1 Generic Image Structures in Integrated Media Nick Rossiter & Michael Heather, University of...
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Transcript of 1 Generic Image Structures in Integrated Media Nick Rossiter & Michael Heather, University of...
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Generic Image Structures in Integrated Media
Nick Rossiter & Michael Heather, University of Northumbria at
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Two main direction in Image Research
• Image contents:– modelled as set of attributes– at fairly high level of abstraction– but with little scope for free or ad hoc queries
• Feature extraction/object recognition subsystems:– automated object recognition– but difficult methods, computationally expensive and
domain specific
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Problems with Current Directions
• General models (e.g. databases) not used
• Concentration on customised methods
• Interoperability is difficult as it requires– more general techniques – meta and metameta data
• Importance of text not always recognised
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Theoretical Needs
• Emphasis on powerobjects rather than atomic objects with flexible searching on clusters and groups
• Construction of universal relations for new connections intra-schema (local universe) and inter-schema (global universe) - i.e. for integration of images with text across heterogeneous databases
• Joining of type/domain attributes for different image representations (pixel, graph, Postscript)
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Set Theoretic Approaches
• For example object-oriented methods– problems in unifying these
• Recent developments for universal description– MOF (Meta-Object Facility)– RDF (Resource Description Framework)– promising but aimed more at business data
• In general lack universal type system
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Category Theory and Types
• Categories provide a theory of types.
• Typing is an inherent feature of every image recognition with two basic categories of data, the source and the medium– e.g. for an old master the source will be a human
painter, whereas the medium may well be a painting in oils which will again import certain characteristics to the image and be specifiable in the retrieval process
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Characteristic Features of Image Data
• Differentiating between background and foreground e.g. weather forecasting
• Use of colour for differentiation e.g. sunsets• Texture e.g. human faces (qualia)
– periodicity– directionality– randomness.
• Semantic interrogation - less work
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S l
s x m s
S XIMG M W/IMG
rs x m
m
MFigure 1: Pullback of types source m along image s.
S = category Source, M = category Medium, W/IMG = subcategory of W containing components of image, S XIMG M = product of category S and M over IMG
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l
s x m S s l
s x m s (s)
-1 S XIMG M W/IMG r
s x m m
s x m
*m (m)-1
M
Figure 2: Pullback showing fuller collection of arrows
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arrow selects of from comments W given S source analysis
(s)-1 S given W source construction
m W given M medium analysis
(m)-1 M given W medium constructionl
s x m S given S X M source nature
s x m M given S X M image qualia S X M given W real-world image query
s S X M given S image creativity*
m S X M given M medium typel
s x m S some S X M source collectionr
s x m M some S X M medium collection W some S X M component collection e.g. pixels W all S X M component combinations
Figure 3: Nature of each pullback arrow of Figure 2
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Conclusions 1
• Full complexity of image recognition is shown:– Figure 2 (pullback with fuller collection of arrows)
– Figure 3 (table showing nature of each pullback arrow)
• Binary relation between two categories seems adequate for representing image relationships
• The highest type of arrow, natural transformation, can represent characteristics like creativity (s) or image quality (s x m)
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Conclusions 2
• Open systems are exposed to real-world complexity
• Category theory facilitates the integration of different models – universal type system– multi-level meta information – assists workers who use a selection of models
(hierarchical, object-oriented) to represent aspects such as texture