P OR T FOLIO. C O NSERVATION &R EST ORATIO N.

P ALOMA R OMANILLOS P ELÁEZ

About me…

My name is Paloma Romanillos, I´m 27 years old and I´m fine studies of Conservation and Restoration of Cultural Property, specializing in Graphic Document in the Art School of Salamanca, Spain, with a mean of 8.0.

In 2009 I graduated in Conservation and Restoration of Cultural Property, specializing in sculpture and painting in the FCG.

I consider outgoing and happy, eager to keep learning and my education.

Personal Information

Paloma Romanillos Peláez 12 / 11 / 1986 C/ Depósito Nº 2 1º F C.P. 47008 Valladolid, España. + 034 645 208 921 paloma.romanillos@gmail.com

Academic Brackrground 2004-2006 BACHELOR OF ART, School of art of Valladolid, Spain. 2006-2009 DEGREE IN PAINTING & SCULPTURE CONSERVATÍON &RESTORATION, Cristóbal Gabarrón Foundation of Valladolid, Spain. 2009-2014 DEGREE IN GRAPHIC DOCUMENT, School of art of Salamanca, Spain.

Computer Skills Microsoft Word, Photoshop, Corel Draw, Ilustrator, InDesing.

Aditional training June 2013 …………THE USE OF ENZYMES IN THE CONSERVATION AND RESTORATIONOF GRAPHIC DOCUMENTS por el Dr. D. Paolo Cremonesi (15h). School of art of Salamanca, Spain. July2011 …………..CATALOGING AND RESTORATION FARMING TOOLS (12 0h) Agricultural training center, La Santa Espina, Valladolid, Spain. July 2011 ………….. THE COLOR IN CULTURAL OBJECTS, KNOWLEDGE AND INTERVENTION CRITERIA (28 h). Palace in Viena, Valladolid, Spain. July 2011 ……………FILING THE FURTITURE AND LITURGICAL OBJECTS (25h). Rosarillo Church, Valladolid, Spain. May 2011 …………….MACROSCOPIC RECOGNITION OF THE WOOD USED FOR THE PRODUCTION OF CULTURAL OBJECTS (10 h). School of art of Valladolid, Sapain. April 2011 …………..THE USE OF LOW MOLECULAR WEIGHT RESINS AND VARNISHES (8h). Centro de Arte Reina Sofía National Museum of Madrid, Spain. Course 2010/11 ……...CONSERVATION AND RESTORATION OF SOME PARTS HAVE FORMES PART OF EXPOSURE: Imaging light,, Valladolid (80 h). School of art Valladolid, Spain. October 2010 …………XII JOURNEY OF CONTEMPORARY ART STORE (20 h). Centro de Arte Reina Sofía National Museum of Madrid, Sapin. June 2009 …………….RESTORATION AND ASSEMBLY OF ALTARPIECE OF SAN MARTÍN OBISPO, Vizmanos, Soria, Spain (160 h). Cristóbal Gabarrón Foundation of Valladolid, Spain. December 2008 …….IV JOURNEY HERITEGE PRESERVATION AND RESTORATION OF EASTER (20 h) Monasterio de Nuestra Señora de Prado, Valladolid, Spain. June 2008 ……………RESTORATION OF TWO ALTARPIECE EACH CHURCH (160 h). Salduero y Santa Cruz de Yanguas, Soria, Sapin. ). Cristóbal Gabarrón Foundation of Valladolid, Spain. June 2007 …………….RESTORATION OF ALTARPIECE OF SALVADOR (160h) Colegiata de San Luis de Villagarcía de Campos, Valladolid, Sapin.. Cristóbal Gabarrón Foundation of Valladolid, Spain.

Work experience… March – May 2014 …………CONSERVATION AND RESTORATION OF GRAPHIC DOCUMENT, tutored by Alicia Barbero Mesa (360h). Provincial Historical Archive of Palencia, Spain. August 2013 …………………. CONSERVATION AND RESTORATION OF PAINTING. Cambridge Painting andConservation Restoration. July-September 2012 ………ERASMUS: CONSERVATÓN AND RESTORATION OF PAINTING. Cambridge Painting and Conservation Restoration. September-October 2010……CONSERVATION AND RESTORATION OF ARCHAEOLOGICAL FINDINGS. Rincón Nicolasa Subirán Foundation, San Pedro Manrique, Soria, Spain. August 2009 ……………………..CONSERVATION, RESTORATION AND EXHIBITION GUIDE. Restores Highland Exhibition, San Pedro Manrique, Soria, Spain.

Content :

GRAPHIC DOCUMENT RESTORATION:

1. Treatments on paper. 2. Treatments on parchment. 3. Treatments on bindings. 4. Treatments on photography. 5. Micro chemical analysis.

BINDINGS:

1. Realization of different sewn. 2. Realization of different types of halters. 3. Realization of different types of bindings. 4. Realization of different Boxes.

ARCHEOLOGY:

1. Excavation IDOUBEDA OROS.

SCULPTURE:

1. Dolorosa. 2. Christ crucified. 3. Tabernacle. 4. San Roque.

PAINTING:

1. Descent over the Dead Christ. 2. Immaculate. 3. Santa Brígida.

ALTARPIECES: 1. Retablo mayor de la Iglesia de San Martín Obispo. 2. Retablo de la iglesia de San Juan Batista. 3. Retablo Santísima Trinidad. 4. Retablo del Salvador.

GRAPHIC DOCUMENT

RESTORATION

1. Treatments on paper.

RECORDED Nº 60 Disasters of War by FRANCISCO DE GOYA.

PLANES, on tracing paper.

DIFFERENT STABILIZATION TREATMENTS METALLO INKS.

2. Treatments on parchment.

Parchment manuscript bound in leather covers with wooden core and brass studs.

HIMNAL CHORUS , XVI century.

3. Treatments on bindings.

EDITORIAL FINISHING CLOTH, XX Century.

4. Treatments on photography.

4.1. FILMIC SUPPORT

FONDO ÁLVARO DE CASTRO

4.1. GLASS SUPPORT

5. Micro chemical analysis.

BINDING

1. Realization of different sewn.

2. Realization of different halters.

3. Realization of different types of binding.

3.1. FLEXIBLE BINDINGS

3.2. LEATHER BINDINGS.

3.3. BINDINGS ON TOP.

4. Realization of different Boxes.

ARCHEOLOGY

1. Excavation IDOUBEDA OROS.

Cleaning, identification, cataloging, preservation and restoration of ceramics, metals and bones Celtiberians, Romans and medieval as well as carrying out a conservation report of the wall and the culvert of the site.

Celtiberian ceramics, to which it is subjected to a surface cleaning treatment and a structural strengthening of the various fragments comprising the piece.

It can be observed an average cleaning of metals. The cleaning was done mechanically by pencil fiberglass and ethanol .

SCULPTURE

1. DOLOROSA, XVIII Century, Diocesan and Cathedral Museum of Valladolid.

Detail of a chromatic reintegration Tratteggio.

2. CHRIST CRUCIFIED, XVIII Century, Church of San Juan, Montaves, Soria.

3. SAGRARIO, siglo XVII, Iglesia de San Juan, Montaves, Soria.

pérdida matérica

pérdida cromática

3. TABERNACLE, Church of San Juan, Montaves, Soria.

4. SAN ROQUE, XVII Century, Church of Santa María de la Antigua, Valladolid.

PAINTING

ERASMUS CAMBRIDGE, 2012

PAMPISFORD HALL, PAMPISFORD, CAMBRIDGE

PAMPISFORD HALL, PAMPISFORD, CAMBRIDGE. It is a house built in 1830, which has had different owners and therefore different decorations. What we are doing is removing overpaint leaving doors with original paint, as they were at first.

Collection and analysis of samples

Removal of overpainting

Christ's college, University of Cambridge

1. DESCENT OVER THE DEAD CHRIST , Church of San Martín, San Pedro Manrique, Soria.

2. IMMACULATE, XVII Century, Collegiate Church of San Luis, Villagarcía de Campos, Valladolid.

3. SANTA BRÍGIDA, Baroque, Convent Brígidas, Valladolid.

ALTARPIECES

1. ALTARPIECE OF THE CHURCH OF SAN MARTÍN XVI century (1576 gilt and polychrome). Vizmanos, Soria.

2. ALTARPIECE OF THE CHURCH OF SAN JUAN late XVII century (transition towards neoclassicism). Salduero, Soria.

3. TABLES ALTARPIECE OF THE CHURCH OF THE HOLY TRINITY dated 1626 Santa Cruz de Yanguas, Soria.

4. ALTARPIECE OF THE SAVIOR third quarter of the XVII century architecture: Juan de Medina. Collegiate Church of San Luis, Villagarcía de Campos, Valladolid.

Paloma Romanillos Peláez paloma.romanillos@gmail.com

Telf.: 645 208 921