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All rights reserved. Any reproduction in whole or in part on any medium or use of the information contained herein is prohibited without the prior written consent of CEA

1Nom présentation - Nom intervenant

Projet ANR TTT -Lot 6

Livraison intermédiaire - 6.2 + 6.3Séance plénière du 12 juin 2009

Miguel Aubouy, Nicolas Géraud , Céline Verchère



2

Le fond symbolique invitant ces recherches…

> la Table interactive :Un « loup blanc » de nos représentation du futur proche,

rémanence de la table de commandement

Montage : toutes les tables interactives de la sage Star Wars… Publicité pour un jeu de stratégie



3

a:: La table des tables

b:: une pléiade de tables emblématiques

c:: Bilan veille : tendances, blue ocean

Éléments de veille



4

Les orientations de la veille

• C’est- Orienté table interactive,- Sans distinguo pour les

supports multimédias portés,

- Sans distinguo sur la maturité technique ou commerciale

- Ouvert sur le nombre d’utilisateurs, sur la vocation du dispositif

• Ce n’est pas- Centré uniquement sur les

objets tangibles- Centré sur de nouvelles

génération de bornes- Centré sur le design de

l’information- Centré sur les nouvelles

interfaces



5

Mapper les user XP de ces tables….

Essentiellement la table

la table + écran (s)

La table + écran (s) + objets multimédias

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B

C

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Lieux de l’interaction

Nombre nominal d’utilisateurs

2 discriminants tangibles



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À connaître et surveiller !




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The Storytelling Table Reac table

Northrop Grumman touch tableCoeno DissemiNET Table

Microsoft surface The drumming table XenoVision Mark III



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Ensemble des tables benchmarckées




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B

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Habitat

MapNews Table

The Table Childhood

Counteractive

Living Jukeboy

onomy tilty table

The drumming table

The sunlight table

DissemiNET Table

iO's real estate solution

reac table

Audiopad

Planar Modular Display

sensetable

Conversation table

Microsoft surface

Tableportation

Coeno

Symbolic table

XenoVision Mark III

dialogtable

lumisight table

hitachi tabletop

Interactable

MultiAudable

floating number

Northrop Grumman touch table

Taito Tabletop Game

Individual fancies

The Storytelling Table

Message Table

Rogue ambience table

smart table

maquette interactive

tangible table

* Voir la liste des tables non analysées



8

Vocations




Lie

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ion


A

B

C

321

Habitat

Counteractive

Living Jukeboy

The sunlight table

The drumming table

The Table Childhood

DissemiNET Table



Sensetable

Message Table


Smart table

Microsoft surface

Conversation table

Tableportation

Coeno

XenoVision Mark III

Lumisight table

Hitachi tabletop

Interactable

Symbolic table

MultiAudable


Floating number

Taito Tabletop Game

The Storytelling Table

Individual fancies

Maquette interactive

Reac table

Audiopad

Tangible table

MapNews Table

Onomy tilty table

Dialogtable

Série industrielle, proto designer

Musée, borne informationnelle

Installation, production artistique



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Une pléiade de tables interactives



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b:: Habitat (medialab Europe)http://web.media.mit.edu/~stefan/hc/projects/habitat/

Sur le site… (extrait)In family relationships, awareness of daily cycles and routines (or more importantly, deviation from these patterns) is particularly important. This awareness helps to convey reassurance and a sense of context for communication, and it provides a means for background synchronization of rhythms between those in the bond. Habitat explores the potential of using household furniture as a network of distributed ambient display appliances for conveying this kind of awareness between family members separated by a distance. (…)

The current Habitat system comprises two geographically separate, networked café or kitchen tables. Each table integrates a computer, an ISO-standard RFID (Radio Frequency Identification) tag reader, and a video projector.

Unique RFID tags are embedded in objects typically placed on kitchen tables at each site, such as cups, plates, books, and so on. Placing these items on the table causes messages to be sent to the remote table, which displays a graphical representation of the objects. The system operates in both directions, conveying impressions of presence and activity around the tables at each site.

When items are removed, their representations at the far end fade away slowly, enabling in a single glance an impression of the recent history of events and overall daily rhythms around the far table. The system is designed to operate reliably 24 hours a day and can handle multiple tagged objects simultaneously at each site.

Positionnement, Points fortsCommunications à la limite du MtoM et des sticky notes du réfrigérateur. Programmation pouvant proposer une user experience intéressante.

LimitesVA et usages improbables. Esthétisant. Faussement adossé à des usages, mauvais dimensionnement technique (projection). Pas du tout durable. Très tributaire de la direction artistique retenue.



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b:: Living Jukeboxhttp://a.parsons.edu/~lazic884/LivingJukebox/

Sur le site… (extrait)

Living Jukebox is a modular interface designed to bring back the joy of browsing, exploring and experiencing music in a livingroom environment. A 24x24 horizontal display will provide a unified gateway to access music from different digital sources. A physical object is placed and moved on the surface of the display to select the music that is playing. Each object signifies a different way to browse the musci collection, and the interface changes accordingly when a different object is placed onto the surface of the display.

Positionnement, Points forts-Présence d’un volume dans un espace, pour restituer une fonction numérique simple.-Assez simple à intégrer (par exemple avec un écran tactile et cover flow, pour aller au plus simple).

Limites-Sera en concurrence avec les setupbox et autre média streamers devant arriver au même terme sur le marché. (donc peut être plus adapté à des espaces publics, comme des magasins de disque ?).-Pas brevetable, mais geste de design assez intéressant.



12

b:: The Sunlight Table http://anab.in/yeartwo/sunlight%20table.html


This project examines how sustainable work environments are established to emphasize the significance of a work/life balance. It uses the research carried out in the difficult environment of call centers to provide insight into the wider context of stressful and sedentary office based work.he resulting artefact "The Sunlight Table" brings natural light into workspaces and creates unspoken, ambient interactions while working. By doing so, it encourages a dialogue between work and nature and re-establishes a connection with the outside world.

Positionnement, Points forts-Low interaction très qualitative.-onirique, zen, discret.-Adresse des pratiques individuelles mais ayant un effet scalable dans des espaces collectifs.

Limites-Qualité de la lumiére produite ? -Possibilité de synthétiser la lumière du soleil autrement (nombreuses solutions concurrentes).



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b:: MapNews Tablehttp://www-cdr.stanford.edu/~wendyju/publications/CHI04-workshopiX.pdf


The team, self-named “iX” for “interactive something”, wasgiven an open-ended design project with a researchorientedgoal. The team produced a map-based interfacefor collaborative navigation and browsing of world news. Inthe course of their work, they performed ethnographicstudies of people interacting at tables, researched existingprojects in interactive tables, designed and built a workingprototype and performed experimental tests of the interfaceto measure its effectiveness. This project may serve as aprototype for more formalized courses of education forstudents of human computer interaction and designresearch.

Positionnement, Points forts-Étude ethno en soutien de ce développement-Centré sur la consultation de nouvelles

Limites

Daté, périmé.Bulky. Pas d’innovation technos.Borne d’information améliorée.Flux de passage dans la pièce presque plus important pour le succès du dispositif que la qualité de la navigation.



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b:: The Onomy Tilty Tablehttp://www.onomy.com/blue/tilty.html


The Onomy Tilty Table is a table with an image that moves when the table is tilted. This enables the viewer to look at a very large document or picture in a small space. The Tilty Table has been used to view large drawings, as a game device, and as a display for large tables of associative data. The basic model Tilty Table was first developed for use in a traveling museum show, where it was used by thousands of enthusiastic school-age children and adults. Museum visitors quickly discovered the wonderful sensation of flying you get when you lay on the table with the image sweeping across you, so the tables were designed to take a lot of punishment and still perform.

Positionnement, Points forts

Principe original de navigation, utilisant le plateau de la table.

Potentiel ludique.

Technique de projection de l’image incertaine.

Limites

Temps d’apprentisage du geste ?Tributaire de la qualité de la direction artistique et de la réalisation.



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b:: Microsoft Surfacehttp://www.microsoft.com/SURFACE/Default.aspx / http://en.wikipedia.org/wiki/Microsoft_Surface


Microsoft Surface (Codename: Milan), is a multi-touch product from Microsoft which is developed as a software and hardware combination technology that allows a user, or multiple users, to manipulate digital content by the use of natural motions, hand gestures, or physical objects. It was announced on May 29, 2007 at D5 conference.[2] Initial customers will be in the hospitality businesses, such as restaurants, hotels, retail, public entertainment venues and the military for tactical overviews. The preliminary launch was on April 17, 2008, when Surface became available for customer use in AT&T stores

Positionnement, Points forts-Produit effectivement commercialisé-« couteau suisse » en terme de contenu (maturité probable des applications).-Retour d’expérience probablement intéressant

Limites-Tout se passe à l’écran, tout est virtuel



16

b:: The conversation tablehttp://web.mit.edu/lira/www/projects/convtable.htm


This project is reflection on a type of social dynamics that takes place at tables during conversations. Who dominates the conversation? Two people, seated at each end of the table, converse. As they converse, light emitting diodes (LEDs), embedded along the center of the table, are activated by their pattern of conversation. Two microphones pick up the duration and the volume of the conversation at regular intervals, and trigger light animation from the end where one speaks toward the other. If both people speak simultaneously, the lights start animating from both ends.The table doesn't parse nor "understand" the nature of the discourse, rather it isolates and brings forward one specific component of interaction at tables.


Vraie originalité de la proposition de valeur, low tech.

Limites

Très contingenté à une pratique sociale.Acceptabilité ?Manque d’intelligence, par rapport à un médiateur.Algorithme pouvant probablement être raffiné.A valeur de test psychologique ?



17

b:: XenoVision Mark IIIhttp://www.directionsmag.com/article.php?article_id=641


The XenoVision Mark III is a table that is three feet by four feet, 29 inches high and consists of a number of aluminum rods that lift a latex sheet to form a three-dimensional model of a physical landscape.


Reproduit (en combien de temps ?) une figure en relief, le plus probablement une carte géographique.

Spectaculaire, futuriste, vraie alternative « intermédiaire » avant les hologrammes.

Magique. Table de commandement par excellence.

Limites

Quid positionnement d’objets sur la carte (envisageables si on met les capteurs en bout de picot) ?



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b:: InteracTable® http://www.ipsi.fraunhofer.de/ambiente/english/projekte/projekte/ineractable.html


The InteracTable is the first in a series of information devices that investigates general shapes and orientations of interaction areas. It is designed for display, discussion, and annotation of information objects by a group of two to six people sitting or standing around the table.(…)Since a round or oval-type display has no selected orientation as, e.g., top and bottom and left and right at the desktop computer, one has to provide new means of interaction. Information objects displayed on the table have to be rotated and shuffled across the surface in correspondence to different view perspectives of the users standing or sitting around the table. Manipulation is done by gestures using fingers or pens, annotations by voice and/or pen. In addition, an infrared keyboard is available for more extensive text-entry tasks.


-

Limites

Bulky, largement obsolète, sans distinction technique ni proposition de valeur originale (hormis la multiplication de périphériques de captures par ailleurs banalisés).



19

b:: Dialogtablehttp://dialogtable.com/#


Dialog Table is a shared interface where you use hand gestures to discover more about any data set. Several people can gather around and together explore the table’s movies, narratives and 3D journeys. The table provides an opportunity for people to discuss with each other their thoughts on what they have seen, whether it be an artwork or a service. Dialog Table was commissioned by the Walker Art Center as a permanent installation in their museum. The table won an international design competition to promote social interactions among visitors, to provide access to the Walker's multidisciplinary collections, and to facilitate learning about art.


Très orienté musée. Borne d’information ++.

Sur étagère.

Quid de l’édition des contenus multimédias ?

Limites

Uniquement un touchscreen, mis en situation dans un musée.



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b:: DissemiNET http://www.utensil.net/disseminet/doc/


Designed as a Java-based client-server system, dissemiNET is a curetted and public participatory system conceived to elaborate a diaspora on the web. Creating a repository for personal and social memory, dissemiNET uses Internet technologies to give visual form to the transactions (deposits, retrievals, and loss) through which we experience memory. Disposed on a boundary between identity (i.e. national and personal) and its dispersal over the web, dissemiNET is conceived to trace connections between people in terms of "digi-texts," creating a cross-linked, communal storytelling space.


Profondeur de navigation dans une masse d’information très large.

Pourrait préfigurer une partie du cabinet de curiosité.

Limites

Pas de vraie justification d’avoir une table.



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b:: Coenohttp://www.coeno.org/cms/index.php?id=2


Coeno one is an around-the-table application designed for presenting a storyboard using tabletop technology in combination with augmented content. It is based on the coeno framework and it is demonstration of the capabilities of the framework. The goal of coeno one is to present new ways of interaction and communication for the next generation working in spaces


Orienté vers l’écriture de storyboard.

Largement primée, récent, complet et intégré.

> À surveiller.

Limites

?Tributaire des conditions d’éclairage de la pièce ???



22

b:: FloatingNumbershttp://www.artcom.de/index.php?option=com_acprojects&page=6&id=14&Itemid=144&details=0ã?^=en&lang=en

Sur le site… (extrait)floating.numbers is a 9 x 2 meter interactive table on which a continuous stream of numbers is floating. Individual digits appear randomly at the surface and, once touched by a visitor, reveal their meaning in text, pictures, animation and small interactive applications. The significance of the numbers materialises from the various perspectives of sociology, religion, history, mathematics, art or one’s outlook on everyday life. (…)The content is computationally designed and generated in real time, communicating to the audience an autonomous behavioural system. All numbers floating on the table are so-called typobots (type-robots) with specific behaviour (move along different currents; move forward, swishing like a fish depending on their length; move in the direction of attractors; etc.). The goal was to offer an autonomous system giving users the impression they are engaged with an independently acting and non-deterministic system, contrary to the usual tree- or rhizome based applications. Two versions of the installation were build: one in the shape of a common table and a version build in the shape of a steep river.floating.numbers was the first of many more multitouch table-installations, based on the same technology.


Arty, intelligent, autonome.

Limites

Uniquement esthétique, pas d’interactions.



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b:: iO's real estate solutionhttp://naturalinteraction.org/index.php?entry=entry081028-182025


Demo of iO's real estate solution based on SkinTwo. Features dynamic layers based on a database of apartments. Queries are made through manipulation of physical objects; the interface is always coherent. Shows use of an embedded photo printer and an external display. May 2008.


Association zonée de plusieurs technologies (touch screen + tag RFID).

User xp semblant complexe, peut être manquant de consistance, mais cela reste à expérimenter.

Plutôt une vocation individuelle, en l’état; une sorte de nouvelle génération de borne interactive.

Limites

Manque de consistance ? Manque d’ambition sur les contenus.



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b:: Sensetable http://web.media.mit.edu/~jpatten/sensetable.html


My master's work was on Sensetable, which is a system which tracks the positions of intelligent objects on a tabletop surface, and projects information onto the objects themselves. The applications I've applied Sensetable to include business supply chain management, urban planning, interactive visual art, and the performance and composition of electronic music.


Proof of concept technologique impliquant des objets tangibles orientés. Proche de Planar Manipulator Display.

Limites

Fait tout ! Donc ne fait rien pour le moment. Absence de détermination usage et marché.



25

b:: The message tablehttp://people.interactionivrea.org/proxy/src.php?dest=s.bonkowski/1st-year-projects/the-message-table/index.html


Answering machines have made voice messages part of the ritual of returning home everyday. The message table serves as a tangible embodiment of the messages and distractions one is faced with at the end of the day upon arriving home.


Incarne les messages d’un répondeur téléphonique, sur une table.

Limites

Presque plus une installation qu’une proof of concept industrielle ? Comment estimer le besoin de matérialisation d’un message téléphonique ?



26

b:: Reactablehttp://mtg.upf.es/reactable/


The reactable is a collaborative electronic music instrument with a tabletop tangible multi-touch interface. Several simultaneous performers share complete control over the instrument by moving and rotating physical objects on a luminous round table surface. By moving and relating these objects, representing components of a classic modular synthesizer, users can create complex and dynamic sonic topologies, with generators, filters and modulators, in a kind of tangible modular synthesizer or graspable flow-controlled programming language.


Largement promue par Björk.

Archétype de l’instrument de musique de cette génération.

Industrialisé (petite série).

Logiciel partiellement open source.

Limites

-



27

b:: Storytablehttp://www.waag.org/project/storytable

Sur le site… (extrait)The elderly living in the Twiske Home in North Amsterdam were the first to get a place where they enjoy stories from the good old days and store their own memories. They gathered round The Storytable, a concept built by Waag Society and artist Hans Muller with facilities for film footage, music and oral history. In 2002 a prototype was developed for a pilot project that started early 2003. Nowadays, there are over 50 tables at elderly care centres throughout The Netherlands.The Storytable is a piece of furniture specifically designed for one to six elderly persons. With only two buttons, users can activate historical features and view them on integrated screens. It also includes the possibility to add comments and stories to the table. The challenge for the designers was to realize a piece of furniture that encourages these users, who are at the age of 80 years and over, to overcome any fears for technology they might have. The Storytable is not be a 'computer in disguise', but a source of images, sounds and stories from the past that the inhabitants of the caring home can operate intuitively and can add their personal experiences to. The table was designed together with elderly users to suit their abilities.

Positionnement, Points fortsPréfigure en partie l’usage du cabinet de curiosité, mais à une échelle collective qui n’a rien d’évident.

LimitesBorne d’information bulky. Design général et ergonomie contestable. Quelle est la VA de l’intégration ?



28

Bilan de la veille



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c:: Define It Yourself ! Toutes les features de la veille…



30

c:: Les tendances

• De nombreuses initiatives depuis début des années 2000’ (>70 avec une veille non exhaustive).

• Vocations assez constantes : bornes d’info ++, quelques installations artistiques.

• Applications destinées à des publics fragiles (seniors, enfants, etc.) : une récurrence moyenne dans cette veille.

--• Niveau de finition très inégal (du labo

au marché).• Banalisation de la projection / affichage

d’image• Sémiologie des objets, système

d’affordance restant à consolider (les éléments de veille sont très inégaux en la matière)

• Une majorité des propositions de valeurs basées sur un écran en lieu et place du plateau de la table (projection et interactions)… limitatif pour l’expérience.

•Temps d’apprentissage de la manipulation pouvant être très variable (supputatif).•Angle mort : programmation de la table par des usagers intermédiaires (avant dernières couches du dispositif ?)--•Clivant : VA par rapport aux alternatives low tech --•Quid fatigue visuelle / astreinte à la luminosité ambiante ?•Manipulation d’objets tangibles, et par extension retour lumineux, assez peu fréquents.•Wow effect de l’image touchée probablement épuisé (cf. l’évolution des représentations de ces dispositifs dans la production de science-fiction). Pour autant, l’attrait de l’objet tangible reste à trouver face à la magie de l’hologramme.



31

Quelle VA par rapport à une solution low-tech ? (= ± wow effect)




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A

B

C

321

Habitat

Counteractive

Living Jukeboy

The sunlight table

The drumming table The Table Childhood

DissemiNET Table



Sensetable

Message Table


Smart table

Microsoft surface

Conversation table

Tableportation

Coeno

XenoVision Mark IIILumisight table Hitachi tabletop

Interactable

Symbolic table MultiAudable


Floating number

Taito Tabletop GameThe Storytelling Table

Individual fancies

Maquette interactive

Reac table

AudiopadTangible table

MapNews Table

Onomy tilty table

Dialogtable

ElevéeMoyenne

Médiocre



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Blue Ocean

(les développements les moins explorés, potentiellement stratégiques – voir ici) :

1:: jeux de négociation1bis :: collaboration à deux / travail distant.2 :: le développement cohérent d’une gamme de périphériques3 :: généralement, l’analyse des traces laissés (plus ambitieux

que le simple enregistrement d’une manipulation)4:: une vraie solution biométrique5:: un design d’interface original

Doutes sur :: le dialogue MtoM, la projection d’une manipulation en cours , l’insertion domotique

• Discriminants : traçabilité, connectivité, IHM programmation utilisateurs intermédiaires, modularité.

© CEA 2009. Tous droits réservés. Toute reproduction totale ou partielle sur quelque support que...

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Transcript of © CEA 2009. Tous droits réservés. Toute reproduction totale ou partielle sur quelque support que...