String quartet no 2

Transcript of String quartet no 2

String Quartet No. 2

R. David Salvage

String Quartet No. 2 (2007)

This String Quartet may be performed by any combination of violins, violas, and cellos, as long as there is only one instrument on each part and all four parts are performed. Thus an ensemble of, say, four violas will be just as suitable for the work as the traditional string quartet set-up. The score is notated in treble clef, and three sets of parts – in treble, alto, and bass clefs – exist from which ensembles may choose.

Some elaboration of certain markings in the score is necessary.

“Ad lib” applies to only certain elements. Where “ad lib register” is written, players are to chose the register in which pitches are played and when to change this register. Where “ad lib omit notes” is written, players chose to omit notes as they see fit. In such sections, players may perform more or less continuously or infrequently.

In sections 1-3, technical specifications follow each instance of “ad lib.” For example, the marking “Ad lib register: col legno, poco pizz” means players must confine their playing to col legno and pizz techniques until the next similar marking. Any kind of pizzicato may be used in such sections. The term “poco” means to subordinate the technique it modifies to the other technique. In this instance, col legno should be more prominent than pizzicato. “Poco omit notes” means to omit fewer notes than one does in sections marked “omit notes.”

Sections 4 and 5 contain some features not found in the other sections. Both sections 4 and 5 contain bracketed, stem-less notes marked “ad lib register” These notes are significantly longer than the steady eighths that comprise the first three sections, but specific duration is up to the performers. While registration of these bracketed notes is entirely up to the players, players may not omit any of the enclosed notes. Bracketed groups are repeated until the player with the ostinato cues the next bracketed group. Players should not feel pressured to complete subsequent iterations after the bracketed group has been played in its entirety once. Dynamics apply to individual bracketed groups. Players should make no attempt to rhythmically align their bracketed notes with those in other instruments. Tremolos in these sections are unmeasured. (The ones in section 7 are measured doubles.) Harmonics may be used in sections 4 and 5 at players’ discretion.

The marking “tap” signals players to tap with their fingertips the body of their instrument. It is assumed players will accommodate page turns through omitting notes.

– R.D.S.

Energetic h = 88

1.1

David Salvage(2007)

String Quartet No. 2for any combination of violins, violas, cellos

I

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IV

6

I

II

III

IV

11

I

II

III

IV

C

ppp

Ad lib omit notes: clap

ppp

Ad lib omit notes: tap

pp

pAd lib omit notes: tap

pp p

p

16

I

II

III

IV

21

I

II

III

IV

26

I

II

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IV

p

mp

Ad lib register: col legno

mp

2

31

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IV

36

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IV

41

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IV

mf

Ad lib register: col legno, poco pizz

mf

f

Ad lib register, poco omit notes: pizz

f

3

46

I

II

III

IV

2.150

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III

IV

55

I

II

III

IV

ppp

As written: arco

ppp

pp

4

60

I

II

III

IV

65

I

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III

IV

70

I

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III

IV

p

pAd lib register: col legno

pp p

Ad lib register : col legno

p

mp

Ad lib register: poco pizz, col legno

mp

5

75

I

II

III

IV

80

I

II

III

IV

84

I

II

III

IV

Ad lib register: pizz

mf

mfmf

mf

6

88

I

II

III

IV

90

I

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IV

93

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IV

f

Ad lib register, poco omit notes: poco arco, pizz

f

7

98

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II

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IV

2.2102

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IV

106

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IV

As written: arco

8

110

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114

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118

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mf

9

121

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126

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131

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mp

Ad lib register : col legno, poco pizz

mp

p

pAd lib register: col legno

p

10

135

I

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IV

139

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144

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pp

pp Ad libomit notes: tap

pp

ppp

11

149

I

II

III

IV

1543.1

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IV

159

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IV

ppp

pp

As written: arco

p

12

163

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166

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171

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mp

Ad lib register: poco arco, pizz

mp

13

176

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181

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186

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mf

Ad lib register, poco omit notes: arco

f

14

190

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194

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198

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IV

sub p cresc. f dim.

sub p cresc. f

sub p cresc. f dim.

p cresc.

Place mute, put down bow, put on gloves.

p

Place mute.

p cresc.

f dim.

Con sord.

f dim.

15

202

4.1

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II

III

IV

206

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IV

211

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IV

As written: arco

p cresc.

Ad lib omit notes: gloved clap

p cresc.

p

Ad lib register

ff

p

Place mute.Ad lib register: con sord

f dim.

ff

Cue the other instruments.

p cresc. f dim.

f

16

216

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II

III

IV

221

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IV

226

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IV

p cresc.

mf

f dim.

p

f dim. p

cresc. f dim.

Remove gloves, take bow.

mp

17

231

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III

IV

235

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IV

239

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IV

p cresc.

f dim.Ad lib register: con sord.

p

p cresc.

18

242

I

II

III

IV

247

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IV

252

I

II

III

IV

f dim.

p cresc.

Remove mute before 256.

f dim.

19

4.2256

I

II

III

IV

261

I

II

III

IV

266

I

II

III

IV

p

As written: senza sord.

cresc. f dim.

Ad lib: con sord

p

p cresc.

p

f dim.

20

271

I

II

III

IV

276

I

II

III

IV

281

I

II

III

IV

mp

p cresc.

f dim.

mp

p cresc.

f dim.

21

285

I

II

III

IV

290

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IV

294

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IV

mf

p cresc. f dim.

mf

f

p cresc.

f

f dim.

22

299

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IV

304

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IV

5.1309

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IV

ff

p cresc.

ff

Finish playing the five chords with enough time to remove mute before 309.

ff

f dim.

ffAd lib: con sord.

ff

p cresc. f dim.

ff

23

314

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IV

317

I

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IV

320

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II

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IV

p cresc.

f

mf

p cresc.

mf

24

325

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II

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IV

330

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IV

335

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II

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IV

f dim.

p

p cresc.

p

f dim.

25

340

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IV

345

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II

III

IV

350

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II

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IV

p cresc.

p

f dim.

p

p cresc. f

26

355

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II

III

IV

358

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IV

361 5.2

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IV

dim.

p

cresc.

Remove mute before 365.

f dim. pAs written: senza sord.

p cresc.

27

366

I

II

III

IV

371

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II

III

IV

376

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II

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IV

f dim.

p

Ad lib register: con sord.

p

cresc. f dim.

p cresc.

28

381

I

II

III

IV

386

I

II

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IV

391

I

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IV

mp

f

dim.

p cresc.

f dim.

29

396

I

II

III

IV

400

I

II

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IV

405

I

II

III

IV

mf

p

cresc.

f dim.

f

p

cresc.

30

409

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II

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IV

413

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IV

418

3.2

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III

IV

f dim.

ff

Finish playing all five long notes in time to removemute before 421.

ff

p

cresc.

p

cresc.

Final notes may extend into 421.

p

Ad lib register, poco omit notes, senza sord

cresc.Final notes may extend into 421.

p

Ad lib register, poco omit notes, senza sord

cresc.

f dim.p

Ad lib register, poco omit notes

cresc.

31

423

I

II

III

IV

428

I

II

III

IV

433

I

II

III

IV

f dim.

p sub f

32

438

I

II

III

IV

443

I

II

III

IV

448

I

II

III

IV

mf

Ad lib register: pizz, poco arco

mf

mp

33

453

I

II

III

IV

458

I

II

III

IV

463

I

II

III

IV

p

pp

34

468

6.1

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IV

473

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II

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IV

478

I

II

III

IV

Ad lib register, omit notes: arco

p

As written: arco

p

Ad lib register, omit notes. arco

p

Ad lib register, omit notes. arco

mp

35

483

I

II

III

IV

488

I

II

III

IV

492

I

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III

IV

mf

36

496

I

II

III

IV

500

I

II

III

IV

504

I

II

III

IV

f

37

508

I

II

III

IV

512

I

II

III

IV

516

I

II

III

IV

ff

38

520

I

II

III

IV

523

I

II

III

IV

526

I

II

III

IV

fff

39

529

I

II

III

IV

532

I

II

III

IV

535

I

II

III

IV

40

6.2538

I

II

III

IV

541

I

II

III

IV

544

I

II

III

IV

Ad lib register, omit notes

As written

ff

41

547

I

II

III

IV

550

I

II

III

IV

553

I

II

III

IV

42

556

I

II

III

IV

559

I

II

III

IV

562

I

II

III

IV

f

43

566

I

II

III

IV

570

I

II

III

IV

574

I

II

III

IV

mf

44

578

I

II

III

IV

582

I

II

III

IV

586

I

II

III

IV

mp

45

591

I

II

III

IV

596

I

II

III

IV

601

I

II

III

IV

p

46

604

I

II

III

IV

7.1607

I

II

III

IV

612

I

II

III

IV

12

C

p

As written

p

mp

47

617

I

II

III

IV

620

I

II

III

IV

622

I

II

III

IV

mf

48

626

I

II

III

IV

630

I

II

III

IV

634

I

II

III

IV

f

49

637

I

II

III

IV

640

I

II

III

IV

643

I

II

III

IV

ff

sul pont.

ff

50

646

I

II

III

IV

649

I

II

III

IV

652

I

II

III

IV

sul pont.

fff

fffsul pont

fff

51

656

I

II

III

IV

660

7.2

I

II

III

IV

665

I

II

III

IV

As written

52

670

I

II

III

IV

674

I

II

III

IV

678

I

II

III

IV

ff

naturale

53

681

I

II

III

IV

684

I

II

III

IV

687

I

II

III

IV

f

naturale

54

690

I

II

III

IV

693

I

II

III

IV

696

I

II

III

IV

mf

55

700

I

II

III

IV

704

I

II

III

IV

708

I

II

III

IV

mp

p

56

712

I

II

III

IV

717

1.2

I

II

III

IV

722

I

II

III

IV

f

As written

f

57

726

I

II

III

IV

731

I

II

III

IV

736

I

II

III

IV

mf

mp

mpAd lib register: col legno

mp

58

741

I

II

III

IV

746

I

II

III

IV

751

I

II

III

IV

mp

p

pAd lib omit notes: tap

p

pp

59

756

I

II

III

IV

761

I

II

III

IV

766

Coda

I

II

III

IV

pp

ppp

As written: clap

ff

sfAs written: clap

ff

60

771

I

II

III

IV

sf

ff

As written: clap

sf

ff

As written: clap

sf

61

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