© 2011 Delmar, Cengage Learning Chapter 6 Placing Type in an Image.

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© 2011 Delmar, Cengage Learning Chapter 6 Placing Type in an Image

Transcript of © 2011 Delmar, Cengage Learning Chapter 6 Placing Type in an Image.

Page 1: © 2011 Delmar, Cengage Learning Chapter 6 Placing Type in an Image.

© 2011 Delmar, Cengage Learning

Chapter 6

Placing Type in an Image

Page 2: © 2011 Delmar, Cengage Learning Chapter 6 Placing Type in an Image.

Chapter Lessons• Learn about type and how it is created• Change spacing and adjust baseline

shift• Use the Drop Shadow style• Apply anti-aliasing to type• Modify type with the Bevel and

Emboss style• Apply special effects to type using

filters• Create text on a path

© 2011 Delmar Cengage Learning

Page 3: © 2011 Delmar, Cengage Learning Chapter 6 Placing Type in an Image.

Understanding Type

• In Photoshop, the term type refers to text

• Use type to express ideas displayed in imagery or to display an additional message

• Modify type by using different typefaces and colors

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Using Type

• Type is used sparingly in Photoshop images to deliver short messages

• Type should be concise and easy-to-read

• Imagery that accompanies type should complement and reinforce the message conveyed by the type

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Appearance of Type

• Modify type by changing:– Font– Size– Color

• Apply special effects that make type pop off the page

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Learn about Type and How it is Created Introducing Type Types

• Outline type:– Can be scaled to any size without

losing clarity

• Bitmap type:– Composed of pixels– Develops jagged edges when

enlarged

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Using Type Types

• Type created in Photoshop is initially Outline type

• Outline type is then converted into Bitmap type when filters are applied

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Creating Type

• Use Type tools and the Options bar to create horizontal or vertical type

• Use the Options bar to modify the font size and alignment of type

• Use the Color Picker dialog box to change type color

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Location of Type

• Type created in Photoshop is automatically placed on a new type layer on the Layers panel

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Font Families

• Each font family represents a complete set of characters, letters, and symbols for each type face

• Three font family categories:– Serif– Sans Serif– Symbol

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Serif Fonts

• A tail or stroke appears at the end of some characters

• Serif fonts generally used in text passages

Sample Serif Fonts

Garamond Goudy Old StyleTimes New Roman Courier New

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Sans Serif Fonts

• No tail or stroke appears at the end of any character

• Sans Serif fonts generally used for headlines

Sample Sans Serif Fonts

Arial BauhausCentury Gothic Berlin Sans FB

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Symbol Fonts

• Used to display unique characters

Sample Symbols

£ ™ © # é ∑

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Type Size

• Character size within a font is measured in points

• PostScript measurements:– 1 inch = 72 points or 6 picas– 1 pica = 12 points

• Traditional measurements:– 1 inch = 72.27 points

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Using Type Size

• Default Photoshop type size is 12 points

• In Photoshop, use either PostScript measurements or traditional measurements

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Acquiring Fonts

• Most computer systems include many fonts

• Download/purchase additional fonts from private companies, individual designers, computer stores, catalog companies, or Web sites on the Internet

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How to Create Type

• Click the Horizontal Type tool on the Tools panel

• Click the Set the font family list arrow on the Options bar

• Select the required font and font size

• Click in the image, then type the text

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Change Spacing &Adjust Baseline Shift Understanding Spacing

• Make finite adjustments to the space between characters and between lines of type

• These adjustments are called type spacing

• Type spacing affects the ease with which words are read

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Spacing Terms

• Monotype spacing

• Proportional spacing

• Kerning

• Tracking

• Leading

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Monotype Spacing

• Used by typewriters

• Each character occupies the same amount of space

• For example, “o” and “w” take the same space as “i” and “l”

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Proportional Spacing

• Used in desktop publishing and word processing

• Each character takes up a different amount of space, depending on its width

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Kerning

• Controls the amount of space between characters

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Tracking

• Inserts a uniform amount of space between selected characters

Very Tight

Tight

Normal

Loose

Very Loose

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Leading

• Amount of space between lines of type

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Leading is 50

pointsLeading is

75 points

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Using the Character Panel

• The Character panel is used to control type properties such as kerning, tracking, and leading

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Defining Baseline Shift

• An invisible line on which type rests

• The Character panel is used to adjust the baseline shift:– Vertical distance that type moves from

its baseline

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Checking Spelling

• The Spelling Checker checks the spelling of type on the current layer or on all the layers in the image

• To check spelling:– Click Edit on the Application bar– Click Check Spelling

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Use the Drop Shadow Style Adding Effects to Type

• Effects are layer styles which can be applied to a type or an image layer

• Use styles to enhance the appearance of text and improve its effectiveness

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Viewing Effects

• The Layers panel shows what effects have been applied to text

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Layer styles applied to the text “Fresh

Ideas”

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Applying a Style

• To apply a style:– Click Layer on the Application bar– Point to Layer Style– Click a style

• Work in the Layer Style dialog box to add effects to type

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Layer Style Dialog Box

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Using the Drop Shadow

• Create an illusion that another colored layer of identical text is behind the selected type

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Controlling a Drop Shadow

• Options to control:– Angle: where the shadow falls relative

to the text– Distance behind the type that the

shadow appears– Width of the shadow text (spread)– Amount of blur (size)

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© 2011 Delmar Cengage Learning

Drop Shadow Settings

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Apply Anti-Aliasing to Type

• Used to prevent jagged edges (jaggies) that can accompany bitmap type

• Partially fills in pixel edges with additional colors to produce smooth-edge type

• Use on type with a point size greater than 12 point

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Five Anti-Aliasing Methods

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None

Sharp

Crisp

Strong

Smooth

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Modify Type with the Bevel & Emboss Style Using the Bevel & Emboss Style

• Used to add combinations of shadows and highlights to a layer

• Gives type the appearance of dimension and shine

• Use the Layer menu or Layers panel to apply the Bevel and Emboss style to the active layer

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Bevel and Emboss Settings

• Structure determines the size and physical properties of the object

• Shading determines the light effects

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Bevel and Emboss Samples

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Bevel and Emboss Structure Settings

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Using Repoussé

• Used to turn a 2-dimensional object into a 3-dimensional object– Lets you rotate, roll, pan, slide, and

scale an object

• Can be applied to a type or image layer using the 3D menu or the 3D Scene panel in the 3D workspace

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© 2011 Delmar Cengage Learning

Using Repoussé

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Applying Special Effects with Filters• Filters can be applied to a type

layer

• The type layer must first be rasterized: converted to an image layer

• After rasterizing, the type layer cannot be edited for type content

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Sample Filters

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Creating Text on a Path

• Create a shape

• Add type to the shape (path)

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