© 2017 M.O.T.I.F. (ASCAP)€¦ · If you have any questions or other inquiries, feel free to...
11
Transcript of © 2017 M.O.T.I.F. (ASCAP)€¦ · If you have any questions or other inquiries, feel free to...
INFERNO�7.0
Josh Trentadue
(2017)
for Alto Saxophone, Bass Clarinet, and Harp
© 2017 M.O.T.I.F. (ASCAP)
www.joshtrentadue.com
INSTRUMENTATIONAlto Saxophone
Bass Clarinet
Harp
This piece may also be performed on Bb Clarinet and Tenor Saxophone. Please contact me
via email if you'd like to order the score and parts for the Clarinet/Tenor Sax. version.
PROGRAM�NOTES
This trio, written for the chamber group The _____ Experiment, is designed to
be a deceptive concert opener/closer for a unique instrumentation. The work takes its
inspiration from the Seventh Circle of Hell in Dante's Inferno, or the
Violent Circle. Divided into three rings (Against Neighbor; Against Self; and
Against God, Art, and Nature), Dante must ward off a band of Minotaurs,
Harpies, Centaurs, and other fantastical creatures in order to continue his
religious crusade through all Nine Circles of Hell.
Inferno 7.0 is thus divided into three sections, each approximately a minute long
describing a different ring. The first ring descends into nonstop madness as
murderers and thieves wallow in the blood of their guilt. A sudden jolt into the second
ring is fulfilled as the Harpies feast upon the sinners entrapped in trees, who have given up on life
altogether. This leaves nothing but desolation and the emptiness of the Burning Plain of Sand
in the third ring, playing host to the blasphemous inhabitants all lost and alone in their suffering.
WORLD PREMIERE
October 28, 2017: Cook Recital Hall, Michigan State University
by
The _____ Experiment
Michelle Myers, clarinet; Andrew Hosler, saxophone; Natalie Pate, harp
For more sheet music, recordings, and other information, visit
www.joshtrentadue.com
If you have any questions or other inquiries, feel free to contact me at
All glissandi in the clarinet and saxophone parts are key-note glissandi, unless otherwise indicated. These
glissandi should be random scalar patterns in the indicated direction at the player's discretion. Make them
wild and furious!!
All notated multiphonics in the clarinet and saxophone parts are essentially open-ended; I am not looking
for any specific fingerings or techniques. It is up to the players' discretion as to which ones they'd like to use,
based on the style/dynamics/articulation of the specific passage they appear in.
All other extended techniques are notated throughout the score and parts.
PERFORMANACE�NOTES
°
¢
{
°
¢
{© 2017 M.O.T.I.F. (ASCAP)
www.joshtrentadue.com
All Rights Reserved.
Full Score (transposed)
Eb Alto Saxophone
Bb Bass Clarinet
Harp
ff
Against Neighbor
Frenetic q = 172
pp mf ff
ff
Eb Alto Sax.
Bb B. Cl.
Hp.
f ff
A7
mf ff
f
mf
3
4
3
4
3
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
&
∑ ∑ ∑ ∑
Multiphonic
> >
Josh Trentadue
INFERNO�7.0
Commissioned by and Dedicated to
The _____ Experiment
(2017)
&
1/2
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~
>
~~~~~~
>
33
~~~~
&
∑ ∑ ∑
~~~~~~~~~~~~~~~~~~~~~~
>
~~~~~~~~~~~~~~~~~~~~~
>
~~~~~~~~~~~~~~~~
?
∑ ∑ ∑
œ# œ# œ#
&
> .
.
.> > >
∑
&~
>
~~~~~~~~~~
>
~~~~~~
>
~~~~~~
>
~~~~~~
>
>
3
&
~~~~
>
>
~~~~~~~~~~~~~~~~~~~~~~~
>
~~~~~~~~~~~~~~~~~~~~~
>
~~~~~~~~~~~~~~~~~~~~~
>
œ
œ
œb
?
>
œ# œ# œ# œ#
œ
œb
œ
œ
Œ
˙
˙
µ
n
Œ
˙
˙
µ
˙#™
˙™
˙ œ#
œ
œ
œœnœœœœœœb
œn
j‰ Œ
œb
œn
j‰ Œ
œb
Œ Œ
œœ œ
œ
œ
œœ œ
œ
œ
Œ
˙
˙
µ
‰
œ#
J
œ
œ
Œ
˙
˙
µ
Œ
˙
˙
µ
Œ
˙
˙
µ
œn
j‰ Œ
œœœ
œœœœœb
œn
j‰ Œ
œb
œn
j‰ Œ
œb
œn
j‰ Œ
œb
œn
j‰ Œ æ
ææœ
œœ œ
œ
œ
œ
œ
œ
b
œœ œ
œ
œ
œœ œ
œ
œ
œœ œ
œ
œ
Score
for P
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l Only
All Righ
ts Res
erved
.
°
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{
°
¢
{
°
¢
{
Eb Alto Sax.
Bb B. Cl.
Hp.
f sim.
13
f
Eb Alto Sax.
Bb B. Cl.
Hp.
f sim. ff
16
ff
Eb Alto Sax.
Bb B. Cl.
Hp.
ff
B20
mp ff mp
ff
pp
7
8
7
8
7
8
7
8
7
8
3
4
4
4
7
8
7
8
3
4
4
4
7
8
7
8
3
4
4
4
7
8
7
8
3
4
4
4
7
8
7
8
7
8
7
8
7
8
&
highest pitch possible
~~~~~~~~~~~~~~~~~~~~~~~~~
>
~~~~~~~~~~~~~~~~~~~~~~~~~
>
~~~~~~~~~~~~~~~~~~~~~~~~~
>
&
.
>
.
>
.
>
&
> > >
?
&
>
>
~~~~~~~~~~~~~~~~~~~~~
>
~~~~~~~~~~~~~~~~~~~~~
>
>
&
.
>
..
. .
.
Multiphonic
> > >
&
>
œ
œb
œ
œ œbœ
œbœ
?
slap strings
>
œ
œb
b
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
&
∑ ∑ ∑
> ~~~~~~
.
>
&
.
..
..
.
..
.
.
..
..
.
>
.>
.
>
.
>
.
>
.
..
.
&
>
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
?
>
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
˙#
8
J
‰
˙#
8
J
‰
˙#
8
J
‰
æææ˙ œ
j
‰ æææ˙ œ
j
‰ æææ˙ œ
j
‰
Œ
˙˙
˙
˙
b
Œ
˙˙
˙
˙
b
Œ
˙˙
˙
˙
b
˙
œ
œ
˙
˙
œ
œ
˙
˙
œ
œb
b
œ#œ#œ œ
œœ
œ
j
œ˙#
8
J
‰
˙#
8
J
‰ Œ
˙
˙
µ œ
œ
J
‰
œ
‰
œ#œ
œ# œn
œn
œ#œ#œ œ
œœ
œ
œ
µ
œ#œ#œ œ
œœ
œ
œ
µ
Œ
˙
˙
µ
n
œ
œ
J
‰
œ
œ#
œ
œ#Œ
˙˙˙
˙
b
#
œ
œœ
œ
b
~~~~~~~~~~
Ϊ
˙
˙
µœ
œ#
j
Œ Œ
œ
‰
œœ
j‰
œ
j‰
œ
‰
œ
œœ
œ
j
‰
œ
‰
œœ
j‰
œ
j‰
œ
‰ œ
œœ# œn
œ ‰
œ
œœn
j‰
œ
j‰
Œ
œœ
œ
œœ
#
b
OOOOOOOOOO
INFERNO�7.03
Score
for P
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l Only
All Righ
ts Res
erved
.
°
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°
¢
{
°
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Eb Alto Sax.
Bb B. Cl.
Hp.
mf pp
25
f
pp
Eb Alto Sax.
Bb B. Cl.
Hp.
f sim. pp
C29
ff mf pp mp
ff
Eb Alto Sax.
Bb B. Cl.
Hp.
mf
34
p
mp
3
4
3
4
3
4
3
4
3
4
7
8
4
4
3
4
7
8
4
4
3
4
7
8
4
4
3
4
7
8
4
4
3
4
3
4
3
4
3
4
&
∑ ∑ ∑
&
.
.
..
.
.
..
..
.
. . . .
.>
&
∑
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
?
œœ
œœ
œœ
œœ
œœ
&
~~~~~~~~~~~~~
>
~~~~~~~~~~~~
>
3 3 3 3 3 3 3 3
&
> > >
∑
&
> > >
dampen everything!
∑ ∑ ∑
?
> > >
∑ ∑ ∑
&
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
&
&
∑ ∑
o
∑
?
∑ ∑ ∑ ∑
œœ#
œœ
œœ
œ
œ
‰
œ
œœ
œ
j
‰
œ
‰
œœ
j‰
œ
j‰
œ
‰œ
œ œœ# œ
œ
‰ ‰ Œ Œ
œ
j
‰ ‰ Œ Œ
Œ
˙#
8
J
‰
˙#
8
J
‰ ‰ Óœ#œ#œœœœœœœœœœ
œ#œ#œœœœœœœœœœ
˙
˙
µ œ
œ
œ
œ
˙
˙
µœœ#œœœœœ
˙
œœ
Œ
œœ
œ
œœ
#
b
Œ
œœ
œ
œœ
#
b
Œ
œœ
œ
œœ
#
OOOOOOOOOO
‚‚‚‚‚‚‚‚‚‚
‚‚‚‚‚‚‚‚‚‚
OOOOOOOOOO
œ#œ#œœœœœœœœœœ
œ#œ#œœœœœœœœœœ
œ#œ#œœœœœœœœœœ
œ#œ#œœœœœœœ
œ
˙œb œ
œ
œœ œ
˙b™
˙ œ
J
‰
Œ
˙ ™
INFERNO�7.04
Score
for P
erusa
l Only
All Righ
ts Res
erved
.
°
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°
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{
°
¢
{
Eb Alto Sax.
Bb B. Cl.
Hp.
pp f
38
pp mf
ff
Eb Alto Sax.
Bb B. Cl.
Hp.
ff
f
D42
ff
mf
Eb Alto Sax.
Bb B. Cl.
Hp.
f sim.
46
ff
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
3
4
3
4
3
4
3
4
&
∑
3 3 3 3 3 3 3 3 3
&
1/2
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
33
~~~~
&
∑ ∑ ∑
~~~~~~~~~~~~~~~~
?
∑ ∑ ∑
œ#
&
> > > .
.
.
&~
>
~~~~~~~~~
>
~~~~~~~~~
>
3
~~~~~~~~~~
&
~~~~
>
~~~~~~~~~~~~~~~~~~~~~~
>
~~~~~~~~~~~~~~~~~~~~~~
>
>
~~~~~~~~~~~~~~~~~~~
?
œ# œ#
>
œ# œ#
&
~~~~~~~~~~~~~~~~~~~~~~~~~~
>
~~~~~~~~~~~~~~~~~~~~~~~~~~
>
~~~~~~~~~~~~~~~~~~~~~~~~
& ~
>
~~~~~~~~~~~~~
>
~~~~~~~~~~~~~
>
~~~~~~~~~~
&
~
>
~~~~~~~~~~~~~~~~~~~~~~~~
>
~~~~~~~~~~~~~~~~~~~~~~~~
>
?
œ# œ#
œ
œ#œ#œœœœœœœ
œ#œ#œœœœœœœ
œ#œ#œœœœœœœ
˙#™
˙™
˙ œ#
œ
œ
œœnœœœœœœb
Œ Œ
Œ
˙
˙
µ
Œ
˙
˙
µ
Œ
˙
˙
µ
‰
œ#
J
œ
œ
œn
j‰ Œ
œb
œn
j‰ Œ
œb
œn
j‰ Œ
œœ
œœ
œœ
œœb
œœ œ
œ
œ
œœ œ
œ
œ
œœ œ
œ
œ
œ
œ
œ
b
Œ
˙#
8
J
‰
˙#
8
J
‰
˙#
œn
j‰ Œ
œb
œn
j‰ Œ
œb
œn
j‰ Œ
œb
œœ œ
œ
œ
œœ œ
œ
œ
œœ œ
œ
œ
INFERNO�7.05
Score
for P
erusa
l Only
All Righ
ts Res
erved
.
°
¢
{
°
¢
{
°
¢
{
Eb Alto Sax.
Bb B. Cl.
Hp.
sf p f
Against Self
ca. 6" ca. 3"
E
49
mf
Eb Alto Sax.
Bb B. Cl.
Hp.
ca. 4"
p f p
Eb Alto Sax.
Bb B. Cl.
Hp.
ff
ca. 9"
ca. 12"
mf
&
X
~~~~~~~
>
U
>
U
&
X
~~~~~~~~
>
U U
&
X
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
?
Wildly play random strings loosely in this range and pattern.
Pedal buzz throughout. The pitches will change
when doing this, but continue to follow this pattern regardless.
The result should be random and jarring.
X
&
U
&
U
&
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
?
&
∑
U
í ™™
like screaming
>
~~~~~~~~~~~~~
î™™ ÍÍÍÍÍÍÍÍÍÍ
&
í ™™
Marcato throughout; freely play at various speeds
î™™≠
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
&
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
?
8
J
‰ ∑
ææ朙
œ œ œ œ œ œ œ œ œ œ œœ#
Ó
œn
j‰ ∑ Ó
™Ó
‰œ
œ#
œ
œb
œ
œ#
œb
œb
œ#
œ
œb
œ
Ó™
Ó
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Ó
‰
8 ™
4
j
‰ Ó
œ
œ
œb
œ#
œ
œœ#
œœ
œ
œ
œ#œ
œ
œœ#œn
≈
INFERNO�7.06
Score
for P
erusa
l Only
All Righ
ts Res
erved
.
°
¢
{
°
¢
{
°
¢
{
Eb Alto Sax.
Bb B. Cl.
Hp.
ca. 15" - harp will cue the next measure by hitting the strings with their palm.
f fff
Eb Alto Sax.
Bb B. Cl.
Hp.
ca. 6"
fff
Eb Alto Sax.
Bb B. Cl.
Hp.
mp pp mp
Tortuously Slow q = 44
Against God, Art, and Nature
Suddenly Frenetic q = 172
F
50
pp mp pp
p
4
4
4
4
4
4
4
4
4
4
5
4
7
8
5
8
4
4
5
4
7
8
5
8
4
4
5
4
7
8
5
8
4
4
5
4
7
8
5
8
& ≠ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
&
í ™™
Rhythmic value approximate
>
î™™≠
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
&
Cutoff after 10 seconds
to cue other players.
U
≠ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
?
U
&
Cut off all sound!
∑
U
&
Cut off all sound!
∑
U
&
∑
U
?
slap strings as hard as possible; let all ring
U
>
&
Bend all glisses from here on out as
much as possible before switching to key glisses.
~~~~~~~~~~~~~~~~~~~~~~~~~ ∑
.
.
.
.
&
3
&
∑ ∑ ∑
?
Either bisbigliando or glissando in the range of these pitches at various slow speeds of your choice. Do
not pedal buzz, and avoid plucking the strings as much as possible. The desired effect should sound
like a low rumble or murmur. The tunings from here on out are random depending on where the
pedals are set after the previous slap.
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
˙
˙
µ
‰
Œ
Œ
~~~~~~~~~~
˙™
œb
J
‰ œ
J
‰
œ
J
œ#
J
‰
œ#
J
‰
Ó Œ
œ ˙
˙bœ œ ˙
™™
Œ Œææææ
˙˙˙˙˙˙˙˙
INFERNO�7.07
Score
for P
erusa
l Only
All Righ
ts Res
erved
.
°
¢
{
°
¢
{
°
¢
{
Eb Alto Sax.
Bb B. Cl.
Hp.
mp pp
Slow Again q = 44
G53
pp
Eb Alto Sax.
Bb B. Cl.
Hp.
mp pp mp
Suddenly Frenetic q = 17257
pp mp pp
Eb Alto Sax.
Bb B. Cl.
Hp.
mp pp mp pp
Slow Again q = 44
60
pp
5
8
4
4
3
4
4
4
5
8
4
4
3
4
4
4
5
8
4
4
3
4
4
4
5
8
4
4
3
4
4
4
4
4
5
4
7
8
4
4
4
4
5
4
7
8
4
4
4
4
5
4
7
8
4
4
4
4
5
4
7
8
4
4
4
4
4
4
4
4
4
4
&
.
.
.
.
∑
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑
&
∑
&
∑ ∑ ∑ ∑
?
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
&
~~~~~~~~~~~~~~~~~~~~~~
∑
.
..
.
&
3
&
∑ ∑ ∑
?
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INFERNO�7.08
Score
for P
erusa
l Only
All Righ
ts Res
erved
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