitbF
milkeof
gretnc
figges
alone,
0?
tuitb
tbe milkeof
fpourg
0?
of
toartujeeue,
0?
toitb
tbe
pelo^
milke
of greencfalen*
i>ine,o?
toitb
tbe
iupce
of
gaiUke
,
0? of
onpon
^tm,
0?
UJitb
the
Ujater anu
greace
of
fnailes^
Opon
euerp
of
tbefc
map
pou
lap
pour
leaucg of
Cluer
o} golDe
bauing
tjegarn
tbat
pour
grounti
be
neptber
foomopa,nG?tooi>xP»tol»^tt
f
ott
IbdlUap
0}
fettle
tbe
fame
tb^i^^^pon.
^Tolay
a
double
iyfe
onIettcrs,or
vpon
other
thtngeSf
-
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ThcartofLimming.
5
YOttll)aU
\Dtt )
a
peuCl
mace
of
§frap
mnpis,
0?
caUiber
tailcg
lap
on
t^P
Tpfe fomcU)I;at
i'ubftaiiciaUp.o
j
if
tl)Ou
toiit
fii:tttlj(nne,ano
after
tl)icbcr,auo
t^u
njie
it,^
uixn
it
i0D?pe
toftitltglitip
toitlj
t(;p
fpittle,
aiiD
tljcu
fiiaur
it
UJtt[)afl;arp
femff,DntiU
it
be
tmn lrtt()Out
ljtlg,t if
tljnc
fall
anp Default
therein,
t} clCe
tfjcrc
is
wo?ein
pnt
place
ttjcn
inanotfjer,
lap
agapnc tijpfpfc
on
it,
annD^pit^j
Jngrofie it
a0 ig fapo
befo^e,^
Ui^en
tt
is
ingroflru
^
maoc
plain,
t^n
burnifl)
it
toit^
tije
tootl)
of
a
calfe,Df
an
orco?
ofan
Ijo^fetljatis
mabc
t&etefoje Uau&ingina
crxioheo
dichjdnti
toben
it
it
bmm^ei>
anD
mabe
euen
ano
Qiming
t|}eti
19
it
reaDp to
lap
on
it
tl;p
^oId
0^
tl;p
ftluer
•
To
lay
gold
orfilucr
on
fyfe,
plxtt
cut
t^e
Umts
cf
golD
0?
^iluer
in peered
trn't^ a
(barpe
fenife,o^
a
knife
mabc
of
a
greatt
rcebc
bppon
a
little
bo?b
as
b^aab
80
a
trencher cotereb \3iit^
acalueft
fkcn
rapfeo
0?
bnberSuffett
icitb
ImooU
0?
flore
0?
clfe
bn»
flttffeD,tl)en
l^alt
t^ou
luit^
a
pcnftlltoeat
lig^tlpe on
t()p
moutljiaeattljp
fpfcfo
it be a
little
mop0, anbtl;ctt
toeat
tbppenfill agapne
intbp mcutb
on
tyeCame
iDiCe^
ano
toucljetbp
golbo?
Kluer
tl^at
tljcu
^att
cuttc
bp a
co^nec
iigbtlpc
,
and
lape
it
on
tbp
fpfe,
before
mabe
a
little,
mop(t,anDt^entbounjalttaKetbetapleof
anbate
,
ofa
ionnep,
0?
a pee
ce
of
cottcn,gc ligljtlp
p?
effc
it
boiun
on
tbp
fpfe,
^
tBlien
tl^ou
tjaG
tljus bone,let
it h}^ butill it
be
it»eU
l>?peb,t^nburniQ)it
:fo?iftl&ou (baltebutnifljeittoeate
t^ttibaltritbbeofall,
aub tul;en it is
tuellb^pcb
,
cake
t^e tuf
kc
t^at
t^ou
baefi
butnifi)
Uiitb
anb
bjp
it
anb
Ijeat
it
tocll
on
tbp
cUekc,
tbf»burmfl[)
t|p
golbe
firH
feftlp,
anb
tiien
^timx
bntillit
fljine,
but
burniib
itnbt
mtt
iong
,
fo^b^eabeofappapring
» SnbUJljenttiou.lialk
mUburnii^ebit,
tdeutake
aU)|)ttet0Ooilen(l(itl)O^
m
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ThcartofLImmino:,
O'
^AmfasttyHtiiitMt
all aujap,
tmeit
tofjtcO
cleauccli to
t(je (tfe,
$
if
cljet
Uc any
place
faulcte, fo
t()at
cijc
goto
faile
fo;
D?jjneire of
tlje
file,
tlmm at
it ag;a
?uc auo
lap
on
tlje
2blDe,anD
D?p
it
aao
UmxiQ)
it
a^
^ou did
before*
To
make
gum
water
to
temper
colours
withall.
cp^ke
cleane
Juatcr,
$
do
tt in
a
UM
$
put
t'gerto
a pa^*
tionofpmme^rabec
$
ietitftanoUittiUt^epmbe
tael
DiirolueDanDmoltcu
in
tlji:
loatcr,
butlcoheitbenot
cificr tljickof
pm>,,
fo?
tljen
it
is
etitli
to
Uio^ltc
Utritli,
arm
if it
be
too
tljin
of
gmw
,
cbcu
toill
tlje
colour faoc
auD
fall
of,tbecfo?e
Itec
pe a
nicane
^
temper
tbp
colouts
tberUJitlj,
fuclj
as
it
feructlj
fo?
bell,
jj^ote
tbe
bet
gumme is clcare
ano
brittle
tbat
in
ftamping;
ft, it'becomme
t^
paii^f
c
eafi*
l^DuitljoutcleauingtogetljCi**
,
'
'
:
ih
u/^'^;
•:
• : ,
' >.
D?pe it*
^ud
put
ttje
glaire
to
tbufe
afojcfapo
in
a
fltone
pot,o?
a glalTe
faft
Uoppeo,fif
fpeuD
it ais
foone
as
pc
can
,
fo?
it iuill
not
keepe aboue
t()?ee Dape0
,
but
it
toill
(latteaniUTauour,
ercepttljcpbeo^g^eD
aisfollotuet()»
fTo
kccpe
whites
ofegges
as
lopg asye wiU, Vvithout
;3*5'I
Cr.-cOrfMptingor
putting
of
Arlnik
to
thetu, *
'^ale5tt)et»bte
Of
ejjgfciEf,
ttofc breaking
t^emm
ItJife
,
^ttt
take
ont t^e
cocktteaDins
>
^^^
P^ttto
t^em ai
tmu^
or
tit
b€tl
l>)|iiteDiuege(
ajs
d^ll
fuffpfd
c^e
quanti^
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The
art
of
Lymming.
4
titof
tt)C
tol)ife$,leaitingitro
t^efpace6fttoo
uapesf,
t^tn
paffe
it
tljjougl)
fomc
linuen
clotlj
ia}it|)0uc
bjealitnoj
0}
ueatinj tlje
iBijtte
of
tlje
egge0
Irauiug;
it fo t je
fpace
of
ijiii*
taps tljen
0rapne ti
an^apne,
«nD
pirt
it
in
a
btatl
tuell
0cppco,
to
occwpino?
tfjfpurpofe^ aboue
\jj^ittem
^To
temper
golde or
filuer
wherwithyou
may
write
with
a
pen
or
paynt with
a penfiU
>
rr^kt
eiic
ojRj:elcaucs
of
beaten
goloeoffiluer
,
anu
Goid&fliiH.
grpno
tfjem
tocU
ano
finclp
on
a
papntcrs
ftone
toitb ai
little i^onj>,tljen
put
it
into
a
glafle
W^
a
quantity
of
faire
toater,$IctinttanDonemc ;l)t,
tijenDjanetbetoateranD
tlje
yonp
aftecluarD
from t
be
goloe,
^
put
yi
t^e
golD
gum
yaattv,
ano
t^en
to^ite
toitb
it,anliU}ljcn
it is
0?pe,l)utni(|)
it
\32it\i
mm
toot ;, Sifo
if
pe
stinti
pour
Ieatie0
of
goto
xnitl)
glaj>?e
onlp
UJit^out
fjonp
putting
to
it
,
pou
mape
toel
UJ?ite
tberUJitb
in
aoning
to
it
a
little
gtimme
toater,
anD iDitl;
pour
goloe
tenipcreo
in
manner
aboucfapDepou
map Diaper
toitO
a
fniall
pen
0^
penCU
tpon
colours
3If
DJapen
pou
lmlbupattbell9otirarie0^O;elgoHio?fi)elfiluer,toit^
Sn°^^^
tlje
tobic^
(iJ^ing
tcmpereu
toitb
gumme
toater)
pott
maj
^
^ f
tier
J
tiwU
Ui^itc
tiJitb
a
peii,jpjpapnt
Uiitb
ajpenfill.
*
'
.*^
'imimi r'i
Q^i^
a^ure
0?
bp^
on
apainftrsfffdn^tDirticleattfea*
AfuaSrliek
trr>
tijen
put
it
in
a
b?oaD
gtafTe
0?
in
abjbati Ojel,
an5
bloc for
aS*
iMben
it
batb
ftano
a
tobile
ai
tbe
u^egis toill
flecte aboue,
antiaUtbetleanecoIpure^iUfaUtotbebottome
,
tben
poure out
tbe
toater
tbttb
tb^
D?t$[g?$;i5f
put
tbe
a^ure ixi
clfane
toater
agapne^Cbenaurre
tbe
colour
anutbe
to^*
ter
rcgcfbf'r, ^'ict
t^
ftanbg^^fine,^
after
tbat
pourf
«ut
tfte
tear
er
ianD
tb^e
bjept
e^a^ittjau^
no
tbu0
bmtl ft bee
toeli
MJlr
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I
ThcartofLlnimingi.
toitijtamaUtpIic:
ittQtljtit ppfite,
but
tljisyoun
ulfjjo?
Co jlartSt
it
to tlje
ficd
kinD
ic nr
eo
be,tl)eii (I>ii ^ou grtuQ
it
aciapn
i^pon
a
painter?
tToue
imcij
gumntco
lu.ucc,
tljcn
put
It
into
a
Ijo^ne
c^
a
fi)eU
,
aiio
Mmx
pou
UiiU
u>
jite
o^
paiiic,
t^twHittt
itU'itl;
a
fiickc,i«
let
ttjeaick
Dieppe
imo
t^e pcit,
foj tbis
unntilion,
^
t^is
colont
\3iill fall to
tye
botto)ne,ano
finkc
as
Icace.
Ipis
tul
e
roloni-,t\Do
parts
ri5ui:c,au» one of
Cereure,gt
faDDtD
iJDitb
tlje
famj
a?ur«
oj
lutt^
blacl^tnke,
ojtuit^
How
CO
make
azure
and By^c
fadder if
:hcy
be
of
a
light
colour
'^alic
0:000
blue
^arneroU,anD
U)cat ic
fn gum
toatcr,
auD tijm lu^tmj it,
ano
U)tt(;
ti}^
luatcc
tcntpei:
tb^
a^ure
0^
^p«»o^ elfc
if
t^au
loilt
tijou
mapll
tuitij
a penfil
o^ato
tutt^ti^i)
tumefoUouett^eb^^e
x^i^tnit
iani^OiiMu
To temper
Indebaudias
rndijut
/JIRpnue
Indebaudlas
on
apa^ntcrs ffone,lDitf)g;umm«
ymktt,
ano
put
it
in
a
fteUto
tooike
toitball.
l^i0fairecoIour>EU)apacC03InDe,^
t^tbiro
parcto^tte
ieao
0^
Cereufe
$
faooeD
t»tt^
t^e
fame
3inoe
0^
Uiit^
fao
3inlte,
Indebaudlas
of
it felfe
maketj) a
Darht
$
Cao
black,
bkc*
but
being
grouno
U)it^
\x3l^tt
leao
0^
CcccuTe
ast
10
afo^«
fa^Ojic
matter^
ab^otone b{uc»
To
temper
fmalt orFIorcy»
C^aUo^
fio^ep
^eins
tempered
tnaQjen
tsttfigumme
^toatecmaketM
Ww
,
but
not
fo
perfecte
a
colonre
t0
aiforeo}
Ui^e
mk
make*
'Cije
lpoticarte$Qoe
pttt
to
it
-
8/17/2019 18th century - artist's book about colours
15/68
The
art oftimming*
fice,t|)mfo?eincl)uS«c5
of it,
taketljatUJ^fcIii^tj^igStof
colour^anD
not
ijatOjybuc
fofc
hitmznc
tlje
fiingeris.
To
temper
Orpement
or
Mafticot
for
ayealowe.
^Epnti
©?pimcnt
aim
SpaCicot
tt\)
bp
tc
f
clfe
on
a
pain*
a
gold
yellow
tcrs done
luitli
6umnte
toatcc,
ano
in
gciuDing
aoD
to
^°^
^rmess,
tlje
^IpaUicct
a
little
^affron,^
tlje
colout
xuill
lie
tlje
liue=
l))ec
jano ^Ijen
cljep
be
toelt
grounn,
put
t^cni
feuerallp
tit
n)eUe$tolDOikemt{;aH»
©?pimentmapbeclapeDUjitljcbalfee,antiDimmeD,tljat
10 to
fap, faDocr,
o^
DatlieD
toitlj
Qket
oe luke,
o}
iuit(j
^^oluneofj^paimef
To
temper
Virmilion
/pEVnii2Icrmilionpnapauitcr30oae,6t( D?pe,^t^cn
AvcrniiHoa
y
DO
tlicrto
a Uttlc glar^e
tf
1
53,^
grinc
it
a^ainejbntill
red
for
tI)e ;?iQ;l;mc{re be to? Donc,u:it j
a
litle
of
tie
pelHe, ano
In
armcs.
it
Uano a
Dap c?
mo?f,i'nul
it
be
li £l
fiueD.ClnD
UJljen
tljou
tc
-
8/17/2019 18th century - artist's book about colours
16/68
The
artoHLimming*
SniJt ji0
colour
CjallbcfneiueDCtljattotorapejDarheooi
fauceDtoitljblachpnfee.
t)i^
falfe
colour
tusopartsi
^urnefQlLanii
oncof
Cen^
H ?,anO
it
Ojfillje
faoDeD
ta(tl;tlje
Came
CucngfoU*
To
temper
good
Rofet,
KoCct
colour.
^a^^e t\)t
fineC
^
bel
coIojcD Eofec,
ana griuD
it
Miit'j
gmn iuatcr en
a
painters Hone, auofo
\3)0}ki
it
fo?tl},tl)i3t
colour ma))
be
elapcu
toit^ cl;alke o^
Cerius,
anu
faooea
toity
Ijimfelfe,
To
temper brefiU
wherwithto
wike,florij(]i,or
rule
book*
%nht
b?
afill
fine
Ip
fcrapeDjO?
grcflp
beaten
to
pouncr^
BrafilL
^
put
tbetto
tbc
glatrc
of an
eggc>
ojpm
Ujater,^
a
Uttle
aHmnmaiieinpouoer,gjiet
tbcmfteepeanigOt^
aoap:
^
t^cn
t^c
aine out
p
liquo^,
$
heepe
it
CO
t^
uCe
afo^eCapOt
To
temper
good
Synapour*
Blood
coioar
.
©rittD
Ǥ))jnapour
lake,ami
fpapoar
topess
eel)
bp l[iim«
felfe
on a
painters
Cone
taitb
goon
gUixtMm
put tbem
in feuerall (bcUe^j^t
lDo?ke
tbem
fcD?tlj,ano
if
tbepbee
too
Jigbt.put
to
tbem
a little CurnefeU,
ilpis
falfe
colour
ii.part5 fpnapour,
^
a
tbiru
ofCcriui$
fab it
loit^.
^^Hapottr,o?
t»it^ goob
bpuine of
Ji>paiue,oj
-
8/17/2019 18th century - artist's book about colours
17/68
TheartonLiraming*
^
toitb
lisllt
Wwfe
W
toit&aermiliotu
To
temper black
lead
•
(SJrmti
toell
Mack
leaB
Miit^
gummc
Uiater
on a
pap*
ter0
itone,
ano
tlien
put
it
in a
Qjell
to
luo^&e
U)itl )aU;t(;i;$
t0
a
perfect
crane
colour
of it
Celfe*
To
temper browneofSpayne,
(Stint
gooo
l)^oU)ne
toitlj
gumme
tuatcr
on
a
painters^
*
ttme,
am
toljcn
it
isiberie
lueU grountiputtt
into
a
WU
Browne
colon
t)i$
falfe
colour
t^vo
parts
b^otone,
ano t\)z t()iro part
of
lui;itelea&,
-
8/17/2019 18th century - artist's book about colours
18/68
The
artofLimming,
To
temper
Vert
greace^called
Spaniili
grcenc*
Emcrod
cT'^kc
tXcxt^uue
toel
cIcanrctJ,auD
pickcij
from
SioHe
for
.
-^
^
uiotcs,^
gtittD
it
ott
a
patitccrs {lone
Srll
d
jpe,
6f
put
tljcrto
a Uctle ot'tbcgallof
ajacacaimaftOetuvceofriie,
toitl;
a
lu
tie
fafFron,
anD
b^ap
all
tljefe
togctljer
cu
p
fame
itonCjtljeu
put
it
in
a ^o?n
o^
Qjcl,
Until
it
be
D^^^lno
toljeii
j)ou
uiill
occuppe
it-
take
part
thereof
anD
gtino
it
againe
^
toitlj
OiucgctjO?
tiirgi?,03t
Uiitlj
tbe
piOc
ot a
pong
c^ilD,
cuerp
Df
ti)cni
Ijauinj
gumme
Arabic
DilTalticD
in
tljem.
grcc«c.
|pi5
fjiifif
cobnr
ttuo
parts,
500D
grecne,
ano
tlje tliiru
of
Ccrius,
ants U\m:ii
toit^
a
sooi'SCfcne,
ano
Diaper
ouec.
itU3itl)^eui$C£riu?.
)
pure
white
bkckcfor
To
temper
SafFron»
^
€ecpe
faffron in
goci
n;Ia(rc
auD
fo
miH
it
fo?tl)
laitb
a
fttial
penfill,
ano
if
tljdu
luilr,ri3cu
maift cnelu it
Usit^
good
Vermilion,
toit^
Saffron
alfo pou
map
eneto oj
Ho-
ri{|^
Otter
lettcriSjO?
anp
otljer
tljing
tljcu
luilt.
To temper
Venis Cerius,and
white lead,
/pEinu
Ceriu0O?
tnljite
lean,
eel)
bp
l}im(elf
on
a
pain^
V
ters
Ccnc,toit^
ileare
toater,
anu
tliereUJitlj
tljou
a^alt
Diaper
ant
flojifi; aboue
f.ll
tljp
roloiirs
toitb
a
purfeloiir,
maoe
of
a
fmall
penfill,
^notljis
colour
is
tempertuonl?
tuitb
toater,
0?
toitb luater
ligbtlp
cbaClefi
toitb
gtnitme,
fo?
t[)ep
ftano
aboue
all
otl;er
colours
tljat
be
gummeu.
To
make afuime
black
called
Sable*
rp^Ua
cleanelattenbafcn,
antibolD
a
burning
to?c|>
nm
it,
bntilUjje
bctome
be
blacl?,
aniitl;c«
take
of
-
8/17/2019 18th century - artist's book about colours
19/68
TheartofLimming,
Miiktiii
uuD
to
m}U mti^
iu
To
make
an
excellent
black
like
velucc*
%$iU
5partc0
(jojnc.
ano
hnxneit
to
role
on
aCoIiai:^
Afduct
^
.fjarttj,
tljcn
mahe
Due
poutier
thereof,
nnDcrirsitoaabkck.
paiutecs
Cnne
,
luit^
tlje
tj^Il
of
an
jl^eat*
€
acn
puc
it
m
a
fljcl
to
D?p
in
a
fijiiDuujp
pl.icc*
'3iiD
luijcu pou lutU
crca*
pp
tlje
fame,
C ;rino
part
thereof
aD.ninc
Uiitlj
cije
glaice
,
c?
mitl)
gumme
Vuatc
r,
auD
luojkc
it
foc?t(>
^To
make
ablacke
colour,
or
onynke
ofa good
perfecti-
on
wherewith
you may
write
with
a
penorpenfiJI^
Ct'^hz
a pounjj
anD
a Ijalfeofraine
toatcr,\intlj
5.
ounces
Biackcinkc.
of
tlje
\Daigl)ttc(l
gailc?
vc\x
can
gct.'B?ufctfjcm i\t
•
fmaU
pctcc0,auD
poure tl;cm in
to
tije fapDe
li3accr,auD
fa
let
it
ftann
tU)o u
apes
in
tljC
funne
,
tljen
put
to
it
tloo
oun*
cc0
of
green €opera0,
0?
elfe ofEomain
Clitriol, iDljiclj
is
ijeffjtoel
colouren anu beaten
fnialliauD
ftir
al
tljcfc toge-
ther
teitlj
a
dicke
of
IjatD
U]ooii,anD
let
it Uauo again
tuio
uaieis
mo?e
in
tlje funne,putting
to
it
one
ounce
of
gumme
9rabike,tl)at
is
cleare
ann b?ig{jt, ano
beaten in poulDer,
antj
one
ounce
of
§
pceleis
of
]|3omgtanatj0, anb
rljeii
boile
all
a
little
on
a
fioiu
fire»^{jat bone,Craine
it,anD
heepe
ic
inabelfcUof
leaD o^of gUIfe, anb
it
toiUbeberp
black
^
per
fit
goab
pnke,anb
if
pou
finb
it
tIjiche,anD
cbat
it
be
not
flo)uing
pnougljjput
to
it
a litle
cicare
lip,\Dbicb
U>il make
it
liquiue
anb
tbin.
^ if
it
bee
too
cleare, abbe
to it a
little
gummc
^rabihe^^nb
to Ijaue
pour
^xiU
to
continue
long,
anD
not
toboarie,puttI)Ctinbapfa t»
jl^ote
tbactlje
galls
—
mud
be
fmall
cucleb,
anb
maf
Cue
toitljin,
if
tbep
be
goob*
'Cljc
goob
Oitticl
i0
altuaics
nn'cljin,
of
a colour
Ipke
tbe
CUttieuttlje
befi
gum
i.$
cleare
?
bjtttUvjjat
in
fcamping
-
8/17/2019 18th century - artist's book about colours
20/68
TheartofLimming.
ic&ecommeff)
pouDcc,ea0lp
tuitfjoue cleaitftto;toofetT)er*
%\)m
is
taught
tljj
\»ay
^oiu
ca
temper
6olD,
filuec,
$
colons
to
ltm,o?
totujitelBicijallijpoiitieipm.
paccljmenc,
o?l?apec.
'Cljat
10
to
Cape
decmilion,
^umefoU,ip*
napoiic anD
3§>affron,
toit^ goon
glap?e«
5i>pre tait^j
glaite
cbalttCetrtiitc^ a
portion
oftoacer,
^^ure,15p^c,
greene
T5p?e,
ten ileaD,
rofet
^malcblacfeleao,
bjodjne
©feer,
2D^p(ment,
$pafticoc,anii
3luuebauDia0
toicl)
giimmc
l»a=
tcr,
umgtcace
toitlj
Viineger.tjersis,
0?
tuitlj
t^e
piffe
of
a
pong cljplD ,C0rtus , anD
H)l)iteleaiic,U)it^cleareiBater,
0?
mitfj
luacecUsljttp
pmmeD,
bjafill, ano
fume
black,
U)tt|)glap?e,o?\i3ici)gummeU]atcr,
tofjic^poutljink
bett
fo?
pour purpofe*
aifo
tbece is
anocfier
toap \a)l)ic|) is )jfeD
amonoctt
tbe
cr«
cellent
fo?t
of
paincerSjttjat is,to griiio
ano temper all
co«
lours
fo?
limming (Cauing
fuclj as
be
^bitf)
firfltuitb
tbe
gall
of a
jl^eat,^
tbeu
let
tbem
D?p,
f
dm
luljetipu
tuill
luo^k
tliem^tafte part
tb^rof,
$
gtinn
it
again
Uiitbglaire,
0?
\J)itl) gum toater,as
p
colo?
requirctl),^
fo
U)o?lx
it fD?t^#
3It
is
CaiD
tl)at
ujatcr
kitletb
^natfeiietb
tlje
bjtgbtnelTe
of
mod
colons
t^at
be
tcmpercDtberluitb*
^uttbisgallp^c*
feruecb
tpe
b^igbcnes,
^
makctb tljem
mo?e
liuclier
to
be*
l)olD:tobicf)
tljing
erpcrienc mil
te
acl) pou
moje
pccfectlp*
l^ote
tf;at
all
colons
to
linmte
0;
to
tu^ite
tuitbal
Ibottlii
neuer
bee
temperco
tijitb
anp
feinne
of
ople,fo? oples
ferite
ntoff
aptlp
foj
to
temper colours
to
lap
iiponlfane,timber,
ppn,
leaDj
copper,
^fucb
like,
aim
oile
of
linfeeti,
\xiUt^
iscalleu
flarfeene,
f
opleofujalmtts
aremoftbfen,
bee
moft
bell
of
all
otber
oples
fo?
tbe
fame
purpofe.
aifo all
colours to
iim
0?
ic^ite
tuithdl
twbentljep
bee
cempereUjltJoulo
be
put
in
Q^ellcs,
in
belTrli?
of
tToncleaa*
0?
of
glaflfej^no
feept
mntv
tbe
grounD
in
fome
reller,o?
in
fome
mopft,
ann
fljaDotop
placr,
fo?
Doping
ouer
faft:gf
t^e
etoer
tljep
be,^
better
tbep
be,if
tbep
be
feept
couereD
from
61(6
$
oud*
^nn
note
tljac
tfiere
is
greac
regard
n
be
^ao
-
8/17/2019 18th century - artist's book about colours
21/68
TheattofLimmingt
8
to
tl)t
WM
ijttnumj anu
tempering
cf
t(jr
colours,
*ino
to
tljc
i)lacmg
of
t^em upon tlje
too
j xc»
The
manner
how
to
florifli
or Diaper
with
apenfill,
oucrSAierorGoldct
f^
poll
toiU
Diaper
ouer
(Sol5,ta&c pclolu
Oftcr,^
tljer-
lj)itlj
o?aia3
oucr
t^e
(Do o
toitfj a
penfiU
UJljat
tijou
luilt.
31f
t^ou
Mt
Diaper
Upon
filuer, take
Gerius
toitlj
a
pcufill
ano
0?a\3)
o?
flo^iflj
UJ^at tl;ou
UiiU
ouer
t^p
filucr*
3lftl)DutuiltDiaper\i3it^©olDeo?{ifu?rt3pou
co our0,
taKe
t|je
iu^ce of
(SarUke,
toitlj
a
peitftll
uym
oucr
t^c
co-
iouriB
luljat
t()Ou
Uiilt,
t()en cahe
anolap t^e
golD t)pontt,
wo
pjefie
it
ootune
ligl)tlp
toitlj
an
Ijares
tapl?,m«>
let
it
D?p
Ijalfe a
oap
o?
mojc,
tljen
rub
of
tlje
golo
lo^ic^
clea*
uecljnottotljegarlifee.
The
wayes
to
knowe
ho
we
to
make
fundrye
kindes
of
colours
by
tempering
and
mingling
ofcolours togeather*
/
f
poll
totll
temper
3l?ure
toitfj
CurnefoU,
antr
grinoe
Purple or
t|jem
togetljer on
a
painters ffone luit^pm
tuater
e^ji^oi^'^oi^
glap^e,
pou
Iball
make
tljereof
a perfect purple
o?
a iJio-
*° ' ^ '
let
colour. 9nt>
t^e
lilie
colour
pou
ntap
mahe
U3itl)gooD
reoEofet.
if
it
be
mingleo
Mt\)
^^ure^anotempcreo
luit^
gum
tioater
in
manner
afo^efaptr*
31f
tbouUJiltputto a goooquantitp
of i)rnapour
a
lit*
Sanguine
or
tie
portion
ofblai
^,
anB
grino tijem
togecfjer tuit^ glaite,
^^^J
^
^ou
Q)all make
thereof
a
fanguine
oj
^iink
colour.
3if
poutnill
mingle
a
bjigbt
reDtuitl)
a
b^iabt
vclloto,
ani>grinDtbemtogetl)en»itbglap?e,patti|)alUjauctljer*
^f^f^
^^'
ofan©?angtaten?p.
^
3ift^ou
mingle reo teao
anoSgaaicot
togetl;er,
pou
Lionuwney.
^all^auc
thereof
ai^on
talonep«
3lf
-
8/17/2019 18th century - artist's book about colours
22/68
The
art of
Llmming,
Incarnation
3lf
tOou
tuill
(jaitc
incamatiou foj
^ifagc0,
a} a
flz^ht
colouc
fo?
Jlma^eSjfitil lap
on
tljc ijaljite,
$
rneiuc
iciuitd
° ^'
ijcrmiIiou,o?
elfe
take tUJO
parts
of
Vermilion,
anooncof
Ccraife,
auo
wiinjle
tljem
toget(jf
r,
ann
fo
hve
it
on
tijp
lDo?Uc.,anoeueto
itiftyottlBilt,lDljenic
is
D^peUJitljgceu
Qecmilt'on*
Peach
colour,
aifo
ifpoti
toill
mtusic
Oermiltou
luiclj
Ccrcure,bp
Dif*
cixtion
poll
map
makettjcrcof
a
peaclj
fioUicr
colour*
colour.
^Ifo bp mittgUns
CJcrnuliott ano
a^urc
ton;etljer,ti?
Dif*
crctiou,
pou
map
make tl)?reo{
a
fkre
colour.
31fF«U)iUmakeaMcDter ,talicortij;
beft^napcuc
auD
fao
ic
at
tlje
fiocSjUsitlj b^oluar
,o?
ilermiltou.oj
UJity
blacke.
3f
po«
miiigle
goosi
gremca
^afTron
togecljer,
b?
tirci'ccion
pott (Ijall
bactc
tbcrcof
a
yerfic
Ipncoltie
greene*
3 f
poit
mixgk
^^iire aiiD
^aflicot
togjct^er,
pott
(ball
Ijauetljcrcofa
jjtcfite
popinivip
grcene*
greene.
3if
pgu mingle
rcD
toiclj
gcccuc
,
pou
f^all
make
tfjcrof
a
spotlp Greene*
veftuic.
3 f
pou
luill
make
a
blacke
be(f
arc,
take
antj
lap
ficff
a
cljampe
of
ligbt
black,
nviuglco Usicf;
U)i;itc
IcaD,
^
faoocm
toit^goob
blacke*
3If
poll
icoiU
mingle
blacke
toitl)
a portion
ofiulu'tcpou
or
^^^
mahctljcrcof
a 9©ai:ble
o?
auafl;e
f;)l3ur
at
pour
Dif'
colour;
CrctiOH*
XfpoubJil
mingle
a
little
portion
of
mijitc
tuitfj a
po9
fad
quantitic of
reDjPou
map
make
t^erof
a
UufletjOj
a faooc
ai5?otnne,atpour
Difcretijn*
'^im
bp
minjlin
J
of
culoitrsi, pou
map
make
tljem of
runb?p
colours,
anb
bp
jjjoofe
pou
map come
to
tljc
per*
$te
hnololebge
IjoUi
to
make
tl)em
ou
tlje bed
manner^
-
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23/68
TheartofLlmming.
^
^^otdtntljemo^t
ti^ntt^tei^n
cereametolmtrmet
luyicljis
calleD
Qemir
cI;atismo2e
noble
anD
cjceUent
tl)cn
all
ot^jer
coloucg* ^ud
fo mud;
t\)C
nio?e
emUent
in
tljatts fee
aboue
ail
colours*
Snoastlje
Daj»
becommetb
mo^elig^t
an^
b?tg:btec
b? clje
Ojiitmnsof
c^c
ran«e,caett
fo
al
colons
cbac
ace bccniOjcD oo fljoiu
fojtfj
a btttcr
gloffc
Dj
lu Ier,
atiD
become
mo?e
b?igbtcr
bp
clje
(laming' of
c|;e
famCt
SlnD
it
igmaoe
in
manner
ano
fojmc
folloUJing.
To
make
a
kind
of
coloring
called
Vernix,
whcrwith
you
may
vernrOi
gold,
{iluer,or
any other
colour
orpain-
tingSjbc it
vpon
veiim,
papcr,timbcr,ftonc,
Iead,coppcr,glafrc,&c.
cr^ht
^engetoitt
ano
hm
it toeU
bettoijcc ttoo
papct0,
tbenpuc
tc
mco
a
Dtall,
^
pottre
l^pon
tt
poD
Sgiuautce
tljacitleeaboue tbe'Bengetupnetb^ee o^foute fingerisf,
ano
letic
aeepe
fo a
Dap
o^ tUiOt
'^(len
{lut
to
tt fo^
balfe a
Dialf
cf
fucb
aquauite,
6ue oj
fijce
cbiue0
of
i>affron
flen«
DerlpffampeUt^bis
Done,ftrapne
it,^ toitl;
a
penCl
Uct^
m'{})tb?tuiirb
anp
tbina^gilDeo^tubtcb U)ill become
b^igbt
ant
fl)inin5,o?jiing
it
felf
immeDiatelp,gt
toil
continue
tbc
b?:a;btnc(fe
manp
pere0*^ut
if
poa
luill
^erniO)
on
Oluer,
tl/cn
tafee
tbe
^Imon of
'^engctoin,
tbat
is
to
fap
p
tobite
rtjatigfeunointbc
miooeft
of15eno;etnpn, annD?efre
it
Ujitb
Squauite in
tbe
fojefapo
maner,leauincj out
tbe
faf*
fron.^nD
tlje
fapo
Utn\U)
maoc
Uiitb
^engetoine ano
8l«
quauitc
onlp,
i$
berie
gooi}
to
bernil^
all
tbinge0,
a^ tuell
paputeu
as
not
paiuteo/o?
it
maketb
tables
anu
cotfers
of
lualnut
tree,
$
Upebenp
to
glider if
tt
be
lapb
bpon
tbem,
ano
all
otber
like
tbinges,
asbio^kegofSjron,
copper
o^
tinne, gilteoo^Hotgplteu,
foj
itmaketbb^igi^t,
prefer*
uet^,apdet^t ie colour,
ano
D^petfj
incomtnenc
tottbouc
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Theartoflimming^
taking:
anpc
uua?
o^
Sltlj,
you
m
^v^
^^'^^^^
i^
'^'^^^^^
*J3ttf)
a
tlje
U)l)tct)
i$ better*
i^To
makeVernlx
another way
for
the
purpofcs
aforefaid^
%iiU
1)320
ounce
of
l^art-maCtcl-;
anj»
itamp
it,
ff
put it
into
a
little
nc\}j
p
t,an5
io tiieit
it on
a
foft
fieCjtbis
none,
j^uttoitone
ouna
cvtije
cpleofa
jTirretreej
anofolctte
lOem
bo^Ie
a
little £
ucr
uic^clUrnng;
tljem
togetljer
,
but
ict
it
bople
almOituotljing;
,
fo?
if
it
bople
too
ntuctje
ti?c
\;erHi(t)
toill
be
too
clammj^
,
antr
to
kno\J3
\3f^nx
it
is
bop»
ieo
pnougbjpnt
into
it
a
liens feati)Ci',ano
if
it
burn
bp
aim
lp,it is
a
figne,tl>at
it
i^
perfecLiS^m take
itfrom
^
iuv,
«nD
put
it
into
a
ttcne
pot,(j
keepe
it
uicil
fcon\
uud
,
tim
ljDbenpout5iUo^*cuppit,
takefo
mucljtbetef
astoilieiue
j^our
turne,
ano
beate
it
o little
at
t'^e
fiet,
tljenfpjeaoe
it
upon
poui*
lue^ke
U)itb
a
penfill
as
tljin
as
pou
map^ano
it
(I;all
banc
a
be
tp fapjegloOe
oMti5er,anti
it
toilh^pi
im
contiaeut
if
pou
fl)«Ufet it
in
t^z
^smc*
To
make
colours
cfall kinde
ofniettals*
CT^U
a
beaue
of Cli^tUall e?
a
Paiagon
ftone
anb
beat
tt\)
of
tbent bp
bimfelfe
in
a
b^aCon
mo
jter
to
fpne
pon*
jet
,
tbengtpnbetbenib^peec^c bp
liimfelfe
ou
apapn*
tcts Sone
bmitl
tbe
pouloerbee
berpe fine
anD
CmaH,
t^en
grpnoe
tbem
agapne
on
ilje
fame
Cone
ecl^e
b?
^im^
felfe
toitli
goob
gla^e
ann
lape
fome one
of
tbem
on
tlje
too?ke
toitb
^
P^no?
a
penCU,
ann
biljen
it
igi
toell
b?pctr,
tbenrubitoiitrteit'j
golDe,o?tottfjat^ot^^J^ mettai;ano
poulliall^auetf^fame
colouct^attbemettai
i$ot
-
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TheartofLimmmg^
l^
^To
make
letters
of
the
colour
of
Gold
wrth*
outGoldc.
sT'^UeMOiiMZ
ofSDjpimcne,
f
one
ounce
of
fpnec^^p^
aaU,
ano
beate
ec(j
of
t^em
bj>
^imfelfe
to
poiUuet in
a
t^afcnnw^tecXb^ngrmo
t^em
lueltogctl;cc
i»itb glait
Dpon a
papttte
w
ttoue,
t(jen
it
10
perfect
eo to^itc
uiitiaU.
To
make
letters of
the
colour
of
filuer,
with-
out
filuer*
crafte
an
aunce
of
^inne
,
ttooottMesofqutchCluer,
'
anomelrtljem
together,
anotben ^time
t^em
toell
ijppon
a
popntersf
ftonetoit^
gttmme
luatee
,
ano
JDjite
UJitf) it*
To
make
white
letters
in
a blackfielde
ft^kn^e
mlh
of
a
neluelapoe
ejofe,
ann grpntte tt
ijp*
on.ipapaters(foneu?it()fap^c tuatet,
fo
as
pou
map
li}eUii)^ttc'a)ir(jtt
outofapenne
,
anDtub^npouijaue
Co
Boue,pou
map
iDttytbe fame Uquo^n^aiDo;
txi^tte
tuit^a
pen^reat
o^maillrttec^^pon
paper
0^
parchment,
an5
Sufjentljep
ue
tJ?p:,d)en:i
ape
poutoitbJnfee
blacfee
ouet
ti;eletter0
ano
paper
fo
mucb
as
pou d^al
rbmk
gooD^
^nQ
iD^entOeyblacke
iBtb;ioHgb
iJ?re,
tbenmapcpoutoitba
JEDbite
ipooilcn
clotb
0}
a kiufe rub off
all
ti)e
fapue Ictcetss
toiittm tuitb
tbe
peolhe
of
tbe
egge,
^
tben
cbelecterjs
bn-
0erncatl)
tDillappesrcaUtutjite,
becaitfettepiuerepje-
feruet
^it\)
tbe
fapD
iiqm
^*
^^
^^^^
?ott
QjaU
^aue
faire
ta^m
letters
in a
blac^
6elo*
To make
(launch
grayn,ora
pouldcr
to
amend
the
parchmenc^and
coreceiueynke^
^
Cal(e
-
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Thcatt
ofLymming.
a?
i$
afojefapbe, it
ma*
lietljtde
better map*
-
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The
art
of
Limm
in
g.
x
t
A
pretic
dcuife
to
take
out
the true
foriiic
and
proportio
of
any
letter,
knot,Flov\
erjniagc.oi
other
v\
ork,
be
it print-
ted
drawnc
with
a
pen
or
penfil
vpon
paper
or
parch-
ment,
without
rafing,blotting
or
hurting
the
right
pattcrne
or
pi^ure
it
k\te^
Cahc
opic
ti
ot()crlicouw tljat mahe
fmcfec
anu
hmwc
tljem
in
a
Umpe,t^en
Ijoltie
oner
tlje
lampe a Qjrct
a
clean
paper
, ani
black ag
imic^
of
tfje
fame
Jigljtipe
aiB
luill
le-
ceaue
tfje
full
p^opo^tion
of
cl;e
\3iO}kt
ci)at
pou
Doe
meane
to
tafec
outjtljat
Done,lap
t^e blackiu
papet
tjntiet
p
back
f^cof
tlie
toojke, tbcblackeD
fioe bptuarD,
laping
a
tbiti
tobite
paper
bctlueene
tbe
loo^ke
anu
it:ann
uiitb
a
fmaU
penOi
mane of
batD
tucon o;
of
bene ^on
Hjal
b^aio]
Itgbtlp
cuert^elettfri0 ,knot,
o^toojkelubicb p0uDc0re to
take
outjp^elfing
it
foftlp
Z-im
being
pou
njall fee
tbe
berie
fouritte
ano
p^opo^tion of
ti)e
femte
too^k
rematnins;
on
^
tlH»
tol)itf
P^P^f
'^()f
toitO
a
fmall
pen
anb
pnke, pou
m»p
trace
^
bjalu oucr tlje
uio^ke
remaining
on
tb^
tobice
pflper,tbat
bone,tlje
pnketoilfet
outtbeberp
p?int
$fo?m
flf
tbe
tDO?ke
(as farre
ag
pou
toucljeD t^e
fame toitlj pour
pen0l)in
puerp
p?opo?tion.
^ou
map
alfo
fo?
p
famepur*
pofe(ifneeBe
be)
black
ouer
pour paper
loitbtbelep
of
a
canble
o}
of
a linke,
o?
of
a
nett)
to^ctie
o? fttclj like
U)l)ic()e
w
berp
reaop
uiap anu
perfect*
^Another
prctie dcuife
to
take
out
the
true
form andj»ro-
portion
of
any Flowcr,Image,or
fuch
hke.
yakeacteaneani>tI)innetanterne(jo;ine,
an9
lape
it
bppon
tbe
letter, 3 mage,
o?otber
UJO?ketljat tbou
toiUtakeout,anD
it
baill appeare
tlj?ougb
tbe
bo?ne,fo
a0
t )0umapl e
n^atuetoitb
a
fmall
penne
bppentl)el;o?ne
C
3
aii
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The
art of
Limm'ing*
allt^e
pjopojtion
of
t^je
too^ke
ac
tbvne
obitte
ptcafure,
e*
uenii0tfjouUtt
.
^noiuljcn
t^oubaaojaiutte
itaUout,
tljen
ret it
Dipc
tjpou
tlje
ljo?ne
in
tbc
runne,anti
u^^ea
it
is(
tb^ougb
D?pr,tben
b?gatlj
upon it
tuiice
o?
tbitcc,anr)
tljm
Jap
it
Dotone
ijpeit
t^p
booke^^no
tbcu
p?cfie
it
DoU)ii,(t()e
letters
being
ni
Ft
tbepapcOuiitlj
a
linnen
clotb
3
anotbc
fame
letter?
oj
tuojke
fi>al remaiuc
upon
tljcpapei;
ixJbicfj
tbou
Diod
D^a\D
upon
tbe
^ojne^
t\)tn
^m it
f
aire
agapne
taitbblac^pnbe.
tCpere
bane
31
taugl;cpou(be(be0
cbe
teniperiag
ot^olUi
of
fi tter,ani>
of
colour?)oiuers
tbinges tjette
mecte,
$
nt<
ceflar
ie
to
be
feno
ton
to
p
ainterg
anu
fcr
iuenerg.'lnti
nolu
toill
31
tebcrfe
b^iefIp
all
tbat
35
Imt
U)?itten
before
tou*
cbmglimming.
iTirfte
o^alo
tbp
too^ketoitbapmCllof
blacfee
leaoe,
ano
tben
toitb
pen
auo
pnke
Ebcn
hp
tbp
fpfcs
fo?
tbp
golw
ano
filuer*
^bcn
ingroOe
tbem
uitO
a
($arpe
knife,
tb^
n
toeat tbeni
ouer
ligbtlpe
Uiitb
tbp
jen*
to,
tben
being
D;ipe
burm'Q)
it
toitb
a
tootb
.
Cben
\i>rat
tbp
fp?c
agapne
Ugbtlp,tben
toticb
tbp
gol5 ano
lap
tbeic*
on»'Cbcttp?en>
itUgbtlp
toitb
an
baires taple
,
tben
Ut\t
{i^p,tbenburm(btc^ttbatootb> tbcnrubitluitba
iaabite
luoollen
ciotb
0?
an
baires
foote
untill all go
off,
but
tbae
lobicb
cleanctb
unto
tbe
^p-yZ.'Clm
laptbe
cotours:
jfird
t\)v
talfe
colours
ano after
tbc r^o.tbf
n purfle
tbem
about
tbe
Cm^
teitb
iJiack
inke,
tben
mapH
tbou Diaper
tbem
o«
mt
tBitb
tBbiCf
folowi^
if
Oow
luilt,
tbrn
tJcrniOj
tbem
0uer
uiitb
gootj
oio
gUr^^eiano
tben
W
tbon
tmz
all
tbat
beion^etbto
limming
A^iniCben
annoDom*
.
fTHE
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fTHE
NAMES
OF
AL
SVCH
COLOVRS
and
other
thinges
as
are
mentioned
and
conteyncd
in
this
prcfent
Booke
of
Limmin
g,and
are
for
the
moftpaic
to
be
fold at
the
Poticaries.
r^Oldfoilc*
Siluerfoyle*
Shell
Gold»
Shell
fiiuer*
Azure,
Byze>
IndcbaudiaSt
Smaltflorey.
Orpimeat,
Maftieot,
Vermilion^
Turncfoll,
Rofcr*
BrafilU
Sitx>pourIakcw
Sitiopowrtopias,
Red
lead.
Black
lead.
Brown
of
Spayn^
OkardeLuket
CreeneByze.
Vertgreaie*
5affron»
Vennis
Cerius^
White
lead.
Fume black*
Black
inke.
Hartshorn,
Gip
fum.
Fooll
Armonikc
Milke
ofareenc
Gumme Arabik.
figges.
Galles.
Milke
of
fpurge*
Greene
coperas»
Milke
of
wan-
Rom
ayn
vitriol ,
weede.
Rozen,
'
Mi k.of5aIendinc.
AUum,
luice
ofGarlike
and
WaXf
of
Onion
heads.
Honney,
luice
of
rue*
Turpentine*
luice
of
red
Nettle.
Quickfiluer*
Scraped
cheefe»
Tinne*
White
wine*
Pogarnarde
pilz»
White
Vinegeiv
Chriftall
flone*
Vergis*
Paragon
ftonc*
Childs
pifle.
Chalke*
Lye.
Allablafler*
Oyles
and
liquors
Plaifter
of
an
old
that
make
fmoke,
image*
Glouers(hreds,and
Vnfledlymc*
fliredsofnew
Pouderofwhytc
parchment,
bones*
Water
and
grcafe
of
Poud?r
ofihepes
Snailes,Gluc
burrcs*
water*
Neatcs
gall
.
Aquauite*
Whites
of
eggcs.
Bcngewyne*
Yeolks
of
egges^
Oylc
ofLynfeed.
.
Cowes
milke.
Oyle
of
Walnuts^]
l^vyesmilkct
Bayfalt^
-
8/17/2019 18th century - artist's book about colours
30/68
^
table
offiich
thinges
as
beecon^
taynedin
this
prefent
booke.
'i^e
oj^ec
of
SjjatDuigoj
leas.
td^em-,
teattng.
foil.
^,
^o
tttafteRDttl)vo ' a?
TTo
Uve
fvfe
on
%t%HtSi
oi
bpon
otljec
to^te
toitl?
a
pertnc
ojipcnQil.
coi)ci»,
tDinaejS.
cuDCm.
Tljc
manncc
t)otDctj
Diapecoji
flojiflj
Cola?
golti
&%Qi\\\tt
oh
fpfc,
?
vuitJ)
a
pencil
cucei&oH)
Sttuet:
oj
co^
^Comaftcanntc^atcctotcmpctfcoloiicsf
loiicaf,
a
VDttljaH.
eo3cm.
iT^c
tua«cflll«otutomaac(una]iyftmi)tf
ComaKcjla^jc
foytjjcjtiicpijtpoft.
cfcoloutcaft'V
tcmpccwg^*^
winalina
eo'ijcm,
ofcoloacja;iogct1)ec.
cooem.
tToficepc
% )tt«s(
cf
cggcjaf
atf
longc
as Co uiaUc
a
Hjno
of
cciowcaWfl)
bcc^
vou
WW
toit^ont
cojiwiptmsoj
putting
nt^c.f
t.
9
cfacfenwH
tjntotl)em.
coficm. Co
malie
coloutsi
of
allhintieflfcf
mcti
^oteanpccgOlt)0?tfiluct\M^ct;cU)iti;vou
talj.
ciscw,
ma^txi)itcwitt)ap€ni)eo?papntU)U^a
Co
make
^.ettetar
of
tl;e
to\9Wz
of
McnftU.
4
8olDti)itl)OUti5«li .
j:
^otempeza^tice
0}TS>i^e. cod.
Co
malte
X.ectetier
of
tl}e
(oUiiv
otfih
1^ou)tomaftca5Utco>bV5Cf85^?9lal>-
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