1. a story or account of events, experiences, or the like, whether true or fictitious. 2. a book,...

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1. a story or account of events, experiences, or the like, whether true or fictitious. 2. a book, literary work, etc., containing such a story. 3. the art, technique, or process of narrating: Somerset Maugham was a master of narrative. Generally, the beginning middle and the end of the storyline. Could be in anything, from a film, a soap or even a novel. Definition of narrative

Transcript of 1. a story or account of events, experiences, or the like, whether true or fictitious. 2. a book,...

Page 1: 1. a story or account of events, experiences, or the like, whether true or fictitious. 2. a book, literary work, etc., containing such a story. 3. the.

1. a story or account of events, experiences, or the like, whether true or fictitious. 2. a book, literary work, etc., containing such a story. 3. the art, technique, or process of narrating: Somerset Maugham was a master of narrative.

Generally, the beginning middle and the end of the storyline. Could be in anything, from a film, a soap or even a novel.

Definition of narrative

Page 2: 1. a story or account of events, experiences, or the like, whether true or fictitious. 2. a book, literary work, etc., containing such a story. 3. the.

Some relevant examplesThe main example of narrative is “beginning, middle and end” however, there can be twists where the film will start within the future and work there way backwards and there for have a twist.

Non Linear Narrative: Where different types of story lines are portrayed not necessarily in chronological order. E.g. to recall a human memory.

Page 3: 1. a story or account of events, experiences, or the like, whether true or fictitious. 2. a book, literary work, etc., containing such a story. 3. the.

Key theorists

Mulvey argued that the only way to annihilate the "patriarchal" Hollywood system was to radically challenge and re-shape the filmic strategies of classical Hollywood with alternative feminist methods. She called for a new feminist avant-garde filmmaking that would rupture the magic and pleasure of classical Hollywood filmmaking. She wrote, "It is said that analysing pleasure or beauty annihilates it.