CARP CREATORS nnoiz Papp

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The special edition of the Cybernetic Art Research Project. Edited by Velazquez Bonetto. 2009.07.06

Transcript of CARP CREATORS nnoiz Papp

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nnoiz papp

a special edition of the virtual art space

diaboluscybernetic art research project:

the CARP creators

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The word: „Cyberspace“ is known now as an artword, its born from the word „Cyber“ (a shortform from the english word „Cybernetic“ that again comes from the greek word „Kybernetike“; „The art of navigate“ and the word „Space“. On the worldfamous Macy-Conferences in the years 1946 till 1953 Cybernetik was something of high interest. Wellknown and famous scientists as Alan Turing, John von Neumann and Heinz von Foerster started here from scratch the modern computertechnics and the programm-architecture, today the basics for the Cyberspace. The real Cyberspace was opened by Secondlife. So you speak of web 3-D or so called Metaverses. The Metaverses are Internet-based virtual time-space-infrastructures. The miracle that we are experiencing today: the Cyberspace, the dematerialized virtual time-space, the worldwide webbed society. where we „surf around„ with lightspeed. An artist that is NOT using this virtual universe as a challenge and a goal doesnt deserve the name

„Avantgarde“

This e-book dedicated to the pioneer of the Cybernetic Art

Nicolas Schöffer.

He was one of the most important artists of the second half of twentieth century. Father of Cybernetic Art, thus of so-called „interactivity“, he wanted to bring a prospective and non-backward-looking vision of Art, which could help mankind to develop itself with a good hold on true creative and liberating

possibilities of our times.

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4 CARP 8 CARP 8 5diabolus artspace

virtual art space

diabolus cybernetic art research project:

the CARP creators.

nnoizpapp

nnoiz Papp (RL name: Tobias Becker)scoremusic-composer / music for animated movies / sound-designer / keyboarder

/oboist / 3D / video-installations1980-1986 Musikhochschule Köln (studying music for

teachingin schools, oboe and (jazz-)piano)since 1985 ca. 250 musicproductions for german children´s TV (Sendung mit der Maus)since 1982 working as an studiomuscian with oboe (for example Klaus Schulze) and keyboards (since 1984 with computers) in many different styles (from pop to heavy metal with U.D.O. and AXXIS)10 CD´s productions (4

under the pseudonym „SVENSSON“- electronic & oboe, 4 archivmusic cd´s for selected sound, Koch-music-library and sonoton)live music with TRIOGLYZERIN, a trio thats playing live with old silent movies in cinemas (http://www.trioglyzerin.de)since 1996different internet activities (quicktime vr - flash - 3d) see the links below....2006 live-video-installation at „Wuppertaler Bühnen“, visualizing Nyman´s opera „The man who mistook his wife with a hat“ with VJ softwareIn SL since end of may

2007, trying to put the things together.....SL-related:http://www.nnoiz.com/container/nnoizPapp-media.htmInternet:http://www.f i lmmusik.de/tbhttp://www.nnoiz.dehttp://www.krachmaschinen.dehttp://www.filmmusik.de/svensson (oboe&electronic)http://www.haralds-klang-plantage.de (acoustic&electronic lounge sound) in german...sorry...english version coming

soon....http://www.darknnoiz.de (dark ambient)

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virtual art space

diabolus the carp creators:

jnnoiz papp

1.cyberneticart

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The making of DWARF CHOIR

I came on a visit to Velazquez and he showed me his newest test object. It was an array of spheres, interacting and triggering each other in a specific way. This first idea was from Miulew Takahe and Velazquez.

After trigger them by collision they started to move up and down. I got the idea of a dwarf choir - dwarfs singing, going up and down. I told velazquez this idea and we suddenly started...First I had to choose the tuning and recorded the dwarf sounds in my sequenzer. The sound comes out of my Yamaha FS1R synthesizer.The sound control take place over the mod wheel and makes the sounds a little bit „human“. I put 4 sounds on each dwarf.That was funny. But it was to „clean“ for me. So we chan-ged one dwarf singing wrong stuff. The first trial was a cat sound, than I found a metallic screa-ming, and we took this one now.

After this I worked on the textures. I took pho-tos from me in my musicstudio (one of these 2 minutes sessions...;-)....) and imported this stuff into photoshop. I combined them with a rusty texture.We have 4 frames: a normal state, a sin-ging state, normal2 called the „duck-state“, and a nerved state, when one of the dwarfs is sin-ging wrong.After importing this into SL I put this textures on a sculpted prim (made with rokuro). I modified the textures to get differentcharacters by stretching the textures and mo-difying the sculptured prims.Velazquez cares about the clothing then.In each state of the pro-ject we tested it out and had MUCH fun...!Now ist planned to organize a „dwarf choir festival“ with many different musicians playing or singing with the dwarfs.

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