Iconoclasm and the Sublime: Two Implicit Religious Discourses in Art History
Ten Reasons Why E.H. Gombrich is Not Connected to Art History
Marks, Traces, "Traits," Contours, "Orli," and "Splendores": Nonsemiotic Elements in Pictures
"Who Really Needs Art PhDs?" (interview)
"On an Image of a Bottle"
“What Does Peirce’s Sign System Have to Say to Art History?” (in Italian)
Piero della Francesca and the Renaissance Proof of Linear Perspective
The "Fundamental Concepts" of Pictures
Art History and the Criticism of Computer-Generated Images
Response to Tomás García Salgado
Response: The Mottled Discourse of Chinese Studies
On the Arnolfini Portrait and the Lucca Madonna: Did Jan van Eyck Have a Perspectival System?
[A Closer Look at Eastern European Modernism]: Response
Rethinking the Introductory Art History Survey || Parallel Art History/Studio Program
Precision, Misprecision, Misprision
On the Complicity Between Visual Analysis and Torture
On the Impossibility of Close Reading
Two Ends of the Emblem
Image Operations conference in Berlin