ΘΑΝΑΣΗΣ ΡΕΝΤΖΗΣ - Α Φ Ι Ε Ρ Ω Μ Α

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10 TH ATHENS ANIMFEST March 26 – April 1, 2015 ΑΦΙΕΡΩΜΑ Θανάσης Ρεντζῆς Πειραματισμός ϗ Πρωτοπορία Αθήνα 2015 ΑΝΩΤΑΤΗ ΣΧΟΛΗ ΚΑΛΩΝ ΤΕΧΝΩΝ ΚΙΝΗΜΑΤΟΓΡΑΦΙΚΗ ΛΕΣΧΗ ΥΔΡΑΣ

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ΑΦΙΕΡΩΜΑ Θανάσης Ρεντζῆς Πειραματισμός ϗ Πρωτοπορία

Transcript of ΘΑΝΑΣΗΣ ΡΕΝΤΖΗΣ - Α Φ Ι Ε Ρ Ω Μ Α

  • 10TH ATHENS ANIMFEST March 26 April 1, 2015

    2015

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    ( ), -, , - , .

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    1974, - . (Karalis 2012: 171), - - . , (197486 [ ]), , (-, 1973, , 1981) (- , 1998) (Fiction, 1976), - (Cern Al, 2002). - - -. - (1975) Corpus (1979), - . , - : , . . , .

    1 ..: Konstantinos Vassiliou, Vitalization and Spectacle in Thanassis Rentziss Bio-Graphia and Corpus, Journal of Greek Media & Culture 1: 1, . 127141. .

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    - - Una Biographia (1973) , Chumy Chmez. Chmez 300 , 19 . - , Chmez - -. , 19 . , (. 1), Corpus, . - , - , (fade-out). Chmez voice over . (, , -, , , , , , , , , ) Guy Debord 1967. , , : - Debord (Debord 1995: 41) : Debord (1995: 112) : o- . . , .2 Chmez . - , 19 , . voice over, , , .

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    Chmez collage roman, La Femme 100 Ttes (1929) Une Semaine de Bont (1933), Max Ernst, . Chmez - , . 18 - . , . , Farnese (. 2) . Philibert-Louis Debucourt, Carl Vernet. 19 . Baudelaire (1863), Gavarni Daumier Comdie Humaine [ Balzac] (Baudelaire 1964: 4) (Baudelaire 1964: 14). -: .

    2: ( Ercole di Farnese), Chumy Chmez, Una Biographia.

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    , : , - , , - , , (, ), ( , , ), - . (Kozintsev, 1969: 144).

    3 . Rimbaud (. Rimbaud 2001:129). 4 , Stefan Lochner Madonna im Rosenhang (c. 1447, Wallraf-Rihcartz Museum, Cologne) Martin Schongauer (1473, Saint- Martin, ). , cf. Chapus (2004: 88-89) Girodie (1911: 119-23).

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    - Chmez, : , . : , Lumire. C. W. Ceram - (Ceram 1965) o Werner Nekes (. Mannoni et al. 2004) . , , - - - (Mannoni 1994, Tosi 2005, Zielinski 2006). Foucault (1972, . Parikka Huhtamo 2011), Thomas Elsaesser (2004) . - - , , - . - , - ( ) - . : ( ) , - . - , , - .

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    CORPUS: Corpus , . - (, , , , , , ). . ( ) voice over. :

    , , - , , . - , . ( 2013: 98)

    Corpus -. -, - . Valcamonica . . - , Peter Van Bruegel ( , 1558), - . - Vesalius De Hu-mani Corporis Fabrica (1543), 5 zoom in zoom out . - , - , (Debus 1978). , ,

    5 Vesalius, Tabulae anatomicae sex (1538) - , Jan Stevan Van Calcar. De humani corporis fabrica Domenico Campagnola (Debus 1978: 60).

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    . () . : , - . Frans Masereel The City (1925) . - , Vesalius, , - ( ) - .

    4: Corpus.

    Corpus -. - (. 4). - , Corpus voice over. , - ( ) . , , , tdium vitae.

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    5: Sanguis Corpus - : . , , : - . - Paul Virilio Nam June Paik: , (Virilio 1989: 11). - - - - , . - :

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    . -, . - . , -, . Corpus , , , . . , (. 5). . Panofsky, , (Panofsky 1995: 120), - - ( ) . , () . , - . . , . Wolfgang Ernst - . :

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    , . , -. , - . ; (Ernst 2006: 116).

    . - Corpus , . , , Corpus. , , , . , - Corpus . Corpus - , Jean-Luc Goddard Histoire(s) du Cinma (, 1988-98), 20 . - , - , - . fade outs fade ins , , . . dtournement ( , ), . - . () . , , - . , ,

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    - , . Giedion - - (Giedion 1980). . -. Masereel Corpus. 20 . 1903, , Georg Simmel - -. , , - (Singer 1995). , -, . Debord Feuerbach . - -. , - . Debord, (Debord 1995: 14, ). - - Andr Leroi-Gourhan (1993: 256-66) , . - ,

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    : - . . -, , : . , , . - - . - .6 Schopenhauer. , Schopenhauer , , (Schopenhauer 2010: 26-40). (Motiv), (Schopenhauer 2010: 127-44).7 , - Corpus - , - . Schopenhauer , : (Schopenhauer 2010: 338). Robert Musil Corpus - :

    6 , (spectacula), , . , , III: ii (1977:101). 7 , ( ) (Schopenhauer 2010: 207-15). Schopenhauer - Hugo Mnsterberg (2002) - Schopenhauer. l Carroll Film/ Mind Analogies, Mnsterberg , gros plan (Carroll 1988).

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    . , ( ) - . : - - . Schopenhauer T. W. Adorno . (Adorno 2001:192). . - , , . - Schopenhauer Walter Benjamin :

    , - (Benjamin 1979: 239).

    - . - - -, -. Benjamin Zerstreuung () - Benjamin (Benjamin 2008: 57). Benjamin , , (Benjamin 1976). - Corpus -. , . --

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    blockbusters Hollywood . 21 , , . , - Corpus -, , - : - . - : - , . Corpus - . , - . - , . , - , , Benja-min , .

    JGMC . , .

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    Adorno, W. Theodor (2001), Free time (trans. N. Walker and G. Finalyson), J. Bernstein (.), The Culture Industry: Selected Essays on Mass Culture, London: Routledge.

    Baudelaire, Charles (1964), The painter of modern life, J. Mayne (. .), The Painter of Modern Life and Other Essays by Baudelaire, : Phaidon Press.

    Benjamin, Walter (1976), , , 8 ( 197576), . 609634.

    (1979), Surrealism: The last snapshot of European intelligentsia, One Way Street and Other Writings (. E. Jephcott and K. Shorter), : Harcourt Brace, . 22539.

    Benjamin, Walter (2008), The Work of Art in the Age of its Technological Reproducibility And Other Writings in Media (. M. Jennings, B. Doherty and T. Levin), Cambridge, MA: Harvard University Press (Belknap).

    Carroll, Nol (1988), Film/mind analogies: The case of Hugo Mnsterberg, Journal of Aesthe-tics and Art Criticism, 46: 4, . 48999.

    Ceram, C.W. (1965), Eine Archologie des Kinos, Hamburg: Rohrwohlt.

    Chapus, Julien (2004), Stefan Lochner: Image Making in Fifteenth Century Cologne, ( ): Brepols.

    Chumez, Chumy (1973), Una Biographia, : Fundamentos.

    Debord, Guy (1995), The Society of the Spectacle (. D. Nicholson-Smith), : Zone Books. (11967).

    Debus, A. George (1978), Man and Nature in the Renaissance, Cambridge: Cambridge Uni-versity Press.

    Ernst, Wolfgang (2006), Dis/Continuities: Does archive become metaphorical in multi-media space?, in T. Keenan and W. Hui Yyong Chun (.), Old Media/New Media, : Routledge, . 10523.

    Elsaesser, Thomas (2004), The new film history as media archaeology, Cinmas: revue dtudes cinmatographiques, 13: 23, . 75117.

    Foucault, Michel (1972), Archaeology of Knowledge (. A. Sheridan), : Harper and Row.

    Giedion, Siegfried (1980), La Mcanisation au pouvoir (. P. Guivarch), : Centre George Pompidou.

    Girodie, Andr (1911), Martin Schongauer et lart du Haut-Rhin au Xve sicle, : Plon.

    Karalis, Vrasidas (2012), A History of Greek Cinema, : Continuum.

    Logothetis, Iraklis (2013), , : 3 .

    Kozintsev, Gregorii (1969), Le Cinma, Les Arts et la vie: place et rle des arts dans la socit / Arts and Life: Place and Role of the Arts in Society, : UNESCO.

    Leroi-Gourhan, Andr (1993), Gesture and Speech (. A. Bostock-Berger), Cambridge, MA: The MIT Press.

    Mannoni, Laurent (1994), Le Grand Art de la lumire et de lombre: archologie du cinma, : Nathan.

    Mannoni, Laurent, Nekes Werner and Warner Marina (2004), Eyes, Lies and Deception: The Art of Deception Drawn from the Collection of Werner Nekes, : Hayward Gallery / Lund Humphries.

    Mnsterberg, Hugo (2002), Hugo Mnsterberg on Film: A Psychological Study and Other Writings, : Routledge.(11916).

    Parikka, Jussi and Huhtamo, Erkki (.) (2011), Media Archeology, Berkeley, Los Angeles : University of California Press.

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    Panofsky, Erwin (1995), Style and medium in the motion pictures, Irving Levin (.), Three Essays on Style, Cambridge, MA: The MIT Press, . 91125.

    Rimbaud, Arthur (2001), Collected Poems (. . M. Sorrell), : Oxford University Press.

    Schopenhauer, Arthur (2010), The World as Will and Representation (. C. Janaway, J. Norman A. Welchman), Cambridge: Cambridge University Press. (11844).

    Simmel, Georg (1964), The metropolis and mental life, in K. Wolff (. .), The Sociology of Georg Simmel, : Free Press, . 40924.

    Singer, Ben (1995), Modernity, hyperstimulus and the rise of popu-lar sensationalism, V. Schwartz and L. Charney (.), Cinema and the Invention of Modern Life, Berkeley: University of California Press, . 7299.

    (1977), St. Augustines Confessions, . 2 (. W. Watts), Cambridge, MA and London: Harvard University Press and Heinemann (Loeb Classical Library).

    Tosi, Virgilio (2005), Cinema before Cinema, : British Universities Film and Video Council.

    Virilio, Paul (1989), War and Cinema (. P. Camiller), : Verso.

    Zielinski, Siegfried (2006), Deep Time of Media: Towards an Archeology of Seeing and Hearing by Technical Means (. G. Cunstance), Cambridge, MA: The MIT Press.

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    Ars Combinatoria 1

    , . - , . , , -tabula rasa . , , , milieu , .

    , - (-, -, -) : , - , Christian Metz , - , , - , ( .) (4748). , terminus a quo, , terminus ad quem, -. , , , . 1 - , - .

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    - , - ( ) in nuce , , . , , - - , () , , - . , , . , - ( ) -, - .

    .

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    , - , , - . Martin Jay, , - , (26). , , , , , , (.. 28). , , / - ( ), . , , (.. 4748).

    locus , , , -, , , , - . Jacques Derrida, , - - , , - (Living On / Border Lines 84). - , , (Derrida, Diffrance 13).

    , , - , , - , (Artaud 48), animation , , , pastiche -

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    , , , ars combinatoria. , , , -. ars combinatoria - . Ramon Llull ( ), , , ars combinatoria, (, ) , , - , , - . , , spokesperson, , , , , - , , . Carl Gustav Jung, , / , : , , , (8182). - , , , , - , , , , , , , Jung - , , () , (82).

    Diva Meridionalis.

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    Erich Neumann, Jung, - - ,2 -, , -, -, , - (170). , Sandra Gilbert Susan Gubar, , - , (2529). , , , ( -) : / / . - , -, , , , - .3 , risqu , - ( ambiance), rock n roll - Jim Morrison, , - rock : (87), .

    en pause photographique. 2 Vagina dentata. 3 Sigmund Freud , , , , - [sic] (48).

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    Herbert Marcuse , , Sigmund Freud - . , - : - Marcuse - , -- , ( , ) / , - . : ;

    .

    , Freud, - - , -, , , , - (34). , , Libido, , , (.. 4950).

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    , Marcuse - , , -, - , , - , -, , , - , - per se (4653). , Libido - , (.. 211).

    .

    , , , - , - , , (Marcuse 24). . - : -

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    (- , ) (, -), . - ( ) , ( ), - (Derrida, 67).

    .

    ars combinatoria , () , , , () . . , , , -, (Keats 831). , Freud Marcuse, / - , , Michel Foucault, , , , -, (discourse) - -- (1323). -

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    , , ars erotica scientia sexualis (.. 75), , (.. 84), , , (.. 93). , , - , , , .

    sui generis , - , . , , -, , - . , animation, - - , , , pat .

    videocamera.

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    ( ) , Douglas Adams , , (9). , . Marshall McLuhan, - , - , , , , , , - (43). , , - ( ), . , -, .

    soundtrack [CBS Vinyl LP] No 70217.

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    Adams, Douglas. . . . : , 1987.

    Artaud, Antonin. . . . : , 1992.

    Derrida, Jacques. . . . : , 2006.

    Diffrance. Margins of Philosophy. . Alan Bass. Brighton: The Harvester Press, 1982. 129.

    Living On/Border Lines. . James Hulbert. Deconstruction and Criticism. New York: Seabury Press, 1979. 75176.

    Foucault, Michel. : 1. . . . : , 2005.

    Freud, Sigmund. . . . : , 1974.

    Gilbert, Sandra M., Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale University Press, 1979.

    Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Los Angeles: University of California Press, 1993.

    Jung, C. G. The Archetypes and the Collective Unconscious. . R. F. C. Hull. London: Routledge, 1991.

    Keats, John. To George and Thomas Keats: [Negative Capability]. The Norton Anthology of English Literature. 6 . . M. H. Abrams. II. 830-831.

    Marcuse, Herbert. . . . : , 1981.

    McLuhan, Marshall. Media: . . . : , ..

    Metz, Christian. : . . . : , 2007.

    Morrison, Jim. . . . : -, ..

    Neumann, Erich. The Great Mother. Bollingen Paperback Edition. 2 . . Ralph Man-heim. Princeton: Princeton University Press, 1974.

    [Capone Editore]. Vincenzo Camerino (1983).

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