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21/6/2015 Forgotten In Time: The Ancient Solfeggio Frequencies
http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.html 1/7
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ForgottenInTime:TheAncientSolfeggioFrequencies20060121
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WhatAreTheAncientSolfeggioFrequencies?
TheseoriginalsoundfrequencieswereapparentlyusedinAncientGregorianChants,suchasthegreathymntoSt.JohntheBaptist,alongwithothersthatchurchauthoritiessaywerelostcenturiesago.Thechantsandtheirspecialtoneswerebelievedtoimparttremendousspiritualblessingswhensunginharmonyduringreligiousmasses.ThesepowerfulfrequencieswererediscoveredbyDr.JosephPuleoasdescribedinthebookHealingCodesfortheBiologicalApocalypsebyDr.LeonardHorowitz.Igivehonortobothofthesegentlemanfortheparttheyveplayedinhelpingreturntheselostfrequenciesbacktohumanity.
TheSixSolfeggioFrequenciesinclude:
UT396HzLiberatingGuiltandFearRE417HzUndoingSituationsandFacilitatingChangeMI528HzTransformationandMiracles(DNARepair)FA639HzConnecting/RelationshipsSOL741HzAwakeningIntuitionLA852HzReturningtoSpiritualOrder
Forexample,thethirdnote,frequency528,relatestothenoteMIonthescaleandderivesfromthephrase"MIragestorum"inLatinmeaning"miracle."Stunningly,thisistheexactfrequencyusedbygeneticbiochemiststorepairbrokenDNAthegeneticblueprintuponwhichlifeisbased!
ALittleHistory
AttheturnofthecenturytheawarenessofDNAenteredthecollectiveconsciousnessoftheworld.Wehaveincarnatedintothishumanexperienceasdivinebeingswithablueprint,asetofinstructions.Weknowthataverysmallpercentage(3%)ofthoseinstructionsmakeupourphysiology.
CarlSaganwritesthatmostofourgeneticinformation(about97%)isunusedDNA.Hereferstothisas"geneticgibberish."Isitpossiblethatmostofwhowearestillliesdormantasourhumanpotential?
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21/6/2015 Forgotten In Time: The Ancient Solfeggio Frequencies
http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.html 2/7
Intheoldparadigmofreligion,"potential"remainedamysterytothehumanmind,thereforewecoinedamysticaltermcalled"SPIRIT.""Spirit"wassomethingthatwasdetachedfromwhowewere,somethingwedidnthaveandcouldonlybegainedthroughthesystemsofmostreligions.
Theoldparadigmanditspremisestatedthatwebeganasbiologyinthewombofourmothers.TelliarddeChardintellsusthatwearenotahumanbeingtryingtoattainaspiritualexperience,but,rather,wearespiritualbeingshavingahumanexperience.Thisshiftinperceptioncausesatremendousdifferenceinthewayweperceiveourselvesinthisthird/fourthtimespacecontinuum.
Beingastudentof"ACourseInMiracles"inthelate80s,Iwasfacedwithadichotomyintheideathatwearenotabody.IneverunderstoodthisstatementfullyuntilIreadaquotationbyAlbertEinsteinwhichstated:"Concerningmatter,wehavebeenallwrong.Whatwehavecalledmatterisenergy,whosevibrationhasbeensoloweredastobeperceptibletothesenses.Thereisnomatter."Ibelievewhatisbeingstatedisthatatthedeepestlevelwearenotseparate,asabody,asaspirit,asasoulwearejustenergybeings.Thisisthelevelofconsciousnessbeingopenedtousfromwhichanewparadigmisemergingforthepurposeofhealingallseparation.Thepopularterm,"TheDivine,isinme"makes"me"separatefromtheDivine.MayIsuggestashiftinthesayingto:"TheDivine,ASme"toremovetheseparation.
AswemovefromgeneticsandconceptslikeSoul,"SoulMates"and"Soulwork,"wemovebeyondphysicaldiagnosis,intoanewfieldofquantumphysics.Inthisnewfield,whereconsciousnessisseenasaunifiedfieldwhereeverythingiseverythingelse,(T.O.E.TheoryTheTheoryofEverything)therearenoboundaries.Thereisno"this"or"that"noyouorme.Itisapurefieldofawarenessconsciousness.Isolvedthedichotomyabout"wearenotourbody"bychangingmyperceptionofgeneticstoenergeticsrealizingthatwearenotmeanttoignoreourphysiology,butrecognizethebodyasenergy,vibratingataverydensefrequency.
RepairingDNA
IwasfirstintroducedtoDNAin1988whenIwasgoingthroughatransitionalperiod,duringwhichIfeltthatIhadcometotheendofeverythingthatIbelieved.Atapewasgiventomeofagentlemanspeakinginanaccent,(whichIthoughtatthetime,wasratherboring),andIdidntunderstandwhathewastalkingabout.Thenallofasudden,asIwasreadytoturnitoff,hesaid:"Quantumphysicshasfoundthatthereisnoemptyspaceinthehumancell,butitisateeming,electricmagneticfieldofpossibilityorpotential."Thatsallhesaid!Butwhateverfrequencywascontainedinthosewords,RESONATEDsomethinginsidetheCOREofmyBEINGandIhadaKNOWINGinmethattheNOTHINGIthoughtIwaslookingatwastheEVERYTHING.MuchlikeinZen,andtheideaofbecoming"asanemptybowl."EasternReligions(includingtheBible)refertoitastheVOIDTheNothingthatisEVERYTHINGTheWombofCreation.IknewthatIwasexperiencingarebirth!ThepersononthattapewasDr.DeepakChopra.
IhadneverheardofDeepakChoprain1988,ashewasjustcomingonthesceneaboutthattime.Icredithimforaveryimportanttransitioninmylife,justfromthestatementhemadeonthattape.Today,inretrospect,Iwouldcallmyresponsetothatstatementa"cellularmemoryexperience."Weknowthatintelligenceisstoredwithinthecellsofthebody,andwhentherightresonancecomesandreleasesthatinformationtobecomeinherentinformationorinherentKNOWLEDGEthatcomesfromthetrueSelf.Thatiswhysomanyofusseemtojumpformonestimulitoanotherlookingforwhatwillresonateinus.
Theworkbeingdonetodaywithenergyatthecellularlevelreallyexcitesme,sinceIhadbeenveryinterestedinDNAbeforeitbecameahouseholdword.Infact,Ithinkittookmetwoyearsjusttolearnhowtopronounceit(deoxyribonucleicaciddidnotrolloffmytonguequickly).But,Iwasdeterminedtounderstandthistremendouslypowerfulenergeticblueprintforlife,asweknowit,atthecellularlevelonthisplanet.DNAbecameapartofthecollectiveconsciousnesswhenCNNproducedaspecialontheGenomeProjectin2000.
AsIpursuedmypassionforthestudyofDNA,IattendedaworkshopbyDr.RobertGirardfromCaliforniaonDNAActivation.HisworkfocusedonusingcertainsoundsandfrequenciestoactivateDNAandIstarteddoingDNAActivationworkshops.Throughthoseworkshops,anarticlewasgiventomethatreportedhowbiochemistsareusingthefrequency528HztorepairhumanDNA.Thearticlestatedthatitwasa"C."WhenIreadthatIthought,"AllIwouldneedtodoisgotoapianoorotherinstrumentandplaya"C"andthen,intheDNAworkshopswewouldbeabletorepairDNA."
Well,itwasntthatsimple,becauseIdiscoveredthattheregular"C"thatweallknowofinthisculture(whichisfromthediatonicscaleofdo,re,mi,fa,so,la,ti,do)wasnotthe528Hzfrequency"C",asdescribedinthearticle.Instead,Idiscoveredthataregular"C"vibratestoafrequencyofonly512Hz,andthatthe"C"of528HzusedinDNArepairhadbeenapartofanancientscalecalledtheSolfeggioScale.Moreover,thedifferenceinthescalesexistedbecauseofdifferenttuningmethodsthatwereutilizedinancienttimes,vs.thoseingeneralusetoday.Later,wewillexplorethatdifferencebetweenhowwecreatemusictodayvs.howweusedtocreateit,andhowthatsimplechangehasmadeallofthedifferenceintheworld.
HowIfoundoutabouttheAncientSolfeggioFrequencies
Ifoundthisancientscaletobepartofa6tonescalesequenceofelectromagneticfrequenciescalledtheOriginalSolfeggioScalethroughthebook"TheHealingCodesofBiologicalApocalypse"byDr.LeonardHorowitz.TheseparticularfrequencieswererediscoveredbyDr.JosephPuleo,whoreceivedtheminawonderfulexperiencethatsomewouldsuggestwasmystical.Thesefrequenciesarenotsomethingnew,buttheyaresomethingveryold.
Isharedtheinformationaboutthesefrequencieswithamusicianfriendwhohadastudioinherhome.Afterreviewingtheinformation,shedecidedthatshewouldliketoexperimentwiththesefrequenciesintheformofmeditationmusic.ShewasalsointouchwithJonathanGoldman(authorofthebook,"HealingSounds")andheknewof
JimElvidgeAnthonyPeakeJamesGillilandMaxIganMediaMonarchyTheCorbettReportCryptogonBenStewartKevinPMillerLawfulRebellionTruthjuiceLloydPyeConspiracyArchiveMichaelTsarionNewsBlok2.0HenrikPalmgrenHenrikPalmgren'sFacebookMoreLinks
21/6/2015 Forgotten In Time: The Ancient Solfeggio Frequencies
http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.html 3/7
thesefrequencies,andwasusingtheminsomeofhismusicsuchas"TheLostChord"CD.Aryianarequestedthathehavethetuningforksmadeforhertoresearchthefrequencies.Iaskedifshecouldalsohaveasetmadeforme.
AfterIreceivedthetuningforksandbegantalkingaboutthemaroundthecountry,Inoticedthatpeoplewereresonatingwiththeinformationaboutthesepowerfulfrequencies.Itfeltasthoughsomethingwasgoingoninamuchlargerpicture.Wewereconnectingenergeticallytothisinformation,andyetIdidntknowwhatIwasgoingtodowiththetuningforks.ThenpeoplebegantoaskifIcouldusethetuningforksonthem.Fromthoseexperiences,andwithinformationIhadgathered,amethodandtechniquebegantodevelop.IcalledthetechniqueSomaEnergeticsTM,whichisdesignedtoutilizetheoptimumenergyoftheSolfeggiofrequenciesusingtuningforks.Soma,meaning"body"intheGreek,combinesthewholisticideaofthebodyasanenergyfieldSomaEnergeticsTM.
Whenstartingthesefirsttunings,themainfrequencythatIknewthemostaboutwas528HzthatbiochemistsareusingforDNArepair.Irealizedthattherightsideofthebodyiscontrolledbytheleftbrain,andtheleftsidebytherightbrainandthatthesecorrespondwithourinnermaleandfemaleenergies.AsItooktheforkdowneachsideofthebody,IcouldgetintouchwiththedominateancestralDNAthatcomesthrutheMotherssideorFatherssideofthechromosomes.Iwouldmanytimesgetatremendousimbalanceinthesoundbetweenthetwosides.Thepurposeofenergywork,asmanyofyouknow,istoattainbalance.Forexample,ifeverythingisinbalance,suchasthephlevel,thephysicalbodycanhealmorenaturally.Itsthesamewayinourenergybodies.Ifwecanfindthatenergybalance,thatequilibrium,whereeverythingalignsoreverythingcomesintosynchronizationintotherhythmofthedanceoflifethenhealingbecomesthenaturalstate.Itsnothingsupernatural,ormiraculous.Ithinkalotofspiritualtextshavereferredtothisideawhentheydescribe,"goinghometoheaven."Heaven,tome,isthecompletesynchronizationwithhigherfrequenciesandvibrationsofcreationbeingtotallyentrained.Inotherwords,beinginastateofatonement.
WhenIwouldcontinuetodothetechnique,thesoundwouldbegintoevenoutbetweenthemaleandfemalesidesofthebody,andtheclientwouldindicatetheywere"feeling"ashift.Asthatwouldoccur,Iwastotallyamazed,andaskedmyself,"Whatishappeninghere?"AlthoughIvebeenaspeakerofspiritualthingsforover40years,IcanttellyouthatIvebeenthemostintuitivepersonintheworld.AllofasuddenIstartedhavingcertainfeelingsaboutwhattodowiththeforks.Ifoundthatatsomepointinworkingwiththeclient,Istopped"doing"thetuningforks(beingtheinitiatorofthetechnique),andtheystarted"doingme"seemingtodirectthemovementoftheForks!Afterhundredsoftuningsandpositivetestimonies,IhavelearnedtotrusttheAncientSolfeggioScalefrequenciesintheformofTuningForksasalegitimatemodality.
EnergyandRelationship
Everythingisrelationship.IrememberDr.FredWolf,whoisaphysiciststatingonatape"Everythingisconsciousness."Hefurthernoted,"Whenyouareobservinganobject,onsomeleveltheobjectisobservingyou."AsIlistenedtothatstatement,Ithoughtitwasstrange.Ithenrealizedthatbecausesomethingdoesnthaveahumanconsciousness,asIdo,thatdoesntmeanitdoesnthaveitsownconsciousness.Apparently,observingsomethingchangesitonsomelevelthattheobserver,andtheobservedareone.
ItreattheSolfeggiotuningforksasaconscious"entity."Theyareenergy,theyrevibration,theyrefrequencytheclientisvibration,frequencyandenergyIamvibration,frequencyandenergy.Allofthatcomingtogetherbeginstoproduceasynergeticexperiencethattakesplaceonmanylevels.TheenergybodiesthatwefocusonusingtheSolfeggioFrequenciesarethephysical,theetheric,themental/emotional,andtheastral.
Sound,VibrationandForm
Formorethan200years,researchershavebeenvalidatingtheconnectionsofSoundandVibrationsonphysicalform.ThefirsttomakethatconnectionwasGermanscientistErnstChladni,who,in1787,detailedhisresearchinhisbook"DiscoveriesConcerningtheTheoryofMusic."Inthatpioneeringwork,heexplainedwaystomakesoundwavesgeneratevisiblestructures.Hedetailedhowaviolinbow,drawnatarightangleacrossaflatplatecoveredwithsand,producespatternsandshapes.Today,thosepatternsandshapesarecalledChaldnifigures.(Coincidentally,Chaldnidiedin1829,thesameyearasBeethoven.Mozart,aFreeMason,heavilyinfluencedBeethovenaboutthemathematicsofmusic,andlikelyinfluencedChaldniaswell).1
In1815,MathematicianNathanielBowditchfolloweduponChaldisdiscoveries.Heconcludedthattheconditionsforthesedesignstoarisewerebecausethefrequencies,oroscillationspersecond,wereinwholenumberratiostoeachothersuchas1:1,1:2,1:3andsoon.2
Thestudyofwavephenomena,theabilityofsoundtoorganizeandrepatternmatter,iscalledCymatics.AccordingtoJohnBeaulieu,inMusicandSoundintheHealingArts,"Formisthemoreelusivecomponentofsound.Soundformscanbeseenbysubjectingmediumssuchassand,water,orclaytoacontinuoussoundvibration."ThefollowingpicturestakenbyDr.HansJennyaresoundforms.Theywereobtainedbyplacingvariousmediumsonasteelplatewithacrystalsoundoscillatorattachedtothebottom.TheOscillatorcreatesapulse,whichvibratesthesteelplate.Theformsontheplateareexamplesofsoundorganizingmatter."Jennyalso"noticedthatwhenthevowelsofancientlanguageslikeHebrewandSanskritwerepronounced,thesandtooktheshapeofthewrittensymbolsforthosevowels."Modernlanguages,includingEnglish,failedtogeneratethosepatterns."
"Spaceisnotempty.Itisfull,aplenumasopposedtoavacuum,andisthegroundfortheexistenceofeverything,includingourselves.Theuniverseisnotseparatefromthiscosmicseaofenergy."DavidBohm
21/6/2015 Forgotten In Time: The Ancient Solfeggio Frequencies
http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.html 4/7
Jennyconcludedthatwereexamplesofcymaticelementseverywhere"vibrations,oscillations,pulses,wavemotions,pendulummotions,rhythmiccoursesofevents,serialsequences,andtheireffectsandactions"andtheyeffectedeverythingincludingbiologicalevolution.Theevidenceconvincinglydemonstratedthatallnaturalphenomenawereultimatelydependenton,ifnotentirelydeterminedbythefrequenciesofvibration.Hearguedthatphysicalhealingcouldbeaidedorhinderedbytones.Differentfrequenciesinfluencedgenes,cells,andvariousstructuresinthebody,heclaimed.
VibrationofMusicoftheSpheres:"Everycellpulsates,reflectsandinteractswithacousticoscillationsofthemedium.Eventheearthandsunvibrateinunisonbasedonamainrhythmof160minutes.Eachmusicalnoteisthereforeunitedtononaudiblenotesofhigheroctaves,andeachsymphonytoothersymphoniesthatwedonothear,andalthoughtheymakeourcellsoscillateandpossiblyresonate.EvenDNAhasitsownmelody.Themusicalnatureofnuclearmatterfromatomstogalaxiesisnowrecognizedbyofficialscience."3In"MoleculesofEmotion,"byCandicePert,Ph.D.,shewrites,"basically,receptorsfunctionasscanners(sensingmolecules,onacellularlevel).Theyclusterincellularmembranes,waitingfortherightligand(muchsmallermoleculesthanreceptors),tocomedancingalong(diffusing)throughthefluidsurroundingeachcell,andmountthembindingwiththemand(tickling)themtoturnthemonandgetthemmotivatedtovibrateamessageintothecell.Bindingoftheligandtothereceptorislikenedtotwovoices,strikingthesamenoteandproducingavibrationthatringsadoorbelltoopenthedoorwaytothecell."
PoetCathieGuzettasummarizedthissciencebestwhenshewrote:
"Theformsofsnowflakesandfacesofflowersmaytakeontheirshapebecausetheyarerespondingtosomesoundinnature.Likewise,itispossiblethatcrystals,plants,andhumanbeingsmaybe,insomeway,musicthathastakenonvisibleform."
HowDidTheSolfeggioFrequenciesGetLost?
Idiscoveredthatthesepowerfulfrequencieshadbeengiventothechurchmanyyearsagoforaveryspiritualpurpose.Thiswasbackwhenthechurchwasawonderfulplaceforthepeopleinthevillagestogathertogether.Thechurchservedasasocial,political,andspiritualplace.PeoplecametoMass,whichatthattime,wasdoneinLatin(untilVaticanIIcamealong).WhenpeoplesinginLatinormusicaltones,itisverypowerful,becauseitgetsthroughallofthelimitedthoughtforms,andintodeeperlevelsofthesubconsciousaccessinginsightsbeyondbeliefsystems.
AsdescribedabovebyDr.CandicePert,PhD,energyandvibrationgoallthewaytothemolecularlevel.Shestatesthatwehave70differentreceptorsonthemoleculesandwhenvibrationandfrequencyreachesthatfartheybegintovibrate.Moreover,sheobserved,"astheybegintovibratetheysortoftoucheachother,andtickleeachother,andtheyplayandmounteachother."Itsthiswholeenergeticdanceritual,atthecellularlevel,thatopensthechromosomesandexposestheDNAtothefrequencies.Whenwedotoning,drumming,chanting,ortuningforksitcanbeawaytodirectenergyfortransformationalpurposes.
Vibrationandsoundcanbeused,likemostthings,eitherwithpositiveintentionornegativeintention.Usednegatively,itsnothingmorethancontrolandmanipulation.Mostoftheworldhasbeenbuiltuponcontrolandmanipulationbythewaywecommunicatethrulanguage.Alotofdifferenttexts,suchastheBible,talkabouttheimportanceofjustmakingSoundwhetheritschants,drumming,orspeakingintongues(suchasthecharismaticfundamentalistsdo),theyarejustdifferentwaysthatpeopleareaccessingdeeperlevelsofthemselves.IsuggesttoyouthattheSolfeggioTuningForksareanevenpurerwaysofdoingthatwithpositiveintention.
WhenDr.JosephPuleowasresearchingthetones,hewasdirectedtoaMonsignoratauniversityinSpokaneWA,whowasheadofthemediaevaldepartment.Followinga20minuteconversation,the
"CanyoudecipherMediaevalLatin?Absolutely!Andyouknowthemusicalscaleandeverything?Absolutely!Wellthen,couldyoutellmewhatUTqueantlaxismeans?Afterabriefpause,theMonsignorquipped,ItsnoneofyourbusinessThenhehungup."1
Additionally,asDr.Puleoresearchedthetonesfurther,hecameacrossabookonGregorianchantsbyProfessorEmeritusWilliApelwho"arguedthatthechantsbeingusedtodayweretotallyincorrect,andunderminedthespiritoftheCatholicfaith."1Moreover,ProfessorApelreportedthat"onehundredfiftytwochantswereapparentlymissing.TheCatholicChurchpresumably"lost"theseoriginalchants.ThechantswerebasedontheancientoriginalscaleofsixmusicalnotescalledtheSolfeggio."1Trustme,nothingislost,itsjustneatlyputawayhowever,theycannothidefromthemasseswhatisenergeticallyplacedwithintheSoul.
AccordingtoProfessorWilliApel,1"TheorginofwhatisnowcalledSolfeggio...arosefromaMediaevalhymntoJohntheBaptistwhichhasthispeculiaritythatthefirstsixlinesofthemusiccommencedrespectivelyonthefirstsixsuccessivenotesofthe
21/6/2015 Forgotten In Time: The Ancient Solfeggio Frequencies
http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.html 5/7
scale,andthusthefirstsyllableofeachlinewassungtoanoteonedegreehigherthatthefirstsyllableofthelinethatprecededit.Bydegreesthesesyllablesbecameassociatedandidentifiedwiththeirrespectivenotesandaseachsyllableendedinavowel,theywerefoundtobepeculiatlyadaptedforvocaluse.Hence"Ut"wasartificiallyreplacedby"Do."GuidoofArezzowasthefirsttoadopttheminthe11thcentury,andLeMarie,aFrenchmusicianofthe17thcenturyadded"Si"fortheseventhnoteofthescale,inordertocompletetheseries."
Furtherresearchstatesthat,"PopeJohanneslaterbecameasaintSaintIohannesandthenthescalewaschanged.Theseventhnote"Si"wasaddedfromhisname."Si"laterbecame"Ti."Thesechangessignificantlyalteredthefrequenciessungbythemasses.ThealterationsalsoweakenedthespiritualimpactoftheChurchshymns.Becausethemusicheldmathmaticresonance,frequenciescapableofspirituallyinspiringmankindtobemore"Godlike,"thechangesaffectedalterationsinconceptualthoughtaswell,furtherdistancinghumanityfromGod."Inotherwords,wheneveryousingaPsalm,itismusictotheears.Butitwasoriginallyintendedtobemusicforthesoulaswellorthe"secretear."Thusbychangingthenotes,highmatricesofthoughtandtoagreatextentwellbeing,wassquelched.Nowitistimetorecoverthesemissingnotes."1
Idheardofdo,re,me,fa,so,la,ti,do.IparticularlyrespondedtoitwheneverIhearthatsongbyJulieAndrewsfrom"TheSoundofMusic."Iliterallyhavea"braincellfiring"asitisengravedintomybrain,andIseehercomingoverthemountaininthemovie.Ididntrealizethiswasactuallyasecond,modifiedscale.TheoriginalSolfeggioscalewasactually:UT,RE,MI,FA,SO,LA.
Lookingatthedefinitionsofeachoftheoriginalsyllables,usinghiddenentriesfromWebstersDictionaryandtheOriginalGreekApocrypha,Ihavedeterminedthattheseoriginalfrequenciescanbeusedfor:Turninggrieftojoy,helpingthepersonconnectwiththeirSourcetobringforthmiracles,DNArepair,connectingwithspiritualfamily,solvingsituations&becomingmoreintuitive,and,finally,returningtospiritualorder.2Throughmusicthesetonescanassistallthechannelsinstayingopenandkeepthelifeforce(theChi)literallyflowingthrutheChakraSystemquitefreely.Isthisiswhatthesixelectromagneticfrequenciesweretoaccomplishthatwereputinto"lost"hymnsandGregorianchants?
Ithinkwearelivinginatremendouslywonderfultime,andratherthanseeingtheglassas"halfempty,"Iseeitas"halffull."Ratherthanaccepting"CNNsperspective"oftheworldview,itsaboutfindingperspectivethruthevisionofyourownheart.Itisaboutchangeandtransformationofmankindtothenextlevelofevolution.We,asSpiritualLightWorkers,havemadeourselvesaccessibleatthistime,byDivineAppointment,tobeheretohelpthoseinhumanitywhochoose(itsallbaseduponirrevocablechoice)tostay,ortogo.Thosewhohavechosentostaywillcomeintoourlives,andwehavealreadyagreedtoassistthem.
Itsallaboutassistingotherpeople.Itsnottobetheir"Healer,"buttoassisttheminknowingwhotheyareandconnectingwiththeirtrueSource.Itisaboutprovidinganatmosphereofnonjudgement,aSacredSpace,forthepurposeofhealingthemselves.Weshouldbecontinuouslyteachingwhileassistingpeople.Theoldparadigmteachesustokeeptheinformationamongtheprofessionals.Thenewparadigmistosharetheinformation,andempowertheclient.EveryoneyouworkwithwhetheritsReiki,Massage,TuningForksorothermodalitiesyouareusing,youshouldfeelthatyouveempoweredthatperson,sotheycanextendthisinformationtosomeoneelse.HealinghasbecomeaboutourevolutionbyreconnectingouradditionalstrandsofDNA.Healingisalsoaboutassistingthepersoninrestoringthemselvestoastateof"SpiritualWholeness."
1"HealingCodesfortheBiologicalApocalypse"byDr.LeonardHorowitz,p.34562Ibid.3From"MansCosmicGame"byGuilianaConforto
The3,6,and9
AswelookatthesixoriginalSolfeggiofrequencies,usingthePythagoreanmethod,wefindthebaseorrootvibrationalnumbersare3,6,&9.NicolaTeslatellsus,andIquote:"Ifyouonlyknewthemagnificenceofthe3,6and9,thenyouwouldhaveakeytotheuniverse."
JohnKeely,anexpertinelectromagnetictechnologies,wrotethatthevibrationsof"thirds,sixths,andninths,wereextraordinarilypowerful."Infact,heprovedthe"vibratoryantagonisticthirdswasthousandsoftimesmoreforcefulinseparatinghydrogenfromoxygeninwaterthanheat."Inhis"FormulaofAqueousDisintegration"hewrotethat,"moleculardissociationordisintegrationofbothsimpleandcompoundelements,whethergaseousorsolid,astreamofvibratoryantagonisticthirds,sixths,orninths,ontheirchordmasswillcompelprogressivesubdivisions.Inthedisintegrationofwatertheinstrumentissetonthirds,sixths,andninths,togetthebesteffects."
InthebookofGenesisitstatesthattherearesixdaysofcreation.Yetmanytalkaboutthecreationweekorsevendays,andtheChristianBibleviewsthenumbersevenasthenumberofcompleteness.WhySeven?ItisduetotheinfluenceoftheNearEasterncultureatthetimeinwhichJesuslived,whenitwasbelievedthattherewereonlysevenplanets.
Whenwrestlingwithaddinga7thnumber,IwasmysticallydrawntoanarticleinDiscoverMagazine.Inhisnewestbook,JustSixNumbers,Reesarguesthatsixnumbersunderliethefundamentalphysicalpropertiesoftheuniverse,andthateachistheprecisevalueneededtopermitlifetoflourish.Inlayingoutthispremise,hejoinsalong,intellectuallydaringlineofcosmologistsandastrophysicists(nottomentionphilosophers,theologians,andlogicians)stretchingallthewaybacktoGalileo,whopresumetoask:Whyarewehere?AsReesputsit,"Thesesixnumbersconstitutearecipefortheuniverse."Headdsthatifanyoneofthenumbersweredifferent"eventothetiniestdegree,therewouldbenostars,nocomplexelements,nolife."(FromDiscoveryMagazine).Assomeauthorshavespeculated,couldthesetoneshaveplayedaroleinthemiraculousshatteringofJerichosgreatwall
21/6/2015 Forgotten In Time: The Ancient Solfeggio Frequencies
http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.html 6/7
insixdaysbeforefallingontheseventhday?Somescientistsarenowstatingthatifwehavebeencreated,wemostlikelywouldhavebeensungintoexistence.IsitpossiblethatthesixdaysofcreationmentionedinGenesisrepresentsixfundamentalfrequenciesthatunderlietheuniverse?Religiousscholarsbelievebotheventsoccurredasaresultofsoundsbeingspokenorplayed.
Otherscientists,includingthegeniusesNikolaTesla,RaymondRife,aswellasMozart,Haydn,Beethoven,andChladni,allmusthaveknownabout,andusedtheconceptof,theinherentpowerofthrees,sixes,andnines.Sowearedealingwiththreepowerfulnumbers:369.EveryoneofthesixSolfeggioTuningForksalladdup,individuallytothePythagoreanschemeof369.Infact,becausetherearetwosetsof369(anagrams)inthesolfeggio,theyareevenmorepowerfulasthesecombinationsserveas"portals"tootherdimensions!
JustIntonation12ToneEqualTemperament
AsIobservedearlier,anotherreasontheseAncientSolfeggiofrequenciesbecame"lost"wasbecauseofthechangeintuningpracticesthroughouthistory.Thestandardtuningmethodforthepast200yearsisquitedifferentfromthetuningpracticesdatingfromantiquitythroughaboutthe16thcenturyA.D.TheseancienttuningpracticesusedasystemoftuningknownasJustIntonation.Thetuningpracticeadoptedforwesternculturesduringthe16th,17th,and18thcenturies,andusedtoday,isknownasTwelveToneEqualTemperament.Theexplanationofthefundamentalsofthesetuningsystemsisfartoocomplexforthisagenda,butthefollowingquotefromabookwrittenbyDavidB.Doty,titledTheJustIntonationPrimer,shouldgiveanideaoftheconfinementthatmusichasbeenrelegatedto."Essentially,musichasbeenplacedinaboxoflimitations"astheresultoftherigidityimposedbytheTwelveToneEqualTemperamenttuningstandardsinusetoday.
"AlthoughitisdifficulttodescribethespecialqualitiesofJust(Intonation)intervalstothosewhohaveneverheardthem,wordssuchasclarity,purity,smoothness,andstabilitycomereadilytomind.Thesupposedlyconsonantintervalsandchordsof(12Tone)EqualTemperament,whichdeviatefromsimplerationstovaryingdegrees,soundrough,restless,ormuddyincomparison."
JustIntonationcanbefoundinmanyofthegreatFathersofClassicalMusicBeethovenandHyden,justtonameafew.Theydidnotusethis12tonetemperamentandIthinkthatiswhywehavearicherexperiencewhenwehearmusicthatwascomposedseveralhundredyearsago.ClassicalMusicbasedonJustIntonationgivesusadifferentrapportwithtimeandspaceandbringsusintoourhigherchakras.
NativeAmericanchantingismanytimesbasedonJustIntonation.Thechantingseemstosoundmonotone,butwearefindingoutthatwithinthemonotonesoundismultidimensionalharmonics.
Howthesedifferenttypesoftonesaffectourhealth
Consequently,sinceallmusicinourcontemporaryworld(fromcommercials,tomodernhymnsandsymphonies)hasbeencomposedutilizingthe12ToneEqualTemperamentScale,theyallhavevibrationallimits.Asaresult,vibrationalfrequencyofthetonesofmodernmusiccancreatesituationssuchas"boxedinthinking,"stuffedandsuppressedemotionsandfearbased"lack"consciousnessallofwhichthentendtomanifestintophysicalsymptomsof"disease."
ThisisincontrasttomusiccreatedfromtheAncientSolfeggioScale,whichstimulatesthevibrationofexpandedcreativity,easierproblemsolvingandholistichealth.
Again,itshouldbenotedthatalthoughtherearecontemporarynotesthatapproximatetheSolfeggiotones,theyarenotthesamefrequenciesastheancienttones.Example:TheSolfeggiotone,Mi.vibratesto528Hz.Theclosest,comparable,contemporarytoneisC,aboveMiddleC,whichvibratesat512Hz.OurresearchindicatesthatthevibrationalfrequenciescontainedintheSolfeggiotonesholdtheseoriginalhealingpotentials.
1ProfessorApelsandDr.Puleosremarksasreportedin"HealingCodesfortheBiologicalApocalypse"byDr.LeonardHorowitz.Pages58612HiddenEntryMeaningsfromthebook,"HealingCodesfortheBiologicalApocalypse"byDr.LeonardHorowitz.Pgs.16667
TransformationalTuningForksandCD'sbasedontheancientSolfeggioFrequencies.
Chakras,Elements,ColorsandtheSolfeggioFrequencies(pdf)
OtherResources:
JohnBeaulieu,"MusicandSoundintheHealingArts."StationHillPress,1987GiulianaConforto,"MansCosmicGame,"EdizioniNowsis,1998DavidB.Doty,"JustIntonationPrimer"JonathanGoldman,"HealingSounds:ThePowerofHarmonics,"ElementBooks,1992LeonardHorowitzandJosephPuleo,"HealingCodesfortheBiologicalApocalypse,"Tetrahedron
PublishingGroup,1999CandicePert,PhD,"MoleculesofEmotion"MichaelTalbot,"TheHolographicUniverse"Dr.Rees,"JustSixNumbers"
Articlefrom:lightwithin.com
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