Post on 17-Jan-2015
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DAVID PRENTICE (b. 1936)
Cats & Dogs (1986)
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MARK BARROW FINE ARTSpecialising in Modern British Art
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1BEN NICHOLSON (1894-1982)Still Life, Malcontenta (June 1962)Graphite on oil washed paper13½" x 18" (345mm x 460mm)(Signed, dated and inscribed verso)
Exhibited: I. Internationale der Zeichnung, Darmstadt ,1964 (ill. pg. 184)
Provenance: Private Collection, Italy (purchased from Marlborough Fine Art, London in 1964)
Notes: the original catalogue accompanies this work
"[Nicholson's] drawings have mistakenly been viewed as somehow subsidiary to the paintings and reliefs, when in fact their qualities of wit, poetry, spontaneity and sheer virtuosity
place them among [his] finest and most personal achievements."
Peter KhorochePublished in 'Ben Nicholson: Drawings & Painted Reliefs' (2002)
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2KEITH VAUGHAN (1894-1982)Untitled (Green, Brown & Black) (c.1963)Gouache on paper20" x 16" (508mm x 406mm)Studio stamp lower left
'Untitled (Green, Brown & Black)' typifies the use of colour,shape and composition that dominated Vaughan'swork, both on paper and canvas, during the early 1960s.
"Necessity for compositional structure to run right through to the edges - disregarding identity of forms... not enough simply
to balance shapes within the area. This is a subjectively obvious fact of which I have only just become conscious in
words... the continuing lines are never obvious and are constantly interrupted by counter rhythms and thurst back and
forth in space."
Keith VaughanPublished in 'Keith Vaughan' (2012)
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3DAVID PRENTICE (b.1936)Cats & Dogs (1986)Oil on canvas60" x 60" (1525mm x 1525mm)
Exhibited: 'David Prentice: As Old As The Hills', Nottingham University Art Gallery, Mar-Apr 1987 (ill. on cat. back cover)
Provenance: Private Collection, UK (purchased from the above exhibition)
Notes: the original catalogue accompanies this work
"[Cats & Dogs] describes the experience of driving through dramatic shifts of climate and terrain, the physical and
atmospheric drama of the Pyrenees, Central Spain and Catalonia were the counterpoint to my newly found freedoms...
and are a synthesis of [those] experiences."
David PrenticePublished in 'As Old As The Hills' (1987)
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4ANTHONY WHISHAW (b.1930)Reclining Nude I (1956)Ink on paper8" x 11" (205mm x 280mm)
Provenance: Acquired directly from the artist
5ANTHONY WHISHAW (b.1930)Reclining Nude II (1956)Ink on paper8" x 11" (205mm x 280mm)
Provenance: Acquired directly from the artist
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6ROY TURNER DURRANT (1925-98)Untitled: Inscape (1970)Oil and mixed media on board21¾" x 29½" (550mm x 750mm)Signed, inscribed 18/142 and dated 70(Signed, dated and inscribed 18/142 verso)
Provenance: Direct from the artists' estate
"I do not paint places as such - rather I try to paint the spirit of place. 'Inscape' is a place of reality. Though I am deeply inspired by physical and pictorial form, the truth I want to
convey is much more profound than this. I am more concerned with contemplation and sensational reality rather than with
representation and the merely visual."
Roy Turner DurrantMark Barrow Fine Art represents the artists' estate
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7IVON HITCHENS (1893-1979)Pattern of Leaves (c.1967)Oil on canvas28¼" x 23¼" (715mm x 590mm)(Studio stamped and authenticated verso)
Provenance: Private Collection, Brazil
"I often find in music a stimulus to creation, and it is the linear, tonal and colour hormony and rhythm of nature which interests
me - what I call the musical appreance of things"
Ivon Hitchens
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+ 44 (0)20 8286 1853
+44 (0)7790 802146
info@markbarrowfineart.co.uk
www.markbarrowfineart.co.uk
www.facebook.com/markbarrowfineart
Viewing by appointment
MARK BARROW FINE ARTinfo@markbarrowfineart.co.ukwww.markbarrowfineart.co.uk