Post on 15-Oct-2021
Charivari Agréable Publications
French and Italian Duets
for 2 Bass Viols
6 Sonatas by Senalier, Benda and Leclair
CAP012
Score (figured)
Edited by Susanne Heinrich
ISMN 57022 020 5
CAP012
Recueil des plus belles Sonates a basse de Viole avec accompagnement
ou à deux basses sans Violon par les meilleurs Auteurs François et Italien D- Bds KHM6208
Two questions arise when considering this manuscript. How did the music come to
Berlin and who arranged the sonatas for Bass Viols ? The most likely person to have
made the arrangements is Ludwig Christian Hesse (1716- 1772), whose father Ernst
Christian (1676 - 1762) studied the viol with Marin Marais and Antoine Forqueray in
Paris. Ludwig joined the court orchestra of Potsdam in 1741, but later moved to
Prince Friedrich Wilhelm’s private orchestra. The Prince received viol tuition from
Hesse and corresponded from 1767 to 1769 with Jean-Baptiste Antoine Forqueray,
who sent music to Potsdam. It is not known whether the pieces in this manuscript
were sent by Forqueray and later arranged by Hesse, but it is one likely explanation.
Not all sonatas survive the adaptation process intact. For example those by Senaillé
are cannibalised from
several disparate works of the same composer, with selected movements transposed
when necessary to maintain tonal unity. The title offers us a clue to the selection
process. The option of playing on 2 bass viols without accompaniment is expedited by
bass lines which approximate the top part, esp. in fast movements. The intended effect
is that of a duet of 2 equal parts, all the more convincing when the top part is played
an octave lower than its original violin part.
The pieces appear to have been chosen with care, eschewing pieces which do not lend
themselves easily to adapting for the viol. Although extant original arrangements are
rare, the practice is described by Hubert Le Blanc in his ‘Defense de la Basse de
Viole contre les Entréprises du Violin et les prétentions du Violoncel’ (1741): ‘to play
Leclair’s sonatas with its chords on the viol one must be on top of the instrument’s
technique. Is the fact that little was written for the Viol a valid excuse for not letting
her [the viol] take part in the new compositions for other instruments ? ... When
something is difficult to play many masters [of the Viol] say: This is not written for
my instrument. It is not fair towards the Viol to blame it for their own ignorance.
There is no music the Viol is not capable of playing, and therefore there is nothing
that is not ‘written’ for it. Due to this regrettable talk viol players will never get to
grips with the technique of their instrument, unlike violinists’1
The manuscript seems to be the work of a single scribe. The numbering of the sonatas
is a little chaotic. The arranger numbered the sonatas through from 1 to 24, with No.
18 missing, more likely due to wrong numbering rather than the omission of one
piece. The Boismortier sonatas, originally numbered 5-16 were later re-numbered as
1 - 12.
1 Eh ! pour jouer sur la Viole les Sonates de Mr. Le Clér avec leurs accords, il faut avoir pénétré
jusqu’à la moile. Sont-ils excusables, puisqu’on compose peu sur la Viole, de n’avoir par cherché à la
faire entrer en partage de toutes les productions nouvelles sur les autres Instruments ... Plusieurs
Maitres ont à la bouche, lorsqu’il vient à se présenter du difficile à éxécuter: Cela n’est pas fait pour
la Viole. C’est une grande lâcheté envers la Viole de lui mettre sus sa propre ignorance. Il n’y a
Musique au monde, dont elle ne soit capable de venir à bout, & pat consequent il ne se trouve rien qui
ne soit fait pour elle. Ce malheureux Dictum est une prémière cause qu’on ne s’est pas livre à plein
colier à devenir si on en pouvoit èpuiser la science, & non pas celle du Violon.
Sonata 6
del Sig. Senalier
Largo
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French & Italian Duets for
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© 2002 Charivari Agréable Publications
Allegro
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Gigue
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Sonata 7
del Sig. Senalier
Largo
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Allegro, Allemande
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Menuet 1 alterne avec le suivant
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Menuet [1] Da Capo
French & Italian Duets for
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© 2002 Charivari Agréable Publications
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Presto
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Allegro Assai
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Sonata 8
del Sig Senalier
Vivace. Prelude
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Largo
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Allegro
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Largo non troppo
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Presto
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Sonata 9
del Sig. Senalier
Adagio
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Allegro
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Vivace 1.
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Sonata 10
di Franz Benda
Moderato
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Polonese Ma un poco lento
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Un poco Presto
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Sonata 11
del Sig Leclair pour la Viole
Allegro
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Adagio
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Allegro
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Air
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French & Italian Duets for
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© 2002 Charivari Agréable Publications
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Index
Page
Sonata 6 (originally Sonata 3)in d minor Jean-Baptiste Senallié 1
Largo – Allegro – Gigue (c1688 - 1730)
(see also opus 5, 1727, no. 9 g minor and opus 3, 1716, no. 9, g minor)
Sonata 7 (originally Sonata 4)in D major JB. Senallié 6
Largo – Allegro Allemande – Menuet 1 & 2 –
Presto – Allegro Assai
(see also opus 5, 1727, no. 6, F major)
Sonata 8 in G major (originally Sonata 24) JB. Senallié 16
Vivace Prelude – Largo – Allegro –
Largo non troppo – Presto
(see also opus 5, 1727, no.3 D major; opus 4, 1721, no. 6;
opus 3, 1716 no.6, no. 1 and no. 4)
Sonata 9 in C majorn (oiginally Sonata 22) JB. Senallié 25
Adagio – Allegro – Vivace 1 & 2
(see also opus 5, 1727, no. 2 E major)
Sonata 10 in F major (originally Sonata 23) Franz Benda 30
Moderato – Polonese ma un poco lento – (1709 - 1786)
Un poco presto
Sonata 11 in a minor (originally Sonata 20) Jean-Marie Leclair 36
Allegro – Adagio – Allegro –Air (1697 - 1764)
(see also Book 2, 1728, no.1 and Book 1, 1723, no.1 )
© 2002 Charivari Agréable Publications
www.dagamba.com
Charivari Agréable Publications
French and Italian Duets
for 2 Bass Viols
6 Sonatas by Senalier, Benda and Leclair
CAP012
Score (unfigured)
Edited by Susanne Heinrich
ISMN 57022 020 5
© Charivari Agréable Publications
Sonata 6
del Sig. Senalier
Largo
4
6
9
12
14
French & Italian Duets for
2 Bass Viols, Vol. 2
© Charivari Agréable Publications
Allegro
7
12
18
24
30
French & Italian Duets for
2 Bass Viols, Vol. 2
© Charivari Agréable Publications
2
36
42
48
52
French & Italian Duets for
2 Bass Viols, Vol. 2
© Charivari Agréable Publications
3
Gigue
6
12
18
23
28
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2 Bass Viols, Vol. 2
© Charivari Agréable Publications
4
32
37
43
@
French & Italian Duets for
2 Bass Viols, Vol. 2
© Charivari Agréable Publications
5
Sonata 7
del Sig. Senalier
Largo
4
7
10
13
3 3
French & Italian Duets for
2 Bass Viols, Vol. 2
© Charivari Agréable Publications
6
16
18
I
French & Italian Duets for
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© Charivari Agréable Publications
7
Allegro, Allemande
4
7
101.
2.
13
16
19
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2 Bass Viols, Vol. 2
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2.
French & Italian Duets for
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Menuet 1 alterne avec le suivant
71.
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131.
2.
19
Menuet 2
241.
2.
31
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371.
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v
Menuet [1] Da Capo
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Presto
8
15
22
28
35
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42
48
55
62
69
75
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Allegro Assai
8
15
21
27
33
39
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Sonata 8
del Sig Senalier
Vivace. Prelude
7
13
17
23
29
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34
39
45
51
56
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Largo
3
51.
2.
7
10
12
f sharp in original
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14
3 3 3
16
`
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Allegro
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12
18
23
28
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34
40
45
50
56
62
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Largo non troppo
71.
13
2.
20
26
Presto
8
a in original
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15
22
29
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40
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Sonata 9
del Sig. Senalier
Adagio
3
5
7
9
11
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Allegro
5
8
11
14
17
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20
23
26
29
33
36
39
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Vivace 1.
6
11
17
22
Vivace 2.
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32
37
42
Da Capo al Primo
i
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Sonata 10
di Franz Benda
Moderato
6
p.
12
for.
17
p.
for.
231.
3 3 3 3 3
3
2.27
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32
37
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3 3 3
42
3 3 3
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3 3 3
3
3
3
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Polonese Ma un poco lento
5
8
11
14
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Un poco Presto
9
18
27
35
p.
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for. 44
pp.
53
for.
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62
71
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80
for.
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89
for.
p.
98
108
p.
117
1.
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Sonata 11
del Sig Leclair pour la Viole
Allegro
8
15
21
27
331.
2.
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40
47
54
60
64
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Adagio
4
7
10
13
16
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19
p.
21
3 3
+
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Allegro
9
17
26
34
1.
422.
51
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59
67
76
84
92
100
109
p.
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Air
8
15
p.
f.
22
p.
for.
29
p.
35
42
French & Italian Duets for
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42
49
57
64
70
77
83
90
[Volti subito]
French & Italian Duets for
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97
103
110
117
124
130
136
French & Italian Duets for
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143
150
156
163
169
176
182
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Index
Page
Sonata 6 (originally Sonata 3)in d minor Jean-Baptiste Senallié 1
Largo – Allegro – Gigue (c1688 - 1730)
(see also opus 5, 1727, no. 9 g minor and opus 3, 1716, no. 9, g minor)
Sonata 7 (originally Sonata 4)in D major JB. Senallié 6
Largo – Allegro Allemande – Menuet 1 & 2 –
Presto – Allegro Assai
(see also opus 5, 1727, no. 6, F major)
Sonata 8 in G major (originally Sonata 24) JB. Senallié 16
Vivace Prelude – Largo – Allegro –
Largo non troppo – Presto
(see also opus 5, 1727, no.3 D major; opus 4, 1721, no. 6;
opus 3, 1716 no.6, no. 1 and no. 4)
Sonata 9 in C majorn (oiginally Sonata 22) JB. Senallié 25
Adagio – Allegro – Vivace 1 & 2
(see also opus 5, 1727, no. 2 E major)
Sonata 10 in F major (originally Sonata 23) Franz Benda 30
Moderato – Polonese ma un poco lento – (1709 - 1786)
Un poco presto
Sonata 11 in a minor (originally Sonata 20) Jean-Marie Leclair 36
Allegro – Adagio – Allegro –Air (1697 - 1764)
(see also Book 2, 1728, no.1 and Book 1, 1723, no.1 )
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