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Hitchcock's Banjo Collection.
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i piki^-FOR, TH]
BANJO-BY-
Frank B. Converse.(See Table of Contents.)
NEW YORK
:
HITCHCOCK'S MUSIC STORES,16 6 Nassau Street,
opposite city hall.
3 S3 Sixth Avenue,NEAR 18th STREET.
Copyright, 1887, by B. W. Hitchcock.
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HITCHCOCK'S BANJO COLLECTION.
230 EASY PIECESFOR THE
COMPRISING A CHOICE COLLECTION OF
Polkas, Waltzes, Clog Hornpipes, Reels, Jigs, Walkarounds, Songs, Etc., Etc.,
In both the "Guitar" and "Banjo" styles of execution.
Arranged and Compiled by
FRANK B. CONVERSE.Author of " Banjo Without a Master ;
" " The Banjo and How to Play it ;" " Complete Method for the Banjo ;
"
"Simplified Method for the Banjo;" "The Banjoistj" "Analytical Banjo Method," Etc.
NEW YORK:
BENJ. W. HITCHCOCK, Publisher.
Copyright, 1887, by Benj. W. Hitchcock.
V
SALUTATORY, vh. <ai«» dum. ^.
Nov 28 1900»
In presenting this work to the admirers of the Banjo, we deem it superfluous to multiply words in its com-
mendation, — the name of the author being sufficient continuation of its superior excellence, reliability, and value.
Yet a few words, explanatory of its general character and scope, may not be considered inappropriate.
That so little of what may be classed as good, or suitable music for the Banjo has been issued, seems an anomaly,
viewed in connection with the universal popularity and use of the instrument, which, however, can be dispelled, by
the fact, that, very few competent persons have given the subject the rigid investigation required for a practical
illustiation of its many beauties, and the elucidation of principles for general guidance. Of these few, notably at the
head, and, we might add, the very pioneer, stands Mr. Frank B. Converse, the universally acknowledged
Premiere Banjoist of the Would, to whose indefatigable efforts, — attested measurably by his various published
works upon the subject, issued during the past quarter of a century ; his life-long devotion to the elevation and
advancement of the instrument and its music,— both in this country and abroad, — professionally, and as a teacher
and composer, the "Banjo World" is admittedly indebted for the pre-eminent position now occupied by its
favorite instrument.
Unfortunately— for the Banjo— much that is published, termed " Music for the Banjo," has proven to be
but little more so than in name, unmusical compositions, peurile and inartistic transpositions, faulty and awkward
alike in construction and adaptation to the capacities of the instrument.
Fully sensible of the steady demand for reliable and popular music, suitably arranged for the instrument, wehave been induced to issue the present work, comprised wholly of the especial arrangements of Mr. Converse.
This compilation will be found, in reality, to embrace the " Music of all Nations," in almost endless variety
and character; and the degree of versatility still further enlarged by arrangements in both the " Guitar" and the
true " Banjo" styles of execution. The pieces range in several grades, yet may all be classed as " easy," having
been carefully arranged and adapted to the instrument upon a most perfect, yet natural, system of fingering,
admitting of smooth and facile execution, and, consequently, easy attainment by executants of even moderate powers.
In conclusion, we desire to express our gratification in being able to present to the lovers of the Banjo, this
invaluable collection, feeling confident of its favorable reception, not alone by the Professional Banjoist, to
whom it will be a most desirable companion, and the Amateur, who will find it to be a storehouse of pleasure and
recreation, but the Teacher as well, who will appreciate its value and usefulness in reducing his labors.
THE PUBLISHER,
Melodies of all nations,WHAT SHALL I DO?
Words and Music by J. L. FEENEY.
Allegro,
r rJ-^ff—T | f
OUR SELECTED IRISH STYLE.Words by WM. HARDMAN. Music by NED STRAIGHT
7f
#a&# i33?S ^m^m^^Ml^mm^i
x r *^ f ^ ipgippfigifii
Chorus.^ *
^^^m^m^^mjms^^mf • r
——4- r m±-m 1_^—«f
—
k i_ji- --«*-,» a LS .w '— LM^ — Ms ;-• *
Copyright, 1886, by B. W. Hitchcock.
Worus by GEORGE COOPER.TEXAS CHARLIE.
Music by FRED A. ROTHSTEIN.
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THE CLOUDS ARE ROLLING BY, JENNIE.Words by GEORGE COOPER. Music by H. MAYLATH.
Copyright, 1886.
DIE WACHT AM RHEIN.
9 S^^ikT— —Lg-i—-0—0 +—E-m-^ p- c*-t—*L £ —
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PERT POLKA.
^^^^y^p^^^MAY BLOSSOM POLKA.
Copyright, 1886, by B. W. Hitchcock,
TAKE GOOD CARE OF MOTHER.
Words by Mr. MURPHY\orcls by ivir. iu«—, ,
, _j_
Melody by JAMES A. BLAND.
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f-*—«r*" sT x
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§*=r pPr-Y-?--*""^^^^e^^^^
5: x ^ * ^rr
Copyright, 1886, by B. W- Hitchcock.
DE ANGELS AM A COMING.Words and Music by JAMES A. BLAND.
1st.mm^M^i^p^kf^.-^~2cL
|uSi^^^^fe^^^^n^iiip^^p^m pp^f x *rf^
«E
THAT'S ALWAYS THE WAY WITH YOU BOYS.Words and Music by J. P. SKELLY.
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Copyright 1886, by B. W. Hitchcock.
I'D SOONER BE LUCKY THAN RICH.
Words and Music by NED STRAIGHT.
» Solo
GWINE TO ZION'S LAND
I
Chorus., _ f
Words and Music by THOMAS H. MURRAY.
Solo. i I
Chorus.
s r r *\ *
-f>-* f * La^tai * r r x r r * p * h
Solo.
:st=±=gS^ m Chorus.
*=ri=^
mX
1st Tenor.
f * f"
2d Tenor.
Solo., , _ HCho.
I
Baritone. Chorus.
3=»:, x r x
I
Copyright. 1886, by B. W. Hitchcock.
Gwine to Zion's Land. Concluded.
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n^rrrr^ r r r
lay&i:»- X ^ f T 1£ ^T X:
rDance.
lis: 5: X 5: T 3: ^*5 ^*^~
fci IX
r-iDQ
Copyright, 1886, by B. W. Hitchcock.
10
I I I
s=s 3=t
RUSSIAN NATIONAL HYMN.
5* 4b
^s^»Egs•&=&==&=*¥~ r Tf r ri
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AUSTRIAN NATIONAL HYMN.5b 6*
u r f r f r cT r f r r Lr r rr fCopyright, 1886, by B. W.
HOW TO BE A MASHER. 11
Words and Music by ALEXANDER SPENCER.
p^r^^rr^rf^F^--
TCopyright, 1886, by B. W. Hitchcock.
THE BRIDAL WALTZ.
"V 2d.
2?.C.iWBLACKSNAKE REEL.
F. B. C.
Banjo Style
life!I
Copyright, 1886, by B.W. Hitchcock.
5
AN AMERICAN'S TOAST. 13
^b
-f9
Words and Music by WM. DEVERE.10b^U3J^J5^jyJ3 £=t=£
FF£^*^
Copyright, 1386, by B. W. Hitchcock.
11 MIKADO POT POURRI.
4t*JUJU^u$ ^3
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^X X
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plA WANDERING MINSTREL.
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8* f
4 -f *
r
WILLOW, TIT-WILLOW.
Copyright, 1886, by B. W- Hitchcock.
MIKADO POT POURRI. Concluded
3b
I'VE GOT A LITTLE LIST. 5b j
Copyright, 1886, by B. W. Hitchcock.
16 FRENCH NATIONAL (Marseillaise) HYMN.
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i« I I
^liS^i"^ r r ^C^^^CJCopyright, 1886, by B. W. Hitchcock.
THE BABIES ON OUR BLOCK. 17
By permission of DAVE BRAHAM.
£*rfav±=±
&*=*A—\-
X f X r « ry 33
<^ ^ X --i: X ~F X :^. X f X + X P X 'P"^ii '
i
' r ' ^j> * V 5b
q rl r> I F3
-&--
f=
+ X I
Copyright, 1886, by B. W. Hitchcock.
18 NOBBY JOE.
Words and Music by J. L. FEENEY.
Tempo di valse
f T ra^fe^UfeM i i b j=d—
j
—d-
atr^=tF F
IJ=J=CJS
Chorus.
Copyright, 1886, by B. W. Hitchcock.
HAIL COLUMBIA.
Y^ ' f f f- * f f ' f ? f *f-
* r f
19
4-,
^gff^^^g^P a^m^d^4J3j3r^^r
^-irr?r^-r— r r—
Copyright, 1886, by B. W. Hitchcock,
20 JOG ALONG TO GLORY.
Words and Music by M. H. ROSENFELD.
^S*t -u *
r r r r rChorus.
rg-^-^^^^rgzjr^—-*zrMzz^j=rfc=[:
^
I I r r r t
-«E«B =?" ^Tf*-S=g—trqa-3: ^^^rfft
Copyright, 1886, by B. W. Hitchcock.
THE BIRD POLKA.Drum.~~'-~'-'-~—
~
21
Fine
w^^^^^m^
^g&m&*£k*m&&m&^&DUDE! DUDE! DUDE!
Words and Music by CHARLES D. CRANDALL.
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^gggjj=g=igrn-JTi^j=^^j%^^P^#p^j
f *Vf 7 1 FTF'F
IJ^-J—rJ. J*^ww&& U^ U-J S.U ^OJ
Copyright, 1886, by B. W. Hitchcock
Arr. by NED STRAIGHT.Dolce con gusto,
MY HEART IS WHERE THE SHAMROCK GROWS,Words and Music by W. C. ROBEY.
-i—ra-jgjjjg J J j ^^^^E^^fe^g
£T^s iT S 3: X "T r * v f
m ^rj-7—
^
d=^SJ=J3g^ ^J=^3:»7 " 'f
»r s r
Chorus.
Words by W. J. O'LEARY. A. M.
r rAN IRISH FAIR DAY.
Music by M. J. SAVAGE.
1 r *
Copyright, 1886, by B. W. Hitchcock.
m^«t=j=dzpj=J
An Irish Fair Day. ConcludedChokus.
23
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f#*fr ! « I
H-1—
m
H—^-1 J J i
I
—'
-Ji J J J i
^ J JiJ-1 irJI i. n
MEET ME AT DE GOLDEN GATE.Words and Music by NED STRAIGHT.
SF^F
Copyright, 1886, by B. W. Hitchcock.
24 BAND POLKA.T ine 4th String to B. Tune 5th String to D#.K>ad as in the regular tuning.
Mote. The X indicates the 5th string.
GOD BLESS THE BRIGHT GEM OF THE SEA.
Words by ACTON E. KELLY. Music by FRANK C. WEBER.
i^llip^Copyright, 1886, by B. W. Hitchcock.
MULLIGAN'S WAKE.
&£ S.SWords and Music by J. P. SKELLY
^=fc£f^P^W» :*i? *=d=*=^=
fe*ffiS^i33E 52 3E[E^^B±i5b 5B
H^f3?^&
frChorus,
5: SI r f f^
fep^^mMte 3=^^? F? r=r
r r
fe^^^^^fc^^^l^ii^^^F^" > r > ^ r
Copyright, 1886, by B. W. Hitchcock.
m
26 PUT MY FOOT IN DE GOLDEN SHOE.Words and Music by NED STRAIGHT.
5B _^,^*. J"3-F3! r R Fl * * . _ Iist. n Y 2d. H
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KEEP DEM GOLDEN GATES WIDE OPEN.Words and Music by JAMES A. BLAND.
5 JS dtj3=gsa=BJfa=£=^^
? r
9|^^S^^tea * r ^
Copyright, 1886, by B. W. Hitchcock,r * f
HIGHLAND REEL. 27
5b
te
Y 2d.I
i^^S^^^fll^^ite^iiiilpVIRGINIA REEL.
^d^jgl^gg^
f=so* p^^gHlg^g
s^ z)=$qsp=p:
Copyright, 1886, by B. W. Hitchcock.T* g^Slsa
28
^ '7* i s-UBJ^j=J:
GWINE TO RIDE UP IN DE CHARIOT
a s^s© M^_ M^*--W--
^^^A^iteifegfeifegfepi]MECHANIC'S JIG.
H^^^^i^^2>.£.
Copyright, 1S86, by B. W. Hitchcock.
MAY POLE DANCE. 29
^^^^hp^^l^^^p§I^^i^n|il
MY LOVE IS BUT A LASSIE.
1^^^^^^^^^^^-^^^^=^WE WONT GO HOME TILL MORNING.
-£
Copyright, 1886, by B. W. Hitchcock.
30 WE'RE A' NODDIN.
I)'^ ^-^r* ^—^-^-^•-J—^=g -j^- "-id.—*- *—*—*—_^—•-1—
»
—=}.—
-
31
-»- -©- «- -0-
AULD LANG SYNE.5B
cx~2_za=^—c^ 1 <—9^ « ^-m-. ' -J—
JOHN ANDERSON MY JOE, JIGi * • i iii i jfc.1 >,
Copyright, 1886, by B. \V. Hitchcock.
PADDY McFAD. 31
NO LUCK ABOUT THE HOUSE.
BipPi^
RORY McLAUN.
» s^s j=^ fe 4S S!ist^ * ^
Copyright, 1886, by B. W. Hitchcock.
32 THE STAR SPANGLED BANNER.
I I
f^-^Nf^-%—*-^3—^==1 m*
s* *
^=W^s=r=^^=#%=*^
pp1_ J
fe Ifetdg H^±s=r
IRISH JIG.
f* | Fine.
ROCKY ROAD TO DUBLIN.
^—
*
i^l^il^liidi F^-:==^==3^*^^H
Copyright, 1886, by B. W. Hitchcock.
Banjo Style.
PADDY GO DOWN. 33
—-ffrrr^ iJTIj-h—^n-g>—*^-— * * g e> 4 4® &
,|__J• *jt*i •
J J • •(*• 4 4* 4
s-l«=g=5fe3£ 1EE^EE£^33-= ^=-J= ^^=^g,^=t T=t
glg^g^^^JENNY PUT THE KETTLE ON.
p^^E^m^ 9 g ^ —•- 15E£2 :*==*=
r r «r f * f *x r r
BLUE BELLS OF SCOTLAND.
Copyright, 188C, by B. W. Hitchcock.
34 HASTE TO THE WEDDING
Wmw^ "i*=t3t
5b 5B,___
i;5=^=^3=^=F=^:3—=43=
COMIN' THROUGH THE RYE.
ii^^^^g gH^P^WEEL MAY THE BOAT ROW.
f r r.f
Copyright, 1886, by B. TV. Hitchcock.
OLD TOWN REEL. 35
mm^mmmmm^ms^^^3 •%*
^& Sffid^^*^
6* 10b
*=t i^^Es§ F-HH-^fe*^-T=^^*
^Ff5^ IP!
PADDY'S DELIGHT.
THE GIRL I LEFT BEHIND ME.
g&[BJO,
|3=ii3ii^Ei Us?^3:=:-d^?;!=s« S*=P3: uCopyright; 1886, by B. W. Hitchcock.
36 BARNEY BRALLIGHAN.
S ^m fe^s Iw H_«r --z==*z= =*t=^
^m 4Ji=^^^=U^^^U^A=^f
1 h I m
m £ d j^ lm^ sipEEE^feE^ :*=*«^"P
DROPS OF BRANDY.
nj^apj--
-^ j**n J**
H
I J—d*—H^T-JT^I J JC=ITV-H~ITJ M^^J'tT^I**
&g^ sfc=^sii^t^s^sgfcsi^Eg^er^fc* 3 *=ifc»= sm
EE33 ^gj|
SWISS WALTZ,
&k -i ~j- ^^=aE5E3?±J:^^1=t" 3
SmE^^^ii^i^Copyright, 1886, by B. W. Hitchcock.
THE COCKADE. 37
POLLY HOPKIN'S WALTZ.
^^^pp^i^^ipp§TYROL WALTZ.
Sis^33 -U m
Copyright, 1886, by B. W. Hitchcock.
38 HUNGARIAN WALTZ.
V TT IT "# -*• -* nr
tJ -j+ -jr # T#- Tph "*- -^- -*-
ff^jyjr nj=^^^f^| fe^sSgj^^^=^pa
WIDOW MACHREE.
J=^= -J
5 5 -*' 5:- *
fHjSi-jmJai J.
Copyright; 1886, by B. W. Hitchcock.
Tune the 4th string to B.PEEL'S FAVORITE REEL. 39
P^^^^^%^GAZELLE HORNPIPE,
Fine.^0^^^^^^SpSMITH'S HORNPIPE.
S± ^^^m ^^^m+--?:
E]=CT:
Copyright, 1386, by B. W, Hitchcocl
40
m«fe 33E
SPRIG OF SHILLALAH.
ir^^^g^^gi3^ iH^8=^
HiB*I
5B 5b& C • , *=i==T=t * BE =£=£===]*=
^:
OPERA REEL.Tune 4th string to B.
THE GOOSE HANGS HIGH.
<J V " " vJL- • - V*
E9p~~i tjjO ^ _Al I "i 1 ^ ;-- . * J . i—i—i
—
4-\\
Copyright, 1886, by B. W. Hitchcock.
mm^^-YORKSHIRE HORNPIPE.
^41
^a=#S
DICK SAND'S CLOG.
S3=Sj3 I1st.
I Y 2d.^^^^^^^^^^^mm^^^mmttEM
'
-4
KELVIN GROVE.
Copyright, 1886, by B. W. Hitchcock.
42 OLD ZIP COON.
=3==^^Ipm^glpig s^sw;=tr ^^r^
&S RORY O'MORE.
m_n^-!-r^-FlNE.
-*r
CHORUS JIG.
g^S^ISHibi «H33t
^^^^ggjgsaCopyright, 1SS6, by B. W. Hitchcock-
HOME SWEET HOME. 43
fc£s=* aus ^ee^e^^e9= s^aAa^»£=*f
5b
fe=
r r r r r
ii±^ ta=t=&^
3EE* i^E^a^^
MONEY MUSK.
issg^^iii=il^S^ii^iiiiis§p^^pj=p^^s^=|q^5li 3^=^3=3^11
COTILLION REEL.
m^m mm*^=g^mmi=^^mD.8. %
Copyright, 1880, by B. W. Hitchcock.
44 POP GOES THE WEASEL.
3jrrh
—
*-i—eP^-i——:p—KIT zs=3=zzz1*zzz&=£zzz)z
zzzM=^i=3:
2B
(f^f-^a^^^^^^^^^^N^^^^^P
%^BILLY'S BACK ROOM.
# 3t3t ^^^^^r
JL^gS.^r
S3=fe ra=J=BIS S=^ j i
P^ ^=rEEg-33:
3==^="==j:
LAMPLIGHTER'S HORNPIPE.
Copyright, 1886, by B. W. Hitchcock.
EMPRESS VARSOVIENNE. 45
Sfe^fflw^^mm S1^ m*-^
T*&\r ji r i i
i r ^H S3^3=
STOP DAT KNOCKIN.
j& ,p-g: ^mmJ^m^miE*ae
SfeEE*i^g^riSi^ =±^£^ISMid-*- >-
I
^^^Pl^^^gfe eSSSB±hOT
993S33Itaw^ ISP im tt^r^—^Copyright, 1886, by B. W. Hitchcock.
ffi SHADDOCK'S JIG.
p^^m^m^^mif^^^m^m^mm
Banjo style.
WHOLE HOG OR NONE.
«£ff 9-k-J!—i
—
m—i—"^
—
fv-p q=*zz==*:
JE^^E^^^^i^El-3-"
1
DURANG'S HORNPIPE.
x_ar-G-w-^r
Copyright, 1886, by B. W. Hitchcock.
BUY A BROOM WALTZ. 47
ISAAC'S JIG.
sp^^^SpplH^=fcq
SPANISH WALTZ.
55-
liSii
Copyright, 1886, by B. W. Hitchcock.
48 ROBIN ADAIR.
i)* *<±j-*p fe§=^§
^&
*=(£ s* e#=t=t=t3tr=B=jt 3"
=99:mnCHINESE DANCE.^^^^
SPEED THE PLOUGH.
1st. "V 2d.
-3£+±+-j±st$atd. 3«=
w w-d- --* -*- -* v
Copyright, 188G, by B. W. Hitchcock.
COUNTRY REEL
&*:
i
f-'
' r f-r T
ANNIE LAURIE.
f r r i
Copyright, 188C, by B. W. Hitchcock.
50
Tune the 4th string to B.
mARKANSAS TRAVELLER.
m SSSSS J=3r
BLUE MONDAY.
THE POACHERS.
iv jj*
r rig rJ J1-I r-*-^^=-^-rtd=:?=:^n—~—nhd J l8lS=Copyright^ 1886, by B. W. Hitchcock.
BONNIE DOON
Banjo style,
OLE JOE.
-"£ sssCopyright, 1886, by B. W. Hitchcoek*
52 FISHER'S HORNPIPE.
jgflgagtfg ^^B^^^i&fflg
MOUNTAIN REEL.
P^=^ -«-«—»—j-.^r3^i5:^« ^p^i^^^^i^g^i
sA-d=S=i?iJffflS:fczz^: :ti^=tS^ ^SZZZIlt PLARRY O'GAFF.
&pE^§Sil^^^g ?3 ^m^^m^m^^mmmm^^mim^^^^mm
Copyright, 1886, by B. W. Hitchyock.
Banjo styleREE ROW MY TRUE LOVE. 53
£=&t i=F=^ ^ S^S^Si^iaS#=3=3= :S J5:1^ :"5==f*= ^=^ i^H
OLE KING CROW.Banjo style.
j^jjg^ijgfa^l^Sj^g^ferfEaff^g
feS i^H^^^H^^^^g^9-T-9—^t-^-
^s^^^^fe^k-™=Jtsti=p:
*ft ^P^feg^lSUCH A GITTEN UP STAIRS.
fgnm^ii^iiii2d.
-S=F ^jg^^P=^^^^^|Copyright, 1880, by B. W. Hitchcock.
54 THE CAMPBELLS ARE COMING,
fclS^rTTiHgjES*—
^
z=gg=5gmimmgmzgi^gkmm-S-&
f^=^^^F^#=^lJ#^p5^^^^^=^^^3
Copyright, 1886, by B. W. Hitchcock.
SCOTCH BAG PIPES. Na «. Characteristic.
Tune 4th String down to F#. Tune 5th String up to F#.Read as in the regular tuning.
I
SCOTCH BAG PIPES. No 2. CharacteristicTune the 4th string to B.
Read as hi the regular tuning. 5b
1 lin^3
m m^j 1-" 1=0=3m *31—i—t——
r
l^zjra.
Copyright, 1886, by B. W. Hitchcock.
56
Htfc ^N—a:
f
BEGONE DULL CARE.
I :|S :J=*=t^
r*^-4 ^^fc^^^^p^B^^^^
"Uj^s
£—x
M&=2z,^—r— -«- f—r—t^rir3
1ftl
TARA'S HARP, OR GRAMACHREE,i j i _i rg g _«___ r^ h^t-h p"*^***^
i—rn—i nsr±4:
I-£: f r r i i
in ^_«-r i»-»e 4—1 i sEgEg^BgEgaiEgEtEgE^^^f a
I£^^=g; * *-^S53
EVELEEN'S BOWER.
^ar^^^P^^ •^-^-^b^i
iT
¥pg^^f 3^* 1Copyright, 1880, by B. W. Hitchcock.
FRED WILSON'S CLOG. 57
ip^^STANDARD CLOG
^3&*
:J-*—^«-*
iBhiVjQl^^BilPiPlssg
^^&Si^!OH SUSANNA
=03j— _*» _-, !
lst- Y 2cL ~l
3jjj%=F =p=M=3:S *=* eSE*=^iCopyright, 1886, by B. W, Hitclicock
58 HAIL TO THE CHIEF.
#^H ^=g^lpigpi^_jp^
iA*. ?=rrs3= 3=SS=*e1 ^B^^Sfe^=^= m»3^t3^3-3-3
^^l^ip^^^^Spp^^S 3
i
Banjo style. .0.
f%' fi p g- te=
COME TO THE OLD GUM TREE.
I:^=^- :£=£^^^^=g=^i^^i=3i^i^^^i^sF^9^=E[ -*—
^
z
P *=£=!=£
DE CHARLESTON GALS.
^gjpgfp^Bl^^^rtl^^^jpi^^^g^g^V^-^ggqg
Copyright, 1S86, by B. W. Hitchcock.
ttBanjo style. £
LYNCHBURG TOWN. 59
S-J^f 2d.|
Banjo Style.
Tune the 4th. string to B.
DAVE REED'S REEL,
V 2d.
^Sb=E :3=3=«
4-Q +1 2 tain ^iib ii 1 1 1
BMBUBBBfl [BBIHWa ffWOBI^BnMBaB "CTtgegBMBm'TOa ISiHUOISin t3gaan» -
fJ^iHi,qp-l« IBKSaaBBBm 3731 ^ *
:.-=]:
KATE KEARNEY.
Copyright, 1886, by B. W. Hitchcock.
GO EDINBURGH TOWN.5B
iSi ^^-g^ft-j^ ^-_^= m Sfe^*
r r f f5B
:W=t=:
BELIEVE ME OF ALL THOSE ENDEARING YOUNG CHARMS
^^^^^^ggp^^p 4=ft
&=S3 '=^33seiS=S^1^3t ^5#^: Ft*=4
Jfegat rti*~f z r 3i i
THE YOUNG MAY MOON.
ffi*
i i i i i i r ' "' r i
trx—-£
—
z ^mm ^^^^^^^ga^^^P5
Copyright, 1836, by B. W. Hitchcock.f r
TULLOCHGORUM. 61
HE3E£E*E^:
1Kt5d==i-^^m
%«-1=1:
^Y'S WIFE OF ALDIVALLOCH.5b g
Fine.
Z>.<7.
A HIGHLAND LAD.
mamBmi^kmmmmmSmmmmmiilMm;
Copyright, 1886, by B. W. Hitchcock.
62
SB
SOLDIER'S MARCH.5bm^^^^ mmmn^==:=^=::=t :^-"
Jgt. V j Fine. 1
-0- -0-
D. C Tkio.
g^=5^ s s» 3b
S=Fq==^=F=l=^=^=td-J
:tssi=EE3=^ 1^
ALABAMA WALK AROUND,Banjo style
2^ 1 Bp^- ^
BOSTON JIG.
I
1stSl^^^^^w^^^^1st.
-w*-|-V^:
Copyright, 1SSG, by B. W. Hitchcock.
^my 2d.
:?:~xt?-.~ ::3
**«=3*~2=-
DRINK TO ME. 63
IT'LL NEBBER DO TO GIVE IT UP SO
«§—-±zj^EpL 3^^-^— SlipTHE LAST ROSE OF SUMMER.&Si illi!illiliH=3=i§=
Fine.
^E5'=^>
Copyright, 1886, by B. W. Hitchcock.
(U JESSIE THE FLOWER OF DUNBLANE.
^=:::ii^=g=g^-j___^_
i[!
_
i «t i ^ ^ f [* ^ f > -p > -p- t r f
-
THE GRENADIERS.
& i
i i
JOHNNY BOOKER.
y*=S=¥£^ s£3^53=*_j-_^_3-
*t* ^=*=3=qv-3- 1—-X-
^Eg^pI^^HSdfl^S M=4=
Copyright, 18S6, by B. "W. Hitchcock.
*3^V 2d.
1
ism
RACQUET REEL.it
Tune 4th string to '.
^Ew3=*=^:fr^=&±=gz^
F. B. C. 65
id^a^.fc^i§gp^^iiiisp uppaii
n#L^j5 rar^a JrTL x ra3^ "Brra ^rr* «*-w ss-ra rnir: J3 b^
LOUISIANA BELLE.
Hq=S==Bf:J3 i=^»=S n-BrJJ 1st. V1 2d. J
i^IS"i 3
*£ -^m^^ ^mi^m^^^^SING DARKIES, SING.
^r-3
*&S pS 3=feS1st. "Y~2d: D.sm
3E ^il^I^ilCopyright, 1880, by B. W. Hitchcock.
66Banjo effects. Guitar Fingering.
PASTIME JIG.
3t-==fc—t^—*—t
g_
—
3—
iS^z «t ^PrPgElgjfeigfeipB^r^^£EE*
JTlt fTT55bj#ii^g^^^ -RTVpse
=33=
lfagi#i#a[^^gi#3dFRANK WILSON'S FAVORITE JIG.
Banjo effects. Guitar Fingering.
Minor,
Copyright, 1886, by B. W. Hitchcock.
THE ROSE TREE. 67
r r r
ST. PATRICK'S DAY.
r r
ONE BUMPER AT PARTING.Fine.
^EEF= EF£!'
EE=FEEf
Copyright, 1886, by B. W. Hitchcock.f
08 PRIDE OF KILDARE.
AIR FROM TROVATORE,
SS^3 i==i- =tF3=£ ?^m :H 1=
r^—
i
I I
T-^:
»=FiM=mm ::g-g«4—*P
rrjr
*=r:^=g=f=
9* 8*
=s
AIR FROM PATIENCE. No. I.
Copyright, 1886, by B. W. Hitchcock.
DAISY WALTZ. G9
±j£ m rm :d=±|3*S 3^
+tl
ist., 7 y i
2d. ] [i i "i'i |
mrr, _, _, list. htth Yaa.i
i
i£3
I1st.
3fc^S^E1_, rTi"m v 2d . j j
I
THE GEM WALTZ.
=E=^:=^S±g^:
^^^^^g^i^^^^^a^iTune the 4th string to B.
THE CUCKOO.
^m^mmzm^m^^smz^mmmmH^^mmmm
*& -p ^m^m^^^m^^S3^^^^ ^mCopyright, 1886, by B. W. Hitchcock.
70 THE PALMETTO SCHOTTISCHE.5b
m5SE^^^ i—
r
S=S l -JTTtj=f *t*r- £^
(S^^ S^^^^^^^^^I^Si
ANDY LEAVITT'S POLKA.
n*tt ^ » •» l^i I—
i
^ ^ !1st. ~ V 2d. FineTL* %-mm r= —- R™
slide J-Kio.
ot? Jt 4'
V ti n \
Har. on 4th str. 2B n ~
THE GOSSAMER WALTZ.
tt™rrspT3 i
ist. y 2d. fine,i
rq-rqn-fl raT^T^ 6* 2
^ I
^"^^Z^FJSt
Copyright, 1S86, by B. W. Hitchcock.
AIR FROM FILLE DE MADAM ANGOT.
i E-
71
AIR FROM FAUST.6*
*J -d- -W- -tt -*zff.
$J*U_d^=^pi^f^^ d^+-j-Cf4- i=Ft
Si
Copyright, 1886, by B. W. Hitchcock
72 COLLEGE HORNPIPE.
-J-^t^S^r*- H^P^^S^^^^lisise ret? iiiSSl 4=t 3^
*£^ itJ>^»-J: ^iSls^^pSl^pltalp
COUNTRY DANCE.
51)
S S^^^l i
AIR FROM PATIENCE. No. 2.
I
—
^.-^r 1-*-^
J_J-
i^3|=i^ ^ i==&- i==jt=&=±x?3£
=5-3-* II I
Copyright. 1886, by B. W. Hitchcock.
THE IRISH WASHERWOMAN. 73
I^=p3J^il^^lip
^mm^^m toi^A^&Pii¥?3^5
NORAH CREINA. Irish Jig.
*=t rtoB=—n=1==£•»| * *- =*==*£ ^=*=*=
Copyright, 1886, by B. W. Hitchcock.
7i BONNIE DUNDEE.
av is Ei^5=E^ SI ^=±3T^ 8
3rf^=^=to^S 3=4^S| & i==£--i*- -^- -©-
-f r r r T f- r , t * -*
MONEY IN BOTH POCKETS.
^^gpj^^^^^^^^r^RiSnps
GARRY OWEN. Irish Jig.
'
J: J: 'j J*Copyright, 1886, by B. W, Hitchcock.
lifaiisiii
PADDY WHACK JIG.
^aapaq 2B
Hiiii=Si:
75
Sis-tg—!—3-
i^3ii=g
illi^^^^m^mimmmm^mm-?—iT^- *
Banjo style.DE OLE GREY GOOSE.
£ia ^^^^^^^ :^»r-
^^^g#fiFa EjEggEggjiEifrS: £S3 d^3^: ^s^ =^s
MARY BLANE.
£&_griMp^ r-sg-_*L^ ^iPfli=T 3"
:&*- i _q saa,|-^l~g uz^J gxr=J-J. ^ - y trz^ ^ i_J3—^=1
1
^51 ^f h* ^Copyright, 1886, by B. W. Hitchcock.
ROSA LEE.
1st. "Y~2dT nH
-w *- -*-
gJLs _p=a. 1st. Y 2d.
3=1_»q « -H LI 1-^ "•- TT
ISBH^H!^
BACK SIDE OF ALBANY.
list Y2d. r^ i
l^^^^S^Si^^^J^=^gii^^ 3=^ =^p=
DANDY JIM.
^g_j^pm^mmm **£S
i , JS-pw-
Copyright, 1S86, by B. W. Hitchcock.
GILROY'S HORNPIPE. 77
A Minor
* £=m
^m -*-^-»-
BOATMAN'S DANCE.
Banjo style.
^k
THE FLOATING SCOW.
^^^^^=^±*=3£^^=3gE*EZ53^^2; S l^sq^^^^
Copyright, 1886, by B. W. Hitchcock.
78 JENNY GET YOUR HOE CAKE DONE.
w Banjo style.
.-=S3a5^3E=t —=P=P=£ SI z(?=^-
Banjo style.
Hfen^^ii
WHO'S DAT KNOCKIN AT DE DOOR
«s 3t± l^gl^^ a
MISS GENIE REED'S JIG.
«Eg^ 1^^^_2L^*a_ -Jd.
ssse3:3?i3fct3ti=e:i£_^ia£fe§*3?l
Copyright, 1886, by B. W. Hitchcock,
SAILOR ON SHORE HORNPIPE. 79A Minor. Banjo style 13b 12b
-,3 id3
ttBanjo style. 2
pPEBffla=as=a
JORDAN AM A HARD ROAD
nr^"4
"n^—ri-g'^H-I
lst- | 2d -
|l^i^fflBLUE EYES POLKA.
i^giEgHipiCopyright, 1886, by B. W. Hitchcock.
80 THE MAY-POLE POLKA.
« © 2 —' O^FLANAGAN'S WAKE. Irish Jig.
3b±±Sil3§s t»=f a^"t
g£«^i££
2 -^ O 2^4^235
THE RED ROSE WALTZ.
mfe^ axj-^JJ-J 4=1=
T=3=g £*: 3^
t& 1st-I , Y 2d. I
i
I
Fine. J J
*S
*6*1 1st. 9* y 2d
:"E5
t*=*|rSICopyright, 1886, by B. W. Hitchcock..
THE MOSS ROSE POLKA. 81
w_ lst -
I2d -
s£mmmm*—*-
_™^=
I- ^r 3*=^^
mm m I1st.
3rEg3£p^=ggEJE
"Y2d.
=t=3=i
t=r-dLe^a—•—'
J-J "
BOSTON CLOG HORNPIPE.4 42 w —
'
3 s—ii 3 42
Copyrighf,, 1886, by B. W. Hitchcock.
82 THE WOODBINE POLKA.
n* tt ^ * ===== j*_ \ ^ Sfe^ I
1st. wV 2d. ^^FlNE.
II J |H
=S^»=*a=fiB
7). 6'.
SWISS MAZURKA.
^^fegj^^^^^^s^l^^ i
-a
6*
^BEfe
5 £=r=ii:
--£--*-£ 1 F*3 *°% J _H^-J
THE NINA POLKA.
ggjEjP* ^g±gVgg:a=^5gESg£BBSU^
=*=!=»*^^3^^^^©^^b=tttL*tjg5=pH
itnsfc S§rrt:
J9.&
e»-
Copyright, 1886, by B. W. Hitchcock.
PERHAPS SHE'S ON THE RAILWAY. 83
m wr r r
^^^^HSH^^^^^^^Ite5SJ=J
-»- -•- "^ -«- ^SU -*^ ^S- -•-
THE SANGALLI TRICK DANCE.Tune 4th string to B.
Si&S=£: I isg M£&=m:iy r ^ r ^ i u> i
i
fa=AUJr 11* I
i^:--*$*- m m&*^&^=^=t=^i=£±=£m
f i" i
i&*EJ5£*Har. 12th.— 2b^, [**•* 7b 4 Y i -^ P*> _^ fT-
!
iiJ -J=--AJ=^
i
Copyright, 188C, by B. W. Hitcheork.
84 PHIL ISAAC'S JIG,
# Tune 4th string to B.I1st. V 2d.
XJ . > . -9- -jJT -9-
a
Banjo style.
MOLLY BRANNIGAN'S REEL.
j^^f^^j jm-^m^^^rf^
V"^dT1
fls
U_^ 1 & 1_.
=j=p3«j=^^§^i^g^pEg5i=H
Tune 4tL string to BS32 1
TITUS' JIG.
Copyright, 1886, by B. W. Hitchcock.
Tune 4th string to B. Banjo style,
4, ^-^-gaO'NEIL'S JIG, 85
35^=^^?^3F^ ^tt£d »l 3
2=*: «trtzt St3*=t
&#S^sg§if^S|jg mmTune 4th string to B. Banjo Style
NEW YORK JIG.
LAME SOLDIER WALK AROUND.
1~
iS3^ to eft«= ^mj-| Break
m- liii3==3£ =Sj?3?^jj
Copyright, 1886. by B. W. Hitchcock.
86 BOUND TO RUN ALL NIGHT, OR CAMPTOWN RACES.
H H~-<»-l =1.—d-f»-/»-| H*T»lOi —»-\ -+-
. Banjo style.
±==±&±1S=gI§p§p5Ip§Ip3^iP^S 1
^^P^^^P^THE PEANUT GAL.
tf-^-cjcg^^^^^s —
t
§^=3= iS^^i 3=3P3
BUTLER'S JIG.
iJBanjo styl
SPgi^l^i -Jll^gpLj-^ ^ =p^#^ 1
2X2X2 X
:t=[=t"? ^^S^^a^i^^iCopyright. 1886, by B. W. Hitcljcock.
BLIND HORSE JIG.
5b
87
"1Minor.gb .
F# =FT
zL_z=j_q=z^-^-33—
^
9: .3:•-*=-*=
-*••
-^z*-
EE^jbi
« 'J53 _
fe ^=1 '^-'-==1- —1-»—L-P
—
£ V- ^w=-w-
^—JJ
Banjo Style.
Pft ii^lgpSPICAYUNE BUTLER.
+-+ :=±
AW m-^~^—9
r^==?s=:«*: 5=pr=t=:
Banjo Style.
Tune 4th string to B
RUSTIC JIG,
Si:
I 1st.
-•" *' «?<*-—jt-h11-*" ^—O-H-r-:-t=:rif=p=t:
V 2d.
ffl SK**
Z>.6\
=a*=t*=*=S=*^Copyright, 1880, by T5. W. Hitchcock.
88Banjo Style.
PHILADELPHIA JIG.
^ ^:. ^:. :g:. *- • *•; t* •
.zrsrr^z\z^M>.
.^' -*^g: lit
COTTON POD REEL,
;P*/b . |*- ):
—
i-r-f-i~0-f—«-a-f rM"i —1—J^j?5-
1st. V 2d. Fine. 1
—k~HI^Si_^fc» ^* a a-^^-F-^-3^ • "-~J^IsL^Lfsfce=^_B
^§s UZ^Zsfctt<Lz
U=jfcjfc3=zlrq=t3t
Banjo StyleBRIGHTON JIG.
V 2d. 1
Copyright, 1886, by B. W. Hitchcock.
HISTORY OF DE WORLD.Banjo Style.
^E^± 3EH5ETfEm=qci
=*rs_?c=c=s;r^=-t=^
89
1
sh=^}fJ^ ~? p-jc =3E
^T-1—
&=s=s=a
CLAM BAKE REEL.Banjo Style.
EE^ S^Sf^=^Lzifi +7j»-F---I j—]-g-^—g-=|—^v -g-^^ 4-
1
RATTLESNAKE JIG.
Banjo Style.
-m=^ P^B^^fej^^B^Ef^fe^feff-
;
^-^jdl^pip ^EPCopyright, 1886, by B. W. Hitchcock.
90 TOM BRIGGS' JIG.
Slow.
r=2
-±-m- m -m-
--1^1
on 4th string.2 2 12
ESp3^3i3E-tt
S^ Tiizrq: afcz^tiz*PHHHm•^T3:
±1—i—
i
—
r
^g-j-|ra=ifci=i=j=
—I ?™ :~fSu—r
—
^=
—
g? ^~
5b 1st.
» F* -j—F-!—i-
V 2d.
zfc^r^^=fc*=* i;
^- + -.*-
=-5*3=i3^ -_t=p: H
Banjo Style.
FLAT BOAT WALK AROUND.
ipy^^yj^ssBbsgiiH=t* 11st. V^dT
Break.
£=^55 <*-^r-g-w- B3g=Ef3S^iUS pill
Banjo Style.
^S^fefe^ALLIGATOR WALK AROUND
jgfejjfee^liil^g*SW
g^agg^g=jj^*3-,i^ v 2d. n Break.
Copyright, 1886, by B. W. Hitchcock.
"3 *iSSpll^fSl^I
ALL NIGHT REEL. 91
Banjo Style.
afc
«*= iq=]ra£3:
.-#£==3W:§H^ ^5,-q:t*lS=*
:^: ^
Sfe^g:^S=*:
fl^^S*=«5
STOP JIG.Banjo Style.
m Se^Bm ^^n^aas^^^^^^W^pi^y^M
Copyright, 1886, by B, W. Hitchcock.
92 AIR FROM LE PETIT DUC. Waltz movement
JlCT
u + X X IX X :i: X X -»:
r T 'I
fcS*
^—i—pp*^"
rrr.-p: X X IX X =: X X .*:
I'
I 5: '
I
*r X arI X f
,_. ,
I
5BrU^ JIBUTI -™ „ Fine-
f-X X T X X 3: X |
' p: X f3"
[ X
*rj dc-^^M^^MkB^^^^
AIR FROM THE MIKADO. Duet— Nanki-Poo & Ko-Ko.ii*
9*
ff-H-X:
sj-
u »."
X j^X
»' * * %- S 5tX -a>- X X ^ ^ x *£ x
tTEp-T
Copyright, 1886, by B. W. Hitchcocl
fesfes^rfm Tj J.^r rj*~~*v^—
'
T~r rrf.r
BARBE BLEUE POLKA.
^faj fl l
-. flU93
533=03 &j-^-f—r^f—t^^* —
^^^^^g#g#^ng&*jEfl gUlli
AIR FROM BILLIE TAYLOR. Waltz Movement.
Ife^gSE^E^ hS» =j*»f=f^-^- „
J=^5r r "
'
u :r
Copyright, 188t7by B. W. Hitchcock.
W LUCY LONG.Banjo Style. 2 r^=g + p-—±
^-3-^—ft—|V_n-_ft—g*g^j--B-P5=]-jgg--gg-:3 :
d^
gllfe^P^p^p^^^^^i^^sa^ip^ji^^^iii^^ ggggi^igigii^
BONNE9*
SSPBONNE NUIT MARCH. From "Genevieve de Brabant."9*
T^ggSa±ii^5^
rS| x 5: X 3: S
j i ft pq-rq ryrgJ- r* i ,«»
LknmJ
Copyright, 1886, by B. W. Hitchcock.
CONTENTS. 95
An American's Toast, ....... 13Auld Lang Syne, ....... 30Annie Laurie, . . . . . . . . 49Arkansas Traveller, ....... 50Alabama Walk Around, (Banjo Style.) . . . .62Andy Leavitt's Polka, ....... 70Alligator "Walk Around, (Banjo Style.) . .- . .90All Night Reel, (Banjo Style.) 91Austrian National Hymn, ...... 10Bridal Waltz, 12Black Snake Reel, ....... 12Babies on our block, ....... 17Barbe Bleue Polka 93Billie Taylor, (Air From) 93Bonne Nuit March. (From Genevieve de Brabant) . . 94Boys of Lancashire, (The) ...... 9Billy's Back Room, ....... 44Barney Bralligan, ........ 36Blue Bells of Scotland, 33Bonnie Doon, ........ 51Believe me of all those endearing young charms, ... 60Blue Eyes Polka, 79Blue Monday, ........ 50Buy a broom Waltz, ....... 47Boatman's Dance, (Banjo Style.) ..... 77Boston Jig. . . . . . . . , . .62Begone dull care, ....... 56Boston Clog Hornpipe, ....... 81Bonnie Dundee,........ 74Back Side of Albany, ....... 76Brighton Jig, ( B.anjo Style.) 88Bound to run all Night, (Banjo Style.) . . . .86Blacksnake Reel, (Banjo Style.) ..... 12Blind Horse Jig, ........ 87Butler's Jig, (Banjo Style.) 86Band Polka, 24Bird Polka, (The) 21Chinese Dance, ........ 48Country Reel, (Banjo Style.) . . . . . 49Cobweb Reel, ........ 28Come to de old Gum Tree, (Banjo Style.) . _ . . . 58Charleston Gals, (De,—Banjo Style.) ..... 58Cockade, (The)........ 37College Hornpipe, ....... 72Comiu thro' the Rye, ....... 34Cambe.ll's are eomin', (The) . . . .. . .54Cotillion Reel, 43Chorus Jig, 42Cuckoo, (The) ........ 69Countrv Dance, . . . . . . . .72Cotton Pod Reel, (Banjo Style.) ..... 88Clam bake Reel, (Banjo Style.) 89De Angels am coming,....... 7"Dude! Dude! Dude!" 21Devil's Dream, (The) 54
Drops of Brandy, . . . . . . . .36Durang's Hornpipe, ....... 46Dick Sand's Clog Hornpipe, ...... 41Drink to me, ....... 63Daisy Waltz, ........ 69De Old Grey Goose, (Banjo Style.) . . . .75Dandy Jim, ......... 76Die Wacht Rheiu, ........ 5Dave Reeds Reel, . . . . . . . 59Empress Varsovienne, ....... 45Edinburgh Town, ........ 60Eveleen's Bower, ....... 56Fisher's Hornpipe, ....... 52Fred Wilson's Clog Hornpipe, ...... 57Fille du Madam Angot, (Air from) .... 71Faust, (Air from) 71Flat Boat Walk Around, 90Flanagan's Wake, ........ 80Frank Wilson's favorite Jig, ...... 66French National Hymn (Marseillaise,) ..... 14Gwine to Zion's land, ....... 8God bless the bright gem of the Sea,..... 24Gwine to ride up in de Chariot, ...... 28Good Day Jig, ........ 27Gilroy's Hornpipe, ........ 77Gazelle Hornpipe, ....... 39Gossamer Waltz, ........ 70Gem Waltz, (The) 69Garry Owen, ......... 74Genie Reeds Jig, (Miss.) . . . . . . 78How to be a Masher, ....... 11Home Sweet Home, ....... 43Haste to the Wedding, ....... 34Highland Reel, . 27Highland Lad, ( A ) 61Hungarian Waltz, . . . . . . . 38Hail to the Chief 58History of the World, (Banjo Style.) 89Hail Columbia, ... .... 19I'd sooner be Lucky than Rich, ...... 8Irish Fair Day, (An) . . . . . . .22Irish Jig, 32Isaac's Jig, ........ 47.
It'll nebber do to gib it up so, (Banjo Style.) . . . .63Irish Washerwoman, (The) ...... 73Jog along to glory, ........ 20John Anderson my Joe, (Jig.) ..... 30Jenny put the kettle on, ....... 33Jordan am a hard road to Trabble, ..... 79Jim Crack Corn, (Banjo Style.) ..... 51Jessie the flower O'Dunblane, ..... 64Jennie get your hoe cake done, (Banjo Style.) . .-'-.. .78Johnny Booker,........ 64Keep dem gates wide open, ...... 26Kate Kearney, ......... 59
96 CONTENTS.Kelvin Grove,La=s 0' Gowrie. (The)Last Rose of Summer (The)Larry O'Gaff,Lamplighters' Hornpipe, .
Le Petit Due,, (Air From)Lucy Long, .
Lynchburg Town, (Banjo Style)Louisiana BelleLame Soldier's Walk Around, (Banjo StyleMay Blossom Polka,Mulligan's Wake,Meet me at de golden gateMechanic's Jig, •
May-Pole Dance,My love is but a lassie,
Money Musk,Mountain Keel, .
Money in both pockets,Mary Blaue.Mollv Brannagan's Reel, (Banjo Style)Moss Rose Polka, (The)May-Pole Polka, (The)Mikado Pot Pourri,My heart is where the Shamrock grows,Mikado, (Air From) Duet, .
Nobby Joe, .
No luck about the house,Norah Creina,New York Jig, ( Banjo Style.)
Nina Polka, (The)Our Selected Irish Style,
Old Town Reel,
Old Zip Coon,Old King Crow, (Banjo Style.)
Opera Reel, .
Oh Susanna,One Bumper at parting,Old Joe, (Banjo Style.) .
O'Neil'sJig, (Banjo Style.) .
Pert Polka. .
Put my foot in de golden shoe,Paddy go down,Paddy McFad, .
Pollv Hopkin's Waltz,Pride of Kildare,Pop goes the weasel, .
Peel's Favorite Reel,Paddv's delight,
Pea-Nut Gal, (The) .
Patience, (Air from) No. 1.
Patience. (Air from) No. 2.
Palmetto Schottische, (The)Paddv Whack. .
Philadelphia Jig, (Banjo Stvle.)
Picayune Butler, (Banjo Style.)
Perhaps >lir's on the Railway.Pa time Jig,
Russian NatioRobin Adair,
Hymn,
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Rocky Road to Dublin,Rory McLaun,Roy's wife of Aldivalloch,Rory O'More,Ree:Row my true love, (Banjo Style.)
Robinson Crusoe, .
Rosa Lee. ....Racquet Reel,Rattlesnake Jig,
Rustic Jig. (Banjo Style.)
Red Rose Waltz,Shaddock's Jig, ....Starry Flag, (The) .
Sprig of Sliilhilali,
Star Spangled Banner, (The)Speed the Plow,Swiss Waltz,Seventeenth of June, .
Seville Waltz, ....Sailor on Shore Hornpipe,Smith's Hornpipe,Standard Clog Hornpipe, .
Stop dat Knockin',Such a gitten up stairs,
Soldiers' March, (The)Scotch Bag Pipes, No. 1,
Scotch Bag Pipes, No. 2,
Spanish Waltz,.St. Patrick's Day,Sing, darkies, sing.
Stop Jig, (Banjo Style.)
Sangalli Trick Dance,Swiss Mazurka,Texas Charlie,
The Clouds are rolling by, Jennie,
Take good care of Mother,That's always the way with you boys,TuUechgorum,Tyrol Waltz,The young May Moon,The girl I left behind me,The Goose hangs high.The Poachers, ....The Floating Scow, (Banjo Style.)
The Grenadiers, . .
Tara's Harp, . . .
The Rose Tree. ,
Trovatore, (Air from)Tom Brigg's Jig,
Titus' Jig, . . . . '
Virginia Reel. ...What shall I do? . .
We wont go home till morning,.We're a' noddin',Weel may the boat row,Widow Machree,Whole hog or noue, (Banjo Style.) .
Who's dat knockin' at de door? (Banjo Style.)
Woodbine Polka, (The>Yorkshire Hornpipe,
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