156700998 Audioslave Revelations DIGITAB

8/13/2019 156700998 Audioslave Revelations DIGITAB

http://slidepdf.com/reader/full/156700998-audioslave-revelations-digitab 1/77

Intro Moderately slow q = 87

Broken CityLyrics by Chris Cornell

Music written and arranged by Audioslave

Copyright © 2006 L BV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.

All Rights for Disappearing One C ontrolled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission

from Audioslave - Revelations

Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 1 (slight dist.)

P.M. throughout

mp

*G5

33=

*Chord symbols reflect implied harmony.

My1.

cit

VerseG5

y- sleeps by the side of a free way,- a cit y- of scraps in the

Riff A

win ter- time. She wore a yel low- coat, now there’s noth ing- on her back. If a

End Riff A

0 3 5 5 5 0 3 5 5 5 0 3

5 5 5 0 3 5 5 5

3 5 5

3 5 53 5

3 5 5

3 5 5

3 5 53 5

3 5 5 0 0 3 5

Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

1



build ing- falls, you would n’t- care to no tice- un less- you were in it. And

no one cares a bout- climb ing- stairs, noth ing- at the top no more.

Out

ChorusGtr. 1 tacet

D5

side- trip pin’- in

C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5 C5 D5 C5 D5 C5

Gtr. 3 (dist.)

*w/ phaser & DigiTech Whammy Pedal

Riff B1

f

End Riff B1

+6

*Set for one octave above.

+6 +6 +6 +6 +6 +6 +6

Gtr. 2 (dist.)Riff B

w/ phaser

f

End Riff B

3 5 53 5 5 3 5

3 5 5 0 3

3 5 5

3 5 53 5

3 5 5 0 0 3 5

5X7

5X7

5

7

3X5

5X7

5X7

3X5

3X5

5X7

5

7

3X5

5X7

3X5

3X5

5X7

3X5

5X7

3X5

5X7

3X5

5X7

3X5

5X7

3X5

5X7

3X5


2



Out

Gtrs. 2 & 3: w/ Riffs B & B1 (3 times)

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5

I watch

C5

her bleed

D5

and

C5

crack.

D5 C5

Out

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5 C5 D5 C5

Out

D5 C5

-

D5

side- kick ing- in

C5

the bro

D5

ken

C5

- cit

D5

y,-

C5 D5

there’s noth

C5

ing- wrong

D5

with

C5

that.

D5 C5

Doo,

Interlude

* Dm7/C

doo, doo, doo, doo, doo, doo, doo,

Gtr. 3

Rhy. Fig. 1A

(+6

)+6 +6 +6

(+6

)+6 +6 +6

Gtr. 2Rhy. Fig. 1

*Bass plays C.

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356


3



doo, doo, doo, doo, doo, doo, doo. Now2. the

End Rhy. Fig. 1A

(+6

)+6 +6 +6

(+6

)+6 +6 +6

End Rhy. Fig. 1

snow

VerseGtr. 1: w/ Riff A (2 times)Gtrs. 2 & 3 tacet

G5

falls down like it’s fall ing- on an o cean,- dead and emp ty- by the


Riff C

w/ wah-wah

mp

rail road- tracks where they used to go and come. Now they don’t come back. You can

End Riff C

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356

3 5 5

3 5 53 5

3 5 5

3 5 5

3 5 53 5

3 5 5 0 0 3 5


4



hear

Gtr. 4: w/ Riff C

the rust grow ing- up the through ways,- down the al leys- where they

stole this town from the fron tier.- I can see him try’n’ to steal it back.

Out

ChorusGtrs. 2 & 3: w/ Riffs B & B1 (4 times)

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5 C5 D5 C5 D5 C5

Voc. Fig. 1

(Out side- trip pin’- in the bro ken- cit y.)-

Out

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5

I watch

C5

her bleed

D5

and

C5

crack.

D5 C5

End Voc. Fig. 1

Out

Bkgd. Voc.: w/ Voc. Fig. 1

D5

side- kick ing- in

C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5 C5 D5 C5 D5

Out

C5

-

D5


C5

the bro

D5

ken

C5

- cit

D5

y,-

C5 D5

there’s noth

C5

ing- wrong

D5

with

C5

that.

D5 C5

Interlude

Doo,

Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A

Dm7/C

doo, doo, doo,

doo, doo, doo, doo, doo, doo, doo, doo, doo, doo, doo. Doo,


5



doo,

Guitar SoloG7


Gtr. 5 (dist.)

*w/ octaver

f

*Set for 2 octaves below.

1/4 1/41 1/2


Rhy. Fig. 2 End Rhy. Fig. 2

Gtr. 1

Riff D End Riff D

doo,

Gtr. 1: w/ Riff DGtr. 6: w/ Rhy. Fig. 2

doo, doo, doo, doo, doo, doo. Now3. the

Gtr. 5

1/4 1/41 1/2 1 1/2

1517

15 1517 15 17

15 1517 15

17 15 1517

108

108

108

108

108

108

108

108

108

108

XX

XX

108

108

108

108

108

108

108

108

108

108

XX

XX

3 5 5

3 5 53 5

5 5 5 0 0 3 5

15 1517 15

1517 15 17

15 171517 15

15 15 17 1517 15

1517 15


6



sun

VerseGtr. 1: w/ Riff D (4 times)Gtr. 6: w/ Rhy. Fig. 2 (4 times)

G7

won’t shine on this part of the map

Gtr. 5 tacet

an y- more.- When it’s

steady gliss.

cold out side- I see it hide be hind- the smoke stacks,- noth ing- grows. There’s no

gold rush, no min er,- no rev o- lu- tion- be hind- her and the

ship yard- is a grave yard.- No one will be try’n’ to find her.

Out

ChorusBkgd. Voc.: w/ Voc. Fig. 1 (2 times)Gtrs. 2 & 3: w/ Riffs B & B1 (4 times)

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5 C5 D5 C5 D5 C5

Out

D5

side- kick ing- in

C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5

I watch

C5

her bleed

D5

and

C5

crack.

D5 C5

Out

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5 C5 D5 C5

Out

D5 C5

-

17 8


7



D5

- side kick ing- in

C5

the bro

D5

ken

C5

- cit

D5

y,-

C5 D5

there’s noth

C5

ing- wrong

D5

with

C5

that.

D5 C5

InterludeG7

There’s noth ing- wrong with that.

(Doo,

Voc. Fig. 2


Gtr. 7 (dist.)

Gtr. 8 (dist.)divisi

* pp

*Vol. swell

Out side- trip pin’- in the bro ken- cit y.-


End Voc. Fig. 2

doo.)

f

OutroBkgd. Voc.: w/ Voc. Fig. 2 (till fade)Gtr. 6: w/ Rhy. Fig. 2 (till fade)Gtrs. 7 & 8 tacet

G73

Gtr. 1Riff E End Riff E

108

108

3 5 5

3 5 53 5

3 5 5

3 5 53 5


8



Begin fade

Fade out

Gtr. 1: w/ Riff E (till fade)

Hey, out side- trip pin’- in the bro ken- cit y.-

Out -

Gtr. 4Riff F End Riff F

Gtr. 4: w/ Riff F (till fade)

- side trip pin’- in the bro ken- cit y.- Out -

- side, out side,- out side,- out side.-

3

Gtr. 5

1/2 1

Out side,- out side,- out side.-

3 5 5

3 5 53 5

3 5 5

3 5 53 5

1517 15

17 17 17 17 17 1517

1517 15 17

17


9



Moderately slow q = 82

Jewel of the SummertimeLyrics by Chris Cornell






Intro

(Drums)

*

Gtr. 1 (dist.)

w/ phaser

Riff A

D5

f

E5 Fsus2 D5 E5 Fsus2End Riff A


Gtr. 1: w/Riff AD5 E5 Fsus2 D5 E5 Fsus2

When1.

II

VerseGtr. 1: w/ Riff A (4 times)D5

wasturned

eighttwen ty-

een,one,

E5

- I didI

Fsus2

n’t-saw

knowthe

painsun

whenpull

theing-

sunout

D5

wasof

high.sight.

E5 Fsus2

D5

AllBurntthat I

face,met

E5

wereshaddark

Fsus2

ows-sil

ehou-

rased,ettes

--

and I knewstumb

D5

I’dling- in

be allthe

E5

night.right.

Fsus2

LeftThen

thatwe

becol

3

--

0 XXX

XXX

2 3

30

30

30

30

30

30

0 XXX

XXX

2 3

30

30

30

30

30

30


1



hind

lid

2nd time, Gtr. 2: w/ Rhy. Fill 1 (4 times)

D5

me,

ed-(Uh,

(Uh,

E5

huh.

huh.

Fsus2

some

and

thing

I

- blind

fin

D5

ed

al

-

-

me.

ly-Uh,

Uh,

E5

huh.

huh.

Fsus2

You’re

got

re

a

-

mind

light

D5

ing

on

- me

me.Uh,

Uh,

E5

huh.)

huh.)

Fsus2

of

Now

a

I’m

bet

bath

D5

ter

ing

-

- in

space in

the

E5

time,

bright

Fsus2

ul tra- -

milesvi

Asus2

o-a

let-way.-

rays.

F5

A jew

ChorusD5

el- of the sum mer- time,-

Gtr. 3 (dist.) Riff C

mf 1

*Gtrs. 1 & 2 (dist.)

f **w/ wah-wah

phaser off

Riff B

*Composite arrangement **Gtr. 2 only

1/4

Gtr. 2Rhy. Fill 1

12 12 10 12 10

02200

3 3

XX

0

12

0

12 XX

12 XX

XX

12 12

00

XXX

XXX

22

33


2



1.

jew

Dm7

el- of the sum mer- time,- jew el- of the sum

Gtr. 3 tacet

Dm6

mer- time.-

End Riff C

1

D5 F5 G5

A jew

Gtr. 3: w/ Riff C

D5

el- of the sum mer- time,- a

3

Gtrs. 1 & 2 End Riff B

jew

Dm7


Asus2

mer- time.-

F5

wah-wah off

12 12 10 12 10

XX

XX

0

10

0

10 XX

10 XX

XX

10 10 XX

XX

0

9

0

9 XX

9 XX

XX

9 9

XX

XX

0

7

0 333

555 X

X

0

12

0

12 XX

12 XX

XX

12 12

XX

XX

0

10

0

10 XX

10 XX

XX

100 0

220

3


3



2.

Interlude

Gtr. 1: w/ Riff A (2 times)Gtr. 2 tacet

D5 E5 Fsus2 D5 E5 Fsus2 D5 E5 Fsus2 D5 E5 Fsus2

When2.

sum

Asus2

mer- time,-

G5

time,

F5

time,

Eb5

Gtrs. 1 & 2

Guitar Solo

A5 B5 C5Gtrs. 1 & 2 tacetA5 B5 C5

*Gtr. 4 (dist.)

**w/ 2 harmonizers

f

*Two gtrs. arr. for one.**One set for a minor 7th below & one set for a major 7t h below.

Gtrs. 1 & 2

pp

Gtr. 4

A5 B5 C5

02200

555

555

333

333

111

111

111

8 9 10 10 11 12 13 14 14 15 16 16 19 20 20 20

777

777

12 16 14 16 1210

10 12 10 12 914 10 15

12 13 12 13 9


4



A5 B5 C5 D5

steady gliss.

E5 F5

**

8v a

3 3 3

*Trem. pick in 32nd not e pattern while sliding.

*

**Note fretted on pickup, causing muted sound.

steady gliss.

D5 E5 F5

** steady gliss.

D5 E5 F58v a

**As before

D5 E5 F5

I3. left that be hind

Gtr. 1: w/ Riff A (2 times)Gtr. 2: w/ Rhy. Fill 1 (4 times)Gtr. 4 tacet

Verse

D5

- me,(Uh,

E5

huh.

Fsus2

some thing- blind

D5

ed- me.Uh,

E5

huh.

Fsus2

You’re re

3

-

8v a

mind

D5

ing- meUh,

E5

huh.)

Fsus2

of a bet

D5

ter- space in

E5

time,

Fsus2

miles

Asus2

a way.-

F5

Jew

ChorusGtr. 2 tacetD5


Gtrs. 1 & 2

f

Gtr. 1

phaser off

1/4 1

12 14 12 15 15 16 19 20 22 19 15 14 127 15 22 X X X 22

5 22 X X X X 5 21 17 19 17 X 14 17 11 15 11

15 21 17 12 9

02200

12

3 3

12 10 12 10

0

12 XX

12 XX

XX

12 10


5



Begin fade Fade out

jew

Dm7

el- of the sum mer- time,- a jew el- of the sum

Dm6

mer- time.-

D5 F5 G5

A

1

jew

Gtrs. 1 & 2: w/ Riff B (3 times)Gtr. 3: w/ Riff C

D5

el- of the sum mer- time,- jew

Dm7

el- of the sum mer- time,- a jew el- of the sum

Dm6

mer- time.-

3

D5 F5 G5

A jew

Gtr. 3: w/ Riff C

D5

el- of the sum mer- time,- jew

Dm7

el- of the sum mer- time,- jew el- of the

3

sum

Dm6

mer- time.-

D5 F5 G5

Jew

Gtr. 3: w/ Riff CD5


jew

Dm7


Dm6

mer- time.-

D5 F5 G5

Outro

Gtrs. 1 & 2: w/ Riff B (till fade)

D5 Dm7 Dm6 D5 F5 G5 D5 Dm7 Dm6

12 12 10 12 10

0

10 XX

XX

10 XX

XX

10 10 XX

XX

0

9

0

9 XX

9 XX

XX

9 9 XX

XX

0

7

0 333

555


6




MothLyrics by Chris Cornell




Fade In




Intro

***w/ delay and flanger

**

*

w/ fingers

D5 Bbmaj7

sim.

D/F# G5 F5 Bb D/F# G5

*** Delay set for eighth-note regeneration w/ 3 repeats.**Chord symbols reflect overall harmony.*First meas. located at 3:30 of track 11 on the CD.

delay off

D5†Gtr. 2 (dist.)

Gtr. 1 tacet

Riff ADm

f

Bb/D

†Doubled throughout

Dm[add4] Dm

Bb/D Dm7 DmEnd Riff A

57

57

57

55

33

53

57

55

X

2

0 3 5 7

2

0 3 5 7

3

0 3 5 7

3

0 3 5 7

0

0 3 5 3

0

0 3 5 3

2

0 3 5 7

2

0 3 5 7

2

0 3 5 7

2

0 3 5 7

3

0 3 5 7

3

0 3 5 7

5

0 3 5 7

5

0 3 5 7

7

0 3 5 7

7


1



Verse

1.

2nd time, Gtr. 2 tacet

Bb

2.Thought

II

lovedwas

thedif heat,

D/F#

ferI

- ent,-loved

itthe

seemsthings

G5

I’mthat I

justfor

the same.got.-

F5

Gtr. 2

pp

Gtr. 3 (clean)

*w/ delay mf

*Set for eighth-note regeneration w/ 1 repeat.

Gtr. 2 tacet

Bb

IAs

loveda

thegainstrings

-

D/F#

Ithat

puttied

myme

handdown

G5

oand cut

ver- theme

flame.off.

D5

Gtr. 3

Bb

I thoughtI

Iwas

wasa

smartking,

D/F#

erI

- aswas a

Imoth

flew

G5

in towith

-paint

theed-

sun,wings

F5

made of cloth.

7

533

57

55

335

533

57

55

57

533

57

55

335


2



Bb

but itWhen did

turnedthe

outflame

D/F#

the wayburn so

it doeshigh

Gtr. 3 tacet

G5

withand

evget

A5

’ryso

- one.

D5

-hot?

*Gtr. 4 (dist.)

f

*Doubled throughout

Oh,

G5 A5 D5

oh.

Gtr. 2

Gtr. 4

1st time, Gtr. 2: w/ Riff AGtr. 4 tacet2nd & 3rd times, Gtr. 2: w/ Riff A (1st 6 meas.)3rd time, Gtr. 1 tacet

Chorus

**

**3rd time, voc. tacet on beat 1.

Dm

I don’t fly a round- your fire

Bb/D

an y- more,-

Dm[add4]

I don’t fly a round- your

fire

Dm

an y- more.- Burned and fall en- down so man

Bb/D

y- times be fore.-

533

57

5 7 00

17

3 0 0 3 30 0 5 0 5 05 7 0

0 3 0 0 3 30 0 5


3



1.

2.C oT oda

Dm7

I don’t fly a round- your fire

Dm

an y- more.-

Interlude

Bb D/F# G5 F5Gtr. 2 tacet

Bb D/F# G5 D5

Gtr. 2

pp

Gtr. 3

Dm7

I don’t fly a round,- fly

F5

a

D5

round,-

C5 D5 C5 A5 G5 F5 D

Gtr. 2Rhy. Fig. 1 End Rhy. Fig. 1

7

533

57

55

335

533

57

557

57

5

0 3 5 7

5

0 3 5 7 1515

1212

0 1010

1212

00

0 1010

77

0 55

33

0


4



fly

Gtr. 2: w/ Rhy. Fig. 1

F5

a

D5

round.-

C5 D5 C5 A5 G5 F5 D

Gtr. 7 (dist.)

Guitar Solo

Riff B2

Bb

mp

D/F# Gm D/A Bb D/F# Gm DEnd Riff B2

Gtr. 5 (dist.)divisi

Gtr. 6 (dist.)

Riff B1 mp

Riff B

mp

End Riff B1

End Riff B

Gtr. 1

*w/ delay

Rhy. Fig. 2

sim.

End Rhy. Fig. 2

*Set for eighth-note regeneration w/ 3 repeats.

Oo.

Gtr. 1: w/ Rhy. Fig. 2Gtrs. 5, 6 & 7: w/ Riffs B, B1 & B2

Bb D/F# Gm D/A

(Oo.)

Bb D/F# Gm D

8 7 10 13 11 10 10 8 7 10 13 11 11 15 15 15

107 7

71211

1110

107 7

71211

1110

53

57

55

33

53

57

55

57


5



D.S. al Coda(take 2nd ending)

BridgeGtr. 1: w/ Rhy. Fig. 2 (1 1/2 times)

Bb

I don’t fly

D/F#

a round- your fire

Gm

an y- more.-

F5 Bb

I don’t fly

D/F#

a round- your

Gtr. 7

pp

Gtr. 5divisi

Gtr. 6

pp

fire

Gtrs. 5, 6 & 7 tacet

G5

an y-

D5

more.-

Bb

Burned and fall

D/F#

en- down so man

G5

y- times be fore.

F5

-

Bb

I won’t fly

D/F#

a round,- fly

G5

a round.-

D5

Gtr. 1

delay off

8 7 10 13 11 10 10 8

107 7

71211

1110

107

53

57

55

X


6



Coda

Begin Fade

Fade out


F5 D5

Oh.

C5 D5 C5 A5 G5 F5 D5

OutroGtr. 2: w/ Rhy. Fig. 1 (till fade)

F5 D5

Fly

C5

a

D5

round,-

C5 A5 G5 F5 D5

F5 D5

oh.

C5 D5 C5 A5 G5 F5 D5

F5 D5 C5 D5 C5 A5 G5 F5 D5

F5 D5 C5 D5 C5 A5 G5 F5 D5

Oh.

F5 D5 C5 D5 C5 A5 G5 F5 D5


7




Nothing Left to Say but GoodbyeLyrics by Chris Cornell







*

w/ tremolo

let ring throughout

D7

mf

Bb7 G7


Verse2nd time, Gtrs. 4 & 5 tacet

D7

Just1. likeBless2.

ayour

res

***

heart,

D7/C

cueyou

- of gave

a strayme a home

Bb7

dogand

ina

the rain,new

G7

Istart

wasand

**Gtrs. 1 & 2 (slight dist.)Riff A

let ring throughout

End Riff A

**Gtr. 2: w/ phaser, played mp . ***Bass plays C.

hunI

Gtrs. 1 & 2: w/ Riff A (3 times)

D7

grywill

- whenleave

D7/C

youyou

foundnev

Bb7

me.er.-

G7

45

35

75

75

31

31 7 7

67 8 7

45

35

75

75

31

31 7 7

67 8 7


1



D.S. al Coda

Coda

G13

but now I’m found

Db Dbsus4

and I won’t run a way.-

F5 E5 F5 A5

Gtr. 4

Gtr. 5divisi

End Rhy. Fig. 1A

End Rhy. Fig. 1

ChorusGtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A

Bb5

I been chased by a rain

F5

cloud.

A7

Bb6['#4]

I was lost and near ly- drowned

Dm

and kicked a round,-

G13

but now I’m found

Db

Dbsus4


F5 E5 F5 A5

I

Bridge

G

killed my self,- threw a way- my men tal- health, but no

Dm

bod- y

Dsus2

- was blink

Dm

ing- an eye.

* F5/C

Gtr. 4

*Bass plays C.

300

30

3000

30

300

30

3000

00 4

666

46

4667

46

4667

46

4667

00

00

3 3 2 3 7

3 3 2 3 7

7

7

5554

5 5554

5 5554

5 5554

XXX

XXX 0

231

0230

0231

000

33

33

3335

3335


3



Back

G5

yard,- base ment,- fall ing- on the pave ment.- Noth

Bb5

ing- left to say but good bye.

Dm

-

3

Noth

* F6/A

ing- left to say but good bye.

A7

-

3

*Bass plays A.

VerseGtr. 4 tacet

D7

It’s3. true I ran a way- be fore,

Bb7

- but be sure

G7

Gtr. 1

tremolo off

Riff C

P.M.

End Riff C

I

Gtr. 1: w/ Riff C (3 times)

D7

am no tail chas

Bb7

er.-

G7Gtr. 3: w/ Riff B (2 times)

D7

I know a good

**

**Bass plays note to right of slash, next 4 meas.

D7/F

thing when it throws

55

55

55

55

55

5 55

00

00 1

33

13

133

00

00 0

231

02

0231

000

323

323

323

00

00

0202

020

02020

020

2

0202

020

02020

020

014

014

014

014

0

014

0

014

0

014

0

014

014

0

014

0

014

0

014

0

014

0

014

0

014

014

014

014

014

45

35

75

75

31

31 7

67 8 7


4



Play 3 times & fade

Bb7/G

me a bone.

G7/Bb

I’m your

D7

best friend

D7/F

for ev-

Bb7/G

er.-

G7

Gtr. 4

ChorusGtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A

Bb5

I been chased by a rain

F5

cloud.

A7 Bb6['#4]

I was lost and near ly-

drowned

Dm

and kicked a round,-

G13

but now I’m found

Db

Dbsus4


F5 E5 F5A5Outro*Dm Gm A Bb6

Gtr. 6 (dist.)

f

**Gtrs. 6 & 7 (dist.)

w/ phaser

**Gtr. 7 played f .*Chord symbols reflect basic harmony.

B5 Bb5 Dm Gm A Bb6 B5 Bb5

15

19 0 2 31 0

50 1 6 5 4 2 0

7 5

4 4 4 4 3 3 3 3

0 2 31 0

50 1 6 5 4 2 0

7 5 4 4 4 4 3 3 3 3


5



Intro Moderately q = 112

One and the SameLyrics by Chris Cornell





Play 3 times

Gtr. 1 (dist.)

*

Riff A

w/ wah-wah

B5

mf


End Riff A

**Gtr. 2 (dist.)

Gtr. 1 tacet

Riff B

Bm7

End Riff B

**Doubled throughout

Gtr. 2: w/ Riff B

Well,1. they don’t

99

9 9 9 9 9 XXX

XXX

9 9 9 9 9 9 9 9 9 9 XXX

XXX

9 9 9 9

9 9 9 9 9 9 XXX

XXX

9 9 9 9 9 9 9 9 9 9 XXX

XXX

9 9 9 9

7 77

97

9 7 9 9 79

79 7 9 7 5 7 5

7 5


1



1To Coda

hatemask

*

Verse

B5

you,

A5 B5

you knowwith

theya

A5

lovetar

B5

you,get.-

A5 B5

butKeep

they’reyour

A5

Gtr. 2Rhy. Fig. 1

*Key signature denotes B Mixolydian.

gonen

B5

na- e- come mies

A5

- killclos

B5

er.- you.

B7

TheyYou fall don’t in

End Rhy. Fig. 1

meanlove

Gtr. 2: w/ Rhy. Fig. 1 (2 times)B5 A5 B5

you anfrom

y-a

A5

harm,great

B5

height.

A5 B5

Nowit’sthe

A5

justeas

B5

y-what

part’s

A5

theyo

B5

do.ver.-

B7

Could beChoose

youryour

mothbat

B5

er,tles,

--

A5 B5

could benot

youryour

A5

fasol

B5

therdiers.

--

A5 B5

You’reor

nevyour

er

A5

-bestsure

B5

of friend

their

A5

incol

B5

theors.-

world.

B7

But just like

79

XX

XX

57

79

XX

79

XX

XX

57

79

XX

XX

57

79

XX

79

XX

XX

57

79

XX

XX

57

79

XX

79

XX

XX

XX

XX 7 9

7 77 9

7 77 9

77


2



D.S. al Coda 1

1 Coda

2To Coda

blood

Chorus

*

*Chord symbols implied by bass, next 8 meas.

Gtr. 1: w/ Riff A (2 times)B5

in rain,

D5

love

F#5

and pain

E5

are one

D5

and the

F#5

same.

(One

D5

and the same.)

B5 E5

Just like blood

B5

in rain,

D5

love

F#5

and pain

E5

are

one

D5

in the

F#5

same.(One

D5

in the same.)Yeah,

B5 E5

yeah, yeah.

Interlude

Bm7Gtr. 2: w/ Riff B (2 times)

You2. wear a

blood

**

**Chord symbols implied by bass, next 8 meas.

Gtr. 1: w/ Riff A (2 times)B5

Chorus

in rain,

D5

love

F#5

and pain

E5

are

one

D5

and the

F#5

same.

D5 B5 E5

Just like blood

B5

in rain,

D5

love

(One

Voc. Fill 1

and the same.)

End Voc. Fill 1

F#5

and pain

E5

are one

D5

and the

F#5

same.

Bkgd. Voc.: w/ Voc. Fill 1D5

Hey, hey,

B5 E5

hey,


3



hey!

Guitar Solo* B5 D5 B5 D5 F#5 E5 D5 E5

Gtr. 3 (dist.)

f

6 6 6 36 3 6 3

*Chord symbols implied by bass, next 8 meas.

D5 F#5 D5 B5 A5

6 6 6 6

B5 D5 B5 D5 F#5 E5 D5 E5

let ring

w/ ring modulator

Gtr. 3

D5 F#5 D5 B5 E5

1 1/2 1 1/2 1 1

Gtr. 4 (dist.)

**w/ octaver

f

**Set for two octaves below.

1 1/2 1 1/2 1 1

7 7 7 7 7

7 7 7 7 77 7 7 7 7

9 9 9 XX

XX

7 7 7 7 77 7 7 7

7 7 7 7 79 9 9 9

7 7 7 7 6 5 10 10 10 9 7 5 10 10 10 10 10 5 12 12 12 12 5 5 9 10 9

10 12 12

10 12 10

12 10

141010

10

0

10

0

9

0

12 10

0 0

10

0

10

0

10

0

9

0

12 10

0 0

1212

1012 10

12 1012 10 12 12 10

1212

1012 10

12 1214 12 10

10

1212 10

12 1012 10 12 12 10

1212

1012 10

12 12 1012 12


4



Gtr. 3

Gtr. 4 tacetBm7

6 6 6 6 6 6 6 6

6 6 6 6 6 6 6 6

8v a

6 6 6 6 6 6 6 3

Just like

8v a

w/ ring modulator

1/2 1 1/2 1 1/2 1 1/2

blood

Chorus

B5

in rain,

µ

love

Gtr. 3 tacet

and pain are

steady gliss.

8v a

14 12 10

14 12 1014 12 10

14 12 1014 12 10

14 12 1014 12 10

14 12 1014 12 10

14 12 1014 12 10

14 12 1014 12 10

14 12 1014 12 10

14 12 10

15 14 12

15 14 1215 14 12

15 14 1215 14 12

15 14 1215 14 12

15 14 1215 14 12

15 14 1215 14 12

15 14 1215 14 12

15 14 1215 14 12

15 14 12

17 15 14

17 15 1417 15 14

17 15 1417 15 14

17 15 1417 15 14

17 15 1417 15 14

17 15 1417 15 14

17 15 1417 15 14

17 15 1417 17

14

2222 22 2222 22 22 22 2222 22 22 22 2222 22 22 22 22

12 24 19


5



D.S.S. al Coda 2

2 Coda

1.

2.

one and the same. Just like blood

Gtr. 1 tacet

in rain, love

Gtr. 1

and pain are one in the same.

(One in the same.)

Just like a

Hey!

OutroGtr. 2: w/ Riff B (3 times)Bm7

Hey, hey, hey! Hey! Hey, hey, hey!

Hey!

Gtr. 2

XXX

XXX

7 77

97

9 7 9 9 79

79 7 9 7 5 7 5

00

00 X

7

77

7

77


6



Chorus Moderately q = 125



Lyrics by Chris CornellMusic written and arranged by Audioslave

Original Firefrom Audioslave - Revelations

The o rig

µ

- i- nal- fire has died and gone, but the ri ot- in side- moves on. The o -

rig i- nal- fire has died and gone, but the ri ot- in side- moves on. The o -

*Gtr. 1 (dist.)

**w/ DigiTech Whammy Pedal

f

*Doubled throughout **Set for one octave above.

rig

*** E7(no3rd)

i- nal- fire has died

E6(no3rd)

and gone, but the ri

C/E

ot- in side- moves on.

E5

The o -

Riff A End Riff A

***Chord symbols reflect implied harmony.

rig

E7(no3rd)


E6(no3rd)

and gone, but the ri

C/E

ot- in side- moves on.

E5

With1. a

Riff B

Whammy Pedal off

End Riff B

1/4

00

017

017

017

017

017

017

017

017

016

016

016

016

016

016

016

016

015

015

015

015

015

015

015

015

014

014

014

014

014

014

014

014

017

017

017

017

017

017

017

017

016

016

016

016

016

016

016

016

015

015

015

015

015

015

015

015

014

014

014

014 2

3


1



1.

2.

rig


i- nal- fire has died and gone, but the ri ot- in side- moves on.

Gtr. 1

InterludeE5

1/4

rig


i- nal- fire has died and long gone, but the ri ot- in side- moves on.

Bridge

A5

Can’t ex plain- it, it was some

E5

thin’- to

G5

see.

A5

Can’t con tain- some thin’-

B5

ev er

D5

-

Gtr. 1 Riff C End Riff C

re

E5

al,-

B5

ev er

D5

-

re

*Gtr. 1: w/ Riff A

*w/ Whammy pedal as before.

E7(no3rd) E6(no3rd)

al.- Hey!

C/E E5

02

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

3

00 3

0 2 5

02 5 5


3



BridgeGtr. 1: w/ Riff C

A5

Can’t ex plain,-

Gtr. 2 tacet

it was some

E5

thin’- to

G5

see.

A5

Can’t con tain- some thin’- so

B5

ev

D5

er-

Gtr. 2

grad. dive

8v a

delay off

-1 1/2

-3 1/2-7 slack

re

*Gtr. 1: w/ Riff B

*w/ Whammy pedal as before.

E7(no3rd)

al,-

E6(no3rd)

ev er- re

C/E E5

- al. The o -

rig

ChorusGtr. 1: w/ Rhy. Fig. 2 (1st 2 meas., 2 times)

E5

i- nal- fire has died and gone, but the ri ot- in side- moves on. The o -

rig


i- nal- fire has died and gone, but the ri ot- in side- moves on. The o -

rig

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas., 3 times)

i- nal- fire has died and gone, but the

Gtr. 2

**w/ DigiTech Whammy Pedal***

Riff D8v a

***As before**Sweep treadle randomly.

-3 -2 1/2-4 -3 -2 1/2 -2 1/2 -3 -3 -2 1/2 -3

X

X X X X X X X X X X


5



rit.

rit.

ri ot- in side- moves on. The o -

8v aEnd Riff D

-3 -2 1/2 -3 -2 1/2 -2 1/2 -3 -3 -2 1/2 -2 1/2 -3 -2 1/2

rig

Gtr. 2: w/ Riff D


and gone,

but the

ri ot- in side- moves on.

Gtr. 1

1/4

X X X X X X X X X X X

02

02

02

02

02

02

3 0


6



C oT oda

YouYou2.

1.

VerseE5

knowknow

whatwhat

toto

do,say,

youyou

knowknow

whatwhat

II

did.said.

Gtr. 2 Riff C

SinceYou

youknow

knowwhat I dream

ev ’ry- thing,-sleep

justing-

cluein

*G/D

memy

in.bed.

D/F#

End Riff C

*Bass plays D.

IYou

Gtr. 2: w/ Riff C

E5

amhold

suchall

athe

wreck,keys,

Iyou

amknow

suchall

athe

mess.roads.

IWhy

knowdon’t

whatyou

Iguide

know.me

Why don’tin

you fill

G/D

if in

I’mthe

suchrest?a lost

D/F#

soul?

I

Gtr. 2: w/ Riff C (1st 2 meas., 2 times)

E5

willI’ll

bringspin it

you’round,

down, II

willwill

makemake

ityou

bad.ill.

WhileSince

you’reI’m

feelso

ing-bro

proud,ken- down,

whywhy

don’tdon’t

youyou

helpfix

me?me?

5 7 7 5 70 0

70

5 7 7 5 70 0

70

5 7 7 5 7

0 07

0109

109

109

109

97

97

97

97


2



Chorus

*G/D

Such a shame

D/F#

that I

D/G

would n’t- know

C

by now

G/D D/F#

your

Gtr. 2Rhy. Fig. 1

*Bass plays notes to right of slash, next 7 meas.

rev

E

e- la- tions.-

G/D

Cut me in,

D/F#

I don’t

G

wan na- live

Am/C

with out-

G/D D/F#

your rev

E

e- la- tions,-

End Rhy. Fig. 1

rev e- la- tions.-

109

109

109

109

97

97

97

97

54

54

54

54

75

75

75

75

109

109

109

109

97

97

97

0

076

076

076

076

076

076

076

7109

109

109

109

97

97

97

97

109

109

109

109

1210

1210

1210

1210

109

109

109

109

97

97

97

0 076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

7


3



D.S. al Coda

Coda

InterludeGtr. 2: w/ Riff B (2 times)

Em7

D5 G5 Em7

D5 G5

ChorusGtr. 2: w/ Rhy. Fig. 1

G/D

Such a shame

D/F#

that I

D/G

would n’t- know

C

by now Voc. Fig. 1

G/D D/F#

your rev

E

e- la- tions.-

G/D

Cut me in,

D/F#

I

(I would n’t- know by now.

don’t

G

wan na- live

Am/C

with out-

G/D D/F#

your rev

E

e- la- tions.-

Don’t wan na- live with out.)-

End Voc. Fig. 1

Guitar SoloD5 D/F# G5 C5

Gtr. 3 (dist.)

*w/ toggle switch, delay & DigiTech Whammy Pedal

*Using a guitar with Les Paul style electronics, set lead volume to 0 and rhythm volume to 10. Hammer-on the strings with the left hand while flipping the pickup selector switch in a sixteenth-note rhythm until beat 4 of the 7th meas. Delay set for a time value equal to 5 sixteenth-notes w/ 1 repeat. Delayed signal sent to right channel. Whammy pedal set for one octave above. Press the Whammy’s on/off switch in the rhythm indicated ( + = on, o = off). Whammy effect in left channel only.

5 7 77

5 577

7 5 5 7 7 55

77 5

57

7 55

77 5

57

7 55

77

10


4



D5

D/F#

E5

G5 D/F#

D

E5

Gtr. 3

D5

D/F#

delay off

E5

Gtr. 4 (dist.)

*w/ delay & DigiTech Whammy Pedalsteady gli ss. st ead y g liss.

*Delay set for eighth-note regeneration w/ 1 repeat. Whammy Pedal set for one octave above.

Gtr. 2

12 129

1212 9

912

12

99

1212 9

9

1717

1919 17

1719

19 1717

1919 17

1719

19 19

19

2121

19 19

2121

19 19

2121

19 1921

21

19 19

2121

19 1921

21

19 19

2121

19 19

2121

19

1921

21

19 19

2121

19 1921

21

19 19 17 19

17 0 19

07

07

07

07

07

07

07


5



Half-time feel

steady gliss.

steady gliss. steady gliss.

Bridge

Gtr. 1: w/ Riff A (3 times)Gtrs. 2, 3 & 4 tacet

Cmaj9

I am haunt

G%

ed- when I

A9(no3rd)

am sleep ing.

Eadd9

-

Gtr. 5 (clean)

let ring throughout

mp Harm.

Cmaj9

Try to give

G%

with out- re

3

A9(no3rd)

ceiv-

Eadd9

ing.-

Harm.

19

19 0 19 0 19 19 0 19

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

1212

1212

12

1212

1212

12


6



Cmaj9

It’s in the ap

G%

ple- bite,

A9(no3rd)

it’s in the days

Eadd9

and nights.

(It’s in the ap ple- bite, it’s in the

Harm.

Pitch: E

Cmaj9

In the af

G%

ter- life- we’ll

E5

meet.

days and nights.)

Gtr. 5

Harm.

Gtr. 1

InterludeGtrs. 1 & 5 tacet

G D6add4/F# D6(add4) Em G D6add4/F# E

Gtr. 2Rhy. Fig. 2 End Rhy. Fig. 2

1212

12

5

1212

1212

12 12 12

810

120

00

00

35

70

00

00

079

09

0

10

09

0

10

09

0

10

09

0

10

09

0

9

07

0

9

07

0

9

07

0

9

07

0

5400

5400

5400

5400

7500

7500

7500

7500

10

09

0

10

09

0

10

09

0

10

09

0

9

07

0

9

07

0

9

07

00

00

7640

7640

7640

7640

7640

7640

7640

7


7



Gtr. 6 (dist.)


G D6add4/F#

*

fdbk.

p mf

D6(add4) Em G D6add4/F# E

*Vol. swell

ChorusBkgd. Voc.: w/ Voc. Fig. 1Gtr. 2: w/ Rhy. Fig. 1 (1st 6 meas.)Gtr. 6 tacet

G/D

Such a shame

D/F#

that I

D/G

would n’t- know

C

by now

G/D D/F#

your

rev

E

e- la- tions.-

G/D

Cut me in,

D/F#

I don’t

G

wan na- live

Am/C

with out-

G/D D/F#

your rev

E

e- la- tions.-

Gtr. 2: w/ Rhy. Fig. 1 (1st 7 meas.)

G/D

Such a shame,

D/F#

such a

Gtr. 2

**w/ panning

Gtr. 6

**Alternates from left to right speaker every 2 beats.

shame

D/G C

that I

G/D

would n’t- know

D/F#

by now.

E

Gtr. 6

10

109

109

109

109

97

97

97

0 076

076

076

076

076

076

076

7

17 17

17 17 17 17 17 17


8



G/D

Cut me in,

D/F#

I don’t

G

wan na- live

Am/C

with out-

G/D D/F#

your

(Don’t wan na- live with out.)-

3

rev

E5

e- la- tions,- rev e- la- tions.-

Gtr. 6

Gtr. 2

17 17 17 17 17 17 17 17 17

17 17

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07


9




SomedaysLyrics by Chris Cornell





Tune down 1/2 step:(low to high) E b-Ab-Db-Gb-Bb-Eb

Chorus

µ

Some days,

**F#5

some days, some

*Gtrs. 1 & 2 (dist.)

f

Riff A

*Composite arrangement **Chord symbols reflect implied harmony.

days just ain’t so eas

µ

y.-

End Riff A

16 2 2

4 2 4 2 1 2 4 2 4

2 2

4 2 4 2 1 2 4 2 4

2 2

4 2 4 2 1 2 4 2 4

2 2

4 22

4 22

4 2 4


1



Verse

F#5

It’sWake

not1.

2. theup,

fault of anlook a

y-round-

one- as justwe

bere

forevolve

--

your feeta

hitround-

thethe

ground.sun.

B5

Gtr. 4 (dist.)Riff B2

mf

End Riff B2

**w/ DigiTech Whammy Pedal & tremolo

+6

**Set Whammy Pedal for one octave above. Tremolo rate set for quintuplets (approx.).


*w/DigiTech Whammy Pedal, harmonizer & tremolo

mf

End Riff B1

*Set Whammy Pedal for one octave above in toe down position and harmonizer for a perfect 5th above. Tremolo rate set for quintuplets (approx.).


***w/wah-wah

mf

End Riff B3

***o = open (toe up) + = closed (toe down)

1/4

Gtrs. 1 & 2Riff B

P.M.

End Riff B

Gtrs. 1 & 2: w/ Riff B (2 times)Gtrs. 3, 4 & 5: w/ Riffs B1, B2 & B3 (2 times)

F#5

Where theyWe

meetsleep

thebe

oilneath-

andthe same

streetsky,

isbut

wherewe

youall

standsee

andit

where youth rough d iff f’rent-

sleep.eyes.

B5

7

0

2 2

0 1 2 X X 0 1 2 X X 0 1 2


2



1To Coda 2To Coda

Black

F#5

andSo if

whites,you go or

aif

larms-you

and lights,stay, stand in’-

plainstill,

clothesor

andif

Miyou

ranwalk

- daa

- rights.way.

B5

-

At

Gtrs. 1 & 2

F#5

theIf

rightyou bend

place,or

but inif

theyou

wrong life.break,

Somesome

daysdays

µ

just just

ain’tain’t

soso

easeas

y.y. -

-Some

P.M.

days,

ChorusGtrs. 1 & 2: w/ Riff A (2 times)2nd & 3rd times, Gtrs. 1 & 2: w/ Riff A (1 1/2 times)

F#5

some days, some

days(Some days

just just

ain’tain’t

soso

easeas

y.y.)

--

Some

days, some days, some

days,(Some days,

some dayssome days

just just

ain’tain’t

soso

0 1 2 X X 0 1 2 X X 0 1 2 16


3



Gtrs. 1 & 2 tacet

F#5 A5 F#5 A5 F#5

Gtr. 6 (dist.)

w/ wah-wah mf

A5 F#5 A5

I

F#5

don’t care for some

E5

days.

Gtr. 7 (clean)

w/ heavy reverb

mf

Gtr. 6

*Gtrs. 7 & 8 (clean)

Guitar Solo

**Gtr. 6 tacetF#m E/F# F#m

***w/ delay

Bm/F# F#m

*Gtr. 8 w/ heavy reverb, played mf .**Chord symbols reflect overall harmony.

***Set for whole-note regeneration w/ 1 repeat.

24

XX

XX

0 24

0 24

002

02

2 0 24

XX

XX 0

2

24

XX

0 2 0 24

XX

XX

XX

XX

1110

1110

24

XX

XX 0

2

24

0 24

002

02

2 0 24

XX

XX

0 2 02

1110

1312

1414

1615

1414


5



Gtr. 3 E/F#

tremolo off mp

F#m

Gtr. 7

delay off

Gtr. 8

delay off

Bridge

E

Some one- may have done you right


F#m

or done you wrong,Gtr. 3

pp

Gtr. 7

pp

Gtr. 8

pp


mp

5 5 7 9 10 10

1312

1312

1414

1312

1312

1312

99

1110

10

1414

1110

022100

244222


6



A

or kept you down from the day

Bm

you were born.

Gtr. 9

There’s

Bm7

no need to a pol- o- gize- for the ri

F#m

ot- in your eyes ’cause some

days

C#7

just ain’t so eas y.

Gtr. 9 tacet

F#5

-

Gtr. 9

Gtr. 1

* p f

*Vol. swell

Gtr. 2

0222

24432

24232

244222

46464

46464

19 2 2

4 2 4 4 2 4 4 2 4

16 2 2

4 2 4 4 2 4 4 2 4


7



D.S.S. al Coda 2

2 Coda

Free time

Hey! Hey! Hey! Some

Gtrs. 1 & 2

days,

F#5

(Some days,some days

some days.) just ain’t so

A5

Gtrs. 1 & 2

fdbk.

Pitch: C #

eas y.-

F#m µ

2 2

4 2 4 4 2 4 4 2 4

2 2

4 2 4 4 2 4 4 2 4

2 2

4 22

4 22

4 2 4

2 2

4 2 4 2 1 2 4 2 4

2 2024

00 0

2

02

244222

244222


8



Intro Moderately q = 96

Sound of a GunLyrics by Chris Cornell






Gtrs. 1 & 2 (elec.)

**w/ clean tone & delaylet ring throughout

Riff A

* Em

mp

E5 Esus48v a

**Delay set for dotted eighth-note regeneration w/ 1 repeat.*Chord symbols reflect implied harmony.

delay off

DEnd Riff A

Em E58v a

w/ dist.

loco

f

Gtr. 3 (elec.)Rhy. Fig. 1A

E5 D5 E5 D5 E5 D5

w/ dist.

G5

mp

A5 D5 E5 D5 E5 D5End Rhy. Fig. 1A

G5 A5

Gtrs. 1 & 2Rhy. Fig. 1 End Rhy. Fig. 1

1517

1517

1517

1517

1917

1917

1917

1917

1717

1717

1717

1717

1415

1415

1415

1415

1517

1517

1517

1517

1917

1917

1917

1917

1917

1917

19

17

33

55

33

55

0 2 0 2

00

22

00

22

XX

XX

XX

00

555

777 X

XX

XXX

XXX

00

22

00

22

XX

XX

XX

00

555

777


1



VerseGtrs. 2 & 3 tacet

E

InFrom

1.2.

thethe

herecrack

andin the

nowblack

D

ness-II

waitwake.

C

It’sdown

geta

ting--

*Gtrs. 1 & 4 (acous.)

mf

*Composite arrangement

mongclos

D

- erthe young

evand’ry-

the old.night.

E

WithIn

themy

mooncit

andy,-

thethe

groundplay

D

ground-Iis

playa

bat

C

tle- - groundwith my chil

D

bedren

tween-

- thein

wrongmyand the

home.right.

E

ThisI

iscould run

for the

let ring

Rhy. Fig. 2

let ring

daughfree

D

tersas

- anda

sonschild.

of I

forwas safe

gotand

C

- tenwild.

- ones,na

learn

D

ingked-

-and

howun

to stand.armed.-

let ring

let ring

End Rhy. Fig. 2

let ring

22100

0232

32010

0232

22100

0232

32010

0232 3 2

32

2210

0

0232 2

32010 0

0232 3 2

32


2



1.

2.

E

ThisNow

isI’m

forgrown

theand

insafe

D

noin

- centmy

- unhome,

knowns-but

C

bursome

iedwill

- innev

theer-

sand.stop.

let ring

let ring

let ring

Gtr. 4 tacet

D A5

Aw, runRun

1st time, Gtr. 3: w/ Rhy. Fig. 1A (2 times)2nd time, Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)

Chorus

E5

ningning

-- from

D5

the sound

E5

of a

D5

gun.

E5 D5 G5 A5

Gtrs. 1 & 2

f

Rhy. Fig. 3

Run

E5

ning- from

D5

the sound

E5

of a

D5

gun

E5

’til

D5

you’re wea

G5

ry.

A5

- End Rhy. Fig. 3

Run

Gtrs. 1 & 2: w/ Rhy. Fig. 1

E5

ning- from

D5

the sound

E5

of a

D5

gun.

E5 D5 G5 A5

Run n ing- from

D5

the sound

E5

of a

D5

gun.

E5

D5 G5 A5

Run ning- from

D5

the sound

E5

of a

D5 E5

gun.

D5 G5 A5

2210

0

023

2 2

3201

0 0

0232

02

17

0 2 0 2

00

22

00

22

XX

XX

XX

00

555

777

0 2 0 2

00

22

00

22

XX

XX

XX

00

555

777


3



Gtr. 5 (elec.)

Guitar Solo*

w/ dist. & ring modulator

E5

f

B5 F#5 B5

**w/ octaver

*Chord symbols implied by bass, next 8 meas. **Set to one octave below.

G5 B5 A5 B5

E5 B5 F#5 B5 6 6 6

6 6 6

3

G5 B5 A5

The o

B5

pen-

***Gtrs. 1 & 2: w/ Riff A

mouth

Bridge

†Em

of a cit y- has

***w/ clean tone & delay†Chord symbols reflect overall harmony.

swal

Gtr. 5 tacet

F#11[no3rd]

lowed- up a town. Well, that same

G%[no3rd]

old con crete- that

D/A

I still walk down. And it

7 9XXX

XXX

7XXX

XXX

9XXX

XXX

XXX

7 79 9 7 9XXX

XXX

7XXX

XXX

9XXX

XXX

XXX

XXX

9XXX

7

9XXX

XXX

9XXX

XXX

XXX

XXX

XXX

XXX

9XXX

XXX

9XXX

XXX

9XXX

XXX

XXX 8

XXX

XXX

9XXX

9

12 1412 14 15

1215 14 12 14 15

1215 14 12 14 15

1215 14 12 14 15

1 2 14 1 5 14 1 215 14 12

14 13 12 13 14 1214 1 3 1 2 1 3 1 4

12 14 12

14 12 14 1 2 XXX

XXX

14 12 14 12 14 1 2 XXX

XXX

14 12 14 12 1412 15 12 1 5 1 2 1 5 1 4 1 2 14 12 1 2 1 2

14 12 14


4



seemed

E

they put a shine on this place

F#11[no3rd]

when I was young, or

Gtrs. 1 & 28v a

may

G%[no3rd]

be- I just don’t see it now.

D/A

8v a

Run

Chorus*

*Gtr. 1: w/ dist., delay off.

Gtrs. 1 & 4: w/ Rhy. Fig. 2 (1 1/2 times)Gtr. 2 tacet

E

ning- from the sound of a gun.

D

Run

C

ning- from the sound of a gun

D

’til I’m wea ry.- Run

E

ning- from the sound of a gun,

D

run

C

ning- from the sound of a

D

gun,

Dsus4

hey!

D

Gtrs. 1, 2 & 4

f Gtrs. 2 & 4divisi

Gtr. 1

*****

**Slides apply to Gtr. 1 only.*** Gtr. 1 to left of slashes in tab.

16

1716

1716

1716

1719

1719

1719

1715

17

17

1717

1717

1717

1714

1514

1514

1514

32010

32010

32010

32010

32010

32010

32010

00 0

232

0232

0232

0232

0232

0232

0232

0232

0233

0233

0233

0233

0233

0233

0233

0233

0232

0232

00

141514

141514

141514

00


5



InterludeGtr. 2: w/ Rhy. Fig. 1Gtr. 4 tacet

*

E5 D5 E5 D5 E5 D5 G5 A5 D5 E5 D5 E5 D5 G5 A5

Gtr. 1

w/ wah-wah

*w/ wah-wah in the toe down position.

Run

Outro-ChorusGtrs. 1 & 2: w/ Rhy. Fig. 3

E5

ning- from

D5

the sound

E5

of a

D5 E5

gun,

D5 G5 A5

run

E5

ning- from

D5

the sound

E5

of a

D5 E5

gun.

D5 G5 A5

Run

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)

E5

ning- from

D5

the sound

E5

of a

D5 E5

gun,

D5 G5 A5

a

run n ing- from,

D5

run

E5

ning- from

D5

the

E5

sound of

D5

a

G5 A5

gun.

E3

Gtrs. 1 & 2

00

55

77

XXX

XXX

XXX

00

22

00

22

XX

XX

XX

00

555

777

2221


6




Until We FallLyrics by Chris Cornell





(Drums) *Gtr. 1 (acous.)

Rhy. Fig. 1

C

let ring throughout

mf

Am

*Doubled throughout

F Am

VerseGtr. 1: w/ Rhy. Fig. 1

C

I1. walked the streets

End Rhy. Fig. 1

Am

with out- re gret,-

F

ah.

Am

C

I stood a lone-

Am

and watched my -

Gtr. 1

3

201

201

201

201

30 2

0

02210

2210

2210

2210

2210

02210

0 2

3 3211

3211

3211

3211

3211

00

2210

02210

02210

02210

02210

2

2

3201

201

201

201

30 2

0

02210

2210

2210

2210

22210

0 2


1



self

F

fall a part.

G

-

Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)

C

An swered- the voic

Am

es- in my head,

F

ah.

Am C

Slipped through the chain

Am

link - of a bro -

F

- ken heart.

G

Gtr. 1

Rhy. Fig. 2 End Rhy. Fig. 2

3 3

211

3211

3211

3211

3211

0

3 320003

3200

3200

3200

3200

3200

3200

2

3 3211

3211

3211

3211

3211

0

3 320003

0003

0003

0003

32

0003

0003

0003

32

0003

320003

320003

320003

320003

320003

000


2



Chorus**D

And when

F6sus2

I’m tired

C'9/E

of feel

G

ing- black,

D/F#

spread

F6sus2

the wings

C'9/E

*Gtrs. 1 & 2

Rhy. Fig. 3

let ring throughout

f

*Gtr. 2 (elec.) w/ slight dist. Composite arrangement

**Chord symbols reflect overall harmony.

up on-

G/B

your back.

D

Take

F6sus2

us high

C'9/E

a bove

G

- it all,

End Rhy. Fig. 3

D/F#

an d stroke

F6sus2

your feath

Bb6

ers- ’til we

Interlude

fall

Gtr. 1: w/ Rhy. Fig. 1Gtr. 2 tacet

C

back

Gtr. 3 (elec.)

w/ slight dist.

mf

1

0232

0232

30

3

3

03

0

2

03

00232

0232

30

3

3

3

03

0

2 3 2 30232

0232

30

3

3

03

0

2

03

0

0232

0232

30

3

1

7 7 5 75 7

5 7


3



down

Am

a gain,-

F

ah.

Am

mp1 1 1/2 1 1/2 1/2

VerseGtrs. 1 & 2: w/ Rhy. Fig. 1 (1 3/4 times)

C

Bought2. ev ’ry- thing-

Am

that sound ed- good,

Gtr. 3 tacet

F

ah.

pp

Am C

I un der- stand-

Am

that I’ve been mis -

F

- un der- stood.

Gtrs. 1 & 2: w/ Rhy. Fig. 2

G

-

ChorusGtrs. 1 & 2: w/ Rhy. Fig. 3 (1 1/2 times)

D

And when

F6sus2

I’m tired

C'9/E

of feel

G

ing- black,

D/F#

spread

F6sus2

the wings

C'9/E

7 77 5 55 7

7 75 7 7 5 7 4 4 4

5


4



C oT oda

up on-

G/B

your back.

D

Take

F6sus2

us high

C'9/E

a bove

G

- it all,

D/F#

and stroke

F6sus2

your feath

Bb6

ers-

Csus2

’til we fall,

Gtrs. 1 & 2 tacet

G5 F5 D5

Gtrs. 1 & 2

*Gtr. 4 (elec.)

w/ dist.

f

Riff A

*Doubled throughout

**Bb

un til

C5

- we

Bb5

fall,

C5 G5 F5 D5 Bb

un til

C5

- we

Bb5

fall

C5

End Riff A

**Bass plays B b.

Gtr. 4: w/ Riff A

G5 F5

back

D5

down

Bb

a gain.-

C5 Bb5 C5 G5

Yeah,

F5

back

D5

down

Bb

a gain.-

C5 Bb5 C5

0232

0232

30

3

1

03

0

3

03

0

19 3

5 35

53 5

3 5

3

5 35

3 5 3 5


5



Bridge

Dsus2

What do

Bb,7#11

you feel

Asus4

be fore-

G6sus2

you think?

Gtr. 4 tacet

Dsus2

What do

Bb,7#11

you see

Asus4

Gtr. 5 (elec.)

*w/ dist. & wah-wah

P.M. throughout

mp

*Wah-wah in toe up position throughout.

Gtr. 1

Gtr. 4

pp

be fore-

G6sus2

you blink?

Dsus2

Who do

Bb,7#11

you bat

Asus4

tle- in

G6sus2

your dreams?

Gtr. 5

Gtr. 1

1013

10

0

1013

10

0

1013

10

0

1013

10

0

1013

10

0

1013

10

0

0

03

2

03

2

03

2

03

20

03

2

03

2

5

1013

10

0

1013

10

0

1013

10

0

1013

10

0

1013

10

0

1013

10

0

2

03

2

03

20

03

2

03

2

03

2

03

2


6



D.S. al Coda

Coda

rit.

Free time

Dsus2

Who strokes

F,7[no3rd]

your feath

Bb6#11

ers-

C'9

’til you scream?

G5

Gtr. 4: w/ Riff A (1st 3 meas.)

G5 F5

back

D5

down

Bb

a gain.-

C5 Bb5 C5 G5

Yeah,

F5

back

D5

down

Bb

a gain.-

C5 Bb5 C5 Cm7

Gtr. 6 (elec.)

rit. *

w/ clean tone & heavy reverb

mp

*Vol. swell

1

Gtr. 4

rit.w/ clean tone & chorus

10

1310

0

1013

10

0

1013

10

0

1013

10

0

1013

10 10 1013

1013

1013

10

0

10 10

0

03

23

03

1

03

0

3

03

0

3X00

3X00

3X00

3X00

3X003

3X003

3X0033

3X00

3X0033

3X00

3X0033

3X00

3X0033

3X0033

8 8

53 5 3 5

35343


7



Bb

for an eye,

Dm

they’d all

F5

be

End Riff B

blind,

Gtrs. 1 & 2: w/ Riff BDm

deaf or mur dered.- Of this I’m sure,

Bb

in this un

Dm

cer

F5

- tain-

A

time.

Gtrs. 1 & 2Riff C End Riff C

*Gtr. 3 (dist.)

f

*Two gtrs. arr. for one.

Gtrs. 1 & 2 tacet

Chorus

Dm

So come pull the sheet o ver- my eyes

C

so

Gtr. 3

let ring throughout

X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11

12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X15

18X15

18X15

18X15

18X15

18X15

18X15

18

XXX

X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17

XXX

XXX

5776

5 5776

5 577

577

577

577

5776

577

5776

57

577

577

5776

00

3555

35

3555

35

3555

35

3555

0 0


2



2To Coda 1To Coda

I

F5

can sleep

C/E

to night,-

Bb5

de spite-

Dm

what I’ve

seen

C

to day.-

Dm

I’ve found you guilt y- of a crime

C

of sleep

F5

ing- at

C/E

a time

Bb5

when you should

Dm

have been wide

C

a wake.-

F G

810

810

810

810

710

710

710

0133

13

13

13

133

13

133

00

55

5776

577

5776

577

5776

577

577

00

3555

35

3555

35

3555

35

3555

00

5776

5 5776

5 577

577

577

577

5776

577

5776

57

577

577

5776

00

3555

35

3555

35

3555

35

3555

0 08

10810

810

810

710

710

710

0133

13

13

13

133

13

133

00

55

5776

577

5776

577

5776

577

577

00

3555

35

3555

35

3555

35

3555

00

8101010

8101010

8101010

8101010

10121212

10121212

10121212

10121212


3



Gtr. 7 (dist.)C

Bb

mp

Gtr. 6

Gtr. 5divisi

Gtr. 4

C

End Riff D2

End Riff D1

End Riff D

107 9 10 12 10 9

12 10 8 10

14 12 10 12 12

10 12 10 8 10

14 12 10 12

13 12 10 12

15 14 12 14

10 8

12 10

7 5 3 5 5 7 5 3 5 8 7 5 7 5 3

107 9 10 12 10 9 9 14 12 10 12 12 12 14 12 10 12

13 12 10 1215 14 12 14

1012

8 8 1510 10 17

1315

1214

1012

810

79

57

35

8 7 5 7 5 3 3 10 8 7 5 3 2 03


6



D.S.S. al Coda 2

ChorusGtr. 7 tacet

Dm

Come pull the sheet o ver- my eyes


C

so

Gtr. 3

w/ slight dist.

mp

Gtr. 6

pp

Gtrs. 4 & 5

pp

I

F5

can sleep

C/E

to night,-

Bb5

de spite

Dm

- what I’ve

Gtr. 3

seen

C

to day.-

w/ dist. f

5776

577

5776

577

5776

577

5776

577

5776

577

5776

577

5776

577

5776

00 3

555

3555

3555

355

3555

355

355

35

5 7

3 5

810

810

810

810

710

710

710

00

133

13

133

133

133

133

133

5 57

5776

5776

5776

5776

5776

577

00

3555

355

355

355

355

355

355

355

355

355

355

355

355

355

355

XXX

XXX


7



2 Coda

rit.

Free time

F5

Wide

G

a wake,-

OutroGtrs. 4, 5 & 6: w/ Riffs D, D1 & D2

Dm

wide a wake,-

C5

wide a wake,-

Bb5 Dm

wide a wake,-

C5

F G D5

81010

81010

81010

81010

10121212

10121212

10121212

00

577

57

577

57

577

577

577

577

5776

577

5776

577

5776

577

577

00

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

00

133

133

133

133

133

133

133

00

5776

577

5776

577

5776

577

5776

00

355

355

355

355

355

355

355

8

156700998 Audioslave Revelations DIGITAB

Documents

Transcript of 156700998 Audioslave Revelations DIGITAB