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Transcript of 00 Theatre - Cover Pages (Class XI)agitsolution.com/cbse/ebooks/11TH CLASS/Theatre...
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Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110 301 India
TheatreStudiesStudiesCLASS-XI
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Theatre Studies, Class XI
First Edition: June 2015 CBSE, Delhi, India
Price: `
Copies:
Published By : The Secretary, Central Board of Secondary EducationShiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301
Design & Layout : Multi Graphics, 8A/101, W.E.A. Karol Bagh,New Delhi-110005 Phone: 011 - 25783846, 47503846
Printed By :
No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or any means, electric, mechanical photocopying,
recording or otherwise without the prior permission of the publisher.
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THE CONSTITUTION OF INDIA
PREAMBLE
1WE, THE PEOPLE OF INDIA, having solemnly resolved to constitute India into a SOVEREIGN
SOCIALIST SECULAR DEMOCRATIC REPUBLIC and to secure to all its citizens :
JUSTICE, social, economic and political;
LIBERTY of thought, expression, belief, faith and worship;
EQUALITY of status and of opportunity; and to promote among them all
2 FRATERNITY assuring the dignity of the individual and the unity and integrity of the Nation;
IN OUR CONSTITUENT ASSEMBLY this twenty-sixth day of November, 1949, do HEREBY ADOPT,
ENACT AND GIVE TO OURSELVES THIS CONSTITUTION.
THE CONSTITUTION OF INDIA
Chapter IV A
FUNDAMENTAL DUTIES
ARTICLE 51A
Fundamental Duties - It shall be the duty of every citizen of India-
(a) to abide by the Constitution and respect its ideals and institutions, the National Flag and the National Anthem;
(b) to cherish and follow the noble ideals which inspired our national struggle for freedom;
(c) to uphold and protect the sovereignty, unity and integrity of India;
(d) to defend the country and render national service when called upon to do so;
(e) to promote harmony and the spirit of common brotherhood amongst all the people of India transcending religious, linguistic and regional or sectional diversities; to renounce practices derogatory to the dignity of women;
(f) to value and preserve the rich heritage of our composite culture;
(g) to protect and improve the natural environment including forests, lakes, rivers, wild life and to have compassion for living creatures;
(h) to develop the scientific temper, humanism and the spirit of inquiry and reform;
(i) to safeguard public property and to abjure violence;
(j) to strive towards excellence in all spheres of individual and collective activity so that the nation constantly rises to higher levels of endeavour and achievement;
1(k) who is a parent or guardian to provide opportunities for education to his/her child or, as the case may be,
ward between age of 6 and 14 years.
1. Subs, by the Constitution (Forty-Second Amendment) Act. 1976, sec. 2, for "Sovereign Democratic Republic” (w.e.f. 3.1.1977)
2. Subs, by the Constitution (Forty-Second Amendment) Act. 1976, sec. 2, for "unity of the Nation” (w.e.f. 3.1.1977)
1. Subs. by the Constitution (Eighty - Sixth Amendment) Act, 2002
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Preface The CBSE's Theatre Studies curriculum for class XI and XII stands out for its strong dynamism,
continuous evolution and development. The word "theatre" as derived from the ancient Greek
èÝá?ñov (théatron-a place for viewing), itself from èåÜoµáé (theáomai - to see, to watch, to
observe). Theatre Studies is an interdisciplinary field, encompassing social, historical, literary
and other contexts, as well as semiotics and aesthetics.
The course aims to encourage and engage student through intellectual and physical
approaches to explore diverse cultural forms, historical traditions, and contemporary life. The
course usually includes both the theoretical aspect of theatre-making and the practical study of
stage, theatre technology, dramaturgy and directing. The study of theatre is interdisciplinary
in scope and global in perspective. Students are also expected to take courses in cognate
disciplines such as History, Philosophy, Anthropology, Political Science, Film, Art, Literature,
and Foreign Languages. Theatre claims a rich history and literature and an equally rich
repertoire of embodied knowledge and theory. The subject emphasizes the reciprocal
relationship between practice and scholarly study, while stressing creative critical thinking.
Theatre Studies is a discipline which is grounded in artistic enquiry, theatre history, culture
and performance analysis, and informed by research, practice and reflection. Through a series
of academic, practical and professional approaches, the Theatre Studies course provides an
enviable experience of both making and reflecting on the significance of theatre today. This
combines cutting edge theatre research with the creation and development of new works for
the theatre and offers new approaches to the study and interpretation of the wealth of world
drama.
The course focuses on areas like the introduction to theatre, its forms, styles and architecture,
knowing about history of Indian, Western and Asian theatre, study of Indian folk and street
theatre and Indian theatre to films.
Theatre Studies also provides students with a firm foundation in the study and practice of
theatre arts and helps to meet the demands of the creative and cultural industries. The Course
prepares students and open pathways to pursue many professional careers within the field, by
focusing on disciplines such as direction, dramaturgy, stage management, play writing,
theatre history and theory, film direction, script writing, cinematography, teaching, media
including radio, television, journalism and other forms of advertising.
This book would never have been possible but for the sincere effort, devotion and leadership of
Mr. D.T. Sudharsan Rao, Joint Secretary & In-charge (Academics and Training), CBSE, The
National School of Drama, Mr. Sandeep Sethi, Education Officer with his team, the schools that
have taken Theatre Studies as a pilot project and stood with us unconditionally and eminent
theatre personalities of the country. Any further suggestions are welcome and would be
incorporated in the future editions.
Chairperson, CBSE
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Crosswords
AcknowledgementAdvisory Panel
Cover Page
Cover Back Inner
çDr. Satbir Bedi, IAS, Chairperson, CBSE
çMr. D.T. Sudharsan Rao, Joint Secretary & In-charge (Academics and Training)
Monitoring and Editing Board
Material Production
çPahul Singh, Maharaja Sawai Mansingh Vidyalaya, Jaipur
çTanessa Puri, R.N. Podar School, Mumbai
Poem
çSohila Singh, St. Anselm's Pink City School, Jaipur
çPhoto Courtesy: Mount Carmel School, Dwarka and Devagiri CMI Public School
ç
çMount Carmel School, Anand Niketan
çMount Carmel School, Dwarka
çNational School of Drama
çSaharanpur Sahodya Complex
çBCM Arya Model Sr. Sec. School, Ludhiana
çCambridge School, Noida
çDelhi Public School, Mathura Road Delhi
çDevagiri CMI Public School, Kozhikode, Kerala
Sanskar School, Jaipur ç
çImago Media Company
çStep By Step High School, Jaipur
çS.V. Public School, Jaipur
çSt. Thomas School, Shimla
çSt. Anselm's Pink City School, Jaipur
çTagore International School, Jaipur
çUttam School for Girls, Ghaziabad
G.D. Goenka Public School, Ghaziabad
çMs. Rajeswary P. SwamyEducation Officer, CBSE
çMr. Sandeep SethiEducation Officer, CBSE
çMs. Neha Sharma, Deputy Director
çProf. Tripurari Sharma
çMs. Vandana Indoria Kaushik, Consultant, CBSE
çArvind Verma, Consultant (Inlay Page)
çMr. Hemant Thapliyal
çFr. Edward Oliveira
çDr. Pawan Shyoran
çDr. Laique Hussain
çMs. Disha Grover
çMs. Deepa Wadhwa
çMr. Milind Inamdar
çMr. Dinesh Pradhan
çMr. Shiva Prasad Tumu
çMr. Saleem Arif
çMr. Madhav Singh
çMs. Ritu Rana
çMs. Ragni
çIan Joseph Parnell
çJairoop Jeevan
çSurabhi Snehi Padhy
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ContentIntroduction to Theatre
Forms and Styles of Theatre
Theatre Architecture
History of Indian Theatre
Indian Folk and Street Theatre
Survey of Asian Theatre
History of Western Theatre
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60
84
104
146
179
199
228
UNIT-1
UNIT-2
UNIT-3
UNIT-4
UNIT-5
UNIT-6
UNIT-7
Guidelines for Classes XI-XII
UNIT-8 Theatre to Films
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