13 Piano Vocal Score

8/8/2019 13 Piano Vocal Score

http://slidepdf.com/reader/full/13-piano-vocal-score 1/338

lvltt sic

Raok

PraNo

CoxDLICToR

ScoRE

nnd

Ltl

rics

btl

lasost

Robert

Brown

btr

Dan Elish snd

Robert

Hcrn

NOTICE:

DO

NOT

DEFACF

Should

you

find ii necessory

to

mork

cues

oi'cuts,

use

o

soft

block lecd

pencil

This bock

rented

Ifi a ne

Trsnrns

flrrrnrgrtpitA

t

421

West

54th Street

Nlew

York, r*lY

l00i

I

{.212l'

541-4684

or the

PffiASF-ffiI

^AZHK$AI$

-I8;

MT MUSIC

LIBRAR\

3X

A

IT-{DUSTR;AL

PA,RK

ROAD

NEW

Hhi't" FORD, CT 06457

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NOT

FOR $AtE

spccifiei

ir, ycirr

ccmfract.

lt

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emains

the

pro

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Crrpvnght.

All

Rights

ltesen,ed.



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4a

IJ

Piano Conductor

Score

l. Thirteen .............

.......

1

1a"

Becoming

A Man.........

............

15

'l-a.

Becoming

A

Man

-

Alternote

..............

......

15

1b.

Thirteen-Coda

......19

1c.

Indiana

Tiansition............

.......23

2.

The

Lamest

Place In The

\{orld

..............25

3.

Hey

Kendra

."............33

3a. Invitations

..............39

4.

Get

Me What

I

Need

...............47

4. Get

Me

Wtat

I

Need-

Alternate

..............

.........".........47

4a.

Kendra

Dream

........53

4a.

Kendra

Dream

-

Alteruate ..............

......'.'.

53

4b.

Get

Me What

I Need

Coda

....................

55

4b. Get

MeIMat

I Need Coda-

Altemate.

.....

55

5. Opportunity

..............59

6.

What

It

lv{eans To

Be A

Friend

.....'..........69

7. AII Hail

The

Brain.......

".............77

7. All Hail

Tlrc

Brain

-

Alternate

...............

.....77

7a.

Terminal Illness

......91,

7a.

Terminal

lllness

-

Alternnte

..............

........91

8. Getting

Ready

.......... n7

9. Any

Minute

..............129

9a.

Bloodmaster

Fight

Underscore.............

..................

139

10.

Good

Enough

.'.....-

1'41,

11. Being

A

Geek

..........143



13a. Did

That Work?

You

Bet

It Did

..-..--.

179

14.It Can't

Be

Tiue

.-....

181

15.

If

That's

What

It

Is

.........

-....--.

1'97

15.If

That'sIMat

lt

Is-Alternate

..-.....---.....

197

1-5a. Evan's

Haftorah

.............

......213

15a.

Eaan's

Haftorah-

Alternate

...............

....'

213

16. A Little

More

Homework

............

-..--.....

275

"

16.

A

Little More

Homework-

Alternate

.............

.--....-..

215

Note:

To

better accommodate

the

needs

of

young

performers,

"alternate"

keys

have

been provided

for certain

songs.

These alternates

have been

included

in

sequence

to aid

in

performance.

Once

keys have

been

determined

for

your

pro-

duction,

it is

recommended

that

you

paper

clip the

unused

keys

-

this

will help

to

avoid

confusion,

and.

eliminate

a good

deal

of unnecessary

page

flipping.

(Please

do

not

use tape,

rip

out

pages,

or

othenuise

damage

this

book)



,,L3"

l-;

LIJ

Music

&

Lyrics

by

IASON

ROBERT

BROWN

THIRTEEN

(8

I

ts

loe)

Very

Freely,

misterioso

FABBfl

)3-

-.-.---

Koh-a - mar-

ha'El-

A-do

-

shem

3

bo

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re

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ve

(Kybd

II)

A

/l\

==----

a-)

I

nw

(Gtr.

I)

t\

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,

/i

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,

,

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(volume swell)

,

€>

ll.t

,

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F6

Blane Music Preparation 847

o432-L2Ot)

Local 10-208

#50768



(chanring)

RABBI: ln

the Jewish

faith,

when

a

bov

reaches

the

age

of

thirteen,

he is

said to

become

a

Man. So

it has

been

for

generations.

A

#t

-

THIRTEEN

(8/18/09)

Once

you

are

Bar Mitzvah,

you assume all the responsibilities

of being

a

mature

adult. Whether

you're

A

1J'

A

-

men.*

A

A

A

a

p

(under

E.P.)

A

a

A

o

P

RABBI: So

no matter

rvhat

kind of

challenges

you

may

face"

no matter

rvhat

problems you may

encttunter.".

... no

matter

what

mishego,t.t

comes

your

way,

you

have ten thousand years

of

Jervish

history...

ready or"not.

A

A

J+'

A

- men.

A

f.\

A

,-i

(Gtr'

I)

's

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b*

€>

Is

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b+

o g q

E\AN: My' name

is

Evan Goldman.

I live

at

224

Westg2nd Street.

in the heart of

Manhattan.

and

my

life

just

rvent

to hell.

...

guiding

you.to

your des[iny.

so

you

can

say,

rvith

pride and conftdence...

(MLISrc

STOPS

as

EVAN turns

trt

Juce'

the ttudience.)

mallets)

G.P.

/:\

mo lto cresc

.

mf

Qtronounced

"Al-main"

)



rock

(,

=

165)

(solo)

-3-

#I

-

THIRTEEI\

(8118/09)

PIANO

PART FOR REHtrARSAL

ONLY

Piano is

TACET until #lA

-

ad- would



-4'

#t

-

THIRTEEN

(8/18/09)

just

a

bout

to

turn,

Just

a bout

t() turn"

Just

a

bout to

turn

TI

lGrnr-sll

y

,

ir

tYS:

(at

pitch)

|

Th

tr

r-

J

:>

z

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,- J

-

o

q+

)>

':>

a.

at

21

22

23



-

3- #t

-

THIRTtrEN

(8/18/09)

End-

up

1-

\--l/

-

Lif'e-

has



-6

#I

.

THIRTEEN

(8/18/09)

edge

EVAN:

Okay.

You wanna

talk

about

turning

13?

lt's a

nightmare

I've

got

hair

grorving

in

places

I

know

were

places.

Plus,

my

parents are splitting

up.

Plus... PLUS....

I

also

have to

have my Bar'Mitzvah

The one event

that defines

you. The Jervish

Super

Borvl

BOY

1:

Hey Evan, you've got to

have

a

major party

BOY 2:

I

heard Zach

Farbei's

dad is hiring }ay

-Z

to

free style over

his

Haftorah.

We iz totally

gon

BOY

3:

My

mom is having

our invites

printed

on money.

[BOY

4: For my Bar

Mitzvah,

the whole

lamily

come

in liom

Ethiopia.]

GIRL:

Hey Evan. For

your

Bar

Mitzvah.

I've

got

a

very special

present

for

you'

ALLBOYS:

Dude

EVAN:

I don't

care

horv much

my

parents hate each

other.

They'd better

pull

it together...

it

Old

Shul



4

-l'

#l

-

THIRTEEN

(8/18/09)

(Listen

Jctr

"They'd

better

pull

it tclgether...")

...and make

sure

everything

about this

party

is absolutely,

positively, for once,

please

God,

perfect

-

a

e-

p

I

a

z

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\ \

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72

73-

+>

74

75



I

I

-8-

#t

-

THIRTEEN

(8/18/09)

Life

goes wrong;

KENDRA,

CHARLOTTE,

SIMON,

RICHIE,

CASSIE:

hir

ust a - bout to

turn,

Just

a

bo

ut

tO

turn. God.

I'm

gon

na

Ium

@

T

q

@rii,

a

>

I

:>

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q+

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..

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93

94

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E

/CONDUCTOR

trtcHtEN

I-

'9

-

#t

-

THIRTtrEI\

(8/18/09)

t_

LUCY CASSIE,

PATRICE. MOLLY

RIGHIE, EDDIE:

All- of



-10-

#I

.

THIRTEEN

(8/18/09)

@

Hard

rock half-time

feel

('l

=

L76)

to-tal-ly

Why

do I feel

like my life

is in

dan

- ger'?

Why do I feel

like

my

brain dis

- ap -

peared?

A

q

e

4

e

4

&

t

q

a

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d

4'q

4.7

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o

116

-

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118

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I



I

MoLLY

I

-11

-

lRtct-trel

#I

.

THIRTEEN

(8/18/09)

tBRErTl

trELcoLMll

**GROUP

1:

*"GROUP

2:

""GROUP

3:

KENDRA,

SIMON,

RICHIE, CHARLOTTE

BRETT, LUCY

MALCOLM,

MOLLY

CASSIE, EVAN, PATRICE, EDDIE, ARCHIE



-12-

#l

-

THIRTEEN

(8/18/09)

Full-on

hardcore

rock

-frd

rjg

ff

ii

=j;3-

=#

\3,

o3=

=3

3: 3-

-13

3

135

136

137

138

,'No.

you're

not

read

yl"

"No.

it's not

time

yet "

"No,

it's

not right

norv "

"Wait

un-til

you're

old

- er "

ilIA

*

erqS=

a4

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.-.-

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€

139

140

141

b7.

142

t=vaN,l

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BRETT,

I

luror-lv,

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nlg

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prfi=

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q3'

o3=

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ft: f---

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e e:__

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-€

fr

e

143

144

145

146

"Home

-

rvork "

"Laun

-

dry "

"Dish

- es "

"Cour

-

ses " "Just

set

-

tle down

and hold

your

hors

- es "

=JJ,7.

*1

.-'

\

f

147 148

149

150

-J

>



/CONDUCTOR

Bb

-13-

#t

-

THIRTEEN

(8/18/09)

smokin',.face-nteltin',

shreddin' Guitur

I

solo

A\

tr

oeJe

looo

7

elt

A

151

+' g?

153

154

\

(Pick

Slide)

(Piano

PLAY

next

nteesure

)

fJ

I

Attacca

#1A. BECOMII{G

AMAI{



-

14-

THIS

PAGE

INTENIIOI\IAILY

LEFT

BIANKTO

FACITITATE PAGETIJRN.



-15-

,r13r,

E

Music

&

Lyrics

by

IASON

ROBERT

BROWN

BECOMING

AMAN

(s

I

ts

loe)

@

VAMP

(vocal last

x)

I

EVANII

3-r

don't knorv

rvhat

"u

man"

real

-

lv

means.-

The rule

ffff

t>r4

t{}+}

I f l

-'r

t

I l'

lltl

r

65

-r-z-

66

-

v

o.

-.u.

I

67

UU

68

book

srows.-

But no-

one knows-

Whal

all-

e===T===

tttttltl

f---l---l-- |

'mffi

'fu-m

71

G

9o

70

Blane

Music Preparation

847

.

432-12OO

Local 10-208

#50768



-16-

#tA-

BECOMING

A

MAN

(8/18109)

the

rules-

al

-

lorv.

'mw

t+-

C

C

Uff

w

I

l-ri

ltl

ry

-__-

73U

74 75

76

I'm

be

- com - lng

a

lnan

(+Keys

II

B-3

sustain)

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t

=a

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e

ffff

t-?

ffff

(Cue only)

-t-

?

ffff

I

a

3-r

No

one

tells

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scared

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we should-

be strong,-

be

good,-

with

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-17

-

#IA-

BECOMING

AMAI\

(8/18/09)

much

press -

ure

now

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EPw/Marimba)

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?

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92

['ll-

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#lA- BECOMING A

MAN

(8/18/09)

wait

I can't

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A

109

110

t

111

t

112

Attacc&

#18. THIRTEEIV

CODA



Music &

Lyrics

by

IASON

ROBERT

BROWN

,,T3"

-15-

Alternate

BECOMING

AMAN

(B

I

ts

loe)

@

VAMP

(vcrcallast x)

IEVAtt'l

3-r

I don't knorv rvhat

"a

man" real

-

lv

means.-

The rule

ffi

nlr ti-

tr

'rt

,

r

'f

rllffi

-

J7'

I

(

67

=,-

68=

I

book

srows.-

But

no- one knows-

What all-

"frrrffi

ffiffi

I

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rr

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r

=

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71

-

Blane Music

Preparation 847

.

432-t2OO

Local

10-208 #50768



-16-

#IAALT

-

BECOMING

A

MAN

(8i

18/09)

I'm be

-

com

-

rng

a

man.

(+Keys

II

B-3 sustain)

ffiffi

_7

I

tl

l

r

,?

t rl.

ttl

rrrr

lf r]}

'?'

?

lltllll

(Cue

?"ly)

ffiLrj

)

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I

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rlr

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be

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tweens- Just

how-

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-17

-

#IAALT

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BECOMINGAMAN

(8/18/09)

t'

'{}-

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'Keys

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nuch

press

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ure norvl

(

I

EPw/Marimba)

ffiffi

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r

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-18-

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.

BECOMING

A

MAN

(8/18/09)

wair

I

can't

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A

-l

di

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jt

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109

110

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112

Attacca

#1B. THIRTEEIV

CODA



l9

,,T3"

E

Music

&

Lyrics by

IASON

ROBERT

BROWN

TFIIRTEEI\T

-

CODA

(s

I

ts

loe)

Tempo

Primo

IEVAN;I

lRrcHiE;l

I

eRETTJENDRA

l-

l

|

+

LUGY:

I

I'

par

7

lcAssrE

I

I

l+

PATRICE:

I

I

come

Blane

Music

Preparation

847' 432-l2OO

Local

10-208

#50768



to

r

par

A

#lB

-

THIRTEEI\

-

CODA

(8/18/09)

Drum Solo

rvait.

can't

wait.

can't

rvait.

can't

wait

for Thir

4

e

lrf

tl

a)

rd

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r

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i

158

57

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-21

- #tB

-

THIRTEEN

-

CODA

(8/18/09)

KENDRA, PATRIGE,

LUCY

EVAN, BRETT,

EDDIE:



-))

-

--

#IB

-

THIRTEEN

-

CODA

(8/18/09)

lcASSrEl

IEDDEI

teen

a,

A

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tecn

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-J

,,L3"

E

Music

&

Lyrics

by

IASON

ROBERT

BROWN

NDIANA

TRANSITION

(s

I

ts

loe)

EVAN:

Hey mom, what's

up?

What?

You

never

said

anything about moving Where? INDIANA?

Nooclooo

Heavy

Grunge

(J

-86)

ENS.

CTJE

--->

f

il.

T1

REPEATAS

I{ECESSARY

FOR SCENE

CHANGE

Blane Music

Preparation

847

.

432-1200

Local 10-208

#50768



-24-

THIS

PAGE

INTENTIONAIIY

LEFT

BI.ANKTO

FACILTTAIE

PAGETIJRN.



TFIE

LAMEST

PLACE

IN

TFIE

WORLT)

,,L3"

w

(8l78loe)

EVAN: So I need this

one to

be the

best

The best

DJ

in

the

best ballroom

at the

@5

hotel...

PATRICE:

...

which is the

Best Western.

EVAN:

Come

on. There's

got

to be someplace

in

this torvn'

_)<

-

J

Music

&

Lyrics by

IASON

ROBERT

BROWN

cr'ot-

ry

1o

O'

o

_,_

I

T+

1

2

3

Sorry,

but

your

choices

are

like

my

life here;

limited.

EVAN:

Limited to

r,vhat'?

PATRICE: um,

okay.

Blane

Music

Preparation

847

o432'L200

Local 10-208

#50768



-26-

#2

-

THE

LAMEST

PLACE

Ir\ THE,

WORLD

(Bl78l09)

-y -

bcr

\-i

O'

-

dy

seal-ch

- es,

a

tree,-

a

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ple

of

church

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no

mat

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hard

an

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as

thrill

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vil

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lage

gets.

It's the

a

4

u,

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22 A.

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tle

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-27

-

#2.

THE

LAMEST

PLACE

n{

THE

WORLD

(8

ll9loe)

lam

- est

\--l

I

place-

in-

the

world.

But

I'm

pret

-

ty

sure-

It's

o

t

l

o

J

a

\s

Nl

hfrq

1"o

tNl

33

34 ,t.

35

36

\----l

EVAN:

Patrice.

that

can't

be

everything.

There's gotta be

more to do

around

here'J

PATRICE:

The inbreeding

takes

up

a

lot of

our

time.

EVAN:

And when

that's

done?



-28

-

#2

-

THE LAMEST

PLACE

rN

THtr

WORLD

(B

llB l0e)

3-r



@

-29

-

#2.

THE

LAMEST

PLACE

rr\ THE WORLD

(8

178

loe)

._j

lam - est place- in- the world,

And

you're

com

-

I

'-

:--

u

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I

#

|rr

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75



-30-

#2

-

THE

LAMEST PLACE

rN

rHE WORLD

(8

l7S loe)

_.--l-

-

lec

-

tu

- al.-

neu - rot

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You

would

f'

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f=

rr

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have-

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-31

-

#2

-

THE LAMEST

PLACE

rN rHtr

woRLD

(Bl73l0e)

to shorv-

I

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cr

=-;

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and

FunkY

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fake

and freak,-

ev

-

'ry

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wa

set

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pid

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-32

-

#2. THE

LAMEST

PLACE

rN rHE

WORLD

(S

l78

loe)

w0rld-

.-: t --_;

may

-

be

it'

-

ll be

line-

be

-

cause

it brought

me-

to

you -

I

-F

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-a:t

a

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e

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123

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Play

3r's



EDDIE:

1,2,3, here we

go...

Smooth

"Barry

White"

grooye

(J

=

S4)

FIEY

KEh{DRA

(B

I

ls

loe)

,,L3"

E

-33-

Music

&

Lyrics by

IASOI\

ROBERT BROWN

i

tr

RRETT:

Hey Kendra.

BRETT:

I've been

thinking.

Hey

R.H. Cue

pLAy,.t

h

a'

]^

a

C6*

*f

L FI

(}re

{>

€>

PI.AYI

*t

\

\ \

#

=

Ken

-

dra...

(Keys

II)

I

been

think

-

in'

I

got -

ta,

got

-

t0,

got -

t?,

got

-

ta

d.

ry

(Bs.)

€>

€>

6,o

ry

BRETT:

So true

3

BRETT: ...bidness

get rvit'

- choo.

I

rvan-na

get

all up- in

yo'

bid-ness.

girl.-

And

make

you

f'eel real

bA_-

(c

fe

5 ,*"

Yp€

8 I

10

b

Blane

Music

Preparation 847

.

432-L200

Local 10-208

#50768



-34-

#3

-

HEY

KtrNDRA

(B

l73

109)

BRETT:

Real

fine,

not fake

fine.

mf

whv

I

I

I

|.j

,

-e

I

EpprEf

77

tl

-l

v

climb up here.-

ma

-

ma?

And

rock it. rock it

all night

long -

fa

)C>

bg'

PLAY

the

I

Do

a

U



-35-

#3

-

HEY KENDRA

(B

l78

l09)

(G.P. -

Dialogue)

BRETT:

Okay,

stop

Rocking horse'J Yeah.

rot

gonna work.

EDDIE:

Yeah. so

gonna rvork.

It's

double edge...

MALCOLM and EDDIE: Smoooooooth...

BRETT:

Guys, Kendra's

a

"good

girl."

I

do that, I'll never

get 'the

tongue'

EDDIE & MALCOLM:

The tonsue

EDDIE: Where are

you

gonna

dolt. Brett?

MALCOLM: You

said

"Do

it." Heh heh.

BRETT:

You two didn't

set

something

up? I'm

very disappointed,

Eddie.

Malcolm.

(THEY

hang

their

heads

in

shame.)

There's

gotta

be

a

place

that sets

the

mood right Come on.

guys...

EVAN:

(To

audience)

Great

It's clear I can

do

something better than

Brett.

BRETT: Think

EVAN:

(To

audience)

Exactly

(To

Brett) Hey.

Brett. How

about

taking

her to a scary movie?

She'll

get

terrified,

inch her way closer, open her mouth to scream,

and

your

tongue

will

just

get

sucked in

with

the

jet

stream

BRETT,

MALCOLM

and

EDDIE

all

turn

to

look

at Evan.

BRETT: Whoal

MALCOLM

and

EDDIE:

Whoa

BRETT: A

scary movie

Who

is this

guy?

EVAN:

I'm

Evan

Goldman.

From Nerv York.

BRETT: Nerv York? Whoa

I'm

gonna

call

you... Brain

MALCOLM

and

EDDIE:

Brain

EVAN:

Brain

it is.

EDDIE

sees LUCY and KENDRA approa<:hirg.

EDDIE:

Incoming

Kendra,

three o'clock...

BRETT

cues

EDDIE.

BRETT:

Eddie.

EDDIE: 1, 2,

3,

get

sbizzy...

(MUSIC

BEGINS)

[this

dialogue over music]

BRETT:

Hey Kendra.

LUCY comes

running

in and steps

infront

of

KENDRA.

BRETT:

Oh.

hi

LLrcy.

LUCY:

Brett, wow,

lucky us,

running

into

you

rvhen

I'm looking so

hot.

BRETT:

(Passionately)

Kendra,

you

look

amazing.

KENDRA: I

almost

didn't

wear

this. but

then I thought.

(as

if

hat'ing a li.fb changing epiphany)

No... Wear it

BRETT: Kendra, there's something

I rvanna ask

you...

LUCY:

Oh,

God...

(Keys



/CONDUCTOR

-36-

BRETT:

I've

been

thinkine.

#3

-

HEY

Ktrr\DRA

(S

l78

l09)

BRETT: Hey

Kendra.

Kett

-

dra -

I

ry

*

de

(rts.

Lue,

-

a

J

RRETT: Fridav

nisht.

KENDRA:

It's

perlect

I

LUcY

I

:z-

No

no no

no

lqe

rl|t^ /'r--^\

5

7

l

-LDS.

\-

|'Ie

'

I

39

night

-+

T

+

T



-37

-

#3

-

HEY

KENDRA

(B

l78 l09)

3-r

al -

read

-

v

com

-

mit - ted to

do that

Uh

I

t*

I1

Out

of time

I

KEhtpRAl

I

LUcY'l

I

xeruonn:

|

|

LUcY:

I

thing What thing?

That

Out

of time

That thing

you

said

you

would do

on

There

colla

voce



-38-

#3

-

HEY

KENDRA

(B

l78 loe)

Tempo

I"

-:-.,

F

reely

I

nnalcoltvt:

I

C

Ken

-

dra.

I'nt

(Cue)

t

cg

-

girtg"..

--t

Please

conle

to the

mo

- vies

on

(Cue

Gtr.)

6ro-

f

lS*o-

-t

PLAY

+ O +

€>

+

ry

b.t

a

Rit.

KENDRA: Sure

I'll

cc-rme

LUCY:

(

drag

ging

her ofJsra

g,e

)

W'e so

have to

talk

A

-

day.

4\

Fn

(Cue

Gtr.)

Oo.

A

ba

by.

we

/a

<#,

mf

A

yo -

(Cue

Gtr.)

A

A

q-(ID-

r€>

A

--ry

-4

A

I

sffz

A

I

6

::a-+

o,-

e

e

(w/Bs.&Drms.

,(

59ub-

-

t



trVAN:

Dan

Quayle

Junior High.

-J-

Funky(.fl =

) )l

(Drums)

>>>

CLTE: KEYSII

INVITATIOhTS

,,L3"

E

B

I

rB

loe)

PIAY 2x OR T]NTIL SCENE CHANGE IS FINISHED

-39-

Music

&

Lyrics

by

IASON

ROBERT

BROWN

BRETT:

Hey, it's

the

Brain

Blane

Music Preparation

847

.

432-L200

Local

10-208

#50768



-40-

#3A-

TNVTTATTONS

(B

I

73

I

09)

8th's

I

EVANf

(G.P. -

Dialogue)

ri

BRETT:

A bra

rvhat?

EDDIE,:

Like.

okay,

so

what

is

a Barf Matzah

anyrvay?

LUCY: It's

this

rveird

Jervish

thing

rvhere they

make

you

talk

backr,vards

and

everybody

gets

circumsrzed.

ALL

(except

EVAN and

PATRICE):

Oh.

EVAN:

No, no,

no

It's

a

parry'.

With

a

hot

DJ.

and

lvild

dancing.

BRETT: That

might be cool.

CASSIE: Count

me in.

MOLLY:

I'll

be there.

i"



-4r-

#3A-

TNVTTATTONS

(B

lr8

109)

Hold

on. Is the freak coming?

Patrice'J

Yeah.

'Cause

il'she

corles.

lve're

sc-r

snubbing.

Count

me

clut.

Come

on.

What's

wrons with

Patrice?

She'll

be there.

And

we won't.

And

if

they

don't

go,

we

don't

go.

Get

it'J

I

told

you.

Come on.

Evan.

Guys,

you

got it

rvrong...

Make up

your

mind,

Brain.

(MUSIC

BEGIIVSI

BRETT: It's either

us...

or

her.

Up

to

vou.

Vamp



/CONDUCTORf{o

w

-42-

#3A-

TNVTTATIONS

(B

l78

lo9)

one

dty

in

Oc

-

to

R.H" CUE,

ber

And if

I-

don't

get it

dorvn.-

The

n it's

one-

--<'*

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d>-

ryc:

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€>

rf

DO

47

48

49

50

t0 Oc

to

one

day

in

Oc-to

ber..

.

PI

AY

I can

make

i

*f

3

a

e

#

a

3

rlrl-

W

58

1

D

55

56

57



-43-

#3A-

TNVTTATTONS

(S

l7S

l09)

BRETTz

(

to er)

er\lbod\)

)

See

what

I told

you?

He is

the Brain

(There

i,s a

group

cheer)

A

oco allarg.

A

\

:>

\

l>



fBRErrl

-44-

#3A-

rf{vrrATroNs

(B

l7s lo9)

colne-

cf e sc.

po

co

can't

rvait t() come-

t0 your

to vour

par

$,alt

r

par

r

walt

to come

to

vour

wart to

come-

r

ty.

to come

t0

your

cran't

rvait

can't

walt y0ur

par

tO COme-

to

your

can't

can't

Lr-r

your

ty

r

par

A

r

lcassle:

I

r

\tr

AA



-45-

#3A-

TNVTTATTONS

(B

l78

109)

@

FLL;I

0)rum

fill)



-46-

#3A-

INVITATIONS

(B

lrB

lo9)

Funk

Feel

(

Jl = J.))

-

teen

PLAY

'fhir

-

teen

Thir

111

tb1t

f

L.H.

CUE

.+

T

=;7

=

=

=;j=

j

iblt

t-vrt

3

teen

(KEYS

II,

BS.

cont)

/i

I I a4 rr-'

FADE ancl

CUT OFF after

ARCHIE: Oh.

hi You're the

neu'k

4\

d

c.bt

d-

mf

PLAY

,o

/:\

,

right?

e5.=

gb

---J



-47

-

,,L3"

E

Music &

Lyrics by

IASON

ROBERT

BROWN

I do one

stupid

thing,

and suddenly

I'm exiled

to

the

loser table

tclr the

rest

of my

lif-e.

I'm

on

major

probation

here

GET

ME

I'VFIAT

I

NEED

(B

I

7s

loe)

Look, I

feel

terrible,,

really,

but I can't

get

you

a date

r,vith Kendra-

_3_

r

pop

feel

(Jl

=

)

))

(J

=

145)

ARCHIE: There's exactly

one

person in this

school

who can

help me,

and

that

person

is

you

f

ARcHrel

There's

the

Plat,

r

sint

r

r

I

s

'ro

/7

Y8

a

\

l-

_]-

_r

Lr

tr

cool

kids- There's

the

preps

And

there's

the

skate

punks

And the

jocks-

And then thefe's

me.-

a- +

a

a

+

a

a

(Bs./Gtr.

II)

11+J

.3..

JA

aa

+

a

I

3

11

0

Blane

Music

Preparation 847'

432-L200

Local

10-208

#50768



-48-

#4.

GET

N,{E WHAT I

NEED

(8118/09)

Goths- And

then there's

me.- But then there's

vou

'Cause

vou're

the

* ? *

"7)

7

7 7

(+Kbd.

II)

??tl

P

lcn'

r

r

a

15

new kid in

the

school. You're

not

de - lined bv one

spe

-

ci

- lic breed.-

And so

you're

tl

1'1'r

r

'r r I'

r

P P

ttaP

ll.

ll\L

\

a a

19

8

free to flit from

group

to

group,

from scene

to

scene,

'Cause

you're

the con

-

du

-

it, the

me

- di - um,

the

-I

+

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e

€?.PJ

z:l7

-r

aE=

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Ji

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23:

\

go

-

be

-

tween,- Which

means

you're

per-fect

-

ly

po

-

si-tioned

to

Get- me what- I

need

ilT'.

a

tf

r-f

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24 25



School bell.

BRETT, MALCOLM,

trDDIE,

RICFIIE,

and

SIMON

cross, tossing aJootbctll.

#4.

GET

ME

WHAT

I

NEED

(8/18109)

BRETT:

Yo

Brain

That

guy?

Not cool.

EVAN: Okay,

got

it,

thanks

lARcF,,*l

-49-

They don't

SINT.

a

\-

28

--+

31

32

a

a

a

:>

like me. E -

ven

back be

-

fore the

crutclt - es. It

was clear,

I don't fit

here.-

So

it's

? t

ry

(BASS)

JJ+J

'::'

+J+A

aaaa

byyt+

sit'lt.

34

35

36

hope - less, I can't

walk right

up

to Ken

-

dra and say

"Hey."

She'd

run a

- way.-

But

look

al

J I

I I

Gtftt?

''1r?

t

t

o

39

4A



-

s0

-

#4

-

GtrT

ME WHAT

I

NEED

(8/18/0e)

you

You'remak-ing

friends and hav-ing

par-ties

And a - dapt-ing

rvith

im-pres-sive

speed

r

Plcn,

r

r

l"rrr

'rrrr

u

a

a

a

41

42

43

Just

twen

- ty

min

- utes

rvhen

rve're

sit

- ting

so our knees

could touch-

Yes.

it's

a

lle

\*_

+

JJ

T:U

U

\

\-,

44

'-

':

45:

46+

\\

ti

,

ny

in

-

con

- ven-ience

but

it means so

much

'Cause

out

of

all

of

In

- di

- an - a, you

can

]'l

'q.

fr+.

l

+VO

\

t: I

e

\

48

\.

49

set

me

what- I

need

And

what I need is

A

a#

|rl

A

;-

50

51

52

l//

--J



Straight

8th's

-51

-

#4.

GET

ME

WHAT

I I\EED

(8/18/09)

r-3

-3-l

Ken

- dra -

Beau

- ti -

ful

Ken

- dral-

Won -

der - ful

fSrMoN.

R'icHiFl

I

MALcoLM I

I

eRErr.

Epore,

I

JF

-

Ken

-

dra

Ken-dra

B'o-l

)

--t

--r

Ken

- dra

Ken

-

dra

t---3-1

(

struigltt

Bth's

)

I

\.,\-l

:fh-t

o-'

tr

)]i

I

b{nr

'

\--z

I

).,,\l I

€>

55

56

53

Ken

-

dra

Make

her

aP -

Pear

---/

^

lO

=--,

If

you

tis

,v

ant a

girl,

The

girl

you

rva

Ah

A

If

you rvant

a

girl,

The

girl you

want is...

t\\g w

\],4 1

arr

A

b\tr

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a

I

b8

I

e

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r5

60

Ken

dra

ffi

l

cASStE.

LucY

I

n

drlcc

Ken

- dra

Ken

-

dra

Ver - y hot.

ver-y



Rit.

6so

-52-

#4

-

GET

ME WHAT

I

NtrED

(8/18/09)

66

66A

Attac

c&

#1A. KEIVDRA

DRtrAM

Ken

-

dra

I'm

rvait ing

here

/1\

B',o:1

a

-4

i IJ'l

A

=

4\



-53-

,,L3"

KENDRADREAM

(s

lrc

loe)

Music &

Lyrics by

IASON

ROBERT

BROWN

@Grandly,

inl

d=SS)

b

b+o

f

J

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3

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Music

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by

IASON

ROBERT

BROWN

prob-lem:

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'ry

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GET

ME WHAT

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CODA((8/18/09)

help

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ME

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(B

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loe)

EVAN:

Look,

I

feel

terrible,

really, but

I

can't

get

you

a

date

with

Kendra

_

3

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I

Bouncy

pop

feel

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(J

=

145)

Music &

Lyrics

by

IASON

ROBERT

BROWN

I

do

one

stupid thing.

and suddenly

I'm

exiled

to the

loser

table 1or

the rest

of

my

lif-e.

I'm

on

major

probation

he.e:

(Bs./Gtr.

II)

Tl

J

ARCIIIE:

There's exactly

one

person

in this

school

who

can

help me,

and

that

person is

you

I

ARcHIE

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-48-

#4

AT:1.

-

GET

ME WHAT

I NEED

(8/18/09)

Goths-

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there's

me.-

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you

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the

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me

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#4

Ar.r.

-

GET

ME

WHAT

I

NEED

(8/18/09)

SChOOI

bCII,

BRETT, MALCOLM,

EDDIE, RICHIE ANd

Bfl^fiI"T:,:*,Ii:I,*Y?

NOt

COOI'

SIMON cross, tossing afootball.

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don't

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me.

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crutch

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nvn

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(BASS)

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33-:

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35

36-:

hope - less.

I can't

rvalk right

up

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Ken-dra

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look

at

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#4

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GET

ME

WHAT

I

NEED

(8/18/09)

you

You'remak-ing

friends

and hav-ing

par-ties

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a - dapt-ing

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speed

I

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ME WHAT

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Ken

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(s

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ROBERT

BROI,VN

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Local

10-208

#50768



-54-

TIIIS

PAGE

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LEFT

BIANKTO

FACILXTATE PAGETT.JRN.



FP

-55-

ALTERNATE

,rl3r,

GET

ME

WHAT

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NEED

Coda

(8

I

ts

loe)

N{usic

&

Lyrics

by

IASON

ROBERT

BROWN

prob-lem:

Ev-'ry

min-ute,

ev

-'ry

sec-ond thal

I

wait Might be too late.- So let's

ry

I

CUE

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187

188

190



-56-

#48 ALT.

-

GET

ME

-

CODA

((8/18/09)

help

me

out

and we can

both

do

ver

-

y

well, Or I

can turn

a

-

round

and make

your

life a

t-3-1

c a:tu

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by

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ROBERT

BROWN

OPPORTUNITY

(B

I

ts

loe)

TACET

THROT.]GHOUT

Score

/or

reference

onll

Charlotte

That's

a

total

lie

all

learn

the

stupid

cheer.

Heavy

Groove

("Stomp

the

Yard")

(J

-148)

KENDRA:

All

rieht. let's do

it

DRUMS

ALONE

(+8s.,

GTR

II)

PIAI\O

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Preparation 847

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432-1200

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(8i

18/09)

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(8/18/09)

take

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LUCY:

You knolv, Kendra,

I'm

just

worried that

maybe

you're

not

ready.

You

your

way up

to

a

"Brett."

Besides,

you can

go

out

r,vith lots of other

boys.

KENDRA:

I'm

not hot

like

you,

Lucy.

LUCY: Shut

up.

I'm fat.

KENDRA:

Not

everywhere.

#5

-

OPPORTUNITY

(8118/09)

need

to work

(lstronll,)

ry

LUCY:

Okay,

fine.

As

long as

you

know

that

Brett

asked

you

to the movies

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one

reason

only.

He wants to do

"The

Tongue"

KENDRA:

The tongue?

LUCY: The

Tongue And

trust me,

you

won't

like it.

KENDRA:

But

my mother

says

pretending

you like

it

prepares

you

for

marriage.

(to

the

GIRLS)

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on, let's

go

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her

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#5

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OPPORTUNITY

(8/18/09)

Horv will heknorv

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88

89

90

VAMP

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KENDRA: Okay,

come

on

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do

the cheer, then the

cascadel

Charlotte,

you

first;

then

Cassie.

Molly,

you

next, and

then

Lucy,

you catch

me

at the end

LUCY:

But

that's

not

how

we

usually....

Ooottooooookay

KENDRA:

Here we

go

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ON

CUE)

(lst

x

onb,.)

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#5

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OPPORTUNITY

(8/18/09)

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(w/Gtr.2)

WHAT

IT

MEANS

TO BE

A FRIEND

(8

I

ls

loe)

PATRICE:

I've

given

"another

chance"

to

e\/ery

otherjerk

in this

town...

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WHAT

IT

MEANS

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(8/18/09)

(+Gtr.

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is

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#6.

WHAT

IT MEANS

TO BE

A

FRIEND

(8/18/09)

ARCHIE:

You've

got

him all

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You'll

see.

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exits.)

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WHAT

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#T.ALLHAILTHE

BRAII/



-76-



Country-style

train

(Drms.)

(TRAIN

BEAT)

-

-77

-

,r13r,

ALL HAIL

TFIE

BRAIh{

-

cue

drums

(8l7e

l0e)

Music

&

Lyrics

by

IASON

ROBERT BROWN

EDDIE

Yo, Brain.

BRETT Brain.

your

idea of taking Kendra

to the

movies

was

great.

Now,

get

your

Mom

to buy the tickets

fbr

Thc

Bloodmastex

EVAN

The Bloodmaster?

BR-ETT Friday night.

EVAN

Wait.

You

rvant

my

mom to buy tickets

for

everyonel)

BRETT,

MALCOLNI. EDDIE

Yes.

EVAN There's

no \\ ay my mother's

gonna

buv tickets to

an

R-rated

movie.

BRETT I'll

make this

easy.

You

rvant

us

all to come to

your

little Jewish

party'?

EVAN Of

course.

BRETT,

MALCOLM, EDDIE

Friday

night.

7:30.

BRET'I' Or maybe

you're

not

as useful as I

thought.

..

lv,tMPi

beat

Q

=

13,4)

(whisperedl

Brain's

gon

- na do

it"

Brain's

gon

-

na

do it.

night.

the Brain's

gon -

na do

(w'hispered)

Brain's

gon

-

na

dcr

Brain's

gon

-

na do

day night, the Brain's

\

night,

we

so-

to

the mall

Brain's

gon

-

na

get

us

to the

mo

-

vie.

Brain's

gon

- na

get

on

-

na do

:>

day night,

we

go-

>

to the rnall

and

>l>

night,

night,

Blane Music

Preparation

847.432-1'2OO

Local

10-208

#50768



-78-

#7- ALL

HAILTHtr

BRAIN

(S

ltg

lOtT

day

night,

Misterioso

day

night

Brain's stlrl

-

na

do

it

Brain's

gon -

na

do

it

Brain's

gon

-

na

do

IEVATT

Blood

day

>

day

>

ter

>.

night. night

I

have

a

ry

(w/Bs.)

I

plan.

(+Organ

& Gtrs.)

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have

a

plan"

tt

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#7- ALL

HATLTHE

BRAIN

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64

65

66

67

h

1

And

all I

have to

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rs

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7

68

69

70

71

>-



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#7-

ALL

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(8

ltg

lA9)

Breakdown

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(w/Gtrs.

&

Bs.)

her

purse, Nlake

a

-

J

the wal

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let

in

her

ry

(+/KB

2)

on

the

J



-83-

#7-

ALL HATLTHE

BRAIN

(8

ltg

log)

Wear

the dress,

lvl$,

Shorv

the

li cense,

Buy

the tick

=

mf

(

loco

)

tr

=

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=

a

=

87

6

5

4

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What

could

lvrong?

A

A?*P1

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rs

(whispered)

nvn

''

Brett's

gon

-

na do it

(TRAIN

BEAT)

day

night,

Brett's

gon -

na do

Brett's

gon -

na do

siml

night

(TRAIN

BEAT)



#7- ALL

HAIL

THE BRAII\

(S

ltg

lool

84-

O/CONDUCTOR

(kids

getting

louder,,

eventually

yelling)

Fri -

day

night

at the mov

-

ie

at the

mall and

Brain's

gon - na

ger

us

in -

(+/KB

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ry

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that

Bar

Mitz

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hand

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129

130

131

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132

133

b

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135



-87-

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HATLTHtr

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ltg

l09)

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t

136

137

138

139

\

Go that

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(w/Gtrs.

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roorn,

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hall

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(loco

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-88-

#7- ALL

HAILTHE

BRAIN

(B

ltg

lAg)

Poco

rit.

guys

lve're

gon

What

could

BRETT:

Hey Brain, did

you

set

up

my

date for Friday?

A

BRETT: With

Kendra

A

evnru: I

go

rvrong?

A

Date'.'

,

/:\

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u(4'E

Date

A

A

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/:\

153

154

155

156

-

EVAN:

Archie,

I have

verY

good news.

ARCHIE:

They're making

a

musical

out

of

"Spider

Man"'/

EVAN:

No.

Well.

yes.

But

no.

fANl

(Last

X only)

Date

have

tvAMFl

I

I



-89-

#7-

ALL HAILTHE

BRArN

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ltg

lOVl

have

plan.

lan.

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ry

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ARCHIE:

Oh

my God Oh my

God

night

need

your

nvn

I

a-

,'4

o

-o

r

6e

r

I

2)



-90-

#7- ALL HATLTHtr

BRAIN

(8

ltg

laol

Soft-

shoe

(

.[ =J

J)

CUE:

KB

II

Attacca #7A.

TtrRMIl{AL

ILLIVESS



from #7)

-91

-

,,L3"

Music &

Lyrics

by

IASON

ROBERT

BROWN

TERMINAL

ILLNESS

(B

I

7e

loe)

Soft-shoe

d=ca.

120\

f

EVAr,r'l

Blane

Music

Preparation

847

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432-1200

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-92-

#7A-

TERMINALTLLNESS

(8

119

l09)

i

VCS.

So

talk

to

mY

mom.-

And

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#7A-

TERMII\ALTLLNESS

(8

119 l09)

I

get

the

cr€

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you get your

date,-

So

who

could

com

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plain?

(Ex -

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fbr

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nf

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:203.

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no-

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mi

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t

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-94-

#7A-

TERMINALTLLNESS

(8

179 l09)

@l

t

se

all the

tricks

that

vou

learned-

in

your

cra

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tn-*

1)

r-,

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frfr?

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need to

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-

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says

"no"-

to a

kid-

llrl

r-r?7r'u,7f

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ARCHIE: I

can

do this

EVAN:

I

know vou can.

218



-95-

#7A- TERMTNALTLLNESS

(8

119

l09)

ARCHIE:

Mrs.

Goldman.,

I

hate

to

bother

you

but

I was strolling

through

the

neighborhood...

La la

la

la-

la la

la-

la

la

la-

la la

CUE

225

ARCHIE,: ...Which

wouldn't

be so

bad

if

it

rveren't

my

birthclal, on Friday.

but the

insurance...

La

(CUE)

la

la

la- la

la

la-

la

la

la-

la

la

ARCHIE,:

...I

can

pay

you for the

tickets

if I

don't buy

my medicine

next

month...

L

la la

la-

la

la 1a.".

,a

la

la

la-

la

la

li

CUE,

I

a

t

1=

+

7

e

7

ARCHIE,:

And you

know'

I've

always

felt a

kinship

with

the

Jewish

people.

236

UL



-96-

#7A-

TERMTNALTLLNtrSS

(8

179

109)

THIS

PAGE

INTENTIONATLY

LEFT

BIANKTO

FACIUTAIE

PAGETIJRN.



-97

-

#7A-

TERMTNAL

TLLNtrSS

(8

179

109)

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be

-

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246



-98-

#7A-

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(8

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109)

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4

T

f,z+

JI.

u

\,,./

248

249

ill

-

ness

Ask for

a day-

at the mall- or

a trip- to

Be

-

lize

_E _E _E _Z

==

==7

7

==?===

-->--a

--?t

=#

#jh

251

252 253

(r(B

2)

hard-

and

I

)

too

)

no

I

I

I

I



-99

-

#7A- TERMTNAL

TLLNESS

(8

179

109)

:

-

-

-

-

r-

-

-

-

-

-

-

-

=

un-en-dur

- a-ble. Long-

as

you're

sure-you're

com-plete

-

ly

in-cur -

a-ble

No-

Dz

BmiT

Et

lltrltllllll

,))))t/)))))

---l

-T-'rfi

3

3

)

n

ai

?t-,??

|

2587

?,

=

v

25el

?,

ti

/frr

I

r

Y

toa

Ami

I

I

/

boy-

|,>

ilLt

v-l

+,t

,d



-

100-

#7A-

TERMINALTLLNESS

(8

179 I09)

@Back

to

Hoe-Down

"All

tB-l ,€)

/tt

-

.

Hail

the Brain

/-.

tr

d

\

V(J

.\

ucj

l\=

-o-a----4,

e

)--z-

mf

fr.-tA' lr_J

I

65

266

b

L

l1

267

268

l-Gr-RGl

I

BoYS,

I

GIRLS

I

R,S

I

etuul

I

ne

-

ver

All

Hail

the

Brain

-

fr*-ly7

1

Ha-}:

qt:t

I

=o_-J-_aL

+

:>---/

fiogJ' J,_-J

j

270

271

272



-

101

-

#7A- TERMINALTLLNESS

(B179

109)

thousht

he'd

take

the bait

(wAG

2)

ila-bt-t

7

fra-tbu:

*w* t

J--:

\

b*

+

1

4

a

274

275

;

276

E-van Gold -

man

(w/KBz)

-l

v

=

\*

I

e

I

e

='4-+

e

278

b7

hJ

2rs

lclnG-I

I

aoYs

I

"A

Alt

c*'l

,hl

'

-

AAA

.--\

fto--tJ' J,_rJ

I

v()

1'e

tD4

AA

)t-A-}

e

l>---'

b

280

281

282



-102-

#7A-

TERMINALTLLNESS

(Bi

79

lo9)

tEVAill

(VGtr.

1,8s.)

did

rvhat

no

one

else could

do -

(vI(B

2)

H--tA'

Jr-J

t

-'e

't-t

,

----,

:---

fr4,-bt:

*yt

I

J

-\-.

\

288

289

290

Tell

me.

rvho-

could

com

-

plain'?-

(w/I(B2)

b*

8

*

8

"t

t

#-##

292

293

hJ

2s4



-103-

#7A-

TERMTNAL

TLLNESS

(B

179 109)

MS.

\+



-104-

#7A-

TERMTNALTLL|{ESS

(8

119 l09)

lEval,t'l

Gospel

Swing

Alt

f

Brilliante

All

All

)l)



-105-

#7A- TERMTNALTLLNtrSS

(8

179

109)

/ r' | | l- 't f "f f\-

A,t".M".

a,

1

s, n. nza, Enl

B, Ed,

K

I

1re

\--

Je

--

f

a,

(WBs.)

I

e

-

I

t€L

\-

I

llTr.t \ta

r

r\

I

\

frg

q"9

308

A bJ

3oe

06

\

1=

3O7"

=

:.\_\-\

r.r.

atd

+

'J

e

vJ

:>

--

\-- \--

J

\-

sffz

A

I

310>-

;

#=

1;

s11g

D+

Di

3127.

313



-

106-

THIS

PAGB

INTENfiONALLY

LEFT

BI^ANKTO

FACILTTATE

PAGETI]RN.



SEGUE

-

cue

drums

Country-style

train

beat

d

=

1,J4)

(Drms.)

(TRAIN

BEAT)

r>

(whispererll

-77

-

ATjTERNATE

ALL

HAIL

TFIE BRAIN

(8

I

\e

loe)

EDDIE

\b.

Brain.

BRETT Brain.

yollr

idea of takins

Kendra

to the

mor,'ies

was

great.

Noll'.

get

vour

Monr

to

bu'v

the tickets

lbr

Thc Bktoclnraster'.

E\AN

.fhe

Bloodttraster'.)

BRETT Fridav

night.

E\AN \\/ait.

\'ou

u'atrt

ntv ntont

to

buv

tickets tbr

evervone?

tsRE'TT.

\IALCOL\I. EDDIE \,'CS.

E\AN There's

llo

\\-t1\'

mv

n-rother's

gr)nna bul' tickets

to an

R-rated movie.

BRET'I I'll

nrake this easr.. \'ou

u.ant

us

all

to

corue tr.r

Vour

little

Jervish

party'?

E\,{N Of

course.

BRET'[,

\IALCOL\I, EDDIE

Fridal, night.

I 3rJ.

BRET'T

Or

mar,'be

vou're

not as usetul

as I thought...

WPI

Music &

Lyrics

by

IASON

ROBERT

BROI,VN

,r13r,

Brain's

gon

-

na

do

it, Brain's

gon

-

na do

it.

(w,histrtered)

night,

the Brain's

gon

-

na

do

Brain's

gon

-

na do

it. Brain's son

- na do

day

\

night,

night,

we

go- to the

mall

Brain's gon - na

get us

to the

mall

>

and

Brain's

to

the mo

- vle.

gon

-

na

get

us

:>-

gon

-

na

do

l>-

day

>>

night.

we

go-

:>

night,


.432-l2OA

Local 10-208

#50768



-78-

#7 Arjt.

-

ALL

HAIL

THE BRAI|{

(S

ltg

l0O1

day

night,

day

night

Brain's

gon

- na do it

Brain's

gon

-

na do it

gon -

na do

it

l>-

night Brain's

ri -

da1,

\

ter Fri -

duy

<.\

night,

lood

Nlisterioso

levAN;l

plan.

(+Organ

&

Gtrs.)

I

have

a plan.

6-

o:

ry

6

ro'

q#



-79

-

#7 Arr.

-

ALL HAIL THE BRAI|{

(S

ltg lAVl

take a lot

of

work, It -

'll

take a lot

of

luck, but when

it

;<r

(-

-U

o

l

-o

all

comes throush. they'11

a

a

r

l/S..F-.

qe

-'a .-

-r€-

A

ry

*

vtu 7

+4

I

?

f

t,?p

A

I

.r

38G 3eo 40

\-



Hoe-down

#7 AT:1.

-

ALL

HAIL

THE BRAIN

(S

ITg

IOOl

;\---'l

mf

I

J-+

t

41

42

43

44

' \'/;\\-'l/

J

\-/vrZJ

J

45

46

47

48

-

man

AAA

,-\

----

\<\--l

J

I

(J

A

A

53

54

55



CONDUCTORO/

-81

-

#7

Lrr.

-

ALL

HAIL THE

BRAIN

(8

ltg

l0V1

"All

(Organ

swells

and sustain)

u

;-

+

'1

--

t-

(w/(}fr

l )

I

57

58

1=

59'>

;\-/

\<

\\.

;-

J

---tVC:e

J

7w*

?

61

62

63

through,



-82

-

#7 At:r.

-

ALL

HAIL

THE BRAIN

(B

119

1001

Breakdown

Both Hands

8vb until

m.tl4

(w/Gtrs.

&

Bs.)

her

purse. Make

a

a

-

-

\r-l

-

on

the

I

-



-83-

#7

AT-T..

ALL

HATL

THtr

BRAIN

(B

ITg

I09)

Wear

the dress.

Get

a

wig,

Shorv

-

the li

-

cense,

lJuy the

ucK

- ets.-.

=

mf

(loco)

3-

;

4

=

4

=

85

86

87

=

Poco Rii

A

What

could

gc')

wrong?

A

f

\\_

89f

ta

1a

A

rentpo

lKrp*l



-84-

#7

Ar:t.

-

ALL

HAIL

THE

BRAIN

(S

ltg

109)

(kids

getting

louder, eventually

yelling)

Fri

-

doy

(+/KB

2)

night

ry

(wlBs.)



-85-

#7

Arr.

-

ALL HAIL

THE BRAIN

(B

ltg

lOOl

through,

ry

7b

?

+?

*

e

?

f

,t?,

A

I

121

c.

122

-

a-

123

\-.



-86-

#7

Ar:t.

-

ALL HAIL

THtr BRAIN

(S

lt9 lOOT

"All

(TRAIN

BEAT)

l>

,-r

--

\--'-l

mf

J

r:+

.

24 125 126 127

(+/KR

2)

;\---l

J

1-\JV

O

,-

.J

J

128

129

130 131



-87-

#7

Arr.

-

ALL

HAIL THE

BRAIN

(8

ltg

lAOT

And

all

I have

to do

ls

,-\

?:7) i

*

-

136

137

138

139

>

Go

that

day

(w/Gtrs.

&

Bs.)

Both

Hands 8vb

until m.L17

to the

Break

the

pro

-

ject

Steal

the

-

of the fihn

for "The

Blood

Take

'em

the hall they're

-

at

(loco

)



-88-

#7 Lt:r.

-

ALL HAIL

THE BRAIN

(8

ltg l0g)

Poco

rit.

BRETT: Hey Brain,

did

you

set

up my date

for Friday'.)

FVAN;I

BRETT: With Kendra

rvrong'/

ri

(w/Triangle)

-J

,--

>1

mfrs

EVAN: Archie,

I

have

very

good

news.

ARCHIE: They're

making

a musical out of

"Spider

Man"?

E\,AN:

No. Well.

ves.

But

no.

fANl

(Last

X

onty)

Date

have

MMPI

I

I



-89-

#7

Arr.

-

ALL

HAIL

THE

BRAIN

(8

ltg 109)

plan.

plan.

ARCHIE: Oh my

God

Oh my God

night need

yoLlr

ry

(,

€>

.€>

172

69 170

171

help

though, You need

(KB

2)

Mom, And



-90-

#7 Ar:r.

-

ALL

HAIL THE

BRAIN

(8

ltg

lO07

lsoA

I

soft-

Shoe

(

.f:

=

J

J)

CUE:

KB II

Attacca

#7A"

TtrRMIl{AL

ILLI{ESS



from

#7)

-91

-

ALTERINATE

,,L3"

Music

&

Lyrics by

IASON

ROBERT BROWN

TERMINAL

ILLNESS

(B

I

tg

loe)

Soft-shoe

d

=ca.

120)

IFvAN'l

No one

says "nc)"-

tcl a

boy-

with

a ter

-

mi

-

nal ill

-

ness.

(w/KBz)

c*

p'

(VGtr.2,Bs.)

I

a

fr+

I

181

182

,.-,'

1g3

184

sure-

guar

-

an

-

tee-

of

Blane


o432-1200

Local 10-208

#50768



-92 -

#7 A ALT.

-

TERMINALTLLNESS

(B

119

109)

"

yes.

"

So

talk

to my

mom.-

And

htftt

I

laa

t\-e/

197

get

her to brry-

the

tick

-

ets rve need

to

ob

-

tain.-

Brett

gets

his

mov - le-

I

ELEC. PNo.

I

dpaLaJ_a;

ryp

f

onf

o

4f

?f

l=-l

Hrutu

(t

..

'

ai

'

-J--lJO'Jr

1ee=

J

-'

a'a

w

,J



-93-

#7A ALT.

-

TERMINALILLNESS

(B

179 I09)

I

get

the

cre - dit.-

And you

get

your date.-

So

who could com -

plain?

(Ex

-

cept

for

+++

,naa

rhr*

mf

tl

HJ qJ JU

a'l

JaJO;-l

.'

;203"'204

you

be-cause

you're

dy-ing) But

No-one

says

no- to a boy-

with a ter -

mi

- nal

-a

. rL

t

-++

?-rr

+

+

Jr

1

+

T

+

ill -

ness.

Who

could

re

- fuse-

when

you

shuf

-

(w/KB

2)

#+

e

a

t

I

f L-

-

=TT+

r

I I

I

, ,-l

v_f

ta

(q)r

+

e

+

T

+

T

-lo

\-.L'

-l

\-9'

209

210

UL



-94-

#7

A ALT.

-

TERMINAL

ILLNtrSS

(B

179

109)

ARCHIE,:

I

can

do

this

EVAN:

I know

\iou

can.

_o

ease

-

CUE



-95-

#7A

ALT.

-

TERMII\AL

ILLNESS

(B

119 109)

ARCHIE: Mrs. Goldman?

I hate to

bother

yolr

but

I was

strolling

through

the

neighborhood...

La

la la

la-

la la

la-

la la la- la

la la

1a...

p

.t

+

-t

-t -t

t

7\7

+

7

n+

ARCHIE: ...Which

wouldn't

be

so bad

if it

weren't

my

birthdat'on

Friday,

but

the

insurance...

229

ARCHIE:

...I

can

pay

you

for

the tickets

if I don't buv

mv

meclicine

next

month...

La la la la- la la la- la

la la- la la la

1a...

cu'

FATI

(Alone)----I

1

+

-+

-+ -+

t

q?

+l

=

a

t

u-P

3

)

--

-

?2e

232

la-

la la- la la

la- la la

233

ARCHIE:

And you know, I've

always

felt

a kinship with

the Jewish

people.

La la la

CUE

UL



-96 -

#7 A

ALT.

-

TERMINAL

ILLNESS

(S

179

109)

THIS

PAGE

INTENTIONATLY

LM'T

BIANKTO

FACILITAIE

PAGETT]RN.



-97

-

#7 A

AI-ir.

-

TERMINALTLLNESS

(B

lrg

l0g)

FvANf

mf

/-j

-

Out c-rf

Cf,m7(bs)

)

the blue"-

I

I

I

/

a thought comes to

you-

Flzlool Ftz

/))))

Like

sun

Bmi

I

I

coln

-

ing out-

from

B

mi(maj7)

I

I

/

the rain.

-

2)

I i--

4'

)1) 4_l

.ffi

=

J.

frr-l

.

)-t

@s.)

239 240

And

af

- ter

the

G

f,zsus

))

stress.-

)

mo

-

ther

Ctz

I

I

says...

Yes

l>

I

)

We're

BmiT

I

I

-A

.l-

TfrT

plain?



-98-

#7A

ALT.

-

TERMTNALTLLNtrSS

(8

179 109)

l*ANf

al -

rvays

com

- plain.-

It's

true, but

No - one says no-

to a boy-

rvith a

ter

-

mi - nal

nw

--

:

-

frc'

f

ro-r

I

J

I

2ra

?u

+

i

I

7

4a*

1 .

a'i

247

\/

248

249

(rG2)

)

)

hard-

I

I

)

a



-99

-

#7A

ALT.

-

TtrRMTNALLLLNtrSS

(B

179

109)

un-en-dur - a-ble,

Long- as

yourresure-you'recom-p1ete

-

ly in-cur - a-ble

No-

Et

C$miz

F

z

rrrrttttttll

rrrrr,llll

///////////)

-^-^tL

ffi

J.

3

3

r-rl-l )

T1

t

|

I

258

259

ol'

v

*

V

with

a

fa

tel dis

ease

oy

-

a

Bmi

I

I

\

"nott-

|\t

l\l

/

_/

saysne

B mi7

I

l

#r

'

I-\l

ilJ

-a-



-100-

#7A

ALT.

-

TERMINALILLNESS

(B/

79

109)

>:>.-

@

Back

to

Hoe-Down

fr

[GTRLS I

lR^s I

-lEd^4

--'

lc,-Cl

I

BoY*

|

I

ne

ver

rain -

All

Hail

the

B

,,'-.

T--1'-rZ

I

;-\------

?

-rL7:

qf:t

t

270

271

272



-

101

-

#7

A

ALT.

-

TERMINAL

ILLI\ESS

(B

I

79

109)

hou-elht

he'd

take

the

bait

(wKB

2)

Hl-bt-t *

fitbr: *w* t

O -.a

\i

bi

e

I

4

e

274

27s

b

276

E-van Gold -

man

(wAG

2)

v;

\.

,1

e

I

e

=o

--=

e

-___\__

278

b

h

l1

279

I

GTRLSI

I

BoY*

I

"A11

---

b,v

-

an

r^t A man

:-

Gold

All

---\

fr'-t}'

J-_rJ

I

tro

Tr4

tDe

A

A

='-Z-J

e

-----'

280

281

b

282



-102-

#7A

ALT.

-

TERMINALTLLNtrSS

(B

179

109)

|rvANrl

Hail the

Brain

I

Hail

the

Brain

.-\

frtlJ'

1,_.1

t

Ylr

v

(VGtr.

1,8s.)

VI)

-

-o

a-

'---

aL e

--z-\r--./

;\/i

.\

284

"=

-\

295

-r\\-

286

did what

no one

else

could do -

(vI(B

2) ---

#'-tA'

1,_-J

t

il*J?yt

t

fratbt:

Uy,

t

J

-.\-

\<

288

289

290

b

Tell me.

who-

could

com

- plain?-

(vKB

2)

b*

t

*

t

;

- rG:wr

"t

3

5-++

I

zss

=

=

bJ

hJ

zs4

292



-103-

#7A ALT.

-

TERMINAL ILLNESS

(S

119

109)



-

104-

#7A ALT.

-

TERMINALTLLNESS

(8

179

109)

IEVANT

Gospel

Swing

the

Ail

)r

)

f

Brilliante

A11

All

)t

)



-

10s-

#7A

ALT.

-

TERMINAL ILLI\ESS

(S

179 109)

r*

f

(w/Bs.)

tr

\--

--

\--

\



-

106-

THIS

PAGE

INTENTIOI{AIIY

LET'T

BI.ANKTO

FACIIITATE PAGET{]RN.



Would I do anything to

jeopardrze

you,

what

you've

done

for

me,

Evan Goldman?

With

nervous energy

(J

=

145)

-107

-

,rl3r,

GETTING

READY

(s

I

7e

loe)

Music

&

Lyrics

by

IASON

ROBERT

BROI,VN

E\AN:

So

we

re

good'?

ARCHIE:

We're

so

good.

EVAN:

Gclod.

ARCHIE: Good

EVAN: Good.

(EllIV

exits.)

l-ARcHtel

(last

x)

right.

Blane

Music

Preparation 847

o432-1200

Local

10-208

#50768



-108-

#8

-

GETTTNG

RtrADY

(B

ltg log)



-109-

#8

-

ctrTTrNG

READY

(B

ltg

109)

read-ytosay-

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I'll

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line to

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here

comes

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tongue

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J-4-

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i

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148

=9

149

150

151

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BRETI

MALCOLM &

EDDIE:

tolubalubalubalu

balubalubalubalu

a

sfuP

sfrp

I

r' r'



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-

#8

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GETTn{c

READY

(8

ltg

l09)

157

-

balubalubalubalu

balubalubalubalu

balubalubalu

158

balubalubalu

balubalubalu

Safety

I

KEhrpRAl

balubalubaluba

7-, ,7.

-#t

ll

)>

-3-

KENDRA:

Okay.

just

go

through

this

with me

one

more

time.

tLUcY'l

l

KEnpRA

I

@,.l

(Pno.

Alone)

does

it

(+Drms)

Right.

-

a.

him... Ycru're

a

"--/

67

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KENoRA,

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it.".

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er

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176

o

e)



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cETTn{c

RtrADY

(B

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tza-

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191

192

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KE,NDRA:

#8

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ctrTTrNG

READY

(B

ltg

l09)

I think

you're

overreacting,

Lucy. It's

just

a tongue.

I

LUcY,l

-v-

t

-

7

When

you got

ell him- that,

then

you'll

be- o

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198

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99

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I

told

you what to sing.-

When

you

got

HSryyy

b\T7{7

I

CUE: BASS

3

201

202

203

204

3

-

the

lead- in the fall- school

play,-

it's

'cause

I coached

you

all-

last

spring.-

When

you

got

b17555

CUE:BASS

3

206

207

3

2oB

to be the head of

the

cheer

-

lead - ing squad-

it's

'cause

I taught

you

ev -

'ry

-

thing.

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#8

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179

l09)

l-

good girl "-

*

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a

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could

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his

qirl

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f

riend

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orJ

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222

223

224 \_

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LUcY'

I

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I could

get

her

I

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Now I

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:

231

=33e

33

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#8

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(S

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(S

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#8

-

GETTTNG

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119

log)

No thing

can

me-

I

BRETT

I

Nobalu - balubalubaluba

A

-------#-r''

I'm

CUE: KEYS

tr

read

@

264

e'

I

-



-127

-

#8

-

ctrTTrr\G

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(B

ltg l0g)

ARCHIE: Check

me out

t.

:>

l.

t.

-

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t-

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297

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=

Attacca #9.

AIVY MIIYUTtr



-r28-

THIS

PAGE

INTENTIONAIIY

IEFT

BIANKTO

FACILITAIE

PAGETTJRN.



-r29-

ANYMII\UTE

(B

I

tg

loe)

ALL:

AAAHHHH

EVAN

:

(To

the audience

)

Friday

night. The

Bloodmaster.

I

did

it.

Everyone

got

in.

Brett

and

Kendra are

together,

even

Patrice made

it.

(o

beat)

And

this movie...

is disgusting.

A bu:.zsuw'.

A

loud. crunching

noise. A splat.

The

KIDS

react.

,,L3"

E

Music

&

Lyrics

by

IASON

ROBERT

BROWN

PATRICE: Evan.

t thought

you

were

going to sit

rvith me.

EVAN:

I will. I'm

just

saving

this

seat

for Archie.

in

case

he

shor,vs

up.

PATRICE: Oh,

he's here

I sarv

him

in

the

arcade.

He

said he's

"waiting

for the

perfect

moment."

EVAN: What'/

PATRICE:

What's

going

on?

EVAN: Lrh

-

look.

I'll

be

right

there,

okay'?

PATRICE:

Okav.

VAMP

(under

dialogue)

(Gtr.

I,

Bs.)

,

DE:47E{-,UEZ1I(J=87)

>:>

IPIANO

TACtrT to

m.7l

EDDIE:

(singing)

Hey Lucy. I've

been

LUCY: ...In

vour

dreams,

hobbit I'm

VAMP

(under

dialogue)

3\>

thinkin'..

.

here

for

one reason.

Tongue

patrol.

(under dialogue)

f

last

X")

)> :>

:> >>

Blane

Music

Preparation

847

.

432-L2OO

Local 10-208

#50768



Tender

Pop

Ballad

(J

=

87)

@

-130-

#9

-

ANY

MINUTE

(8/19t0e)

tr

tBRErrl

(Scream )

FLAYI

Some

-

one

sot

his

eye

-

lids

torn

off,-

(+Gtr.

II)

1

e

I

a

I

e

I

e

mf

1

e

I

e tt

_____

ta

TT

ry

I

{+

T

1

T

7

8

g+.

rvhy



-131

-

#9

-

Ar\Y Mrr\UTE

(8/19t09)

S

_

- ing clos

-

er.-

I'll

be-

where- I want to be...-

An -

y

min

44,|'+A

eeuu

eeee

eeee

-

$

tcr

ZO

-

721

? e

qT.

e

2204.

23

UL



/COI{DUCTOR

NO

-132-

#9

.

ANY

MINUTE

(8/I9IO9)

Some

- one

got

skull

half.-

\

-

\-/-

\----'

me.-

May be

some

- thing I

Or

may

he

my

breath.

whv

r1

1_d

1nd kiss

me,-

And

we'll be-

where-

we ought to

be...-

An-y

min-

+

a

+

iJ

t7

\tt

++1+

---

--

-

ih*

35

1'

1-rJ

I lDJ

36

C.

38

t

b*



-133-

MALCOLM:

Brett.

. ..

Pssst

-

BRETT:

Back

off.

you

can't

rush

"the

tongue."

#9

-

ANY

MII\UTE

(8/I9IO9)

(Keys

II, Gtr.

I,

Bs.)

A

scream.

A.flamethrow-er.

Eve,rvone

wtnces.

Safety

@

lBRErri

:>\\>

ry

\ \

t

F

-

nOt-

pe

et



-r34-

#9

-

ANY MINUTE

(8/I9IO9)

4eE

rf

4sF

f

lBREml

A-ny

min

(PATRTCE)

He wott't

e

J

=\v/

ven

krtorv- I'm

7 +

"qr

r

1fr7)

* A)

A)

-

f

4er

J.

J bJ.

J

4eJ

h-

49K

\ H

UL

q=



-135-

#9

.

ANY MINUTE

(8/I9IO9)

An-y mo

,\-y

ment...

If I

want

If I close-

(+Keys

\

An-y

min

II sustain)

-.

An-y

mo

-.

ment...

IfI

\

rvant

a

?

IfI

?

close-

An-y

ute...

ment...

y

eyes

-

eyes

-

a?

Art-y

-

mln

An-y

-

mo

O

An

- y

time-

ment...

An-y trme-

.?.

"-JY

(Keys

II, Gtr.

56

Tt

c

\



BRETT:

Hey

EVAN: Archie?

What

are

you

doing?

ARCHIE:

Thanks

for

your help Ev. but

I'll

take

it

from here.

PATRICE:

Evan? What

were

you

thinking?

#9

.

ANY MINUTE

(8i

I9l09)

EVAN:

He

promised he

was

just

gonna

sit

next to

her

PATRICE:

And

you

believed

him?

ARCHIE:

Hi. Kendra. Sorrv

I'm late.

I

rvas

in the bathroom

having

a seizure.

KENDRA:

What'J

-136-

(Keys

II

)

61

6

jump

znKF,NDRA:

What?

SAFETYVAMP

ARCHIEz

(to

himsell)

This is it, Archie.

night-



-r37

-

#9

.

ANY

MINUTE

(8/19109)

ARCHIE:Okay

ffi

Watch-

tt;'-to'

In

slow motion,

a kis,s behveen

ARCHIE and

BRETT.

Watch RICHIE's camera.for

FLASH,

then

ATTACCA

#94

\\\

Attacca

#9A.

B LOODMASTER

UL



-138-

THIS

PAGE

INTENTIONALTY

Ltr'T BIANKTO

FACITITAIT

PAGETI.JRN.



BLOODMASTER

FIGHT

U

(B

/

7e

loe)

CUE:

(Camera

Flash )

Thrash Metal 198)

-139-

BRETT:

Bleagghhhhh

,,T3"

E

Music

&

Lyrics

by

IASON

ROBERT

BROWN

(J=

ARCHItr: Brett?

BRETT:

BLEAGGGGHHHHHH

ARCHIE: What's that taste?

BRETT:

Jesus.

Crip-ton,

did

you

just

try

to tongue

Kendra?

ARCHItr:

lJh...

What's the

right

answer

here?

EDDIE:

Yo, Brett Did

you

just

get

snaked by

the

cripple'?

SIMON: Nasty.

RICHIE: I got it

on my

phone

LIJCY:

Oh my God.

This is fantastic.

ARCHIE:

You

don't

understand. Kendra

and

I

are on a date.

p

(Key

II,

Gtr.

I, Bs.)

AAAAAA

A

\ \

\

\

\

A A

A

A

A

A

F

\

\

A A

\

\

???.

ALL: What? KENDRA:

We

are?

BRETT:

Like

hell

you

are

ARCHIE:

Evan set it

up.

fr???

FFh*,.FF?

Blane Music Preparation

847

.

432-L2OO

Local 10-208 #50768



ALL:

What?

EVAN:

AHHHH

BRETT:

Okay,

you're

both dead.

Who dies

first?

ARCHIE:

(pushing

EII {

forward)

Him.

KENDRA:

Brett Stop

it

BRETT:

(to

EI'A\{)

You

are

goin'down Anyone

in this

town so much

as

thinks

of

coming

to

yclur lame

party,

thev're

-140-

#sL- BLOODMASTER

FrGHt

(s

ltg

109)

going to have

to

deal

with

me.

(BRETT

goes to

grab EIAI{.)

Kendra

Get

out

of my

way

KEi\DRA:

Brett.

stop

it,

you're

hurting

me

JUMP

when KEMRA

kicks

BRETT

SI{E

kick,s

BRETT

in

the

crotch.

BRETT:

(in

exquisite

pain) I'm...not...wearing...my...cup.

KENDRA: Come

on,

Lucy,

let's

get

out

of herel

(SHE

erit's.)

LUCY: I'rn

right

behind

yout

(to

BRETT)

So

you

two

aren't

going

out?

BRE,TT:

No

LUCY: So,

your

tongue

is still

available?

BRETT:

Yes?

LUCY: Great

LUCY

grabs

BRETT

und

kisses him,

leading

him

o/f.

MALCOLN{:

Not

good.

EDDIE:

Not

good.

mf

AA

rl

p

AA

18

7

6

p

\--l

PATRICE:

We'll

be

waiting

right

outside.

Thanks,

Mom.

(closes

her cell

phone)

It's okay,

Archie.

My mom's

picking

us up.

EVAN:

What

a

nightmare

Now

they'll

never

be

my friends.

PATRICE:

Them?

That's

who

you

care

about?

Them?

EVAN: What's

t,our

problem?

PATRICE: You

invited

me out

here,

and

you

didn't

even

talk to

mc'.

I put

on this

snrpid

dress.".

130)

MALCOLM &

EDDIE:

Yeah, not

good.

A

A

Aeeel.

-

r

a

-

I

I

I

-

I

23\\24\\-

2>

Attacc& #10.

GOOD

EI{OUGH



(s

I

zo

loe)

...and

my

mother's

make-up,

and

you

didn't even

look at

me.

EVA|{: What was

I supposed

to do?

PAI'RICE:

Anything

but what

you did

I

should have

known

(J

=

130)

Safety

B'h---J

,,T3"

Music &

Lyrics

by

IASON

ROBERT

BROWN

-l4l-

GOOD

ENOUGFI

('Vocal

Last X)

lPArRrcEf

J

=

130)

made

your

choice

Cue:

Keys II

B'b-

- - -

J

nough.

[this

staff

for

cue

and rehearsal

onlyl

Blane

Music

Preparation

847

o432'1200

Local

10-208 #50768



-r12-

#r0

-

GooD

ENOUGH

(8120t09)

asked

looked

at

you

and said

you were - n't

good

e

-

nough.

And

you're

not

good

e

-

nough

fbr

^-^

drr

de

€)-

a6

tf,

<)o

6€

15

16

17

18

(Keys

rt'va)

o...-

.|'I-

-e

Bt'b----J

21

22



EVAN: Great.

There goes the last person

on

Earth

that's

talkine

to

me.

Rubato,

misterioso

l

RABB"l

-143-

o'L3"

E

Music

&

Lyrics

by

IASON

ROBERT

BROWN

EVAN: Oh,

perfect

A

I-RABBT'l

BEIhtrG A

GEEK

(8

I

7e

loe)

Koh-a

ha'

EI

A-do shem

J

What

/i\

c

(l

{}

p

(r

€>

A

EVAN: I can

fix this

A

I

RABBil

EVAN:

I'm not

gonna

be

an outcast

A

I'm

gonna

be friends r,vith every

single

one

of those

guys

and

that's

the end of

the

storv

now'

E-van'/

But hol,

E

- van?

AA

/:\

#q#

ry

ri

hbs

A

LD

€>

(gentll')

ri

c

D

E

a

a

EVAN:

What

are

vou.

kiddins'/

mf

(under

E.P)

Blane Music

Preparation

847

o

432-L2OO

Local 10-208 #50768



-144-

#17

-

BEII\G

A GEEK

(8/l9to9)

EVAN:

Oh, Rabbi.

You

have

no

idea

what

you're

talkine

about.

rvould bad

pop

|RABB" I

A

Tell me

horv

it

is.

Tell us

how it

feels.

A

Cuc: Kcvs

I I

ry

''z

1*

6o?#i

l.l

A\?

-

|

J

K

#

U



-145-

#II

-

BEING

A GtrEK

(8IT9IO9)

Motown

ballad, easy and

soulful

(

J

=

98)

orn

€Lr

do

Hr

17

tt_t

J

7

mf-

-h____

1

2 3

4 i#i7

.-\/

\

Be

- ing a

geek

is the lone -

li -

est thing-

in

the

world.-

#

ry

*'-

lv?

6-t

dF'

5

6

7

I

got -

ta tell

ya,

Rab

-

bi,

When

you're

a

geek,

it's

the

lone

-

li - est thing- in the

world.

ew,

illj

q1:

-B

je

3=

===

8

9

10

You're

al -

ways

won - der

-

ing

what ev'

-

ry

-

bo

- dy's

tp

ct--

de

_2.e

"ifr:

a

7e

11

12

fiJrs

-



-146-

#tl

-

BEING

A

GEEK

(8/19109)

laugh

-

ing

a -

bout,

And

star

- ing in at the

world like

you got- locked out.-

€>

a

de

14

15

16

19

EVAN: You

wouldn't

understand, Rabbi. RABBI:

Oh,

I

know

something about

it.

I'm a

rabbi

in Indiana.

fif#

h#

He t7

lt_tJl

mf

20 21

22 23

a

frJ

o_

\

Be

-

ing a

geek

is

the sor

-

ri

-

est state- e - ver known.-

I-

ry

+'.

*=C

F

24

25

26



-

147

-

#tt

-

BEING A GEEK

(8/19109)

-

knorv

what

I'm talk -

in' a

-

bout And be

- ing

a

geek does

-

n't

go- once

you're

gone-

or

you're

grown.

e#:

#{i

hl:

-B

1e

j'

*?g

27

28

29

t

EvAhrl

Tell- me

a

-

bout it. bro

-

ther.

The

eirls

all

"5-=

de

:€c

30

31

roll

their eyes

and

wzrlk a - rvay when

you

get-

close.

You've

got

a

fa -

tal

di

-

sease

no

one

can-

nIA

+

e

e

nf4:+

€>

a

32

33

34

gious,

rvith

EVAN, the RABBIS

are written an octave above

where they sound.

If

there

are

girls

added,

try

to keep the female

voicings low.



-148-

#tl

-

BEING A GEEK

(8/19109)

-

li

-

est thing

in

the world.

B

ut

when

you're

cclol,

yl+7

,*

g

nj#

ttlt?

=i

e,

38

39

40

can break

41

e

42e

+t-

43

You

44

(B'b)

- -

J

an



-149-

#II

-

BEING A

GtrEK

(8/19109)

If

you're

not,

It's a waste,

it's

a

drag.-

lt's

"suck"

A

lu

)e

ry

56

57

in

a bag,-

It's the

lone -

li

-

est

thine

in the

world.

lt

r^ r:

T

-'

+=j'

3=

*f

=t+

4

g

58

f.

5e.

\-.y'

J

}ilJ?

t

\.-----



@

onductor

[EVAN:]

-150-

#ll

-

BEING A GtrEK

(8/l9lo9)

Geck.

Geek.

Geek.

Geek.

Geek.

Geek.

frf'+

f,

,

++

:>

mf

#{+

{*

}*

il{+

{+

}l

60

61

62



@

onductor

-151

-

#tt

-

BEING

A

GEEK

(8/19109)

like

the wrong

mo

-

vies.

If

you

like

the

wrong

bands,

If

you

{t

ry

h+

IT

#{t

{+

h+

T

68

69

I

EVAlt,

I

take

the

wrong

clas -

ses.

Don't speak.

lf

it's

You're

a

geek.

il{t

{+

hhg

+

I

*

+

J

70

71

\

-f

q3

Sa - tur

- day

night

and You don't

have

an

- y plans-

'Cause

you've

h*

ai

':+

=,

h4

ta:

72

73

spent

the

past

week

learn

- ing Greek...

lcHoRrJs

oF

RABBTE

If

you're

You're

a geek.

-

./

^

H-

#fl*

{+

hhl

T

:>

--

74

75

\

h=



nductor

/Co

w

-r52-

#tl

-

BEING

A

GEEK

(8/19109)

Geek,

gon

-

na-throrv



-153-

#II

-

BEING

A GtrEK

(8/19109)

But rvhen

vou're cool..

When



-154-

#tt

-

BEING

A GEEK

(8/19109)

stride When

vou're

cool

-

1/C

ohl

oh-

*

fri



1-f

-t55-

#II

-

BEING

A

GEEK

(8/19109)

a -

fraid it's

ne - ver

gon

- na be o

,

ol-

kid knorvs

it does -

n't

mat

- ter-

ay,-

But

th

ecc

f

V

y+-

(D

e

mf

03

104

€>

105

o



-156-

#11

-

BEING A GEEK

(8/19109)

It's

the

dif

n-y-way.------_____-_

\

-.

,-N

n ft

hf

at +

hr

L^uil*

-i

T1

nf

qh+

IL

hU

106

-

frence be

-

tween

Be

-

ins

line-

at

thir - teen- And

the lone

- li - est thing...

-

T1

fiJ'

S

ry

Z;

t-t'

=:

-

7=--

>-

=1

7l

7

|

f

108

109

colla voce

(rubato)

I

know it's the

lone

- li

-

est-

thing- In

the

world

=

>>

l-t-r---]

,--

-

u ++

v.

lv*

"=

7Y

{:=g

114

,J

?J-l=,t

r\---l

_-

|

-4

q.L

-_:

113

:>

'{



-157

-

#tt

-

BEII\G A GEEK

(g/l

gl0g)

Cue:

Ilr\SS

I

rnf

PLAY

A

Applause

Segue

to

#12. BAD BAD Ir{trWS



-158-

THIS

PAGE

INTENTIONALTY

ttr'T

BIANKTO

FACITITAIE

PAGETTJRN.



EVAN:

Great.

There

goes

the

last

person

on Earth

that's talkins

to me.

Rubato, misterioso

I

RABBI'l

-143-

ALTE,RNATE

BEII\G

A

GEEK

(s

I

7e

loe)

,,L3"

Music

&

Lyrics

by

IASON

ROBERT

BROWN

EVAN:

Oh,

perfect

A

I

RABB',1

1

Koh - a -

-*

'

ha' El -

A-do -

shem

3

what

A

c

AD

€

p

(D

€>

A

EVAN:

I

can

A

fix

this

I

RABBI,l

E\AN: I'm not

gonna

be an

outcast

A

['m

gonna

be

friends

r,vith

every

single one of those

guys

and

that's

the

end

ot'the

story

now, E-van?

But

ho\\',

tr

-

van?

/:\

A

ri

fiq#

ry

A

qh#

ri

Lp

€>

(

gentl1,1

f.\

c

D

E

O

a

EVAN:

What

are

vou. kiddins?

I

RABBr'l

*f

(under

tr.P.)


847

.

432-l2OO

Local

10-208 #50768



-144-

#tlALT.

-

BEING A GEtrK

(8/19149)

EVAN:

Oh,

Rabbi.

You have

no

idea

what

you're talking about"

What

r,vould

t

RABBt,

I

bad

pop

I

Rit.

(HE

gesture.s

to

the

other

P-'lBBIS enterin,q.)

Tell me

horv

it is.

Tell

us horv

it

feels.

a

Cue:

Kevs

Il

ry

v#

'#7

tr-1,

\---

A

,l

\:/

J

K

;

lJ



-

145

-

#llALT.

-

BBING A

GEEK

(8119109)

Motown

ballad,

easy and

soulful

(

J

=

98)

H1

tt

ry

tto

:

le

:

a-t

t 7

la

mr

__

I

1

2

3

4

.-\./

Be

-

ing a

geek

is

the lone

- li

-

est thing- in the

world.-

ti

ry

A-

IWA

de

-----_

5

6

7

I

got

- ta tell

ya,

Rab

- bi, When

you're

a geek, it's the lone -

li - est thing- in the

rvorld.

:&:

qJ'*

b3:

-tt

lie

1-

Z.e

-

7=4

I

9

10

You're

al-rvays won-der-ing what ev'

-

ry

- bo-cly's

de

de

"lg:

t

7e

1

11

12

13



-

146-

#ll ALT.

-

BEING A GEEK

(8/19109)

laugh-ing

a

- bout,

And

star

-

ing in

at the world

like

you got-

locked

out.-

ill {Cr: t

s

-de

14

15

16

e lone

-

li

-

est thine

in the

world

i,+

ti

;I-

t t:

i,-

T-

1=1.

-

\-

it7?

d

17

18

-.-l9,c

e

a

q=

EVAN: You

wouldn't

understand.

Rabbi. RABBI:

Oh.

I know

somethine

about it. I'm a rabbi

in Indiana.

f,r'ti

qoe

*f

20

21

22

23

':

q+-

\_

Be -

in-e a

geek

is the sor

- ri

-

est

state- e

-

ver

known.-

t_

ry

t-

t=t

rJF

-rr-----

24

25

26



-147 -

#tt ALT.

-

BEING

A GEEK

(8ll9l}9)

-

knorv

lvhat I'm

talk - in' a - bout

And

be

- ing

a

geek

does

-

n't

go-

once

you're gone-

or

you're grown.

:A:

q+'7

b3

,ti

lje

+"

j=4

27

28

29

I

EVAtt,l

Tell-

me a

-

bout

it,

bro -

ther. The

girls

all

dp

-de

30

31

di-as-nose.-

It's con

- ta-gious,

it's vi

-

ral,

It's

a down-ward

spi

-

ral,

The lone-

idp

ilJ'iB

ia

fr.

z_-

i--

u'

7=1'

-

35

36

37

:>

rvith

EVAN,

the

RABBIS

are written an

octave above

where they sound.

If there

are

girls

added,

try

to keep the

female voicings

low.



-148-

#tt

ALT.

-

BEING

A GEEK

(8/19109)

-

li

-

est

thine in

the

world.-

But

rvhen

you're

cool,

1

ilr

ti

38,

39

40

You

break

41-

42

43

pDb-

- -



-149-

#IIALT.

-

BEING

A

GEEK

(8i

I9IO9)

grace

k

ilr

|,

ill

-

If

you're

not,

It's

a

waste, it's

a drag,-

It's

"suck"

A

=.2

nfr

T=:

,8

)e

ry

56

57



[EVAN:]

-

150-

#tt ALT.

-

BEING

A GEEK

(8/19109)

Geek.

Geek.

Geek.

Geek.

Geek.

Geek.

frl

g

lt

J'

a

^J',

frrt

1?

J' 7

\

\

\

H4

t

4t

t' 7

:>

60

61

62

Oh.-

yeah.

-

It's

like

a

cold-

Oh,

oh.

Geek.

Geek.

Geek.

Geek.

1'

vtv.t

7

;>\-''/

a1

t

lt

t'

t

\:>

frl

t

1t

t'

a

>>\

\

63

;\,/

64

65

rvind-

blow

-

ins,

yeah.

If

you

b*'

Geek.

Geek.

oh,

oh.-

ilrt

\

1'

\

t'

7

J

'

vt-.t

7

>

=----/-

66

67

;\\'-l



o/Conductor

@

-151-

#II

ALT.

-

BEING

A

GtrEK

(8II9IO9)

like the

wrong

mo

- vies, If

you

like the

wrong

bands,

If you

ill t

ry

4'

h4

IT

nl

, lt

q*

68

69

I

EVAtt,

I

take the

wrong

clas

-

ses, Don't

speak.

If

it's

You're

a geek.

frl

t

lt

;\t

t

+

>

L_IIIT

E

70

71

\\-

spent the past

week

learn

-

ing Greek...

-

|

cHorus oF RABBC;I

If you're

n

ou're

a

geek.

al

u

1t

blt

r-

\ \

75\



w

onductor

-152-

#tt

ALT.

-

BEING A GEEK

(8/19109)



-1s3-

#II ALT.

-

BEING

A

GEEK

(8/19109)

/,-.\

You're

n

t

u-

nique

--

lt's

just

the

life

of

the

geek But rvhen

you're cool

Geek -

Geek

-

A

f

-/

85

\

86

prob -

When



-154-

#tl

ALT.

-

BEING

A GEEK

(8/19109)

With

-

out

break

ins

vour

stride

When

you're

cool

-e

C

Oh--

oh_ oh_

Oh-

When

you're cool,-

You don't

care

+

frc

that

peo -

ple

dis

- ap

You don't

care-

that

Your

Dad's

-

not

here.

oh-

When

you're cool,-

oh-

+,

ilr

don't

care

-

that

life's-

been

up

ed

and

bent

With

-

out-

oh-

rclot

oh_

100

0



1f f

-155-

#II

ALT.

.

BEING

A

GEEK

(8i

19109)

nt -

^a

---------t-a--a

a - fraid

it's ne

-

ver

son

- na be o

- kay,- But

the cool- kid knows

it

does-n't mat

- ter-

|

-

.

\\-,

f

=++

mf

u

104

=

105



-156-

#tt ALT.

-

BEING

A

GEEK

(8i

19109)

an

b.N

il

b

H

+1

Be ins fine-

at

thir

te

li

-

est

thing..

.

:>

f rence be

-

trveen

n_

And

the

I ne

fto

+t

ry

3:

=*'-

:-

=4+

?

t

,

f

109

SJlJ-

tt

i

est

aid,

the one

ing.-

=

\.

r

'l

i

t--_

mf

\

,

I

i1

1l

I 4t>

112

colla

voce

(rubato)

IK

\

b7

i

- li - est-

thing-

In the

world.

o\

v it's

the

-

one

.____

rZ

I

I

:

+v+

f:

i,

t,:#

:>

_

"--,-/-

:

\----l



-157

-

#11

ALT.

-

BEII\G

A

GEEK

(8/19109)

You can do-

it. Ev - an.-

Be

a

Geek.

geek.

Geek,

geek.

Geek.

geek.

\

fie5

\

|'D

€>

\

PI-AY

A

Applause

Segue

to

#12.

BAD

BAD

I{EI4IS



-158-



-159-

BAD

BAD

NEI'VS

(s

I

7e

loe)

Music

&

Lyrics by

IASON

ROBERT

BROWN

EDDIE This

is bad.

MALCOLM

This

is real bad.

EDDIE

This is

the bad that bad

thinks

is bad.

BRETT enters

sheepish.l1,.

MALCOLM

and

EDDIE

have been

w'aiting.

EDDTE

Yo. Brett

MALCOLM

Why

rveren't

you at

practice today?

EDDIE

Coach

juit

said

"rvhy

bother

practicing

without

Brett?",

so instead

we

watched

a

movie

called

"God

Doesn't

Want You

To Touch

That."

MALCOLM

Hey, are

we

still

on

tonight

for Grand

Theft Auto?

BRETTWell...

EDDIE I

texted

you

this morning.

but

you

didn't

hit

me back.

BRETT

Well.

see...

MALCOLNI

Yeah What's

up

rvith

you?

BRETT

Okay.

the thing

is...

MALCOLM

&

EDDIE

What?

,,T3"

LUCY:

Brett

MALCOLM

and

EDDIE:

Ohhhh...."

BRETT: Guys...

I'll be

right back...

MALCOLM:

Brett,

don't

do it Save

yourself

LUCY:

BRETTT

(Sc:hool

bell rinss.)

Guess

what we're

going

to

do this

weekend?

BRETT

I

thought

I'd

just

hang

with my

boys...

LUCY:

No.

Here's

what

we're

going to do

this

rveekend:

Go

to

the

mall. buy new

shoes. get

a

mani-pedi...

4xts

nL FL-i7

BRETT:

Yeah.

I think I'll

hang

with

my

boys.

LUCY:

Oh.

Oka-v.

If

you'd

rather be

r,vith

them.

I

guess

that

means

you

don't

want the tongue

anymore.

BRETT:

Who

said

that?

LUCY:

And

if

you

don't want

the tongue,

you obviously

don't

want

what

comes

after the

tongue.

(SHE,

e.xits.)

BRETT:

No.

I

do

I do

want

rvhat's

after

the tongue WHAT'S

AFTER THE

TONGUE?

(HE

runs off

a.fter

her.)

EhmiT

AbmiT

ry

light, single-note

fills

MALCOLM:

Did

you

see

that?

EDDIE:

Brett's

gone

to the

dark

side.

MALCOLM:

He's

totally

tongue-whipped.

Play 3XtS

EDDIE: We've

been

iock-blocked'

u

A

Ffimi7

MALCOLM:

She's

it

succubus.

WhY

ts

she

doing

this

to us?

EDDIE:

If I live to

be trventy.

I'll

never

understand

r,vomen

VAMP

A

miT

Blane

Music

Preparation

847

'432'L2O0

Local 10-208

#50768



/

CONDUCTOR

-160-

#r2

-

BAD

BAD NEWS

(8/19109)

mf

CUE

-l

What

,€)

MALCOLM:

Tell the tale.



/

CONDUCTOR

-16r-

#r2

-

BAD BAD NEWS

(8/19109)

EDDItr:

I

f'eel you.



#t2

-

BAD

BAD r\EWS

(8/19109)

-162-

ONDUCTOR

E

I

stress

t.

-

bad

I

EpprE'

I

bad

Bad-

Bua-



/ CONDUCTOR

-163-

#r2

-

BAD

BAD NEWS

(8/19109)

yes

The

girl may

be hot.

But

all that he's

got

is Bad

bad--

nervs

I

hr

-fr1=7- r *.

f;:

ll

r-l-l

q#

\

|-1

lt

/

'

i

Y

r'

(LUCY

and

BRET"T

e'merge)

LUCY:

So

I'm all

"Mom

I've

been

going out

with him for four days

Of

COURSE

we're

going

to

get married '

(CASSIE

passes

b1t.)

CASSIE:

Hi

Brett.

BRETT: Oh.

hey Cassie.

LUCY: Wait

Were

you

flirting

with

her?

BRETT:

I

was

just

saying

hi.

LUCY:

Oh,

so

you're

saying

she's

hot?

BRETT:

No

I

mean, she's

fine.

LUC*

Oh, so

you're

saying

I'm

fat

BRETT: What?

I

never said

thatl

LUCY: You

never

say

anything

about

how amazing

I look

anymore. Oh

my God,

you hate

me

(SHE

runs

of;f.)

VAMP

A

Ffimi7

BmiT

Iight, single-note

fills

:u:

p



/

CONDUCTOR

BRETT:

Oh'

man,

not

again.

Lucy I'm soffy

Put down

the donut

(Htr

exits,

c:husing after

her.)

-164-

#r2

-

BAD

BAD NEWS

(8/19109)

fr-R

mf ,/

YV

l/

|rvrALcom

\:>\\

>\\

\\\\-

I

MALcoLnft

I

>-

\-

\

\=



/ CONDUCTOR

-165-

#r2

-

BAD

BAD

NEWS

(8/19109)

SIMON: Very

bad

news.

ncws -

ad

lffir

lMALcoLMl

:a



/ CONDUCTOR

-166-

#r2

-

BAD BAD NEWS

(8/19109)

EDDIE: Perhaps there's

a

way

we

can "dispc-rse"

of her.

MALCOLM: Mavbe

she can "meet

with

an

accident"'l

(\

\

Y3'

l-

ry

==z-

59

60

:>

lr/,



/CONDUCTOR

-167

-

#r2

-

BAD

BAD

NEWS

(8/19109)

I

snroNf

r\\\\

f

t

fMALcoLtrrtl

got

to

make clear that

she's

not wel

-

come

here, The

most

hor

- ri - ble way we car find.

We could

f--trE

-

^f

1 \ \ \

a.J

')>

J

\

d

\

+8

:>

65 66

go

train a

pit

bull to

chew

on

her

flesh. I don't

think

they

at

-

tack their

own kind.

|J

tor

-

ture her mo

-

ther and

chop up

her

dog. To

be hon - est, I

don't

think she'd mind

(cuE)-

-----l



/

CONDUCTOR

#r2

-

BAD

BAD

NEWS

(8/19149)

I

RrcHre

I

UUU

UUU

.----?+=--

,"

some

-

bod

-

y's

got - ta tell Brett

YEAH -

l

d"-I

'1'

I

MAfcoLM.

EpDtE

& stmoltl

That

girl

is

A

iltttt

hfttttt

,4+

'T

A

74

75



ICONDUCTOR

-169-

#r2

-

BAD BAD

r\EWS

(8/19109)

bad bad- news Bad- news -

8*---

--------l

She

took



#r2

-

BAD

BAD

NEWS

(8/19109)

-170-

I\O / CONDUCTOR

I

I

MALcoLMI

lMALcom

un - der

the bus And come

back to us E

- ven

thouglr

she has

ex -

cell

-

ent

shoes

She's

A

mf

|\ |\ N |\

b'+

+

t

\

A

N

\

86



CONDUCTOR

-t7l-

#r2

-

BAD

BAD NEWS

(8/19109)

lsnroNl

Bad

t

RrcHrE,l

I

MALcoLM,l

News

Nervs I

ri

news

news

nervs

Fills &

Arpeggios

ri



/

CONDUCTOR

-172-

THIS

PAGE

INTENTIONATLY

LEFT

BI.ANKTO

FACIIXTATI PAGETI]RN.



-173-

TELL

FIER

(8

I

tg

loe)

,,L3"

E

Music

&

Lyrics

by

IASON

ROBERT

BROWN

God

Boys are so

stupid,

no

wonder

you're

not

girls

Can't

you

just

talk

from the

heart

Stowly,

with

growing

assurance

(J

:

84)

Tell herhow

you

really

feel

BRETT:

Like

r,vhat?

EVAN:

(a

realization)

Like...

CUE: KEYS

II

P

(L.H.

only)

hap -

pened.

slept

al

-

though

10

€>

BRETT: Okay,

but

this

is

startins to sound

a little

saY

Tell

her

you

know

you aren't-

per-fecI.

Tell

her

you've wait-ed

way-

too

(+Gtrs.),,

,l

7

\s

(+Bs.)

1T=

o

tj

a

\l

3+o

14

Blane

Music

Preparation

847'

432-l2OO

Local

10-208

#50768

|.2

13

15



-174-

#T3-

TELL

HER

(8/19109)

long.

Tell

her

you're

sor

- ry

Tell

her

you

mean-

it.

rl

t:

j*g

\r

1'

t.

g4

J'--d

\l

BRETT: This

is

sood

stuff.

I

should

rvrite this down.

Tell her

you

I

PArRrc"

I

Were

wfOnEI.-

;

r.

t

'

cYM.

ROLL

1/--_--

o|

ev

Tell her

she should-n't

have-

ig - nored

you

i

-

-=z-

e

-

\

Or dissed

you

in front

of

all

-

the sch

tt

u t_c

+t:t

\=+

ry

tt

tt

u

<_J

at

at

at

:hoc

r'

,tr

v

v'or-

r'

2

r'

-a

Tell

her

the

mi-nute

she-

got

"out

of

touch,"

You felt-

ijJ

+t

I

ry

---f

-.---J

-.,---J

I 1""- |

t_J

t_t

t_J

<_J

=-__=

1-__l

L=

i

t

J

\t

I

-

25

26

27

v

'

'



-175-

#13-

TELL HtrR

(8/19t09)

7--

like such- a

fclol.

Tell

her

that stu -

dy

-

ing

to

(+B-3)

"(_J

L; Ll €i

ttttcj

\-J

I f-l

zB

i' lT V' fi

2s

l'' fi f'

30

r

vr

v

*

V

lt '

/

-ge

-

ther

O

C'

Was

so

nice

you prayed

it

rvould

- n't end.

t ? t

ttj

\_t

{*{LJ

e

I

t

d

a

31

r' fi

r

i

32

33

v

Say

you

for -

give

her. Say

you

were

jea

- lous.

*

J

4^4

t--'e

t'a-Tl--U-L

1' 1_1

u

1 7

*

-\

4

35

7.O

friend.

-

-

4

CYM. I.

\9

__/

be-

f she'll

sk

your

tl

rt+

J1

Je

36

37o



(in\ves)

-176-

#13- TELL

HER

(8/19109)

Tell her

that

peo-ple get

things wrong,

'Cause

peo

-

ple

are

a-fraid-

They won't

fit

in-

your

rvorl

i

i

rrl

i

rrl

I

rri

i

i"

=_ =H

=_ =_

).,tf,

+gr+IJ:+If

+{J

).,fr

39

o

8U

o

\--l

-

7

Or in-

your

1i1-e.

-

B

ut

things

u'ill rvork

out

line

If she

rvill on

-

ly

\r\t

Yt-<br

EEgg

\l

\

I

41

42c

43+

-

t

PATRtcE,l

Tell

her that

all

-

you

ev - er

rvant

-

ed

IEVAN'

I

Poco rall.

that

all-

you

ev

-

er

Was

may -be

A

smile or

glance.

?p

lt

I

rl

a-

Tell her

want

A snrile or

a

elancc



A tempo

-

177

-

#r3-

TELL HER

(8/19109)

I

PArR'cEl

t

EVAtrt'

I

Tell her

you

mean-

it.

Tell her

you're

sor -

ry.

CUE:KEYSII

F_

3.

f=T

sub.p

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50

52

colla

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51

(inunison')

Rit.

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\__r

-

O

,__r

U.

Ask

for

a

- no

-

ther

chance.-

Tell

her

you

just

rvant a

-

no

- ther

CUE,:

KEYS II

t

_

\ -f ,l

O

p

54

55

56

57

-------------_

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Piil ntosso

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58

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60

61

\7



-178-



Did

that

work?

You bet

it

did

Allegro

grandioso

-179-

DID

TFIAT

I,VORK?

YOU

BET IT

DID

(B

I

7e

loe)

,,L3"

134

Music &

Lyrics

by

IASON

ROBERT

BROWN

LUCY:

Oh

HELL

no

Rit.

(Pno.

Alone)

A

h

a

a

a

a

f./

I

--

|

I I |

-l

14

tr

ri

U

4

?1

I

u;_,

30

4

Attacca

#11. IT

CAIV'T

BE TRUE

Blane

Music

Preparation

847

.

432-1200

Local

10-208

#50768



-

180-

THIS

PAGE

INTENTIOI{AILY

LEFT

BIANKTO

FACILITAIE

PAGET{,]RN.



Attacca

after

I

LUCY-:

Oh

hcll no

]

-181

-

,,L3"

E

Music &

Lyrics

by

IASON

ROBERT

BROWN

NIOLLY:

Oh hey,

l,ucy. What's

up?

-lJ -

196)

(JJ

=.1

})

IT

CANIT

BE TRUE

(B

I

7e

loe)

Groove

LUCY:

Check this

out.

I

iust

got

the

juiciest

text

from

Charlofte, who

told

me the nastiest

thing

about

Kendra.

Skanky

Jamaican

MOLLY:

Kendra

No What?

LUCY: All right, I'll tell

you.

But

you

can't

believe

Charlotte,

I mean

we

all

know one

thins

for

sure ...


.

432-L2OO

Local

10-208 #50768



-r82-

#I4.

IT

CAN'T

BE

TRUE

(8/19109)

'Cause

she savs

she

saw

lTl

JE

eab

ee

(Bs.

cue)

.l

q

+

1

+

+

.t

-r

1

ar

e

(Drums)

\\\\-

lrll

25

26

27

28

WFunky

Ken-dra

and

Ev

- an at

the ma11,-

Stand

-

ing

face

to face,-

FrAYil h

\

a

O

a

iy'

\

t

b'7,

\

I

y+

v:

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3

-r1

?

E

29

30

=

n-

31

32

?



-183-

#I4

-

IT

CAN'T

BE TRUE

(8/19109)

Laugh - ing and talk

-

ing

and hold

- ing

hands-

And slurp

- ing all the

way

to

First base

But

-\a

?

v

+>i

rtt

a

\:>

77

a

\\

jee

tr:>

>

:

f

::--

tl

33

34

35

36

,i:=

=

Back to

Jamaica

MOLLY: No

way

Kendra

and Evan?

LUCY:

Yep.

MOLLY:

What about

Brett?

LUCY: I know, it's crazy

But

really,

really, really, don't say

anything

MOLLY: Of

course

not I

r,von't

say a word.



-184-

#r4

-

rr

cAt{'T

BE

TRUE

(8/19109)

tLLrcYl

lcAssr*l

lie,-

a

lie.

lte

ie.--

lr

.f

.t

ilJ

1

q

J

l-l

.1"

.f

#7

+

+

-+

+

e+

+

ab

lee

1

{r

frJ

J

lg

e

e

57

58

59

60



-185-

#I4

-

IT

CAN'T

BE,

TRUE

(8/19109)



Funky

-186-

#t4

-

rr

CAN'T

BE

TRUE

(8/19109)



-187-

#r4

-

rr

CAN'T

BE TRUE

(8/19149)



#14

-

IT CAI\i'T

BE TRUE

(8/19109)

-188-

NO/CONDUCTOR

\

>



-189-

#r4

-

rr

CAN'T

BE TRUE

(8/19rc9)

(lx

only)

LUCY: Kendra,

let's not fight.

\bu won

Brett

fair

and

square

-

I was

wrong,

okay?

And

I

miss

my

best friend.

KE|{DRA:

Aw. Lucy. I miss

you

too.

LUCY

and

KENDRA:

(emhracing)

HIJGI

KENDRA:

You're

really not mad?

LUCY:

Nope

Not

mad at

you.

Not

mad at

Brett. Not

mad at

Evan.

KENDRA:

Why would

you

be mad at Evan?

LUCY:

Well,

it

was

Evan that

convinced

Brett to dump me and

go

back to

you.

You actually owe

Evan a bis thank-vou

- mol'?

>

KENDRA:

Really?

What should

I

do?

LUCY:

Let

me

think

(And

then

imntediately)l

know

I'll

arrange

a

get-together

with

you

and

Evan,

so

you

can

thank him

*

e I

*

e

rfil

cuE

I

I

i

*

e

I

cuEsl

1048 I

n-

104C

1

04D



-

190-

#r4

-

rr

CAN'T

BE TRUE

(8/19109)

KENDRA: You

would

do that?

LUCY:

Tell

you

what:

You be at

the

Dairy

Queen

at

five o'clock.

Leave the rest to

me.

n

n 7*

i

unt

e

1

*

e

i

CUE

I

*

a

*

e

tt

105

e

,

*

$ub-

t

106

107

108

EVAN:

...And

why

does

Kendra want to meet

me?

LUCY:

She said she

wanted to thank

you.

But

I can tell

her no,

I

just

thought since

we rvere all

friends

now...

aa

BYfr==

1

fr4

I

er

At-

/B

4

Ar

Be

fr=

*

+

*

fr4

4

A,t

-

/B

.1

113

115

116

14

EVAN:

No, no.

['ll

go. Its

iust

kind of rveird that

you're

the

one asking

me and

Gfimi7(b5)

LUCY:

God,

you

don't

trust anyone.

That's

the

problem with

your people.

JUMP

ON:

LUCY:

Five o'clock. The

Dairy

Queen.

+153



-191

-

#I4

-

IT CAN'T

BE

TRUE

(8/I9IA9)

SAYS

rl'

Char

-

lotte

I CHARLOTTE:

I

e

Ev-'ry-thing

A

*

HJ

*

1

8A

=1

ti

y4

7

t'J

;

j

'--/ J

f

A

.1

160

161

162

163

-\

I CHARLOTTE: I



-192-

#11-

IT

CAN'T

BE TRUE,

(8/19109)

cnsslell

Ken

-

dra

and Ev

-

an

at

the

game,-

Then

they van

- ished

rl'ith

-

out

a

trace.-

Then

L

I

\

7t

yi

y

:>'-\-

mf

t

b'5:

=

I

ytvib

172

'^=

=l=

=

rt-tz+

175

she saw

Ken

- dra

un

-

der

the

bleach

- ers Let

-

rin' Ev

-

an

get

to

Third base

>_._'\

1b:

qttr?

aa a

l>\\\

-.e

e

r,;>

\

f>

l

176

177

178

179

ifi13

\



-193-

#r4

-

rr

CAN'T

BE TRUE

(8/19109)

-\

\

192

-

mor?

ARCHIE:

Did

you

hear that?

PATRICE:

Who

would spread a

rumor

about

Kendra

and

Evan being

together?

ee

ei

pa

I

e

e

t

I

C

e

I

a

*

a

E

I

195

196

197

\

BOTH:

(a

beat)

Lucy

PATRICE: We've

got

to warn

him

*

DunT

e

I

e

e

j

AunT

t

DunT

AunT

203

204

205



-194-

#r4

-

rr

CAN'T

BE

TRUE

(8/19109)

ARCHTE: He said

he was going to

the

Dairy

Queen.

PATRICE:

Corne

on

\:>\

tr



-195-

#r4

-

rr

CAN'T

BE

TRUE

(8/19109)

lBo-YS;l

lB-l

1244|'

lr$a.

ed-gl

CHARLOTTE,

MOLLY

GASSIE:

right



CASSIE,

LUCY, CHARLOTTE,

MOLLY,

SIMON.

EDDIE. RIGHIE. MALCOLM:

-196-

#r4

-

rr

CAN'T

BE TRUE

(8/19109)

BRETT:

Where?

LUCY: At the

Dairy

Queen

BRETT:

Get out

of rny way

A

PI-A.Y

lX

or 2X

AS NECESSARY

F-OR SCENE CHANGE



IF

TFIAT'S WFIAT

IT

IS

((L3))

E

197 -

(B

I

tg

loe)

EVAN:

What's

the

point?

It

won't be

what

I

planned. It'll

be

iust

Losers-R-[Js.

No

offense.

What's

the

point of

that?

What's

the

point of

an'ything'l

ARCHIE:

Okay...

(El:4,\

s'ils.

)

,

(Kybd

II, Gtrs.)

Music &

Lyrics

by

IASON

ROBERT

BROWN

j

l+

p

:t :t

:L

++-

-t

l_Ll

eo+e

\-,

\.-,

nl

Then thlrt's

rvhat

it is.-

You're

prob

- a-bly right

I

]J

ry

T

IJ

12

Blane Music

Preparation 847

.

432-l2OO

Local

10-208 #50768



-198-

#rs

-

rF

THAT'S

WHAT

IT IS

(8/19109)

so

hard.- And

now-

you're

scaned And

free-

of

an

-

y

hope.

I

guess you

should

mope

i1_

o

a

i:-

o

e

-t-l

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fr'l

fl

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17 4'

18

19

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t

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that's

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J

l

-=r==T

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+

t

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r_rar^

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. _

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t[ \

.

t *+

29

30

31

32



-199-

#I5. IF THAT'S WHAT

IT

IS

(8/19109)

I choose-

to see-

lt.

I

have- my

own

view

t 1=

a

. lL r

.

--l

-t

=J-

eeu

I __

1=1--

\--l/

brl

33

34

35

36

that

works- with

all- these

ierks-

and un

- en

-

light

-

ened fools. I make-

my

own

rules.

-ra

e

n

o

a

l-..l

t.

7

ili'-

€>

sz

J' J,-j

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'

-

2

44

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\_.t



@

-200-

#rs

-

rF THAT'S

WHAT

IT IS

(8/19109)

To - day-

will be

gone,-

And so-

I

Put

?"+

l----

frb

b

## t3

.1

49

50

ut

t*

Lrr-

One-

foot-

in front-

of

the

o

-

ther,

One-

tbot-

in front-

of the o

-

ther

and

just

7#

l---3-.,

-

tu

53

54

55

56

lPArRrcdl

-f

v

-

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If that's-

q+-

what

it

is,

A

+

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v-r

e

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J

I

A

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mf

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\



-20r-

#rs

-

rF

THAT'S

WHAT

IT IS

(8/19109)

RH

cup

-

r

lTtAYl

ls

it- mav not

al

-

CUE

I real

he-

(cUE)

- |

[FLAY-]

cun

I

FLAfI

J'J

e++

_+--

it is.-

But how-

it

is-

Is - n't

horv it's

got

to

be.

An

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+

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73

74

o



#rs

-

rF THAT'S

WHAT

IT IS

(8/19109)

-242-

E

-+

e

An

-

oth

-

er

d"y

goes,-

And

if--

I

set

teas

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or

punched in

the

nose.

I say-

"]

lvc-ln't cry."

,rl

a

)e

a

7

&

b

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rlf'=

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put

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88

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THAT'S

WHAT

rr

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(8/19109)

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a

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THAT'S

WHAT

IT

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(8/19109)

I'm be

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a man.-

(q)'1't'

t ro

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4

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(l

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means

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the

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ilc



-245-

#rs

-

rF THAT'S WHAT

rr rS

(8/19109)

I'm be

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com

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a

man,-

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El

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L-J

114 115 116

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-206-

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rF

THAT'S

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IT

IS

(8119109)

.

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One

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be

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day

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#rs

-

rF THAT'S WHAT

rr

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(8/19109)

(

EVAIV

ki.sses

PATRICE.

Long

pa.use

)

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I



-208-

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IF

THAT'S WHAT

IT IS

(8/I9IO9)

-

neY-

can--

re

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lt.

we

put-

on

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shoes

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may

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be it call.

-

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162

163

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20e

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rF

THAT'S WHAT

rr rS

(g/1gl0g)

-3

I

ALL THREEI

-

that all-

this is

just-

"Be

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com

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man."

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take-

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shot

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rF THAT'S

WHAT

IT IS

(8/19109)

Mr

tARclrel

lPArRrcE;l

Go

on-

and

put

A

3

tr

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181

f

ARcHIEf

FArRrcE;l

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of the

o

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2rr

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WHAT

rr rS

(8/19109)

just

keep

W

walk lng on.

_

(wlBs.)

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e

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Attacca

#15A. EVAI{'S

HAFTORAH

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Verv Freelv

-2r3-

,,L3"

EVAN'S

FIAFTORAFI

l,5a

(B

I

7e

loe)

Music

&

Lyrics by

IASON

ROBERT

BROWN

I

EVANf

3

_r:

mar-

ha' El-

A

-

do

-

shem

3

btl

oh-a

(Kybd

II)

tpIANO

TACET to

m20l

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or-

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bass,)

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Blane

Music

Preparation

847' 432'L2OO

Local

10-208

#50768



-211-

#lsA

-

EVAN'S

HAFTORAH

(8/19109)

:

EVAN:

The

amazing

thing

was my Bar

Mitzr,'ah wasn't

(He

smiles

at them)

And

my

Auut

Jessie

and

t}1rcle

Phil

completely

empty.

Patrice

came

from Florida.

and Archie

rvere there.

1-

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am

ll

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(Cue)

ha

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14

15

16

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EVAN

(r:ontiruted): And my

Dad came.

rvhich

was

good.

I

guess.

And

he and

Mom

sat behind

me

on the

himah

and

at one

point

I even

caught

them

holding

hands.

And tor a

minute.

a

couple

of minutes.

it felt like a

family again.

A

IEVAN

'

I

If

you

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Segue

to

#16.

A

LITTLE

MORE

HOMEWORK

(m12)-



,r13r,

-197

-

ALTERNATE,

IF TFIAT'S

I,VHAT

IT

IS

(B

I

tg

loe)

EVAN: What's the

point? It won't be what

I

planned.

It'11 be

just

Losers-R-IJs.

No offense. What's

the

point

of

that?

What's

the

point

of anything/

ARCHIE: Okay...

(EIAIV

sits.)

(Kybd

II,

Gtrs.)

Music

&

Lyrics

by

IASON

ROBERT

BROWI{

-

+

Il

p

:

IT

1C1C

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847

.

432-1.2OO

Local 10-208

#50768



-198-

#15 ALT.

-

IF THAT'S

WHAT

rr IS

(8i

19rc9)

so hard,-

And now-

you're

scarred And

free-

of

an

- y hope.

I

guess

you

should

mope.

o

.J

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o

fi1'-

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18

19

20-

+

If that's

what

it is.

"I

I

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111

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l

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Then

that's what

it is.

-

Thoush that's

not

the wav

f.,

)

q

>c'

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t99

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#15

ALT.

-

IF

THAT'S

WHAT

IT

IS

(8i

19109)

I

choose-

to see-

tt.

I have-

mv own

vierv

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f-]

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34

35

36

that

works-

with all-

these

jerks-

and un

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light

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make-

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may

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it's all-

just

part-

of the

plan.-

To

-

mor

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-200-

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IF THAT'S

WHAT IT

rS

(8/19109)

aaa

To

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be

gone,

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so-

[

Put

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One-

foot- in

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and

just

t#

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53

54

55

56

keep

walk

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60

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J

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IF THAT'S

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IS

(8/19109)

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CONDUCTOR

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-202-

#t5

ALT.

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IF THAT'S

WHAT

IT

IS

(8/19109)

)ased

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I

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teas

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just

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88

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-

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rF THAT'S WHAT

IT IS

(8/19109)

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IF THAT'S

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IT

IS

(8/19109)

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99

100



-205-

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-

IF

THAT'S WHAT

IT

IS

(8/19109)

I'm be

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a man,-

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114

115

116

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-206-

#15 ALT.

-

IF THAT'S

WHAT

IT IS

(8/19109)

\

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One

dty

I'll- be thir

- ty.

One

day

I'll- be

fine.-

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mf

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29

130

131

132

One

dav I'll-

make fun- of

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mine.

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r

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134

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o'

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a book

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-207

-

#I5

ALT.

.

IF THAT'S

WHAT

IT

IS

(8/19109)

(

EVAIV

kis,ses

PATRIC

8,.

Long

pattse

)

v+

jJ

IARcHLR

I



-208-

#15 ALT.

-

IF

THAT'S

WHAT

IT IS

(8/191A9)

ney-

can-

re

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We put- on our

shoes

trl

a

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a + +-

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155

7

lPArRtcE;l

and socks-

and take-

the knocks,

and

rvish- that it rvould change...

And may

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be it

will.

4

e

4

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k

l

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158

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I

EVANI

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Un

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62

163

164



-

209

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#15 ALT.

-

IF THAT'S

WHAT

IT rS

(8/19109)

that

all-

this is

just-

"Be

-

com

-

ing a man." You take-

your

best shot

q

a

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b

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165

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ALL rHREe

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171

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-210-

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IF

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WHAT IT

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(8/19109)

lARcHr" I

tr

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e-e

.

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,_t

=

ne- foot-

in fronl.- of the o

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One

i8

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176 177

178

lPArRrcEl

lARcHrE;l

-

of the o

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crip.- the

geek,

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And

I

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g:I

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183

84



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IF THAT'S WHAT IT

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(8/19109)

just

keep

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(Kybd

II

&

Gtr

I)

A

194

Attacca

#15A. EVAII'S HAFTORAH

-

,

p

rt

l-v.

it.

JJJ

a-

a

o-

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/:\



-212-

THIS

PAGE

INTENTIOI\IAIIY ITFT

BIANKTO

FACITITtrTI

PAGETI]RN.



-213-

AIjTERNATE

EVAh{'S

FIAFTORAFI

(s

I

tg

loe)

,,L3"

Music &

Lyrics

by

IASON

ROBERT

BROWN

Very Freely

3

mar_ ha'

IPIANO

TACET

to m20l

(volume

swell)

,

ry

ri

(Gtr.

I)

(

\va basso)

,

/:\

hem-

(Cue)

I

(Bva hasso)

teo

t

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Blane


o432-L2OO

Local

10-208

#50768

a



-214-

#15A

ALT.

-

EVAN'S

HAFTORAH

(8/I9IO9)

.t,

T

-..1-

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J_

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chim

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ley

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ha

V ru

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6\'Q OQSSO

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12

1

A

_---

---g'12

EVAN:

The amazing thing

rvas

my Bar

Mitzvah

rvasn't

completely

empty.

Patrice and

Archie

were

there.

(He

smiles at them)And

my

Aunt

Jessie and Uncle

Phil

came

from

Florida.

bah.-

(Cue)

/i

(Cue)

A

(Cue)

ri

(Cue)

ri

4>

a

A

f

A

€>

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A

14

15

16

g

-------

g

EYAN

(continued):

And my Dad

came,

which

rvas

good.

I

guess.

And he and

Mom sat

behind me on the

bimah and at one

point

I

even caught them

holding hands. And for a minute, a couple of minutes.

it felt like a

family

again.

I-EVAhr'l

If

you

(Cue)

A

(Cue)

/:\

(Cue)

ri

(Cue)

ri

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fis

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20

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(loco)

Segue

to #16.

A LITTLE MORE

HOMEWORK

(m12)



-215-

,,T3"

ATITTLE MORE

HOMEWORK

(s

I

tg

loe)

from

#l5A)

|evAill

Music &

Lyrics by

IASON

ROBERT

BROWN

stand here be

-

hind me- and

you

call

me a

man.- And

you're

count

-

ing on me-

to come

through,

Ytru shoul

p

-+

qn#i

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I

knowthat I'11

sive- vou- the

best thatl- can.-

But rve all- have- a lit-tle more home

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to do.

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20-

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Music

Preparation

847

o432-L2OO

Local 10-208

#50768



w

/CONDUCTOR

-216-

#16

-

ALrrrLE

MORE

HOMEWORK

(8119109)

So

you

gor

-

ra hang

in-

rhere-

'til

the

lvhole

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CHARLOTTE.

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turned

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parents

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I

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CASSIE.

CHARLOTTE

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PATRICE,

ARCHIE,

BRETT.

KENDRA.

LUCY:



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13 Piano Vocal Score

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Transcript of 13 Piano Vocal Score