The Geometry of Melodic, Harmonic, And Metrical Hierarchy

A Principled Approach to Teaching Music Composition to Children.pdf

Laney College Musicianship Classes Syllabus

A Composer Learns His Craft: Anton Bruckner's Lessons in Form and Orchestration, 1861–63

Order and Freedom - The Composer's Dilemma

Experimental Music

How Rare is Symmetry in Musical 12-Tone Rows

Lewin - Special Cases of Interval Function Between Pitch-Class Sets X and Y

Hans Erdmann’s Score for Nosferatu and the Idea of Modular Form

Horror Music, Mutes, And Acoustical Beings In

Modernism at the Movies - 'the Cabinet of Dr. Caligeri' and a Film Score Revisited

D. Kern Holoman - The Orchestra - A Very Short Introduction

Congruence-Association Model and Experiments in Film Music - Toward Interdisciplinary Collaboration 8.2.Cohen

Easy to Cut - Modular Form in the Film Scores of Bernard Herrmann

'Waging the Peace' - Bernard Herrmann and 'the Day the Earth Stood Still'

Communication Fear in Film Music - A Sociophobic Analysis of Zombie Film Soundtracks

Composing With Types and Flexible Modules - John Williams' Two-Note Ostinato for Jaws and Its Use in Film-Music History

Interval Cycles

Tone Sets

Numbers