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SALZBURG FESTIVAL21 July – 30 August 2017

Final Report on the 2017 Salzburg Festival

(SF, 28 August 2017) A new production of Jedermann launched this year’s Festival summer 39 days ago. The 2017 programme featured 195 performances at 15 performance venues. It is time to summarize the Festival summer, the first under the current Directorate, which once again includes three members: Festival President Helga Rabl-Stadler, Artistic Director Markus Hinterhäuser, and Lukas Crepaz as Executive Director are joined on the podium by Bettina Hering, Director of Drama, and Florian Wiegand, Director of Concerts.

The 2017 Salzburg Festival programme reflected upon aspects of power: Wolfgang A. Mozart’s La clemenza di Tito ponders the power of forgiveness and the helplessness of pardoning. Political power and the powerlessness of the vanquished are the subject of Verdi’s Aida. The blood-stained revolt of a strong woman against the system of oppression is told in Lady Macbeth of the Mtsensk District by Dmitri Shostakovich. Alban Berg’s Wozzeck describes the outcry of a suppressed creature against the abuse of power by the authorities. And the summary of power and its blinding effect is the focus of Aribert Reimann’s Lear.

In addition to artists who already have a long history at the Salzburg Festival, such as Riccardo Muti, Anna Netrebko and Daniel Barenboim, this summer saw several highly successful debuts. Teodor Currentzis and his orchestra musicAeterna and the musicAeterna Choir of Perm Opera earned rapturous applause for their opera and concert performances. La clemenza di Tito made Marianne Crebassa an instant audience favourite. Asmik Grigorian as Marie in Wozzeck and Evgenia Muraveva in Lady Macbeth of the Mtsensk District were among the sensations of this summer, as were the Festival debuts of pianists Daniil Trifonov and Igor Levit, both of whom delivered notable performances. Among the directors, there were also several Salzburg debuts: William Kentridge, Simon Stone, Shirin Neshat, Karin Henkel, 600 HIGHWAYMEN and Athina Rachel Tsangari all directed for the first time at the Salzburg Festival. Mariss Jansons and Andreas Kriegenburg both celebrated their opera debuts; Michael Sturminger made his drama debut at the Salzburg Festival, while Andrea Breth, Peter Sellars and Christof Loy are familiar Salzburg Festival directors.

Altogether, there were 40 opera performances: five new productions, three semi-staged performances, two concert performances and the revival of the opera production of the Salzburg Whitsun Festival, Ariodante, graced the programme.

“I feel that it is extremely fortunate when productions are developed, not simply manufactured. Entering into a pact with the audience by treating it with the respect it deserves, by challenging its intellect and heart in an honest manner. I am particularly gratified to see that the 20th-century works met with such empathy from the audience,” says Artistic Director Markus Hinterhäuser.

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“’Risk is the bow wave of success’ – this, one of my favourite quotes by Carl Améry, has proven true once again this summer. The artistic risk which Markus Hinterhäuser took with his programming has brought the festival a rich harvest, both artistically and economically. I am also delighted to witness the success of our youth programmes. The Young Singers Project and the Nestlé and Salzburg Festival Young Conductors Award have proven themselves launch-pads for international careers of our young talents. And the fact that we have been able to double the number of youth subscriptions was met with great enthusiasm by the younger audience members,” says Festival President Helga Rabl-Stadler.

“We are pleased by the great resonance of our 2017 Festival season, which exceeded our expectations by far, with 97% occupied seats and 261,500 tickets issued. This success enables us to continue tackling the most pressing investments – especially the renovation of the Großes Festspielhaus, now in its 57th year,” says Lukas Crepaz, Executive Director of the Salzburg Festival.

The drama programme, for which Bettina Hering was responsible for the first time, found a broad resonance: five new productions, four drama investigations, three readings and a concert performance brought new impulses to the programme. 14 performances of Jedermann were part of the offerings: it was performed ten times on Cathedral Square, while four performances had to be moved to the Großes Festspielhaus due to inclement weather. Harold Pinter’s The Birthday Party offered a parable for a society no longer able to decode the strategies of power. The wonderful Lina Beckmann as Rose Bernd forged a connection to the opera programme’s Wozzeck; Lulu by Frank Wedekind featured parallels with Lady Macbeth of the Mtsensk District. Ödön von Horváth’s Kasimir und Karoline illustrated the younger generation’s struggle with social rise and downfall. Many extraordinary actresses and actors were featured in the Salzburg Festival’s drama productions this year, spanning all the generations, with several notable debuts, such as those by Stefanie Reinsperger, Anna Drexler, Christian Friedel, Hanno Koffler and many others. “The different characters of our artists inspired a fascinating discourse, which both audience and reviewers continued with great interest. This made for a very lively summer in the drama department. The new production and repositioning of Jedermann, with the fabulous Tobias Moretti in the title role and Stefanie Reinsperger as the Paramour, found a very positive echo. To me, it combines tradition and modernism,” says Bettina Hering.

Lux aeterna by Györgi Ligeti and La Transfiguration de Notre Seigneur Jésus-Christ by Olivier Messiaen opened the Ouverture spirituelle and thus the Festival’s concert programme on 22 July; three works by Witold Lutosławski and Tchaikovsky’s Pathétique complete it on 29 August. Both concerts stand symbolically for the concert dramaturgy of this Festival summer: “We tried to integrate music of the 20 th and 21st centuries into our concert programmes as a matter of course, instead of programming it only within specifically dedicated series. Thus, more than 90 works from both centuries, 46 of them written after 1950, were performed. Our idea of combining works from the renaissance and baroque eras with modernism also met with gratifying reactions from the audience,” says Florian Wiegand, Director of Concerts. Once again, the Kollegienkirche stood out as a venue for New Music: 82% of the works performed this summer at the church were composed after

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1950. Many of these were written by the French Spectralist Gérard Grisey. The Festival dedicated one concert series to him and one to Dmitri Shostakovich, both entitled Time with… . Florian Wiegand: “I am very pleased that so many Festival visitors followed our ‘invitation’ to explore two major composers of the 20th century and their very different sound worlds. This encourages us to continue the series Time with... during the coming years.”

In addition to the great maestros of our times – Daniel Barenboim, Herbert Blomstedt, Bernard Haitink, Riccardo Muti, Kent Nagano and Simon Rattle – the younger and young generation of conductors stood out this summer. Andris Nelsons conducted the Vienna Philharmonic at the Festival for the first time, leading a work the Philharmonic had not played since 1945: Dmitri Shostakovich’s Symphony No. 7. The two Greek conductors Teodor Currentzis and Constantinos Carydis demonstrated how much excitement and novelty Mozart continues to hold. A special focus was on the ‘Nestlé and Salzburg Festival Young Conductors Award’ this summer: with Mirga Gražinyte-Tyla (2012), Maxime Pascal (2014) and Lorenzo Viotti (2015), no less than three former winners returned to the Festival. The 2016 winner, the young Uzbek Aziz Shokhakimov, convinced the Festival audience with a rendition of Prokofiev’s Symphony No. 5. Among the finalists for 2017, the jury chose the young British conductor Kerem Hasan as the winner. He will return next year for the Prize Winner’s Concert.

The 2017 season was also a summit meeting of the greatest pianists of our times: Pierre-Laurent Aimard, Martha Argerich, Daniel Barenboim, Yefim Bronfman, Evgeny Kissin, Maurizio Pollini, András Schiff, Grigory Sokolov and Mitsuko Uchida. They were joined by two highly acclaimed Salzburg debutantes: Igor Levit won the audience over in three concerts with highly unusual programmes, among which his performance of the 24 Preludes and Fugues Op. 87 by Dmitri Shostakovich will certainly remain in many listeners’ memory – also as a major contribution to the series Time with Shostakovich. Daniil Trifonov demonstrated two very different facets of his incredible artistry in Prokofiev’s Piano Concerto No. 2 with the Vienna Philharmonic as well as in a song recital with Matthias Goerne.

There were also two song recital debuts: on the one hand, Marianne Crebassa took time off from her portrayal of Sesto in La clemenza di Tito to give an acclaimed recital (with Fazil Say at the piano); on the other, Sonya Yoncheva gave a celebrated Festival debut recital.

Anne-Sophie Mutter, who celebrated her 40-year stage anniversary in Salzburg at Whitsun 2017, will perform Witold Lutosławski’s Partita for Violin and Orchestra and Chain 2 (which the composer dedicated to her) with the Pittsburgh Symphony Orchestra under Manfred Honeck on 29 August, thereby completing the Festival’s concert programme, which comprised a total of 79 performances.

The 2017 Salzburg Festival programme included 19 performances for children and teenagers. These included eight performances of the children’s opera Der Schauspieldirektor and eight introductory workshops Fun and Games with Mozart. Furthermore, four Opera Camps were offered: one Jedermann Camp (with two final performances), two Aida Camps and one Wozzeck Camp.

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Contents

Final Report ... …………………………………………………………………...……. p. 1

Nestlé and Salzburg Festival Young Conductors Award 2017 ……………………….. p. 5

Young Singers Project …………………………………………….………………………. p. 5

Awards ………………………………………………………….....………………..………. p. 5

Programmes with Free Admission ………………………………………………..………. p. 6

Gala Soiree ………………………………………………………………………………… p. 6

Summer Revenue, Seats Sold, Number of Tickets ……….……………………….. p. 7

Sponsors ………………………………………………………………………………….…. p. 8

Media Resonance of the Salzburg Festival ……………………………………………. p. 11

International Recordings and Broadcasts …………....................................... p. 11

The Salzburg Festival on Radio and TV ……………………………………. p. 11

Salzburg Festival Documents …………………………………………………. p. 11

New Releases 2017 ………….…………………………………………………. p. 15

Photo Service ………………………………………………………………………………… p. 17

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Nestlé and Salzburg Festival Young Conductors Award 2017

This year, the Nestlé and Salzburg Festival Young Conductors Award was presented for the eighth time. The three young finalists, Marie Jacquot from France, Kerem Hasan from Great Britain and Nuno Filipe Coelho Silva from Portugal, conducted the Camerata Salzburg in the final concerts between 4 and 6 August. The prize, which carries a cash value of 15,000 Euros, was awarded to Kerem Hasan, who will also conduct the Prize Winner’s Concert at the Felsenreitschule in 2018.

Young Singers Project

14 young vocalists participated in the Young Singers Project this summer. Its goal is to offer young talents not only musical education, repertoire expansion and lessons in stage performance, but also an opportunity to attend rehearsals and work with the Salzburg Festival’s artists. The audience was able to witness the participants’ progress: for example during the public master classes with Kammersängerin Christa Ludwig, Malcolm Martineau and Sandrine Piau, but also in the children’s opera Der Schauspieldirektor. The crowning highlight was the final concert of the Young Singers, which featured a diverse programme showcasing the vocal qualities of each individual. Further professional success is ensured!

Awards

During this Festival summer, two Festival Brooches were awarded: on 2 August 2017, Prof. Gottfried Kraus received the Gold Festival Brooch for his accomplishments regarding the Salzburg Festival Documents. The second award, the Ruby and Diamond Festival Brooch, was awarded by Festival President Helga Rabl-Stadler to Herbert Batliner, the long-term patron of the Salzburg Festival, on 21 July 2017.

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Programmes with Free Admission

The Siemens Festival>Nights were founded in 2002 by Siemens Austria together with the Salzburg Festival and ORF Salzburg. In the summer of 2016 their 15th anniversary was celebrated. Approximately 750,000 people have followed Festival performances on the daylight-compatible LED wall on Kapitelplatz with free admission – this year alone, about 48,000 people attended the free screenings. Without exaggeration, the Salzburg Festival can thus claim the world’s largest “public screening”.

The Association of Friends of the Salzburg Festival offers numerous accompanying events every year, reflecting and amplifying the contents of the Festival programme. This year, the “Friends” offered a total of 61 events, which are free to the Friends and supporters of the Salzburg Festival. These included the Festival Symposium, which was dedicated to academic discussion and exploration of the Festival’s motto. The talk by Wolf Biermann on the subject of art within totalitarian regimes drew 500 visitors to the University’s Main Auditorium.

The Disputationes during the Ouverture spirituelle have become a fixed part of the Salzburg Festival season since their debut in 2012. In cooperation with the Herbert Batliner European Institute, they offer in-depth academic discussion.

Music, drama, readings, exhibitions and dance everywhere – for a whole day, Salzburg residents and Festival visitors were treated to the Festival Opening Party, setting the festive mood for the summer season. On 22 July, one day after the premiere of the new Jedermann, the Opening Party featured 79 programmed events, 13,800 free tickets and 32 performance venues.

Gala Soiree

After the premiere of Aida on 6 August, a Gala Soiree honouring the artists took place at Salzburg’s Residenz. The net proceeds of 125,000 Euros were donated to benefit the Salzburg Festival’s youth programmes.

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Summer Revenue

ca. € 29.9 million overall (gross)

Visitors

~ 221,485 at regular events (current as of 27 Aug.)5,770 at 3 sold-out dress rehearsals

20,580 at 54 special events (master classes, Festival Opening Party etc.)

247,835 13,665 at 17 ticketed rehearsals and dress rehearsals

261,500

The percentage of seats sold will exceed that of the previous season (96%) by 1%, reaching a total of 97%.

Provenance of Visitors

79 Nations, of which40 Non-European Nations

Youth Tickets

Generous support from project sponsor L’Occitane enabled approximately 5,500 tickets to opera, drama and concert performances to be sold at deep discounts of up to 90% to young visitors up to the age of 26. This positive development represents an 80% increase over the past year.

Ticket Prices 2017

Tickets were available in a price range of € 5 to € 450.Roughly half the tickets offered for sale were located in the lower half of the price segment between € 5 and € 105.

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MAIN SPONSORS

NESTLÉNestlé has been a sponsor of the Salzburg Festival since 1991 and celebrated the 25-year anniversary of its partnership with the Salzburg Festival last year. The Nestlé and Salzburg Festival Young Conductors Award has become an internationally renowned launching pad for young conductors within only a few years; it was presented for the eighth time in 2017. As part of the Award Concert Weekend, the 25-year-old Kerem Hasan from Great Britain convinced the international jury chaired by Dennis Russell Davies. He will lead the Prize Winner’s Concert in August 2018. www.salzburgerfestspiele.at/en/main-sponsors/nestle

AUDIAudi has been a main sponsor of the Salzburg Festival since 1994. On the occasion of the 20-year anniversary of its sponsorship in 2014, AUDI extended its contract for another four years, enabling the Festival to purchase a new microport system for Jedermann. Every year, the only summer guest performance of the Salzburg Festival takes place in Ingolstadt. The ensemble musicAeterna under the baton of Teodor Currentzis formed the spectacular finale of the Audi Summer Nights in 2017, performing Mozart’s Requiem. www.salzburgerfestspiele.at/en/mainsponsors/audi

SIEMENSSiemens was a project sponsor of the Festival from 1995 to 1998 and has been a main sponsor since 1999. The Siemens Festival>Nights were initiated in 2002 by Siemens Austria together with the Salzburg Festival and ORF Salzburg, and celebrated their 15-year anniversary in 2016. About 750,000 people have enjoyed screenings of Festival performances on the daylight-compatible LED wall on Kapitelplatz, free of admission. Thus, the Salzburg Festival can claim without exaggeration that Salzburg offers the world’s largest public screening event. www.salzburgerfestspiele.at/en/main-sponsors/siemens

ROLEXSince 2012 Rolex has supported the Salzburg Festival as a main sponsor and the Salzburg Whitsun Festival under Cecilia Bartoli’s directorship. Without Rolex, a staged production during the Salzburg Whitsun Festival would not be possible. The successful cooperation has been extended until 2021. www.salzburgerfestspiele.at/en/main-sponsors/rolex

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http://www.salzburgerfestspiele.at/en/main-sponsors/rolex

http://www.salzburgerfestspiele.at/en/main-sponsors/siemens

http://www.salzburgerfestspiele.at/en/mainsponsors/audi

http://www.salzburgerfestspiele.at/en/main-sponsors/nestle


PROJECT SPONSORS

Project Sponsors finance additional projects which are artistically important but cannot be realized without additional financial help.

Roche has enabled the Salzburg Festival to present contemporary music since 2007 – in 2017, it supported the series Time with Grisey and Time with Shostakovich. The project Roche Continents also gives 100 university students the opportunity to participate in a one-week program of workshops, lectures and concerts at the intersection of the arts and sciences every summer. Roche Continents celebrated its 10-year anniversary in 2016 and has invited more than 1,000 students to Salzburg so far.

Every year, Swarovski supports countless artistic initiatives and collaborations, and has proved this with its three-year support of the production of Jedermann, as well as the concert performance of the opera Manon Lescaut in 2016. In 2017 Swarovski agreed to support the opera production Aida.

Support for youth programmes has been an integral part of the corporate culture of UNIQA Austria. The company enables the Salzburg Festival to continuously expand its efforts in this field. The production of selected children’s operas, youth camps and accompanying events for children and teenagers is made possible thanks to UNIQA’s help.

As part of its international cultural programme, Bank of America Merrill Lynch supported the opera production Il trovatore in 2014 and 2015. In 2016, its financial assistance benefited the Da Ponte cycle, i.e. the Mozart operas Così fan tutte, Don Giovanni and Le nozze di Figaro. In 2017, Bank of America Merrill Lynch supported the productions Wozzeck and Lady Macbeth of the Mtsensk District.

Thanks to the Kühne Foundation, the Salzburg Festival has been able to turn its Young Singers Project, founded in 2008, into a high-carat platform for talented young singers. For years, the YSP’s final concerts have been among the Festival’s most popular events. Once again, the young vocalists moved their audience to tears and were rewarded with thundering applause. Since 2016 the Salzburg Festival has its first Chinese sponsor: in order to promote cultural exchange between East and West, Hantang Culture from Shanghai joined the supporters of the Young Singers Project. In 2016, selected young YSP vocalists were invited to tour China. This initiative continues in 2017.

L’Occitane has thankfully also supported the Young Singers Project during past years. At the request of the Salzburg Festival, the cosmetics company, which is active worldwide, will begin co-financing the youth subscriptions for opera, drama and concerts as of 2017. L’Occitane has thus enabled the Festival to double the number of its youth subscriptions.

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The Salzburg Festival has been able to attract two new sponsors for the 2017 season. Novatek and the Solway Investment Group supported the opera production La clemenza di Tito in 2017. In addition, Solway enabled six children from structurally weak regions to participate in an Opera Camp which the Salzburg Festival offers every year in cooperation with the Vienna Philharmonic and the Salzburg Foundation of the American Austrian Foundation.

The series of exhibitions at the Großes Festspielhaus, in cooperation with the Leica Camera AG, continued to give audiences a “glimpse behind the scenes” of the Salzburg Festival in 2017 as well. This time, the focus was on the process of developing an entire opera production. The Leica photographer Horst Stasny accompanied the development process of the opera La clemenza di Tito from the first set rehearsal to the premiere.

PRODUCT SPONSORS

The Salzburg Festival thanks its Product Sponsors, who contribute essentially to the Festival’s productions by donating high-quality materials and creative know-how.

Our long-time partner M.A.C. Cosmetics once again donated outstanding theatrical make-up products to the Festival. Thanks to Gabor Shoes, the chorus in Lady Macbeth of the Mtsensk District was well-heeled and securely shod.

For four years, Schlumberger and Roederer have supported the Festival with sparkling wine and champagne. Both companies announced the extension of the partnership in 2016.The Salzburg Festival is delighted to have a local partner, the Stiegl Brewery, which contributes its beer, popular throughout the world.

Our gratitude also goes to the 6,500 Friends of the Salzburg Festival as well as the many private patrons. No other festival in the world has such a large association of friends. The Association supports the Festival’s programmes with 2.7 million Euros. Next to the public sector, the Friends are the most important pillar upon which the Salzburg Festival’s finances rest. Furthermore, they enable the Festival to implement projects which have become part of the Festival’s identity, e.g. the Festival Opening Party or the initiative Festival Ticket = Bus Ticket, with which the Salzburg Festival wishes to send a strong signal in favour of public transport. Donations from the Festival’s Friends also enabled the purchase of a new concert grand piano this year.

Thanks for financial support is also due to the public sector, which contributed a total of 12.8 million Euros to the Salzburg Festival’s overall budget of 61.69 million Euros. In particular, government funders include:

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The Republic of Austria,The State of Salzburg,The City of Salzburg,and the Salzburg Tourism Board, which supports the Salzburg Festival with 3.2 million Euros annually. At this point, it should be pointed out that the Salzburg Festival is a cultural institution with an exceptionally high level of self-financing.

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Media Resonance of the Salzburg Festival

For the first time, the ORF screened a weekly Festival feature nationwide, which reached top viewer rates. Jedermann/Jedefrau – Das Salzburger Festspielmagazin had six instalments, airing every Friday at 6:30 pm on ORF 2 and reaching an average of 287,000 viewers.

International Recordings and Broadcasts of Festival Productions

Together with Unitel, the exclusive audiovisual media partner of the Salzburg Festival, a total of 5 productions (3 operas and 2 concerts) were recorded in co-production with ORF, 3sat, ZDF, arte and the Japanese television station NHK. In Austria, Germany and France alone, the productions from Salzburg were followed on TV by more than 2 million viewers.

Four programmes were streamed via live fidelio. Medici-TV broadcast three productions worldwide. Arte complemented its two television broadcasts by an additional opera streamed via the Internet.

ORF Radio broadcast 4 opera productions and 23 concerts. Via the partners of the European Broadcasting Union (EBU), these are transmitted to approximately 30 countries worldwide, reaching ca. 1.7 million music lovers.

Thus, the Salzburg Festival is the classical music festival most broadly represented on television and radio.

The Salzburg Festival on Radio and Television

Livestreams

27 Aug.2017 • 8 pm • medici.TV • fidelio • ARTE concertAlban Berg • Wozzeck

23 July 2017 • 7 pm • medici.TV • fideliomusicAeterna 1 • Currentzis(W.A. Mozart: Requiem)

04 Aug.2017 • 7 pm • medici.TV • fidelioWolfgang A. Mozart • La clemenza di Tito

Television Broadcasts

23 July 2017 • 7 pm • 3sat live musicAeterna 1 • Currentzis(W.A. Mozart: Requiem)

27 July 2017 • 11 am • ORF2 live Opening Ceremony of the Salzburg Festival

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http://www.salzburgerfestspiele.at/oper/la-clemenza-di-tito-2017

http://www.salzburgerfestspiele.at/konzert/musicaeterna-1-currentzis-2017


04 Aug.2017 • 9:20 pm • ORF2 live (delayed)19 Sept. 2017 • 8:15 pm • 3satWolfgang A. Mozart • La clemenza di Tito

12 Aug. 2017 • 5:35 pm • ARTECamerata Salzburg • Viotti

12 Aug. 2017 • 8:15 pm • ORF2 live (delayed) • ARTE live (delayed)13 Aug. 2017 • 9:20 pm • ORF III25 Aug. 2017 • 11 pm • ZDFGiuseppe Verdi • Aida

Radio Broadcasts

22 July 2017 • 7 pm • Ö1 live • BR live Bavarian Radio Symphony Orchestra • Nagano(G. Ligeti, O. Messiaen)

23 July 2017 • 11:03 am • Ö1 live07 Aug. 2017 • 6:05 pm • BR Mozart Matinee • Gražinytė-Tyla (A. Bruckner, W. A. Mozart, F. Schubert)

27 July 2017 • 6:30 pm • Ö1 live • BR liveWolfgang A. Mozart • La clemenza di Tito

31 July 2017 • 11:03 pm • Ö1 • (zeit-ton) • Concert excerptThe Tallis Scholars • Klangforum Wien • Pomárico(G. Grisey, J. Ockeghem)

01 Aug. 2017 • 7:30 pm • Ö111 Aug. 2017 • 6:05 pm • BRChamber Concert Cuarteto Casals • Levit • Hinterhäuser(J. Haydn, O. Messiaen)

05 Aug. 2017 • 7:30 pm • Ö108 Aug. 2017 • 8:03 pm • BRDmitri Shostakovich • Lady Macbeth of the Mtsensk District

07 Aug. 2017 • 11:03 pm • Ö1 (zeit-ton) • Concert excerptSolistes XXI • Safir(O. Messiaen, C. Monteverdi, G. Grisey)

08 Aug. 2017 • 7:30 pm • Ö109 Aug. 2017 • 8:03 pm • BRCamerata Salzburg • BR Chorus • Arman • Tamestit • Viotti(F. Schubert, F. Martin, A. Schnittke, A. Bruckner, A. Honegger)

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08 Aug. 2017 • 11:03 pm • Ö1 • Concert excerptKlangforum Wien • Rundel(G. Grisey, G. Scelsi, T. Murail)

10 Aug. 2017 • 7:30 pm • Ö110 Aug. 2017 • 8:03 pm • BRChamber Concert Hagen Quartet • musicAeterna Choir • Salzburg Bach Choir • Currentzis(D. Shostakovich, A. Schnittke)

12 Aug. 2017 • 3:05 pm • Ö126 Aug. 2017 • 3:05 pm • Ö1YCA Award Concert Weekend

12 Aug. 2017 • 7:30 pm • Ö1 live (delayed) • BR live (delayed)Giuseppe Verdi • Aida

13 Aug. 2017 • 11:03 am • Ö1 liveMozart Matinee • Luks(W. A. Mozart)

15 Aug. 2017 • 11:03 am • Ö1 live22 Aug. 2017 • 6:05 pm • BRVienna Philharmonic • Muti(J. Brahms, P. I. Tchaikovsky)

18 Aug. 2017 • 7:30 pm • Ö1ORF Radio Symphony Orchestra Vienna • Meister(R. Wagner, C. Vivier, G. Scelsi, R. Strauss)

20 Aug. 2017 • 11:03 am • Ö1 live27 Aug. 2017 • 7:05 pm • BRMozart Matinee • Carydis(W. A. Mozart)

24 Aug. 2017 • 7:30 pm • Ö1YCA Prize Winner’s Concert • ORF Radio Symphony Orchestra Vienna • Shokhakimov(A. Dvořák, S. Prokofiev)

27 Aug. 2017 • 11:03 am • Ö107 Sept. 2017 • 6:05 pm • BRVienna Philharmonic • Blomstedt(R. Strauss, A. Bruckner)

28 Aug. 2017 • 11:08 pm • Ö129 Aug. 2017 • 11:08 pm • Ö1ORF Radio Symphony Orchestra Vienna • Pascal(G. Grisey)

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31 Aug. 2017 • 7:30 pm • Ö1Camerata Salzburg • Viotti(L. v. Beethoven, R. Schumann)

02 Sept. 2017 • 7:30 pm • Ö1 • BRGaetano Donizetti • Lucrezia Borgia

04 Sept. 2017 • 11:03 pm • Ö1 (zeit-ton) • Concert excerptGrubinger • Percussive Planet • œnm • Rundel(I. Xenakis, C. Vivier, K. Saariaho, G. F. Haas, G. Grisey)

09 Sept. 2017 • 3:05 pm • Ö1Chamber Concert Frang • Altstaedt • Lazic • Schmidinger • Grubinger(F. Schubert, D. Shostakovich)

14 Sept. 2017 • 7:30 pm • Ö1Song Recital Crebassa • Say(M. Ravel, C. Debussy, G. Fauré, F. Say)

SALZBURG FESTIVAL DOCUMENTS

The “resounding memory of the Salzburg Festival” celebrates its 25-year anniversary this year. The highlights of opera, drama and concert performances on historical and current recordings on CD, LP, DVD and BLU-RAY were summarized in one catalogue. The new catalogue contains all new releases and all available and out-of-print titles ever released by the edition SALZBURG FESTIVAL DOCUMENTS between 1992 and 2017.

http://www.salzburgerfestspiele.at/festspieldokumente

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New releases 2017

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Photo Service

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