08 space & volumen-light and volume
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Transcript of 08 space & volumen-light and volume
Art and Design 1st E.S.O.
RAMON DE FRANCISCO
INDEX
ELEMENTS OF VISUAL LANGUAGE
SPACE & VOLUME
FORMS & SHAPES COLOUR. U. 5 TEXTURE. U. 6
INTRODUCTION. U. 7 LIGHT & VOLUME. U. 8 SYSTEMS OF REPRESENTATION. U. 9
DOT, LINE & SURFACE. U. 3 GEOMETRIC SHAPES. U. 4
RAMON DE FRANCISCO
COMMUNICATION AND ITS PURPOSES. U. 1
VISUAL COMMUNICATION & VISUAL PERCEPTION. U. 2
SPACE & VOLUME
LIGHT & VOLUME U. 8
RAMÓN DE FRANCISCO
We see things because light is reflected off objects and gets to our eyes.
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RAMÓN DE FRANCISCO
Whenever there is light there is
shadow.
Kumi Yamashita
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Light and shadow make us get a perception of volume.
RAMÓN DE FRANCISCO
Light and shadow make us get a perception of volume.
RAMÓN DE FRANCISCO
Light and shadow make us get a perception of volume.
RAMÓN DE FRANCISCO
Light and shadow make us get a perception of volume.
RAMÓN DE FRANCISCO
Chiaroscuro
is the technique used to ditribute light and shadow on a flat suface and therefore,
get a sense of depth and volume.
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RAMÓN DE FRANCISCO
HIGHLIGHT
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HIGHLIGHT
LIGHT
RAMÓN DE FRANCISCO
HIGHLIGHT
LIGHT
MIDDLE TONE AREA
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HIGHLIGHT
LIGHT
MIDDLE TONE AREA
FORM SHADOW
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HIGHLIGHT
LIGHT
MIDDLE TONE AREA
FORM SHADOW
CAST SHADOW
RAMÓN DE FRANCISCO
HIGHLIGHT
LIGHT
MIDDLE TONE AREA
FORM SHADOW
CAST SHADOW
REFLECTED LIGHT
When Light is strong, shadows are crisp and clear.
RAMÓN DE FRANCISCO
When Light is strong, shadows are crisp and clear.
When Light is diffuse, shadows are blurred.
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RAMÓN DE FRANCISCO
Carravagio.
16th-17th Century.
Italian artist who used Chiaroscuro in a dramatic way.
David and Goliath. 1599
RAMÓN DE FRANCISCO
Leonardo da Vinci.
Italian Renaissance Man.
15th-16th Century.
He created the sfumato technique that uses
shadows “without lines or borders, in the
manner of smoke” so that it produces soft and imperceptible transitions
between colours and tones.
Mona Lisa. 1517
RAMÓN DE FRANCISCO Madonna Litta. 1491
Leonardo da Vinci.
Italian Renaissance Man.
15th-16th Century.
He created the sfumato technique that uses
shadows “without lines or borders, in the
manner of smoke” so that it produces soft and imperceptible transitions
between colours and tones.